Magazin Ausgabe 08-2003
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WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Autobituary: the Life And/As Death of David Bowie & the Specters From
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan Electronic version URL: http://journals.openedition.org/miranda/13374 DOI: 10.4000/miranda.13374 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jake Cowan, “Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13374 ; DOI: https://doi.org/10.4000/miranda.13374 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Autobituary: the Life and/as Death of David Bowie & the Specters from Mournin... 1 Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan La mort m’attend dans un grand lit Tendu aux toiles de l’oubli Pour mieux fermer le temps qui passé — Jacques Brel, « La Mort » 1 For all his otherworldly strangeness and space-aged shimmer, the co(s)mic grandeur and alien figure(s) with which he was identified, there was nothing more constant in David Bowie’s half-century of song than death, that most and least familiar of subjects. From “Please Mr. Gravedigger,” the theatrical closing number on his 1967 self-titled debut album, to virtually every track on his final record nearly 50 years later, the protean musician mused perpetually on all matters of mortality: the loss of loved ones (“Jump They Say,” about his brother’s suicide), the apocalyptic end of the world (“Five Years”), his own impending passing. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
David Bowie Early Years Mp3, Flac, Wma
David Bowie Early Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Early Years Country: Europe Released: 1985 Style: Glam, Classic Rock MP3 version RAR size: 1710 mb FLAC version RAR size: 1222 mb WMA version RAR size: 1574 mb Rating: 4.3 Votes: 303 Other Formats: AAC RA DTS AA VQF WAV DMF Tracklist Hide Credits Aladdin Sane Watch That Man (New York) (R.H.M.S."Ellinis") A1 4:30 Written-By – Bowie* Aladdin Sane (1913-1938-197?) A2 5:15 Written-By – Bowie* Drive-In Saturday (Seattle-Phoenix) A3 4:38 Written-By – Bowie* Panic In Detroit (Detroit) A4 4:30 Written-By – Bowie* Cracked Actor (Los Angeles) A5 3:01 Written-By – Bowie* Time (New Orleans) B1 5:10 Written-By – Bowie* The Prettiest Star (Gloucester Road) B2 3:28 Written-By – Bowie* Let`s Spend The Night Together B3 3:10 Written-By – Jagger/Richards* The Jean Genie (Detroit And New York) B4 4:06 Written-By – Bowie* Lady Grinning Soul (London) B5 3:53 Written-By – Bowie* The Man Who Sold The World The Width Of A Circle C1 8:07 Written-By – David Bowie All The Madmen C2 5:34 Written-By – David Bowie Black Country Rock C3 3:33 Written-By – David Bowie After All C4 3:52 Written-By – David Bowie Running Gun Blues D1 3:12 Written-By – David Bowie Saviour Machine D2 4:27 Written-By – David Bowie She Shook Me Cold D3 4:13 Written-By – David Bowie The Man Who Sold The World D4 3:58 Written-By – David Bowie The Supermen D5 3:39 Written-By – David Bowie Hunky Dory Changes E1 3:34 Written-By – David Bowie Oh Your Pretty Things E2 3:11 Written-By – David Bowie Eight Line Poem E3 2:53 Written-By – David Bowie Life On Mars? E4 3:45 Written-By – David Bowie Kooks E5 2:45 Written-By – David Bowie Quicksand E6 5:03 Written-By – David Bowie Fill Your Heart F1 3:07 Written-By – Rose*, Williams* Andy Warhol F2 3:53 Written-By – David Bowie Song For Bob Dylan F3 4:10 Written-By – David Bowie Queen Bitch F4 3:14 Written-By – David Bowie The Bewlay Brothers F5 5:21 Written-By – David Bowie Companies, etc. -
Topdog Rankings
DOGS IN CANADA Point System for the Years 1986-2017 RANK DOG BB G1 G2 G3 G4 BIS PTS %GRP 1 Skerryvore Pipes Of Pan (R.& G.Mair) 126 11 13 10 11 4 4363 35.7 2 Foxairn Tinman (B.Hyslop) 19 10 2 1 1 3 3789 73.7 3 Felix Von Den Seuten Snuddelbuddels (M.K 208 16 44 32 29 1 2984 58.2 4 Skerryvore Dances With Wolves (G.Mair, N 81 19 12 16 5 3 2656 64.2 5 Gaelic Haggis MacBasher (B.Hyslop) 69 15 6 14 10 1 2648 65.2 6 Stonebridge Just A Little Bit Better (D. 168 41 38 35 27 2 2634 83.9 7 Clanmarr's Seamus Macdubh Cgn (E.O'Neill 202 29 37 33 26 1 2221 61.9 8 Graecairn's Mitey Tuff (L.Graham) 68 9 11 16 7 1 2143 63.2 9 Cairndania Sam's Sundew (B.Hyslop) 16 6 4 3 2 2 1985 93.8 10 Yellowbrickroad King Of The Road (E.O'Ne 149 24 36 22 15 3 1738 65.1 11 Kian's Hersheykiss O'Aberfeldy (M.& L.Jo 110 2 9 23 13 0 1600 42.7 12 Kinncayre's Keystone Kop CD (C.Krohn) 150 25 28 23 22 1 1566 65.3 13 Cairnorth's Captain MacLeod (D.& E.Perks 71 19 16 10 4 2 1437 69.0 14 Savangelina's Touch of Sable (U.& S.Viss 85 3 8 9 5 1 1385 29.4 15 Checkers The Chieftain (J.Blackstaffe) 93 7 3 12 9 0 1359 33.3 16 Sandaig Spinner (D.Willis) 122 1 10 12 14 0 1311 30.3 17 Grayfriar's Max Cgn (I.Danby) 220 6 15 31 32 0 1259 38.2 18 McCairn's Sir Henry Hudson (J.Lewis) 52 0 4 7 5 0 1238 30.8 19 Cairnisles Sharp Dressed Man (S.Bremaud) 62 16 3 5 6 1 1153 48.4 20 Mistybrig Sgian Dubh (J.& J.Bogan) 91 19 12 11 14 1 1152 61.5 21 Quarrydene's Gambling Man (M.Schmitt) 56 3 10 11 8 0 1058 57.1 22 Mistybrig's Bogie Man (J.Bogan) 78 3 4 4 8 0 998 24.4 23 Cairnton's Shadow Rising (J.Lewis) 56 2 8 9 5 0 963 42.9 24 Hampton Court's Pick Pocket (V.Malzoni J 66 14 12 14 6 0 946 69.7 25 Skerryvore Will O'the Wisp (G.Mair) 30 9 5 4 1 1 940 63.3 26 Paragon's Well Chosen (M.Fedders) 49 10 14 11 5 1 929 81.6 27 Hampton Court's Fergus (J.Valle) 68 10 12 12 10 0 917 64.7 28 Tigh Terrie's Stitch In Time (R.Anderson 64 15 6 11 8 1 882 62.5 29 Mighty Hunter Of Alamawa (C.Nicholson) 58 4 4 3 7 0 842 31.0 30 Checkers Beauregarde (J.Blackstaffe & E. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Sonik84full.Pdf
ww Depeche Mode by D.A. Pennebaker Chris Hegedus 101The Movie David Dawkins ΑΘΗΝΑ Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του θεάτρου Badminton ΔΕΥΤΕΡΑ 01.04.13 Ολυμπιακά Ακίνητα Γουδή. Tηλ: 13855 & 210.88.40.600 Photo: Anton Corbijn. Design: Dimitris Panagiotakopoulos Kινηματογράφος ΘΕΣΣΑΛΟΝΙΚΗ Ολύμπιον Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του Kινηματογράφου Ολύμπιον ΣΑΒΒΑΤΟ 06.04.13 Πλατεία Αριστοτέλους 10. Τηλ: 2310 378400 ΧΟΡΗΓΟΣ Μοναδικός. Καθημερινός. Αληθινός sonik_dm_21x27.5.indd 1 27/02/2013 3:32 μ.μ. 4 | LOGΙΝ Μηνιαίο μουσικό περιοδικό Mάρtιος 2013 ISSN: 1790-1960 Περιεχόμενα 6 My Latest Obsession 10 αναγνώστες του SONIK μας γνωστοποιούν το τελευταίο τους κόλλημα 10 SONIK World Τάσεις, εξελίξεις και προτάσεις από την παγκόσμια μουσική σφαίρα EDITORIAL 14 SONIK Greek Τάσεις, εξελίξεις και προτάσεις από την ελληνική μουσική σκηνή Τις μέρες που κλείνουμε το παρόν τεύχος, το YouTube έχει γεμίσει και αγορά σχόλια επιδοκιμασιών (αλλά και –αναμενόμενα– ειρωνειών) για το spoken word single/video “Lightning Bolts” του Nick Cave. Πέρα 18 Nick Cave «Υπάρχουν τραγούδια που πεθαίνουν με το πέρασμα του χρόνου. από τις υπερβολές περί αρχαίας τραγωδίας, μεταφορών περί κε- Οι καλές συνθέσεις σου, όμως, κάνουν μόνες τους φανερή ραυνών του Δία κ.α., ένας στίχος πρέπει να ανησυχήσει τη δική μας, την παρουσία τους.» εγχώρια μουσική ελίτ που απαξιεί να ασχοληθεί σοβαρά με το 22 Warren Ellis θέμα: «Στην Αθήνα οι νέοι κλαίνε από τα δακρυγόνα – εγώ είμαι «Από τη στιγμή που έφυγε ο Mick Harvey, το βάρος για μερικά στην πισίνα του ξενοδοχείου μου μαυρίζοντας». Δεν ξέρω αν χρει- ζητήματα έπεσε ακόμα περισσότερο στους ώμους του Nick.» αζόμαστε συμπόνια, αν οι εικόνες αυτές δεν βοηθούν τον τουρι- 28 The ch-ch-changing face of David Bowie σμό, αν απλώς είναι λαϊκίστικες κορώνες, αν απευθύνονται καν σε μας. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Djam Karet – a Sky Full of Stars for a Roof
Djam Karet – A Sky Full Of Stars For A Roof (44:34, CD, Digital, HC Productions, 2019) Die kalifornische Formation Djam Karet fühlte sich seit ihrem Start vor mehr als 35 Jahren mehrfach in unterschiedlichen stilistischen Bereichen zu Hause. So streute man in die individuelle, rein instrumentale Progressive / Space Rock Interpretation seit jeher mal mehr oder weniger deutlich vernehmbare Ambient oder elektronische Elemente ein. Waren die letzten Alben teilweise im Retrobereich mit entsprechender analoger Keyboarduntermalung und gelegentlichen Anleihen Richtung Canterbury Stilistik unterwegs („Regenerator 3017“ aus dem Jahr 2014 oder ein Jahr früher „The Trip„), so deutete bereits der 2017er Vorgänger „Sonic Celluloid“ eine gewisse Umkehr in die wesentlich atmosphärischere Richtung an. Das aktuelle, immerhin schon offiziell 19. Werk „A Sky Full Of Stars For A Roof“ setzt den Weg der konsequenten Interpretation der anderen musikalischen zurückgenommenen Seite der Band fort. Das eher ruhige, gerade cineastisch schwebende Album ist noch mehr von chilligen, World Music- lastigen Ambientklängen durchzogen, steht in der sphärischen Tradition von Werken wie „Suspension & Displacement“ (1989) oder „Collaborator“ (1994). Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Die Band beschreibt „A Sky Full Of Stars For A Roof“ als das bisher melodischste bzw. am deutlichsten akustisch fundierte Album der Historie, welches von psychedelischen Stimmungen und Soundscapes durchzogen ist. Damit erscheint es letztendlich logisch, dass man dafür jede Menge exotisches Instrumentarium wie z.B.