WATCHMOJO – the Life and Career of David Bowie (1947-2016)
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Hugo Hamilton's Berlin Trilogy
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "Struck with Ireland fever": Hugo Hamilton's Berlin trilogy Author(s) Schrage-Frueh, Michaela Publication Date 2019 Schrage-Frueh, Michaela. (2019). "Struck with Ireland fever": Publication Hugo Hamilton's Berlin trilogy. In Deirdre Byrnes, Jean Information Conacher, & Gisela Holfter (Eds.), Perceptions and perspectives: Exploring connections between Ireland and the GDR. Trier: Wissenschaftlicher Verlag Trier. Publisher Wissenschaftlicher Verlag Trier Link to publisher's http://www.wvttrier.de/top/beschreibungen/ID1666.html version Item record http://hdl.handle.net/10379/16391 Downloaded 2021-09-25T05:41:27Z Some rights reserved. For more information, please see the item record link above. “Struck by Ireland-Fever”: Hugo Hamilton's Berlin Trilogy Michaela Schrage-Früh Hugo Hamilton is an Irish-German writer best known for his memoir The Speckled People, published in 2003, which offered a poignant account of his own difficult childhood as son of a German mother and Irish father in Dublin in the 1950s and 1960s. However, Hamilton also spent one year living in Berlin in the mid-1970s and many of his observations in his debut novel Surrogate City, published in 1990, shortly after the fall of the Berlin Wall, have been based on his experiences during that sojourn and subsequent visits.1 While Surrogate City is set in an unspecified time in pre-unification West Berlin2, with the reality of the Wall and the world beyond it lingering like a shadow in the fringes of the characters’ consciousness, his third novel The Love Test, published in 1995, takes place right after the collapse of the GDR. -
2021 Spring/Summer Series
Dear Patrons, Welcome back to live events at the Bologna Performing Arts Center! We are excited to have artists returning to our stage, and look forward to inviting you to attend shows again. Things will be a little different this spring and summer. Due to the ongoing nature of the pandemic, we are going to put each show on sale individually, about 4-6 weeks before each event. This allows us to make sure we are following the most recent executive orders, including audience capacity guidelines. Please refer to the on-sale dates for each artist in this brochure. Seating has been reduced for our Spring/Summer Series, and is being sold in staggered pairs and groups. We ask that you purchase all of the seats in the grouping to ensure that patrons are comfortable being seated together. At this time, all patrons are required to wear masks during their visit to the Bologna Performing Arts Center. All of our staff and volunteers will also wear masks, and do daily temperature checks and symptom monitoring. We ask you to please monitor your own health, and stay home if you do not feel well. We have also increased our cleaning and sanitation regimens. We have invested in new cleaning systems to ensure that the theater is totally sanitized prior to every performance. We encourage you to call us at 662-846-4625 or visit our website www.bolognapac.com for the latest health and safety operating guidelines prior to your visit. We are eager to resume presenting live events with this Spring/Summer Series. -
Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 23-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Age of Bowie 1St Edition Pdf, Epub, Ebook
THE AGE OF BOWIE 1ST EDITION PDF, EPUB, EBOOK Paul Morley | 9781501151170 | | | | | The Age of Bowie 1st edition PDF Book His new manager, Ralph Horton, later instrumental in his transition to solo artist soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, " Do Anything You Say ". Now, Morley has published his personal account of the life, musical influence and cultural impact of his teenage hero, exploring Bowie's constant reinvention of himself and his music over a period of five extraordinarily innovative decades. I think Britain could benefit from a fascist leader. After completing Low and "Heroes" , Bowie spent much of on the Isolar II world tour , bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. Matthew McConaughey immediately knew wife Camila was 'something special'. Did I learn anything new? Reuse this content. Studying avant- garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's theatrical production Pierrot in Turquoise later made into the television film The Looking Glass Murders. Hachette UK. Time Warner. Retrieved 4 October About The Book. The line-up was completed by Tony and Hunt Sales , whom Bowie had known since the late s for their contribution, on bass and drums respectively, to Iggy Pop's album Lust for Life. The Sydney Morning Herald. Morely overwrites, taking a significant chunk of the book's opening to beat Bowie's death to death, the takes the next three-quarters of the book to get us through the mid-Sixties to the end of the Seventies, then a ridiculously few yet somehow still overwritten pages to blast through the Eighties, Nineties, and right up to Blackstar and around to his death again. -
The Canon, [1972-73]: Volume 3, Number 4
Digital Collections @ Dordt Dordt Canon University Publications 1973 The Canon, [1972-73]: Volume 3, Number 4 Dordt College Follow this and additional works at: https://digitalcollections.dordt.edu/dordt_canon Recommended Citation Dordt College, "The Canon, [1972-73]: Volume 3, Number 4" (1973). Dordt Canon. 55. https://digitalcollections.dordt.edu/dordt_canon/55 This Book is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Dordt Canon by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Soli Deo Gloria CANNON DORDT COLLEGE, SIOUX CENTER, IOWA VOL. III -.- No.4 Mother Night: Victims of Change Victoria and Blue·Jeans Prof. James Koldenhoven by Pat De Young What Is Life? The old and the new, like jaws of a trap, have closed on the people of I saw Victoria Allison for the first ally she disagreed in discussion-too by Becky Maatman Tennessee Williams and John Osborne's time on satge. She walked out, long loudly in her curt, clipped Yankee ac- Vonnegut, author of Mother Night plays, The Glass Menagerie and Look swinging steps, took the mike, and cent. Having said what she wanted to asks, "What is a war criminal? Is it Back inAnger. Laura Wingfield iS1he quietly announced, "I will sing a selec- say, she would give her head a toss someone who has obeyed his conscience, central victim in Williams' American tion from Hair." Staring at the floor in and return to silence, eyes focused on perhaps doing wrong,",» is it someone (U.S.A.) culture in the 1930's and silence, she paused. -
Locational Relationality in Hedi Slimane and Helmut Lang Susan Ingram
Document généré le 3 oct. 2021 03:30 Imaginations Journal of Cross-Cultural Image Studies Revue d’études interculturelles de l’image Where the Boys Who Keep Swinging Are Now Locational Relationality in Hedi Slimane and Helmut Lang Susan Ingram Fashion Cultures and Media – Canadian Perspectives Résumé de l'article Cultures et médias de la mode – Perspectives canadiennes Cet article illustre les mécanismes par lesquels Berlin et Vienne en sont venus à Volume 9, numéro 2, 2018 figurer différemment dans l’imaginaire mondial de la mode. Il établit la relation locale stylistique de Hedi Slimane et Helmut Lang, deux dessinateurs URI : https://id.erudit.org/iderudit/1059167ar de mode connus pour leur styles distictintifs qui résistent aux normes DOI : https://doi.org/10.17742/IMAGE.FCM.9.2.7 prévalentes de la respectabilité bourgeoise. La nature relationnelle de leurs identités géographiques—L’attrait de Berlin pour Slimane et le rejet de Vienne pour Lang—est liée à l’imaginaire urbain des deux villes, ce qui se manifeste en Aller au sommaire du numéro rendant hégémoniques des aspects particuliers des époques et du style de l’histoire des deux villes. Éditeur(s) York University ISSN 1918-8439 (numérique) Découvrir la revue Citer cet article Ingram, S. (2018). Where the Boys Who Keep Swinging Are Now: Locational Relationality in Hedi Slimane and Helmut Lang. Imaginations, 9(2), 67–83. https://doi.org/10.17742/IMAGE.FCM.9.2.7 All Rights Reserved ©, 2018 Susan Ingram Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.