Michael Murphey Blue Sky · Night Thunder Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Michael Murphey Blue Sky · Night Thunder Mp3, Flac, Wma Michael Murphey Blue Sky · Night Thunder mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blue Sky · Night Thunder Country: US Released: 1975 Style: Country Rock MP3 version RAR size: 1660 mb FLAC version RAR size: 1398 mb WMA version RAR size: 1491 mb Rating: 4.7 Votes: 278 Other Formats: DMF MP4 MP3 DXD ASF MMF AIFF Tracklist Hide Credits Wildfire A1 4:47 Written-By – L. Cansler*, M. Murphey* Carolina In The Pines A2 3:54 Written-By – M. Murphey* Desert Rat A3 3:53 Written-By – M. Murphey* Wild Bird A4 2:24 Written-By – M. Murphey* Blue Sky Riding Song A5 3:32 Written-By – M. Murphey* Medicine Man B1 3:49 Written-By – J. Murphy*, M. Murphey* Secret Mountain Hideout B2 3:56 Saxophone [Solo] – Tom ScottWritten-By – J. Murphy*, M. Murphey* Without My Lady There B3 2:33 Written-By – M. Murphey* Night Thunder B4 2:46 Vocals – Tracy NelsonWritten-By – M. Murphey* Rings Of Life B5 3:18 Written-By – G. Nunn*, M. Murphey* Companies, etc. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Pressed By – Columbia Records Pressing Plant, Santa Maria Manufactured By – Epic Records Manufactured By – CBS Inc. Mastered At – Customatrix Published By – Mystery Music, Inc. Published By – Nunn Publishing Credits Arranged By – Michael Murphey* Backing Vocals – Jeff Hanna, Jimmy Ibbotson Banjo – John McEuen Bass, Backing Vocals – Michael McKinney* Design [Album Cover Design], Photography By – William Matthews Drums – Harry Wilkinson Engineer – Jeff Guercio Engineer [Assistant] – Mark Guercio Guitar – Sam Broussard Guitar, Backing Vocals – Richard Dean Keyboards, Arranged By – Jac Murphy Mandolin – Jerry Mills Photography By [Inner Sleeve] – Gary Thomas Producer – Bob Johnston Technician [Technical Assistance] – Frank Lee Notes This release was pressed by Columbia Records Pressing Plant, Santa Maria denoted by "S" in the runout. On this release track A3 is titled "Desert Rat," on label and cover. This release has an orange label with circular Epic logo. The inner sleeve is textured with lyrics, pictures and credits. The album is dedicated to Guy Dull Knife and Calvin Black-two old desert rats who “toughed it out.” They are pictured on the inner sleeve. Catalog number KE 33290 can be found on the front of the sleeve, the spine, back of inner sleeve, and on the record label. KE-33290 is found on back of sleeve above the Epic logo. Barcode and Other Identifiers Matrix / Runout (Label Side A): AL 33290 Matrix / Runout (Label Side B): BL 33290 Matrix / Runout (Side A, etched): S PAL-33290-1B o WMƐ MI-N Matrix / Runout (Side B, etched): S PAL-33290-1B o WMƐ MI-N Matrix / Runout (W over M ): WMƐ Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Michael Blue Sky · Night Thunder KE 33290 Epic KE 33290 US 1975 Murphey* (LP, Album, Ter) Michael Blue Sky • Night Thunder EK 33290 Epic EK 33290 US Unknown Murphey* (CD, Album, RE) Epic, Michael Blue Sky • Night Thunder Sony SICP 5155 SICP 5155 Japan 2016 Murphey* (CD, Album, RE) Music Labels Michael Blue Sky · Night Thunder KE 33290 Epic KE 33290 US 1975 Murphey* (LP, Album) Michael Blue Sky · Night Thunder ELPS 3721 Epic ELPS 3721 Australia 1975 Murphey* (LP, Album) Related Music albums to Blue Sky · Night Thunder by Michael Murphey 1. James Murphey & The Texas Armadillo Band - Flight 007 2. Michael Murphey - Wildfire / A Mansion On The Hill 3. Michael Murphey - Carolina In The Pines 4. Michael Martin Murphey - Chain Gang 5. Michael Martin Murphey - What Am I Doing Here / Where Do Cowboys Go When They Die 6. Michael Murphey - Michael Murphey 7. Michael Murphey - Like Wildfire 8. Michael Murphey Con John Denver - Desertor 9. Michael Martin Murphey - The Best Of Michael Martin Murphey 10. Michael Murphey - Wildfire.
Recommended publications
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Hank Williams TITEL The Legend Begins LABEL Bear Family Records KATALOG # TL 17258 PREIS-CODE CP FORMAT 3 CDs mit 16-seitigem Booklet GENRE Country ANZAHL TITEL 61 SPIELDAUER 70:35 G 3CDs im Schuber, 16-seitiges Booklet, 61 Einzeltitel. G Unglaublich, doch wahr! Es gibt noch immer unveröffentlichte Aufnahmen von Hank Williams zu entdecken. INFORMATIONEN Diese Momentaufnahmen zeigen einen Fünfzehnjährigen, der seine ersten Aufnahmen macht und – zwei Jahre später – einen schnodderigen jungen Sänger mit einer kleinen Fangemeinde in seiner Heimatstadt Montgomery, Alabama. Weitere neun Jahre später, soeben in Nashville angekommen, bekommt er seine erste landesweit ausgestrahlte Radiosendung. Schließlich, als der größte Star der Country Music, spielt er ab Herbst 1950 einige Shows für eine öffentliche Stiftung. Zwei Jahre nach der letzten dieser Shows sollte seine kurze, aufwieglerische Karriere abrupt zu Ende gehen. 1938 oder 39, Hank war fünf- zehn und litt nicht unter mangelndem Selbstbewußtsein, nahm er Fan It,einen ursprünglich dem Bluesmusiker Frankie 'Half Pint' Jackson zugeordneten Song auf. Die Rückseite war eine Version von Alexander's Ragtime Band. Zwei Jahre später, bei einer Wohnzimmer-Session im Jahre 1940, klingt Hank reifer und seine Musik 'rockte' im Vergleich zu dem, was man im Radio zu hören bekam. Die ersten Aufnahmen für die 'Health and Happiness'-Shows entstanden wohl im Oktober 1949 in Nashville. Auf dieser Zusammenstellung gibt es die Aufnahmen erstmals original und unverfälscht und ohne störende zusätzliche 'overdubs'. Diese Edition umfaßt einen Zeitraum von zwölf Jahren und dokumentiert Hanks Aufstieg vom 'singenden Jungen' beim Hei- matsender WSFA in Alabama zum alles überragenden Country-Star seiner Zeit.
    [Show full text]
  • Still on the Road 1971 Recording Sessions
    STILL ON THE ROAD 1971 RECORDING SESSIONS JANUARY 6 New York City, New York 1st A. J. Weberman Telephone Conversation 9 New York City, New York 2nd A. J. Weberman Telephone Conversation MARCH 16-19 New York City, New York 1st Greatest Hits recording session AUGUST 1 New York City, New York Bangla Desh Concerts SEPTEMBER 24 New York City, New York 2nd Greatest Hits recording session OCTOBER 5 New York City, New York David Bromberg recording session 30 New York City, New York Allen Ginsberg TV program 31 New York City, New York Jamming with Ginsberg and Amram NOVEMBER 4 New York City, New York George Jackson recording session 9-17, 20 New York City, New York Allen Ginsberg recording sessions Still On The Road: Bob Dylan performances and recording sessions 1971 1885 A. J. Weberman Telephone Conversation New York City, New York 6 January 1971 Notes. Telephone conversation between Bob Dylan and A. J. Weberman. Full conversation printed in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label) Released in the UK on THE CLASSIC INTERVIEWS VOLUME 2: THE WEBERMAN TAPES, Chrome Dreams CIS 2005, 1 August 2004. Mono telephone recording, 2 minutes. Session info updated 28 May 2012. Still On The Road: Bob Dylan performances and recording sessions 1971 1890 A. J. Weberman Telephone Conversation New York City, New York 9 January 1971 Notes Telephone conversation between Bob Dylan and A. J. Weberman . Full conversation printed in East Village Other, 19 January 1971 and reprinted in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • 1 Column Unindented
    DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat.
    [Show full text]
  • In Loving Memory of Bob Johnston: Some People Mentor You Directly, in Person
    in loving memory of bob johnston: some people mentor you directly, in person. other times, a person’s body of work mentors you, without their knowledge. for me, bob johnston was such a mentor. it’s impossible to listen to “blonde on blonde” and not learn something…be it about record production, or song writing, or musical arrangements. that record is a master class in creating a timeless work. the same is true of other johnston 1960’s productions…”highway 61”, “songs of love & hate”, “nashville skyline”, “john wesley harding”, “at folsom prison”, “songs from a room”…those records teach you that it’s about songs, and the people in the room playing them, end of story. there is an intimacy to all of those recordings that is staggering. nothing gets in the way between the song & the listener. it feels like the artists are playing those songs for you. that is because of bob Johnston. as a producer, you get paid to intervene…bob johnston had the good sense not to. bob trusted his musicans, and he trusted their songs. this was lesson number one in my mentorship. the unbelievable fact that most of the records we associate with him were made in 2 weeks or less was lesson number two. too much time could be just as much of a curse as too little, often worse in fact. the hallmark of a bob Johnston production is that you can almost hear the musicians listening to each other. that is a product of working quickly. It always felt like johnston took the producer’s version of the hippocratic oath, to do no harm.
    [Show full text]
  • Still on the Road Session Pages 1967
    STILL ON THE ROAD 1967 RECORDING SESSIONS MARCH – MAY Byrdcliffe, New York Red Room, Bob Dylan's Home MAY – OCTOBER West Saugerties, New York Big Pink's Basement, Stoll Road OCTOBER Woodstock, New York Wittenberg Road, Rick Danko's & Levon Helm's Home 17 Nashville, Tennessee Columbia Studio A, 1st John Wesley Harding session NOVEMBER 6 Nashville, Tennessee Columbia Studio A, 2nd John Wesley Harding session 29 Nashville, Tennessee Columbia Studio A, 3rd John Wesley Harding session Bob Dylan recording sessions 1967 1620 Red Room Bob Dylan's Home Byrdcliffe, New York March-May 1967 1. Edge Of The Ocean 2. My Bucket's Got A Hole In It (Clarence Williams) 3. Roll On Train 4. Mr. Blue 5. Spanish Is The Loving Tongue (Charles Badger Clark / Billy Simon) 6. Under Control 7. Ol' Roison The Beau (trad, arr. by Bob Dylan) 8. I'm Guilty Of Loving You 9. Cool Water (Bob Nolan) 10. The Auld Triangle (Brendan Behan) 11. Poor Lazarus (trad, arr. by Bob Dylan) 12. Johnny Todd (trad, arr. by Bob Dylan) 13. Rock, Salt And Nails (Bruce Phillips) 14. Confidential (Dorinda Morgan) 15. Confidential (Dorinda Morgan) 16. 2 Dollars And 99 Cents 17. Jelly Bean 18. Any Time 19. Down By The Station 20. Hallelujah, I've Just Been Moved (trad, arr. by Bob Dylan) 21. That's The Breaks 22. Pretty Mary 23. Will The Circle Be Unbroken (A.P. Carter) 24. King Of France 25. She's On My Mind Again 26. On A Rainy Afternoon 27. I Can't Come In With A Broken Heart 28.
    [Show full text]
  • Karaoke with a Message – September 29, 2018 a Project of Angel Nevarez & Valerie Tevere at Interference Archive (314 7Th St
    Another Protest Song: karaoke with a message – September 29, 2018 a project of Angel Nevarez & Valerie Tevere at Interference Archive (314 7th St. Brooklyn, NY 11215) karaoke provided by All American Karaoke, songbook edited by Angel Nevarez & Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 Logic/Alessia Cara/Khalid A 614 A Beautiful Life Ace
    [Show full text]
  • 1 Bob Dylan's American Journey, 1956-1966 September 29, 2006, Through January 6, 2007 Exhibition Labels Exhibit Introductory P
    Bob Dylan’s American Journey, 1956-1966 September 29, 2006, through January 6, 2007 Exhibition Labels Exhibit Introductory Panel I Think I’ll Call It America Born into changing times, Bob Dylan shaped history in song. “Life’s a voyage that’s homeward bound.” So wrote Herman Melville, author of the great tall tale Moby Dick and one of the American mythmakers whose legacy Bob Dylan furthers. Like other great artists this democracy has produced, Dylan has come to represent the very historical moment that formed him. Though he calls himself a humble song and dance man, Dylan has done more to define American creative expression than anyone else in the past half-century, forming a new poetics from his emblematic journey. A small town boy with a wandering soul, Dylan was born into a post-war landscape of possibility and dread, a culture ripe for a new mythology. Learning his craft, he traveled a road that connected the civil rights movement to the 1960s counterculture and the revival of American folk music to the creation of the iconic rock star. His songs reflected these developments and, resonating, also affected change. Bob Dylan, 1962 Photo courtesy of John Cohen Section 1: Hibbing Red Iron Town Bobby Zimmerman was a typical 1950’s kid, growing up on Elvis and television. Northern Minnesota seems an unlikely place to produce an icon of popular music—it’s leagues away from music birthplaces like Memphis and New Orleans, and seems as cold and characterless as the South seems mysterious. Yet growing up in the small town of Hibbing, Bob Dylan discovered his musical heritage through radio stations transmitting blues and country from all over, and formed his own bands to practice the newfound religion of rock ‘n’ roll.
    [Show full text]
  • The Cutting Edge: New York Singles Sessions, Oct - Nov 1965
    The Cutting Edge: New York Singles Sessions, Oct - Nov 1965 by Roger Ford Dylan’s first recording session following the release of “Highway 61 Revisited” was on October 5 1965, four days after his concert with The Hawks at Carnegie Hall. At this time ‘Like a Rolling Stone’ was finally on its way down the Billboard chart at No. 33, and ‘Positively 4th Street’ was just on its way up at No. 34, but Columbia may already have been keen for Dylan to have a follow-up single ready for late autumn release.1 In fact, three days of sessions were booked in the New York studio diary, on October 4, 5 and 6, but the first and last of these were cancelled, leaving just a six-hour double session on the 5th. It seems unlikely that the studio bookings were entirely Dylan’s idea, as he evidently had no new songs finished and ready to record. But now that he had his own road band, he may have been interested to hear how they would perform in the studio, and so went ahead with the recording date anyway, maybe thinking he’d make something up on the day.2 October 5, 1965 MEDICINE SUNDAY (CO 87183) Collectors have long been familiar with a version of this fragmentary song, which was on the so-called ‘Band session’ tape of half a dozen late 1965 and early 1966 recordings, first circulated around 1971. It turns out that this was Take 2, which in fact nearly made it onto “Biograph”, and later was one of the many ‘hidden’ tracks on 1995’s “Highway 61 Interactive” CD- ROM release.
    [Show full text]
  • View / Open Couch Mfathesis 2017.Pdf
    I CARRY YOU WITH ME: ON REPRESENTATION AND THE BODILY EVENT I CARRY YOU WITH ME: ON REPRESENTATION AND THE BODILY EVENT Chelsea Couch TERmiNAL PROJECT REPORT COmmiTTEE Tannaz Farsi (Chair) Anya Kivarkis Euan Macdonald CONTENTS PART ONE.......12 PART TWO.......28 PART THREE.......54 ACKNOWLEDGMENTS.......85 WORKS ciTED.......87 for M ARY C A I TL I N C OU C H 1 1 “The 1939 film The Women was shot entirely in black and white, with the exception of one Technicolor sequence—a fashion show—which was literally detachable from the rest of the film. The colored reel had no bearing on the plot whatsoever, so the projectionist could choose to insert it as part of the movie or ignore it altogether. Could one imagine a book that functioned similarly, albeit in reverse—a kind of optional, black and white appendage to a larger body of blue.” (Nelson, Bluets, pg. 66) “I’ve exhausted the alphabet. But I’m not writing this for you.”2 2 (Kapil, Humanimal, pg. 63) PART 1 One of the earliest known forms of artistic representation—painting on cave walls—included the literal hand of the artist. Eponymous- ly, Cueva de las Manos in the province of Santa Cruz, Argentina, is the most saturated with these marks. Read as left hands, it is posited that the painters held a spraying pipe with their right hand to com- pose a stenciled mark on the cave walls.3 Rather than representation 3 Although the lack of detail within the negative space could as readily sug- (or a mark of presence), left behind is instead an abstraction (one of gest that the back side of the right hand was placed on the cave walls with absence).
    [Show full text]