DOCSLIB.ORG

The Bands and Their Tracks*

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Bands and Their Tracks* Pass it on… vol.I A Double Album compilation CD of tracks donated by various bands playing a cover of music Pete Quaife co- founder of the KinKs played on, the bands also donated one of their own tracks,33 amazing tracks. All profits go towards The Pete Quaife Foundation* who in turn support children on dialysis. All tracks copyright reg no. 300335105 owned by PQFMusic*© 2013 All trade marks and logo’s are protected. Warning: All rights reserved. Unauthorised duplication is a violation of applicable laws. The bands and their tracks* CD A Band CD B 17 Sitting on my sofa* The Mynd Set 3 Kaleidoscope 14 Come on Now* The Get-Go 8 No Love inside 3 Gotta Move The Most 1 Scooter Girl 10 Waterloo Sunset* Chris Gray 10 She loves the morning 12 David Watts* The Lemon tops 5 Feeling bad love 11 Autumn Almanac* The Universal 13 The worshippers 13 I’m not like everybody else* Heavy Mod 15 Back out in the street 6 Rosie won’t you please come home* The Loop 14 There’s a fire 16 Tired of waiting* Electric Stars 2 I want you 2 Sunny afternoon* Rant 9 Identity 4 You Really Got Me* Steve Marriott 8 I need you* Create! 7 Love and hope 5 Dead end street* Michael Julin 6 Song to say hello 1 Where have all the good times gone* The Q 11 Diamond July 7 Picture Book* The Vals 4 Mail Box 15 Sunny Afternoon* The Grenadiers 16 Pale white Lilly 9 See my friends* The Spivs Penny for the 12 Not my revolution workhouse *Written and composed by R Davies Published by PQFMusic © 2014 All tracks mastered by Pete Maher Pete Maher is a successful mastering engineer working with the worlds leading artists, producers and labels. Recent projects include U2, The Killers, Liam Gallagher, The Rolling Stones, Jack White, Scissor Sisters, Depeche Mode and Katy Perry Contact:- http://petemaher.com/ Index and information 1 Frontispiece 2 Tracks/bands 3 Acknowledgements/Legal 4 Rant / The Q 5 The Most / Steve Marriott 6 Michael Julin / The Loop 7 The Vals / Penny for the workhouse 8 The Spivs / Create! 9 Chris Gray / Universal 10 Lemontops / Heavy Mod 11 The Get-Go / The Grenadiers 12 The Electric Stars / The Mynd Set All tracks Mastered by Pete Maher – copyright © 2013 PQFMusic Our thanks and gratitude go to the people, bands and companies who have supported us, and helped us on our way to achieve our goals John Hellier, Nicky - Seven dials club, Pete Maher, all the bands and their members, the many untold fans and supporters, Atom Retro, the radio stations for playing our music – and all those who have donated so generously. We thank you all The community and owners of Pete Quaife Foundation* THE BANDS AND THEIR DONATED TRACKS* The Q Tracks CD A 1. Where have all the good time gone 2:43:31 CD B 11. Diamond July 3:45:00 The Q formed in Stroud, Gloucestershire, UK in 2006 and consists of Mike Veale, (guitar & vocals), Tim Vanstone, (guitar & vocals), Dean Gifford, (bass), Shane Blackshaw, (drums). We have a real passion for the music we write and play and love to perform for our audience. In November 2006 we released 2 demo tracks on Detour Records, “She” and “Through Your Eyes”. Both tracks were well received and reviewed by independent music press and this caught the attention of legendary producer of “The Jam”, Vic Coppersmith-Heaven. In January 2008, The Q went into the studio with Vic to re-record Through Your Eyes along with another two tracks, “Interlude” and “Big Issue” which were released as part of our debut EP, “ISSUES”, on Time For Action Records in Germany in November 2008. In 2011 The Q released their first full length album, Sonically Sound both physically, (through Time For Action Records), and digitally, (through Cargo Records). In January 2013 we headed back into a studio with Greg Haver, (The Manic Street Preachers, Catatonia, Bullet For My Valentine etc..), to record “Chemical Overload”, one of 2 EP’s planned for release in quick succession. “Chemical Overload” was released in 2013 as 4 independent digital singles before coming together on a limited edition vinyl EP released on the 9th December 2013. We take our inspiration from the same well of soles that the likes of “The Jam”, “Secret Affair” and even “The Who” did. If you see The Q live you’ll see a performance reminiscent of the bands behind our inspiration, powerful, energetic and memorable. Be part of THE NEW MODERN CULTURE - Join “THE Q” because the only place you wanna be right now is right at the front!! Contact Mike on 07880 727050 www.TheQ-HQ.co.uk Email :- [email protected] Rant Tracks CD A 2. Sunny Afternoon 3:46:08 CD B 9. Identity 3:31:72 Hailing from Pete Quaife’s other home, Denmark, Copenhagen based RANT are honoured to be able to support the Pete Quaife Foundation by donating the track “Identity” and covering the infamous “Sunny Afternoon”. With squealing guitar solos, great riffing, a rock solid rhythm foundation and catchy vocal melodies, they aim to blow you away! Taking inspiration from the great bands of yesteryear, like The Kinks, Led Zeppelin and Guns’n’Roses and mixing it up with a more modern feeling and sound, inspired by the likes of Bon Jovi, Slash and Foo Fighters, you get an explosive cocktail of sing- along choruses, high speed rock’n’roll, and power ballads. Members: Henrik Heiden Johansen: Vocals Kasper Erichsen: Lead Guitar Marc Skafte: Rhythm Guitar Stefan Leth Elbæk: Bass Henrik “Houston” Haugbølle: Drums Contact For booking or info: E-mail: [email protected] Website: www.rantmusic.dk Facebook: www.facebook.com/RANTDK THE BANDS AND THEIR DONATED TRACKS* The Most Tracks CD A 3. Gotta Move 02:28:35 CD B 1. Scooter Girl 02:59:60 The Most style is based on the fashions of the Mod era, starting with the look and the music of 1960’s Carnaby Street, London. We will take you on the journey of Mod, recreating the authentic look and the sound of a 1960’s beat band, dressed in clothes and style of the era, playing hits from bands such as, The Kinks, Small Faces, The Who, Yardbirds, The Rolling Stones, The Birds, to name but a few, and with some The Kinks, Small Faces, The Who, Yardbirds, The Rolling Stones, The Birds, thrown in, all are played with the energy and enthusiasm as close to the originals. Then, we go to the ‘79’ Revival, with the look and music from The Jam, Undertones, and Secret Affair with the driving sound of Maximum Beat and Rhythm. The Most have had the pleasure of playing for many venues and Scooter Clubs and Rallies across the UK, including The Overlanders SC Northern Ireland and have played on Gateway Fm. Plus many clubs pubs and Festivals. With the authentic sound of Gateway Fm the beating of the drums, Boating Blazers, Ben Sherman’s, Bowling Shoes, and Tonic Suits, can only mean one thing, The Most taking you on a journey of Mod, from 1960’s to the ‘79’ Revival, with all members of ‘The Most’ having a wealth of musical experience giving you the best performance every time they play. Contact http://www.the-most.co.uk/ Steve Marriott Track CD A 4. Your Really Got Me 02:23:68 Outside of Mod circles it’s a little known fact that STEVE MARRIOTT once covered the Kinks song YOU REALLY GOT ME. This was four years after he appeared in the West End production of Oliver and one year before he found Pop Star fame with the Small Faces. The 45 was recorded for the American market only and it completely bombed which only went to make it all the more collectable. It’s fairly primitive but, as with every cover Steve ever performed, he made the song his own............. NICE!! yes of course. (Track donated by John Hellier on behalf of the Steve Marriott estate) Contact http://www.wappingwharf.com/ THE BANDS AND THEIR DONATED TRACKS* Michael Julin Tracks Tracks CD A 5. Dead End Street 03:30:38 CD B 6. A Song To Say Hello 03:22:38 After leaving the Kinks Pete Quaife moved to Denmark and formed a Duo with Danish singer/songwriter Michael Julin. They co- wrote many chart hitting songs together, and many of these have now been re-recorded for a brand new CD album release. The CD album will be released by Pete Quaife Foundation/PQFMusic. On this CD we are proud to donate two of the songs from the forthcoming album – a cover version of KinKs track “Dead End Street” and the song “Song To Say Hello” – written by Michael and Pete. Contact http://www.blueshousestudio.dk/velkommenttp://www.blueshousestudio.dk/velkommen The Loop CD A 6. Rosie Won’t You Please Come Home 02:24:14 CD B 14. There’s a Fire 02:32:11 Hugely melodic, solid songs somewhat reminiscent of The Jam, maintaining an early 80’s feel of the mod/punk era. Formed in 2003 in the market town of ELY Cambridgeshire, The Loop are a no frills guitar based power trio, playing gutsy powerful self-penned songs but with a simplistic “in yer face” approach. Vocals and guitar powered by Martin Holt, Darren Day keeping the beat and providing the humour and new recruit Ian Duthie on bass, makes up the band. From the early days 2 albums were produced, debut album “Game Over” and the second album “Shame”, both self- produced and engineered, iTunes has availability on these.
Load more

Recommended publications
  • Kinky King's Heath Press Release
    Press Release King's Heath gets Kinda Kinky! Special Concert on Sunday 7 July will celebrate The Kinks' famous Ritz Ballroom Performance Fans of The Kinks are being invited to come and get Kinky in King's Heath on Sunday 7 July and celebrate a legendary performance by the group at the former Ritz Ballroom that was gutted by fire earlier this year. Brothers Ray and Dave Davies brought The Kinks to the Ritz in June 1966 and included in their line-up for the first time was John Dalton after regular bass guitarist Pete Quaife broke his leg in a car accident. Appearing only two days after being recruited, John had virtually no time to practice. Three years later he would re-join as a permanent member. The Kinks' appearance at The Ritz came just after they released "Sunny Afternoon" which became their third No. 1 hit in the UK singles charts. The group went on to have a total of seventeen Top Twenty singles including “Dedicated Follower of Fashion”, “Waterloo Sunset” and “Lola” and five Top Ten albums starting with “Kinda KInks” Fletchers Bar on York Road directly opposite the former ballroom on York Road, King's Heath will host the “All Things Kinky” event from 4 p.m. to 7 p.m. Top and emerging local musicians including Ben Calvert, Mr Apollo, Robert Lane, James Connolly and Harriet Harkcom will give their own unique interpretation of their favourite Kinks' songs. Advance tickets are now on sale and cost just £2.50 from the Kitchen Garden Cafe on York Road or www.wegottickets.com .
    [Show full text]
  • Our Lady of the River
    Our Lady of the River C A T H O L I C C H U R C H www.ourladyoftheriver.com 28200 226th Street Place Le Claire, Iowa 52753 563-289-5736 L e C l a i r e ● P r i n c e t o n 6th Sunday in Ordinary Time February 15-16, 2020 Pastor: Father Joseph Wolf RELIGIOUS EDUCATION: [email protected] Sunday 9:00-10:15 a.m. Deacon: Matt Levy Classes for 3 year olds—9th grade students. Parish Secretary/Bookkeeper: Lori Rallie [email protected] ALTAR AND ROSARY SOCIETY: Director of Faith Formation: Roberta Pegorick Second Wednesday of the month at 12:00 p.m. (May, August, [email protected] Director of Music Ministry: Ladonna Czachowski and November only) Parish Maintenance: Jerry Roling Parish Nurse: Jennifer Hildebrand KNIGHTS OF COLUMBUS: [email protected], 563-370-4412 First Wednesday of every month at 7:00 p.m. Rosary or Mass before the meeting. Vigil on Saturday: 5:30 p.m. Sunday: 8:00 a.m. PARISH COUNCIL: Weekday: See daily schedule inside Third Thursday of January, March, May, July, September, and Holy Day: See schedule inside November at 7:00 p.m. BAPTISM: Contact the Pastor TUESDAY MORNING BIBLE STUDY: RECONCILIATION: Immediately following the 5:30 9:30 -11:00 a.m. p.m. Mass on Saturday or anytime by appointment; MARRIAGES: Arrangements are to be made at least PARISH MAILING ADDRESS: nine months before the wedding. Our Lady of the River Church P.O. Box 32 SICK CALLS: Anyone who cannot attend Mass or Le Claire, IA 52753 receive the sacraments in Church because of illness or CHURCH OFFICE: 563-289-5736 age please contact the Pastor.
    [Show full text]
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • NOTE: STILL OPEN More Details from Petition Creator
    Petition 06 NOTE: STILL OPEN Petition to: install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club We the undersigned petition Hounslow Council to install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club. More details Submitted by Daniel Jon Morris – Deadline to sign up by: 06 January 2017 – Signatures: 32 More details from petition creator We the undersigned would like to ask for the council to install a commemorative plaque at the site of an old music venue at 1a Hounslow High Street, Hounslow. (This sits opposite Hounslow Bus Garage) ***The Attic Club***The Zambezi Club***The Ricky Tick Club*** Perhaps the most famous of all performers to play here was the late Jimi Hendrix !!! (It is believed his first ever UK gig was just across the road at the Duke Of Cambridge Pub in Kingsley Road, the day he landed at Heathrow). The first time he played here at The Ricky Tick ... He put the head of his guitar through the ceiling!!! It is also the place where Steve Marriott first met organist Ian McLagan (a local Hounslow Lad). They later joined forces with Kenney Jones and Ronnie Lane to form The Small Faces. The club, which now hosts an employment agency based above a Nandos Restaurant, is the stuff of legend ... The list speaks for itself! ***The Attic Club*** The Moments (feat. Steve Marriott) Alex Harvey Soul Band Spencer Davis Group The Yardbirds (feat.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21.
    [Show full text]
  • RONNIE WOOD a New Book Illuminates the Guitarist’S Life Before the Rolling Stones
    ISSUE #41 MMUSICMAG.COM Q&A John Abbott RONNIE WOOD A new book illuminates the guitarist’s life before the Rolling Stones AS A MEMBER OF THE ROLLING years, we’d put two guitars and vocals in the night. I could see he had his eye on Stones for 40 years, Ronnie Wood’s legacy through one amp, and the bass player had me. I just knew in the back of my mind that is assured. But a recently discovered journal his own. That’s why we let him join the band. some day it would come around, and sure he kept in 1965—before his tenures with (laughs) But as soon as I could afford my enough, it did. the Jeff Beck Group, Small Faces and the own I started to go to Jim Marshall’s [gear] Stones—offers unique insight into the then- shop. I’d run across people like Pete You traded your guitar to play bass 18-year-old’s mindset and ambitions. The Townshend in there and we’d have a hilarious for the Jeff Beck Group? diary—which includes illustrations by Wood, friendly rivalry going to see who could get I’d reached the saturation point on guitar now a noted visual artist—is being released the biggest stack. with the Birds, so when Jeff Beck asked as a limited-edition book, How Can It Be? if I wouldn’t mind playing bass, I welcomed A Rock & Roll Diary. It chronicles Wood’s Was there camaraderie among the the idea. Playing bass gave me a new, exploits on the London club scene while he competing bands? revitalized energy to go back to guitar was with the Birds, and his interactions with The Birds never really had any hit records, later.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • Waterloo Sunset” Teacher’S Notes Music Has Great Power to Inspire Us and Lift Our Mood
    Feelgood Songs 2: A2+ “Waterloo Sunset” Teacher’s Notes Music has great power to inspire us and lift our mood. Which we could all do with a bit of at the moment. We were trying to think of work to set pupils at home that was positive and good for the soul: what better than a little soul music? So here is the first in a series of resources on feelgood songs. In this case, Nina Simone and her version of “Feeling Good”. AXE DU PROGRAMME Biobox Transcript n Le village, le quartier, la ville / Espaces privé et espace public THE YEAR 1967 Discover what happened in the music world OBJECTIFS in 1967. Objectifs linguistiques : Rock music was revolutionised. n Simple present Sophisticated sound effects gave birth to n Preterite and past perfect psychedelic or acid rock! n Wh-words / questions The sounds of the wah-wah pedal on the n Contrast, opposition, concession album White Rabbit hypnotized Jefferson n Superlatives Airplane’s fans. n Feelings The Beatles stopped performing live and n City life recorded two new albums in Abbey Road n Personal opinion Studios in London. The cover of Sergeant Pepper’s Lonely Objectifs culturels : Hearts Club Band featured Albert Einstein, n London Bob Dylan, Marilyn Monroe, Oscar Wilde, Karl n Waterloo Station Marx… n The Thames The Who’s Sell Out album parodied the n The year 1967 in music Radio London DJs made famous by the film Good Morning England (2009). Objectifs méthodologiques : The Doors made their way onto the musical n Comparer deux situations / donner son stage with their first two albums in the opinion same year.
    [Show full text]
  • Music in the Mid-1960S
    KSKS45 Music in the mid-1960s David Ashworth by David Ashworth is a freelance education consultant, specialising in music technology. He is project leader for INTRODUCTION www.teachingmusic. org.uk and he has This resource provides background and analysis of some of the remarkable musical developments that took been involved at a national level in most place in the pop music of the mid-1960s. This is potentially a huge topic, so I have chosen to limit the field of the major music of investigation to the music being created, recorded and performed by the most significant British pop and initiatives in recent rock bands from this era. I make regular reference to a relatively small collection of songs that exemplify all the years. features under discussion. This is designed to help teachers and students overcome the challenges of having to source a large amount of reference material. This resource addresses four questions: Why was there such an explosion of musical creativity and development at this time? What were the key influences shaping the development of this music? What are the key musical features of this music? How might we use these musical ideas in classroom activities at KS3/4? Overall aim The overall aim of the resource is twofold. It aims to provide a series of activities that will give students composition frameworks, while at the same time learning about the style and the musical conventions of music from this era. Each section provides some brief background with relevant examples for active listening exercises. These are followed with suggestions for related classroom activities.
    [Show full text]
  • Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
    Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes.
    [Show full text]
  • Slap Magazine: Issue 67 (March 2017)
    Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry.
    [Show full text]