DOCSLIB.ORG

Our Lady of the River

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Our Lady of the River Our Lady of the River C A T H O L I C C H U R C H www.ourladyoftheriver.com 28200 226th Street Place Le Claire, Iowa 52753 563-289-5736 L e C l a i r e ● P r i n c e t o n 6th Sunday in Ordinary Time February 15-16, 2020 Pastor: Father Joseph Wolf RELIGIOUS EDUCATION: [email protected] Sunday 9:00-10:15 a.m. Deacon: Matt Levy Classes for 3 year olds—9th grade students. Parish Secretary/Bookkeeper: Lori Rallie [email protected] ALTAR AND ROSARY SOCIETY: Director of Faith Formation: Roberta Pegorick Second Wednesday of the month at 12:00 p.m. (May, August, [email protected] Director of Music Ministry: Ladonna Czachowski and November only) Parish Maintenance: Jerry Roling Parish Nurse: Jennifer Hildebrand KNIGHTS OF COLUMBUS: [email protected], 563-370-4412 First Wednesday of every month at 7:00 p.m. Rosary or Mass before the meeting. Vigil on Saturday: 5:30 p.m. Sunday: 8:00 a.m. PARISH COUNCIL: Weekday: See daily schedule inside Third Thursday of January, March, May, July, September, and Holy Day: See schedule inside November at 7:00 p.m. BAPTISM: Contact the Pastor TUESDAY MORNING BIBLE STUDY: RECONCILIATION: Immediately following the 5:30 9:30 -11:00 a.m. p.m. Mass on Saturday or anytime by appointment; MARRIAGES: Arrangements are to be made at least PARISH MAILING ADDRESS: nine months before the wedding. Our Lady of the River Church P.O. Box 32 SICK CALLS: Anyone who cannot attend Mass or Le Claire, IA 52753 receive the sacraments in Church because of illness or CHURCH OFFICE: 563-289-5736 age please contact the Pastor. CHURCH FAX: 563-289-3688 NEW PARISHIONERS: Welcome to our parish family! CHURCH WEB PAGE: www.ourladyoftheriver.com Please register in the sacristy after Mass. PRAYER CHAIN COORDINATOR: Teresa Anderson [email protected] . Our Lady of the River Catholic Church Page 2 6TH SUNDAY IN ORDINARY TIME Mon. February 17 8:00 a.m. No Mass Tue February 18 8:00 a.m. Koupal Family Wed February 19 8:00 a.m. Holy Souls in Purgatory Thu. February 20 8:00 a.m. Mary Jackson Fri February 21 8:00 a.m. William Jacobs Let us remember those on the prayer chain. Sat. February 22 5:30 p.m Dave Roeder Let us remember those who are in the nursing home: Sun. February 23 8:00 a.m. People of the Parish Lois Choate, Betty DeCraene, Bey Drumm, and Margaret Liturgical Roles Kinney. Date February 15-16 5:30 p.m. 8:00 a.m. Let us remember those who are sick and/or recuperating at home: Laura Bauer, Nathan Brandt, Bob Boyd, Brian Burke, John Davis, Donna Farraher, John Grady, Andrew Lector Steve Fye, John Jungk 4th Grade O’Rourke, Joe Trujillo, Tim Trujillo, Ruth Viktora, and Alexis Willey. Commentator Steve Marriott 4th Grade Let us pray for those who are serving in the military: Richard Brumage, Aaron DePorter, Jenna Harrison, Kevin Eucharistic Ministers Barb Arland-Fye, Brian Dugan, Karen Sipple, and Devon Stock. Mike Souhrada, Dugan, Joe Kleiss, Sue Steve Fye, Pam Kleiss, Jodi Stock Hughes, Carolyn Graham Cantor Jennifer Sondgeroth Lorena Murphy Organist Ladonna Czachowski Ladonna Czachowski Parish Diary Altar Servers Emma & Sawyer 4th Grade Commencing the Week February 16th Gravert Sunday, February 16th 8:00 a.m. 4th Grade Class Mass Date February 22-23 5:30 p.m. 8:00 a.m. 9:00 a.m. Religious Education 9:00 a.m. Choir Practice 9:15 a.m. Confirmation Interviews Lector Teresa Anderson, Wendy Kelley, Kathy Steve Marriott Cox Monday, February 17th Tuesday, February 18th Commentator Penny Souhrada Michelle Mahrt Wednesday, February 19th Thursday, February 20th Eucharistic Ministers John Jungk, Judy Renee Aller, Cyndi Friday, February 21st Steele, Carolyn Smith, Wendy Kelley, Saturday, February 22nd Graham, Jim MaryJo Godwin, Anderson, Steve Fye Kathy Burke 5:30 p.m. Mass 6:30 p.m. First Reconciliation 6:30 p.m. Parish Social Cantor Dave Donovan Cheryl Costello Sunday, February 23rd 8:00 a.m. Mass Organist Ladonna Czachowski Ladonna Czachowski Altar Servers Bill & Jacquie Moore Anthony & Peyton Mahrt To report child abuse call the Iowa Attorney General Clergy Abuse hotline at 855-620-7000 (M-F, 8 a.m.-4:30 p.m.) Weekly Collection to speak with a trained advocate or the Iowa Department of February 1-2 Human Services Child Abuse Hotline: 800-362-2178. If it Envelopes (Includes Electronic Giving)-——---—–$5,476 involves clergy or church personnel also notify Alicia Offertory——--———-——---—————————$138.75 Owens, Victim Assistance Coordinator: 563-349-5002, Catholic Messenger--——-—————————–---$293 [email protected] or PO Box 232, Bettendorf, IA 52722-0004. Altar & Rosary Membership———-——————-$25 . February 15-16, 2020 6th Sunday in Ordinary Time CALLED BY NAME All the parishes of the Diocese of Davenport are participating in CALLED BY NAME, a program of vocations awareness that begins this weekend. This program offers an opportunity for us to pray for vocations; to recognize gifts and potential for leadership and service in members of our parish; and finally, to call forth and encourage these members to share their gifts in priesthood, diaconate and consecrated life. Perhaps you know a man or woman (sophomore in high school and older) who would, in your opinion, have the qualities to become a priest, sister, or brother. Please recommend this person by filling out the response card found in church. Next weekend, place the completed card in the collection basket. Collection for the Church in Central and Eastern Europe Mass Times Next week, we will take up the Collection for the Church in Central and 4:00 p.m. Church of the Visitation Eastern Europe. This collection supports the Church in more than 20 6:00 p.m. Our Lady of the River countries that still struggle to recover from Communist rule. Funds from this collection support pastoral care, catechesis, building The Knights of Columbus will be hosting a renovations, and seminary formation. Your support restores the Church fish fry on Ash Wednesday after the 6:00 p.m. and Builds the future in this region. Please prayerfully consider how Mass. you can support the collection next week. More information can be found at www.usccb.org. Befriender Training Opportunity Befriender Training is offered once per year for those who are interested. Befrienders at Trinity are community volunteers who are member of a faith community and receive training through the Pastoral Care department to visit hospitalized patients. Classes (5 week course on Tuesdays, 2:30-4:00 p.m.) begin March 31, 2020. For more information or to register contact Pastoral Care office (309)779-2989 or (309)779-2110. The Church Life Commission is looking for greeters to welcome people to Mass on both Better Choices Saturday and Sunday. Requirements are Better Choices Better Health (chronic disease self-management arrival at church 20 minutes before Mass program): April 14 – May 19 (Tuesdays) 1:30-4 p.m. at St. John Vianney starts, and friendly face and the ability to Catholic Church 4097 18th St., Bettendorf… conducted by Milestones on engage people. With many volunteers, this voluntary contribution basis for those age 60+; however, contribution is could be a once a month time commitment. not required to participate. For those under 60 yrs., fee is $225 for series. Please consider sharing your time and meet new people! Contact Pam Hughes at First Reconciliation and First Communion 563-570-2446 or sign up in the vestibule. Our young people are being called to live in friendship with God through participation in the sacraments. The following students are FOOT CLINIC COMING TO OLOR! preparing to celebrate the Sacrament of First Reconciliation and First Mark your calendar for the 4th Thursday of Communion: every other month beginning February 27, Oliver Daniels, Alex Friemel, Stella Hamor, Nickolas Kleiss, Carter 2020. We will be holding a foot clinic in the Kleiss, Jackson Mausser, Joel Osmun, Travis Pisel, and Alex Snook parish hall from 1:00-3:00 p.m. This will be by appointment only and there will be a sign-up Catholic Messenger is a real value Each week, The Catholic Messenger reflects the life of the church sheet in the vestibule. The Foot Clinic will be throughout the world with an emphasis on diocesan news, parishes provided by Unity Point Health-Trinity and the only thing you will need to bring is a towel and our Catholic schools. Learn how other Catholics are living out their faith and the joys and struggles that come with it. Keep up to and payment. The cost will be $32.00 and payable by cash or check at the time of date on the Vision 20/20 initiative around the diocese. Read about what Bishop Thomas Zinkula is up to and benefit from his columns service. This is a medical pedicure (nails that educate and inspire. The Messenger is a real value at $29 for 50 trimmed, calluses pared, etc.) provided by issues, print and/or e-edition. Subscribe through your parish. trained individuals. More information will be available soon. Clip and Save! o: 563.441.5061 Grounds Care c: 563.333.4172 LARGE FOR LESS! Parishioner $5.00 OFF Snow Removal ® Nancy Billups, Realtor any style Large Pizza at menu price. Landscaping Services Licensed in IA & IL Not valid with any other offer. Limited delivery area where available. Present coupon when ordering. 1228 Middle Rd., Bettendorf, IA 52722 One coupon per purchase. Good only at participating Happy Joe’s. [email protected] GOOD TIMES TO BE TOGETHER!™ Austin Blunk • (563) 320-2772 Terry Frazer’s Art Monuments Roofing • Siding • Windows C.
Load more

Recommended publications
  • NOTE: STILL OPEN More Details from Petition Creator
    Petition 06 NOTE: STILL OPEN Petition to: install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club We the undersigned petition Hounslow Council to install a commemorative plaque at 1a Hounslow High Street to mark the location of the Attic Club/Zambezi Club/Ricky Tick Club. More details Submitted by Daniel Jon Morris – Deadline to sign up by: 06 January 2017 – Signatures: 32 More details from petition creator We the undersigned would like to ask for the council to install a commemorative plaque at the site of an old music venue at 1a Hounslow High Street, Hounslow. (This sits opposite Hounslow Bus Garage) ***The Attic Club***The Zambezi Club***The Ricky Tick Club*** Perhaps the most famous of all performers to play here was the late Jimi Hendrix !!! (It is believed his first ever UK gig was just across the road at the Duke Of Cambridge Pub in Kingsley Road, the day he landed at Heathrow). The first time he played here at The Ricky Tick ... He put the head of his guitar through the ceiling!!! It is also the place where Steve Marriott first met organist Ian McLagan (a local Hounslow Lad). They later joined forces with Kenney Jones and Ronnie Lane to form The Small Faces. The club, which now hosts an employment agency based above a Nandos Restaurant, is the stuff of legend ... The list speaks for itself! ***The Attic Club*** The Moments (feat. Steve Marriott) Alex Harvey Soul Band Spencer Davis Group The Yardbirds (feat.
    [Show full text]
  • RONNIE WOOD a New Book Illuminates the Guitarist’S Life Before the Rolling Stones
    ISSUE #41 MMUSICMAG.COM Q&A John Abbott RONNIE WOOD A new book illuminates the guitarist’s life before the Rolling Stones AS A MEMBER OF THE ROLLING years, we’d put two guitars and vocals in the night. I could see he had his eye on Stones for 40 years, Ronnie Wood’s legacy through one amp, and the bass player had me. I just knew in the back of my mind that is assured. But a recently discovered journal his own. That’s why we let him join the band. some day it would come around, and sure he kept in 1965—before his tenures with (laughs) But as soon as I could afford my enough, it did. the Jeff Beck Group, Small Faces and the own I started to go to Jim Marshall’s [gear] Stones—offers unique insight into the then- shop. I’d run across people like Pete You traded your guitar to play bass 18-year-old’s mindset and ambitions. The Townshend in there and we’d have a hilarious for the Jeff Beck Group? diary—which includes illustrations by Wood, friendly rivalry going to see who could get I’d reached the saturation point on guitar now a noted visual artist—is being released the biggest stack. with the Birds, so when Jeff Beck asked as a limited-edition book, How Can It Be? if I wouldn’t mind playing bass, I welcomed A Rock & Roll Diary. It chronicles Wood’s Was there camaraderie among the the idea. Playing bass gave me a new, exploits on the London club scene while he competing bands? revitalized energy to go back to guitar was with the Birds, and his interactions with The Birds never really had any hit records, later.
    [Show full text]
  • The Bands and Their Tracks*
    Pass it on… vol.I A Double Album compilation CD of tracks donated by various bands playing a cover of music Pete Quaife co- founder of the KinKs played on, the bands also donated one of their own tracks,33 amazing tracks. All profits go towards The Pete Quaife Foundation* who in turn support children on dialysis. All tracks copyright reg no. 300335105 owned by PQFMusic*© 2013 All trade marks and logo’s are protected. Warning: All rights reserved. Unauthorised duplication is a violation of applicable laws. The bands and their tracks* CD A Band CD B 17 Sitting on my sofa* The Mynd Set 3 Kaleidoscope 14 Come on Now* The Get-Go 8 No Love inside 3 Gotta Move The Most 1 Scooter Girl 10 Waterloo Sunset* Chris Gray 10 She loves the morning 12 David Watts* The Lemon tops 5 Feeling bad love 11 Autumn Almanac* The Universal 13 The worshippers 13 I’m not like everybody else* Heavy Mod 15 Back out in the street 6 Rosie won’t you please come home* The Loop 14 There’s a fire 16 Tired of waiting* Electric Stars 2 I want you 2 Sunny afternoon* Rant 9 Identity 4 You Really Got Me* Steve Marriott 8 I need you* Create! 7 Love and hope 5 Dead end street* Michael Julin 6 Song to say hello 1 Where have all the good times gone* The Q 11 Diamond July 7 Picture Book* The Vals 4 Mail Box 15 Sunny Afternoon* The Grenadiers 16 Pale white Lilly 9 See my friends* The Spivs Penny for the 12 Not my revolution workhouse *Written and composed by R Davies Published by PQFMusic © 2014 All tracks mastered by Pete Maher Pete Maher is a successful mastering engineer working with the worlds leading artists, producers and labels.
    [Show full text]
  • Bourdieu and the Music Field
    Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
    [Show full text]
  • Official Electronic Press Kit Official Electronic Press Kit
    AA TributeTribute to the music of Paul Rodgers & Mick Ralphs Official Electronic Press Kit “Johnny was a schoolboy when he heard his first Beatles song…” -Shooting Star Bad Company, the English hard rock band from London, were mega-stars throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), charted in the top 5 in both the UK and US. Formed by Singer Paul Rodgers and guitarist, Mick Ralphs along with drummer Simon Kirke and bassist Boz Burrell, Bad Company’s music and Iconic sound is timeless and listened to and loved by fans around the globe. Roc Steady is excited to share the iconic music made popular by Paul Rodgers and Mick Ralphs with fans young and old! Tribute bands like Roc Steady differ from cover bands. Tribute bands re-create the experience of attending the original band’s concerts. When we take the stage, Dale Prince, Nic Cocco, Scott Biggs, David Gregory and Larry James transform and become Paul Rodgers, Mick Ralphs, Simon Kirke, Boz Burrell and Howard Leese. Roc Steady not only deliver’s the live music adlib for adlib, but also studies the mannerisms, stage presence, movements and facial expressions of the original band members. The bands outfits, backdrops, lighting and sound are designed to give the fan the experience of attending an actual Bad Company concert! ©2020 CoccoMusic, LLC All Rights Reserved Diamond Dale Prince Singing the part of Paul Rodgers Born: Flint, MI Hobbies: Harleys, Hot rods and Rock n’ Roll Top 5 Musical Influences: Steve Marriott, Paul Rodgers, Sammy Hagar, Steven Tyler and Chris Cornell Top 5 favorite Albums: Humble Pie- Smokin’, Bad Company- Bad Co, Montrose- Montrose, Aerosmith- Get Your Wings, Guns and Roses- Appetite for Destruction.
    [Show full text]
  • Origins of Rock the Seventies
    from the definitive, illustrated encyclopedia of rock the definitive, illustrated encyclopedia of rock Richard Buskin, Alan Clayson, Joe Cushley, Rusty Cutchin, Jason Draper, Hugh Fielder, Mike Gent, Drew Heatley, Michael Heatley, Jake Kennedy, Colin Salter, Ian Shirley, John Tobler General Editor: Michael Heatley • Foreword by Scotty Moore FLAME TREE PUBLISHING from the definitive, illustrated encyclopedia of rock FlameTreeRock.com offers a very wide This is a FLAME TREE digital book range of other resources for your interest and entertainment: Publisher and Creative Director: Nick Wells Project Editor: Sara Robson Commissioning Editor: Polly Prior 1. Extensive lists and links of artists , Designer: Mike Spender and Jake The sunshine 1960s were followed by the comparatively grey 1970s. organised by decade: Sixties, Picture Research: Gemma Walters Yet a number of stars of that drab decade started their Contents Seventies etc. Production: Kelly Fenlon, Chris Herbert and Claire Walker life in the 1960s. 2. Free ebooks with the story of other Special thanks to: Joe Cushley, Jason Draper, Jake Jackson, Karen Fitzpatrick, Rosanna Singler and Catherine Taylor In Britain, the chameleon-like David Bowie suffered several musical genres, such as David Bowie ........................................4–5 years of obscurity, Status Quo were psychedelic popsters yet to soul, R&B, disco, rap & Hip Hop. Based on the original publication in 2006 discover 12-bar blues, while Humble Pie was formed by The Eagles ..........................................6–7
    [Show full text]
  • Peter Frampton Steve Marriott
    Humble Pie was formed in late 1968 when Steve Marriott, guitarist and incomparable blues rock vocalist, left the Small Faces, and joined forces with guitarist/singer Peter Frampton, formerly of The Herd, ex-Spooky Tooth bassist Greg Ridley, and 17 year- old drummer Jerry Shirley. Few people today remember Steve Marriott, and that’s a pity. His voice was what Jimmy Page wanted Robert Plant to sound like, and Plant openly emulated Marriott. Humble Pie’s fade out from rock consciousness was due to multitude of factors. Their studio albums were relatively poor sellers, and relying so heavily on cover songs probably worked against them. The group disbanded in 1975, reunited briefly in 1979, then saw Marriott quit and move back to England in 1983. In 1991, he and Peter Frampton were collaborating on a possible HP reunion in California, when Steve rather abruptly flew home to England. Marriott was tragically killed in a fire at his home on April 19, 1991. - elevenwarriors.com + + + + + Thanks to whotrader for sharing these tracks at The Traders’ Den. PETER FRAMPTON whotrader noted: “I didn’t receive any information with the CDR when I received [it]. The song titles are all guesses and the style of music really varies from song to song.” Lineage: STEVE MARRIOTT ? > cdr trade circa 1995 Humble Pie Reunion Demos Transfer: EAC > Flac level 8 Los Angeles, CA; Early 1991 MP3 Version Steve Marriott / Peter Frampton Reunion Demos 1991 Frampton Marriott / Peter Steve 01. Scratch My Back 4:10 02. Why I Need the Blues 4:14 03. Rolling Stone part 2 4:02 04.
    [Show full text]
  • November 1996
    "Hey, man, did you hear that Lars' second bass drum got ripped off on the way to the studio, so he just decided to bag the whole blazin' thing?" "Yeah, and the new album, Load, is like this massive groove thing!" "Awesome! But what's up with the hair?" by Matt Peiken 38 Tribal Tech was already the hottest con- Amazingly,Rage Against The Machine's long-await- temporary fusion band on the scene, but a ed second album, Evil Empire, is even heavier than new jamming-based aesthetic is taking the band's self-titled barnstormer. Despite the heavy- these sonic explorers into even farther ness, though, Brad Wilk says he's managed to infuse galaxies. And you thought Kirk Covington more delicacy into the thunder. was throwing some stuff at you before! by Ken Micallef by Bill Milkowski 76 58 photo by Jay Blakesberg Volume 2O, Number 11 Cover photo by Mark Leialoha / Terri Berg Photographic education equipment 88 IN THE STUDIO 24 NEW AND NOTABLE The Reinvention Of Neil Peart by William F. Miller 28 PRODUCT CLOSE-UP Bison Snare Drum 100 HEAD TALK by Rick Mattingly Head Games: A "Good Time" Had By All 29 Vic Firth Accessories by Luther Rix by Rick Mattingly 112 ROCK 'N' JAZZ CLINIC 33 Engineered Percussion A New Look At An Old Idea Axis X Bass Drum And Hi-Hat Pedals by David Garibaldi by Chap Ostrander 114 ROCK PERSPECTIVES Stewart Copeland: news Style & Analysis, Part 1 12 UPDATE by John Xepoleas Jason Cooper of the Cure, Goldfinger's Darrin Pfeiffer, Bernie Dresel 116 STRICTLY TECHNIQUE of the Brian Setzer Orchestra, and Al Webster, plus News Groupings,
    [Show full text]
  • The Lost Rolling Stone: How Guitar Great Rory Gallagher Was Airbrushed from Rock History
    15/06/2020 The lost Rolling Stone: how guitar great Rory Gallagher was airbrushed from rock history NEWS WEBSITE OF THE YEAR My Feed Coronavirus News Politics Sport Business Money Opinion Tech Life Style Travel Culture See all Culture The lost Rolling Stone: how guitar great Rory Gallagher was airbrushed from rock history Recruited by the Stones and worshipped by Jimi Hendrix, the Irishman was a prodigy. So why, asks his brother Dónal, did he die so quietly? By Ed Power 15 June 2020 • 10:28am 123 On January 23, 1975 Mick Jagger stood in the arrivals hall at Rotterdam airport on the look-out for a long-haired Irishman in a checked shirt. Eventually he spotted Rory Gallagher, the 26-year-old guitar wizard from Cork, fresh off a flight from Heathrow. Gallagher walked slowly through arrivals, hefting a suitcase, his battered 1961 Fender Stratocaster and an amplifier. He and Jagger went outside to a taxi rank. Jagger and a cabbie haggled over the price of the 15 minute drive back to De Doelen Concert Hall, close to Rotterdam Centraal train station. Bombed into oblivion during the war, the 2,200 capacity venue had been rebuilt in 1966. Now it was playing host to a different kind of conflict, as the Stones rehearsed for their upcoming tour. This was to be their first since the surprise departure that December of guitarist Mick Taylor (who had in turn replaced founding member Brian Jones in 1969). Gallagher was in the Netherlands to audition for the berth vacated by Taylor. Later that evening he stepped onto the cavernous De Doelen stage, his footsteps echoing in the floorboards.
    [Show full text]
  • Preliminary Liner Notes; Subject to Change**
    **Preliminary Liner Notes; Subject to Change** Humble Pie The Definitive Collection CD Booklet Of all the bands that arose at the end of the 1960s to put the predilections and pretensions of that decade firmly behind them; of all those who realigned rock towards the promise of the on- rushing 1970s, few could match Humble Pie. Others wrote their names larger in the pages of rock history; others scored more hits. But none were truer to their dreams than the Pie, and none so fearlessly marched to their own idiosyncratic drum. From the opening chords of “Natural Born Woman,” their all conquering debut single, through to the street anthem “Road Hog” that highlighted their farewell set Street Rats, Humble Pie had everything – ribaldry, raunchiness, and a raucous charm that never let up. Plus, was there ever a better white soul singer than Marriott? If there was, we never heard him. We didn’t need to – we already had Steve. The amalgam of two dispirited pop idols, Steve Marriott (ex-Small Faces) and Peter Frampton (ex-The Herd), those bands were already crumbling when the pair first joined forces in what the music papers were swift to dub a new supergroup – one more in a queue of such things, it must be said, but the first that really did look like being more than the sum of its parts. Completed by former Spooky Tooth bassist Greg Ridley and Apostolic Intervention drummer Jerry Shirley, Humble Pie debuted in summer 1969 with a single, "Natural Born Boogie" (subsequently retitled “Natural Born Woman” in the US), and an album, As Safe As Yesterday, that all but blueprinted the burgeoning hard rock landscape of the late 1960s.
    [Show full text]