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Wellington Jazz Among the Discourses
1 OUTSIDE IN: WELLINGTON JAZZ AMONG THE DISCOURSES BY NICHOLAS PETER TIPPING A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 2 Contents Contents ..................................................................................................................................... 2 List of Figures ............................................................................................................................. 5 Abstract ...................................................................................................................................... 6 Acknowledgements .................................................................................................................... 8 Introduction: Conundrums, questions, contexts ..................................................................... 9 Sounds like home: New Zealand Music ............................................................................... 15 ‘Jazz’ and ‘jazz’...................................................................................................................... 17 Performer as Researcher ...................................................................................................... 20 Discourses ............................................................................................................................ 29 Conundrums ........................................................................................................................ -
Broadcasting Our Reo and Culture
Putanga 08 2008 CELEBRATING MÄORI ACHIEVEMENT Paenga Whäwhä – Haratua Paenga BROADCASTING OUR REO AND CULTURE 28 MÄORI BATTALION WAIKATO MÄORI NETBALL E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga GOING FORWARD TOGETHER 08 Tënä tätou katoa, Te Puni Kökiri currently has four bills being considered by 2008 Parliament – the Mäori Trustee and Mäori Development Bill, the Stories in Kökiri highlight the exciting and Mäori Purposes Bill (No 2), the Mauao Historic Reserve Vesting Bill inspirational achievement of Mäori throughout and the Waka Umanga (Mäori Corporations) Bill. New Zealand. Kökiri will continue to be a reservoir These bills, along with other Te Puni Kökiri work programmes, Paenga Whäwhä – Haratua Paenga of Mäori achievement across all economic, social highlight Mäori community priorities, including rangatiratanga, and cultural areas. iwi and Mäori identity, and whänau well-being, while The feedback we are getting is very supportive and encompassing government priorities including national identity, positive and it reinforces the continuation of our families – young and old, and economic transformation. Kökiri publication in its current form. We feel sure that the passage of these bills will lead to more Behind the scenes in areas that do not capture much success stories appearing in Kökiri where Mäori have put the public attention is a lot of important and worthwhile legislative changes to good effect in their communities. policy and legislative work that Te Puni Kökiri is intimately involved in. Leith Comer Te Puni Kökiri – Manahautü 2 TE PUNI KÖKIRI | KÖKIRI | PAENGA WHÄWHÄ – HARATUA 2008 NGÄ KAUPAPA 5 16 46 28 Mäori Battalion 5 Waikato 16 Mäori Netball 46 The 28th annual reunion of 28 Mäori In this edition we profi le Aotearoa Mäori Netball celebrated Battalion veterans, whänau and Te Puni Kökiri’s Waikato region – its 21st National Tournament in Te friends was hosted by Te Tairäwhiti’s its people, businesses, successes Taitokerau with a fantastic display of C Company at Gisborne’s Te Poho and achievements. -
Keynote Speakers
KEYNOTE SPEAKERS 1 Keynote 1 From Maoritanga to Matauranga: Indigenous Knowledge Discourses Linda Tuhiwai Smith (NMM, Cinema) _______________________________________________________________________________ My talk examines the current fascination with matauranga Maori in policy and curriculum. I am interested in the way academic discourses have shifted dramatically to encompass Maori interests and ways of understanding knowledge. I explore some aspects of the development of different approaches to Maori in the curriculum and track the rising interest in matauranga (traditional Maori knowledge) through a period of neoliberal approaches to curriculum in our education system and measurement of research excellence. The Performance Based Research Fund recognises matauranga Maori as a field of research, Government research funds ascribe to a Vision Matauranga policy which must be addressed in all contestable research funds and there are qualifications, majors and subject papers which teach matauranga Maori at tertiary level. New Zealand leads the world in terms of incorporating indigenous knowledge, language and culture into curriculum. Most of the named qualifications are accredited through the New Zealand Qualifications Authority, which then owns the intellectual property of the curriculum. Maori individuals clearly play a significant role in developing the curriculum and resources. They are mostly motivated by wanting to provide a Maori-friendly and relevant curriculum. However, Maori people are also concerned more widely about cultural -
CUSTODY with CULTURE KIRINGAUA CASSIDY INCREASE YOURKA$H the LANGUAGE ROSEMARY Mcleod of IDENTITY TOM BENNION ARIANA TIKAO SIMON KAAN K Vsng 66/9/07 3:06:33 PM / 9
TE WAIHORA YA BOOZE, YA LOSE! KÖANGA $7.95 2007 SPRING issue 36 CUSTODY WITH CULTURE INCREASE YOUR KA$H K vs NG THE LANGUAGE OF IDENTITY ARIANA TIKAO SIMON KAAN TOM BENNION ROSEMARY McLEOD KING OF THE ROAD KIRINGAUA CASSIDY TTK36_ALL.inddK36_ALL.indd 1 66/9/07/9/07 33:06:33:06:33 PPMM FROM THE ACTING CHIEF OPERATING OFFICER, TE RÜNANGA O NGÄI TAHU, ANAKE GOODALL Ahakoa he iti, he pounamu. Although it is small, it is precious. The statistical representation of Mäori is frequently a portrayal of ethnic disparity – Mäori as enjoying, in comparison to Päkehä New Zealand, less health, wealth, education, a greater proclivity for criminal pursuits and perhaps a “warrior gene” or two. The aesthetic of this picture has been consistently unpalatable, routinely criticised and variously addressed. Those in the pakeke bracket have witnessed EDITORIAL TEAM attempts to eradicate disparity through integration, devolution, biculturalism, a Phil Tumataroa Editor (above) Assistant Editor brave new era of “by Mäori for Mäori”, and most recently, the rapid retreat driven by Felolini Maria Ifopo Sub Editor the “needs not race” rhetoric. This quickstep approach to Mäori policy has distorted Stan Darling Debra Farquhar Sub Editor the frame, obscuring the true picture. The pattern emerges not by comparing Mäori to Päkehä, but by contrasting policy against result. CONTRIBUTORS The United Nations recently refocused the picture by tracing the journey between Dr Neville Bennett Tom Bennion cause and effect. The Committee on the Elimination of Racial Discrimination, as Donald Couch Pirimia Burger indicated by its name, exists to protect and promote the right to racial equality. -
Wai 2700 the CHIEF HISTORIAN's PRE-CASEBOOK
Wai 2700, #6.2.1 Wai 2700 THE CHIEF HISTORIAN’S PRE-CASEBOOK DISCUSSION PAPER FOR THE MANA WĀHINE INQUIRY Kesaia Walker Principal Research Analyst Waitangi Tribunal Unit July 2020 Author Kesaia Walker is currently a Principal Research Analyst in the Waitangi Tribunal Unit and has completed this paper on delegation and with the advice of the Chief Historian. Kesaia has wide experience of Tribunal inquiries having worked for the Waitangi Tribunal Unit since January 2010. Her commissioned research includes reports for Te Rohe Pōtae (Wai 898) and Porirua ki Manawatū (Wai 2200) district inquiries, and the Military Veterans’ (Wai 2500) and Health Services and Outcomes (Wai 2575) kaupapa inquiries. Acknowledgements Several people provided assistance and support during the preparation of this paper, including Sarsha-Leigh Douglas, Max Nichol, Tui MacDonald and Therese Crocker of the Research Services Team, and Lucy Reid and Jenna-Faith Allan of the Inquiry Facilitation Team. Thanks are also due to Cathy Marr, Chief Historian, for her oversight and review of this paper. 2 Contents Purpose of the Chief Historian’s pre-casebook research discussion paper (‘exploratory scoping report’) .................................................................................................................... 4 Methodology .................................................................................................................... 4 The Mana Wāhine Inquiry (Wai 2700) ................................................................................. 7 -
Mäori Future Makers
Putanga 05 2007 CELEBRATING MÄORI ACHIEVEMENT Whiringa ä Rangi - Hakihea MÄORI FUTURE MAKERS MÄORI IN AUSTRALIA TE MOANA Ä TOI PAKIHI E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga THE LEGACY OF MÄORI FUTURE MAKERS 05 In recent times Te Puni Kökiri has developed and Te Puni Kökiri research shows that being Mäori in a global 2007 implemented the Mäori Potential Approach with its market place in the 21st century contains a comparative economic strategic outcome of Mäori succeeding as Mäori. advantage. Mäori have “an edge” - or as I like to think of it - “the Mäori edge”. We are now ready to take a bold step forward. We are looking to the future. We want to realise Mäori I believe the “Mäori edge” is already taking on a growing Whiringa ä Rangi - Hakihea potential and to do so we need to understand what signifi cance and consequently - secure in their culture, traditions, opportunities and challenges exist for Mäori. skills and values - Mäori will be the future makers in New Zealand. That is why I am very excited about our next major Congratulations to my team of dedicated analysts for their publication, Ngä Kaihanga Hou - For Mäori Future courageous future thinking and sheer hard work that resulted in Makers. this fantastic publication. Ngä Kaihanga Hou - For Mäori Future Makers We have always been future makers ever since our tüpuna fi rst explores what the future might hold for Mäori and navigated the vast Pacifi c Ocean. Let’s continue their legacy. We for New Zealand. -
NZIFF 2019 Wellington Programme
WELLINGTON 26 JULY – 11 AUGUST 2019 BOOK AT NZIFF.CO.NZ NZIFF0719_WELLINGTON-1.indd 1 19/06/19 2:40 PM Join our newsletter or follow us on social media, to keep up with the centenary programme of events. @mccahonhouse mccahonhouse.org.nz mccahon100.org.nz MH1425FANZIFF0719_WELLINGTON-1.indd McCahon100 NZIFF ad.indd 2 2 12/06/1919/06/19 5:362:40 PM 48th Wellington International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 26 JULY – 11 AUGUST 2019 EMBASSY THEATRE PENTHOUSE CINEMAS ROXY CINEMA LIGHT HOUSE CINEMA CUBA PROUDLY SUPPORTED BY LIGHT HOUSE CINEMA PETONE SOUNDINGS THEATRE, TE PAPA CITY GALLERY WELLINGTON READING CINEMAS, PORIRUA General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicist: Sally Woodfield Wellington Festival Manager: Elizabeth Ireland Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila -
Film Festival+2014
WAIROA MĀORI FILM FESTIVAL +2014 KAHUNGUNU MARAE, NUHAKA, WAIROA, AOTEAROA QUEEN’S BIRTHDAY /MATARIKI THURSDAY 29 MAY – MONDAY 2 JUNE 2014 ANCIENT SPIRITS BECKON / THEME INDIGENOUS FREQUENCIES / WWW.KIAORA.TV WWW.KIAORA.TV Above: RangImoekaus Left: Rob Makaraka in Inc’d Below: Home (Australia) Pumanawa The GIft THE SIGNAL & THE NOISE: MESSAGE FROM THE FESTIVAL DIRECTOR It is a great privilege to welcome you to Wairoa. Welcome to our hau kainga, to Nuhaka anD Morere, to be among the people DescenDeD of Kahungunu anD Rakaipaaka to rest anD finD sanctuary in film. Photo: MoniqueDelatour We gather in the sacreD space of the Māori Marae with clarity in soul anD purpose, with Dignity we adhere to tikanga anD cultural practice that is ancient. Aniwaniwa,Waikaremoana, Wairoa Ancient spirits have beckoneD us here to Wairoa anD from this we converse, create, anD collectively explore future worlDs yet to be known anD ancient stories yet to be tolD - On Screen. We at the Wairoa Māori Film Festival recognise Māori, Pasifika anD international inDigenous film makers as global leaders in the expansion of 4th Cinema Paradigms as first espouseD by our great leaders, Rangatira of Aotearoa anD worlD cinema. Aue! We look back with Dewy eyes as we commence the journey forwarD. As Festival Director, I am privilegeD to travel the worlD on an inDigenous film kaupapa. In Canada last year I attenDeD imagineNATIVE Toronto. I was fascinateD how the native peoples of Toronto have a cultural presence in a vast metropolis that is the film festival capital of the worlD. However, in such a crowDeD meDia market, a “Native Voice” is just one fractal among many in a vast manDala of multiculturalism anD urban tribalism. -
22 March 2015 Aaf.Co.Nz
New Zealand New AUCKLAND ARTS FESTIVAL 4 - 22 March 2015 aaf.co.nz Page A Page Welcome to Auckland Arts Festival IS MONEY BANKGOOD? OF NEW ZEALAND Nau mai haere mai ki Te Ahurei Toi o Ta-maki Makaurau Welcome to Auckland Arts Festival world, our hope is that their work can help Thank you to all the funders, sponsors and – a celebration of people, place, culture us to understand each other better and supporters whose generosity lets us bring and art. A time to come together as a live together in harmony. As John Lennon the work of great artists to audiences TIPSTOPCIENCE OF FEELING TIP TOP community to laugh, to cry, to be amazed, said …. across this wonderful city of ours. to contemplate and to imagine. Imagine all the people Put the dates in your diary 4 - 22 March, Artists create works that echo what Living life in peace... read the rest of the programme, is happening and has happened in our You may say I'm a dreamer let your imagination run wild and book MAKING THE PEOPLE’SVOLKSWAGEN FILM world. They challenge us to consider what But I'm not the only one your tickets. is important. We as audience members I hope someday you'll join us respond to their work and take our And the world will live as one. impressions of those stories, sounds and Each and every audience member gets to images with us into our worlds. SAMSUNGA GS4SMARTER PHONE LINE choose their individual dream. So take the Auckland Arts Festival 2015 has moments time to explore the programme brochure of great beauty and of dazzling skill; there and dream along with us. -
Cinema Arts March 2016
ERS March 2016 CINEMA ARTS Long Island’s Film Window C E N T R E on the World Celebrating 43 Years as Long Island’s Leading Independent Cinema MARGUERITE EYE IN THE SKY WOMEN’S HERSTORY MONTH ReelAbilities Film Festival March is Women’s Herstory Month! Join us for a celebration of women: p10-11 Become a Cinema MEMBER Membership Matters! WE keep ALL funds raised by membership, but HALF of our ticket sales goes to the distributor SUPPORT LONG ISLAND’S LEADING NOT-FOR-PROFIT, INDEPENDENT CINEMA Individual Membership $60 New P Pay only $7.00 for regular tickets (save $5.00 each time) rices Pay only $6.00 for Mon-Fri matinees (save $6.00) as of March 1 One FREE ticket upon joining or renewing st Cinema monthly Program Guide mailed to your home Member discounts on all Special Events and Workshops Discounts at restaurants and businesses with membership card Ability to purchase Express Passes (More Savings and No waiting on line!) Dual Membership $110 Same benefits as Individual Members, plus: Membership cards for two people Two FREE tickets instead of one upon joining or renewing Young Film Fan $35 Same benefits as Individual Members: Special invitation to free screening once per month (must provide e-mail address) Must be 25 or younger or be a full-time student, with valid ID Senior Membership $45 Same benefits as Individual Members: Must be 62 with valid ID Sponsor Membership $250 Same benefits as Dual Members, plus: Call ahead and purchase advance tickets by phone Name listed in Cinema Lobby Insider’s Newsletter from the CAC Programming Directors, mailed annually Other Membership Levels with additional benefits Call Rene Bouchard, Director of Development, 631.423.7610 x.18 for details on Patron, Director’s Circle and Cinema Friend membership levels as well as additional membership levels. -
A Tourist in Tuhoe Heartland
4 Living JUNE 16, 2013 COVER STORY A tourist in Tuhoe heartland Liz Light visits Ruatahuna, deep in Te Urewera National Park, the setting for the latest New Zealand film, White Lies. Oputao Marae is in heartland Tuhoe country. ichardWhite’s alarm clock is set for 6.30am and every morning he wakes to the deep, sweet Rtones of Louis Armstrong, “I think to myself, what a wonderful world.” Ruatahuna, a village that straggles along a valley in a big bubble of Maori land in the middle of Te Urewera National Park, is Richard’s wonderful world. Green farmland is surrounded by steep mountains clothed in dark, primeval rainforest. The forest seems to be quietly creeping down, reclaiming land that once belonged to it, making a mockery of man’s futile attempts to farm and nudging the cattle and horses further down the valley. The Whakatane River that carved this valley is young and sprightly, dancing around rocks and sometimes slowing down in pools where trout swim. This is heartland Tuhoe territory and the 260 people who live in Ruatahuna speak Maori, their first language. It’s also the location of the latest New Zealand movie, White Lies, and one of few such places that welcomes and hosts tourists wishing to experience a unique landscape and lifestyle. The valley has 10 hapu and each has its own marae. Oputao Marae belongs to the extended White family and has done for hundreds of years. Richard and Meriann, and their youngest son Paraki, live here but over Christmas the whanau — uncles, aunts, brothers, cousins, and lots of children — return from all over New Zealand, and some from Australia. -
An International Indigene: Engaging with Brett Graham
An International Indigene Engaging with Brett Graham ANNA-MARIE WHITE has recently termed ‘Te Toi Ao: The New Art World.’1 Anna-Marie White: Tena koe Brett . What has been Brett Graham (Ngāti Korokī Kahukura) is a your experience with Sakahán? Has the process leading Māori artist and New Zealand sculptor. diff ered markedly from other exhibitions that you His monumental installations examine indigenous have been involved in? experiences of the colonial process and emphasize Brett Graham: Greg Hill, one of the indigenous relationships between Māori and other colonised curators at the National Gallery of Canada made the cultures. In this way, Graham has maintained the statement, ‘The creators in Sakahán aren’t indigenous activist tradition of contemporary Māori art while peoples apeing the techniques and themes of positively contributing to bicultural and multicultural contemporary art, but contemporary artists working discourse in New Zealand society. out the ramifi cations of their indigineity.’ Although More recently, Graham’s work has been included in many of us have taken part in biennales where there international exhibitions that position contemporary has been more of an eff ort to include indigenous art, indigenous art as an emerging international art such as the 2010 Sydney Biennale curated by David movement. He has been at the forefront of this Elliott , we have longed to be part of an exhibition movement and this article charts the pan-indigenous like this. The values are diff erent from Western themes in his work from the early 1990s to the present. art though it is hard to say what these values are This history is based on a series of conversations with without trivializing.