Cinema Arts March 2016
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Tēnei Marama
Rima 2011 September 2011 I tukuna mai tēnei whakaahua e Ngaumutane Moana Jones nō Rakiamoa. Tēnei marama • Te Korowai announce their proposed strategy for managing the Kaiköura coastline pg 3 • Signing at Te Waihora pg 10 • Executive summary of the annual report pg 25 • Te Awheawhe Rü Whenua reports 12 months on from the September earthquake pg 31 • Date confirmed for annual general meeting pg 42 • Ngäi Tahu Artists create billboards to the theme Te Haka a Rüaumoko pg 47 Nä te Kaiwhakahaere This has been a busy month for environmental In this issue of Te Pānui Rūnaka, we projects. A particular highlight was the signing of the are pleased to announce another rejuvenation program for Te Waihora, Whakaora Te year of strong financial results and Waihora, on Thursday 25 August 2011. In addition, tribal achievements. Environment Canterbury, Ngāi Tahu and Te Waihora Despite the upheavals and Management Board signed an interim co-governance disruptions caused by a year of agreement which establishes a framework for the active significant earthquake events, the management of Te Waihora and its catchment. These end of year results set out in this agreements signal a new approach to management report are extremely pleasing. of natural resources in the region, one which brings These results are a just reward for together the tikanga responsibilities of Ngāi Tahu and the commitment and courage of the statutory responsibilities of Environment Canterbury. our whānau, staff and businesses – when we consider I note also that by the time this edition of Te Pānui the volatility of the global marketplace on top of our Rūnaka is published, Environment Southland and Te regional disaster, then we can all feel very proud of what Ao Marama will have launched the latest State of the has been achieved, not only the financial success but Environment reports for the Murihiku region – in itself most importantly the ongoing sense of unity and shared another important achievement. -
You're Invited!
You’re Invited! 1st Anniversary Celebration Saturday, August 4, 2018 Drop by during the day for cake and enjoy these wonderful performances: 11am - “Festival” : Directed by Murray Lerner Special Screening in advance of the official U.S. Premiere in Los Angeles Festival depicts the American folk revival of the 1960s through observing the annual Newport Folk Festival between 1963 and 1966. The film is an amazing historical document of a rich cultural moment, setting the stage for the more revolutionary developments of the later 60s and 70s. The big names are all there, including Pete Seeger, Peter, Paul and Mary, Donovan, Joan Baez and Bob Dylan. But unlike the more canonized and better-known 60s festival documentaries like Monterey Pop, Woodstock and Gimme Shelter, Festival presents a relatively diverse and inclusive notion of what would come to be called the “counterculture.” 1:00-2:30pm - Come make a “Who Are You” Collage! (All Ages) Laura Numsen is a Maryland Institute, College of Art graduate who’s taught art, writing, and culture in schools, colleges, and eldercare settings. She also leads SoulCollage® and Vision Board retreats, helping people of all ages tap into their inner wisdom. 4:00pm - Lisa Viggiano “Magic in the Night: A Tribute to the Artistry of Bruce Springsteen” BroadwayWorld 2016 Winner for BEST CABARET FEMALE VOCALIST. Coast to Coast, VIGGIANO has performed as a singer/actor since childhood, sharing the stage and screen with talents such as Sarah Jessica Parker, Tom Hanks, Rita Moreno and Bonnie Raitt. A native “Jersey Girl”, LISA has been seen singing the National Anthem for the NJ Devils, NY Rangers and the NY Mets. -
Wellington Jazz Among the Discourses
1 OUTSIDE IN: WELLINGTON JAZZ AMONG THE DISCOURSES BY NICHOLAS PETER TIPPING A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 2 Contents Contents ..................................................................................................................................... 2 List of Figures ............................................................................................................................. 5 Abstract ...................................................................................................................................... 6 Acknowledgements .................................................................................................................... 8 Introduction: Conundrums, questions, contexts ..................................................................... 9 Sounds like home: New Zealand Music ............................................................................... 15 ‘Jazz’ and ‘jazz’...................................................................................................................... 17 Performer as Researcher ...................................................................................................... 20 Discourses ............................................................................................................................ 29 Conundrums ........................................................................................................................ -
Broadcasting Our Reo and Culture
Putanga 08 2008 CELEBRATING MÄORI ACHIEVEMENT Paenga Whäwhä – Haratua Paenga BROADCASTING OUR REO AND CULTURE 28 MÄORI BATTALION WAIKATO MÄORI NETBALL E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga GOING FORWARD TOGETHER 08 Tënä tätou katoa, Te Puni Kökiri currently has four bills being considered by 2008 Parliament – the Mäori Trustee and Mäori Development Bill, the Stories in Kökiri highlight the exciting and Mäori Purposes Bill (No 2), the Mauao Historic Reserve Vesting Bill inspirational achievement of Mäori throughout and the Waka Umanga (Mäori Corporations) Bill. New Zealand. Kökiri will continue to be a reservoir These bills, along with other Te Puni Kökiri work programmes, Paenga Whäwhä – Haratua Paenga of Mäori achievement across all economic, social highlight Mäori community priorities, including rangatiratanga, and cultural areas. iwi and Mäori identity, and whänau well-being, while The feedback we are getting is very supportive and encompassing government priorities including national identity, positive and it reinforces the continuation of our families – young and old, and economic transformation. Kökiri publication in its current form. We feel sure that the passage of these bills will lead to more Behind the scenes in areas that do not capture much success stories appearing in Kökiri where Mäori have put the public attention is a lot of important and worthwhile legislative changes to good effect in their communities. policy and legislative work that Te Puni Kökiri is intimately involved in. Leith Comer Te Puni Kökiri – Manahautü 2 TE PUNI KÖKIRI | KÖKIRI | PAENGA WHÄWHÄ – HARATUA 2008 NGÄ KAUPAPA 5 16 46 28 Mäori Battalion 5 Waikato 16 Mäori Netball 46 The 28th annual reunion of 28 Mäori In this edition we profi le Aotearoa Mäori Netball celebrated Battalion veterans, whänau and Te Puni Kökiri’s Waikato region – its 21st National Tournament in Te friends was hosted by Te Tairäwhiti’s its people, businesses, successes Taitokerau with a fantastic display of C Company at Gisborne’s Te Poho and achievements. -
Keynote Speakers
KEYNOTE SPEAKERS 1 Keynote 1 From Maoritanga to Matauranga: Indigenous Knowledge Discourses Linda Tuhiwai Smith (NMM, Cinema) _______________________________________________________________________________ My talk examines the current fascination with matauranga Maori in policy and curriculum. I am interested in the way academic discourses have shifted dramatically to encompass Maori interests and ways of understanding knowledge. I explore some aspects of the development of different approaches to Maori in the curriculum and track the rising interest in matauranga (traditional Maori knowledge) through a period of neoliberal approaches to curriculum in our education system and measurement of research excellence. The Performance Based Research Fund recognises matauranga Maori as a field of research, Government research funds ascribe to a Vision Matauranga policy which must be addressed in all contestable research funds and there are qualifications, majors and subject papers which teach matauranga Maori at tertiary level. New Zealand leads the world in terms of incorporating indigenous knowledge, language and culture into curriculum. Most of the named qualifications are accredited through the New Zealand Qualifications Authority, which then owns the intellectual property of the curriculum. Maori individuals clearly play a significant role in developing the curriculum and resources. They are mostly motivated by wanting to provide a Maori-friendly and relevant curriculum. However, Maori people are also concerned more widely about cultural -
CUSTODY with CULTURE KIRINGAUA CASSIDY INCREASE YOURKA$H the LANGUAGE ROSEMARY Mcleod of IDENTITY TOM BENNION ARIANA TIKAO SIMON KAAN K Vsng 66/9/07 3:06:33 PM / 9
TE WAIHORA YA BOOZE, YA LOSE! KÖANGA $7.95 2007 SPRING issue 36 CUSTODY WITH CULTURE INCREASE YOUR KA$H K vs NG THE LANGUAGE OF IDENTITY ARIANA TIKAO SIMON KAAN TOM BENNION ROSEMARY McLEOD KING OF THE ROAD KIRINGAUA CASSIDY TTK36_ALL.inddK36_ALL.indd 1 66/9/07/9/07 33:06:33:06:33 PPMM FROM THE ACTING CHIEF OPERATING OFFICER, TE RÜNANGA O NGÄI TAHU, ANAKE GOODALL Ahakoa he iti, he pounamu. Although it is small, it is precious. The statistical representation of Mäori is frequently a portrayal of ethnic disparity – Mäori as enjoying, in comparison to Päkehä New Zealand, less health, wealth, education, a greater proclivity for criminal pursuits and perhaps a “warrior gene” or two. The aesthetic of this picture has been consistently unpalatable, routinely criticised and variously addressed. Those in the pakeke bracket have witnessed EDITORIAL TEAM attempts to eradicate disparity through integration, devolution, biculturalism, a Phil Tumataroa Editor (above) Assistant Editor brave new era of “by Mäori for Mäori”, and most recently, the rapid retreat driven by Felolini Maria Ifopo Sub Editor the “needs not race” rhetoric. This quickstep approach to Mäori policy has distorted Stan Darling Debra Farquhar Sub Editor the frame, obscuring the true picture. The pattern emerges not by comparing Mäori to Päkehä, but by contrasting policy against result. CONTRIBUTORS The United Nations recently refocused the picture by tracing the journey between Dr Neville Bennett Tom Bennion cause and effect. The Committee on the Elimination of Racial Discrimination, as Donald Couch Pirimia Burger indicated by its name, exists to protect and promote the right to racial equality. -
Wai 2700 the CHIEF HISTORIAN's PRE-CASEBOOK
Wai 2700, #6.2.1 Wai 2700 THE CHIEF HISTORIAN’S PRE-CASEBOOK DISCUSSION PAPER FOR THE MANA WĀHINE INQUIRY Kesaia Walker Principal Research Analyst Waitangi Tribunal Unit July 2020 Author Kesaia Walker is currently a Principal Research Analyst in the Waitangi Tribunal Unit and has completed this paper on delegation and with the advice of the Chief Historian. Kesaia has wide experience of Tribunal inquiries having worked for the Waitangi Tribunal Unit since January 2010. Her commissioned research includes reports for Te Rohe Pōtae (Wai 898) and Porirua ki Manawatū (Wai 2200) district inquiries, and the Military Veterans’ (Wai 2500) and Health Services and Outcomes (Wai 2575) kaupapa inquiries. Acknowledgements Several people provided assistance and support during the preparation of this paper, including Sarsha-Leigh Douglas, Max Nichol, Tui MacDonald and Therese Crocker of the Research Services Team, and Lucy Reid and Jenna-Faith Allan of the Inquiry Facilitation Team. Thanks are also due to Cathy Marr, Chief Historian, for her oversight and review of this paper. 2 Contents Purpose of the Chief Historian’s pre-casebook research discussion paper (‘exploratory scoping report’) .................................................................................................................... 4 Methodology .................................................................................................................... 4 The Mana Wāhine Inquiry (Wai 2700) ................................................................................. 7 -
Mäori Future Makers
Putanga 05 2007 CELEBRATING MÄORI ACHIEVEMENT Whiringa ä Rangi - Hakihea MÄORI FUTURE MAKERS MÄORI IN AUSTRALIA TE MOANA Ä TOI PAKIHI E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga THE LEGACY OF MÄORI FUTURE MAKERS 05 In recent times Te Puni Kökiri has developed and Te Puni Kökiri research shows that being Mäori in a global 2007 implemented the Mäori Potential Approach with its market place in the 21st century contains a comparative economic strategic outcome of Mäori succeeding as Mäori. advantage. Mäori have “an edge” - or as I like to think of it - “the Mäori edge”. We are now ready to take a bold step forward. We are looking to the future. We want to realise Mäori I believe the “Mäori edge” is already taking on a growing Whiringa ä Rangi - Hakihea potential and to do so we need to understand what signifi cance and consequently - secure in their culture, traditions, opportunities and challenges exist for Mäori. skills and values - Mäori will be the future makers in New Zealand. That is why I am very excited about our next major Congratulations to my team of dedicated analysts for their publication, Ngä Kaihanga Hou - For Mäori Future courageous future thinking and sheer hard work that resulted in Makers. this fantastic publication. Ngä Kaihanga Hou - For Mäori Future Makers We have always been future makers ever since our tüpuna fi rst explores what the future might hold for Mäori and navigated the vast Pacifi c Ocean. Let’s continue their legacy. We for New Zealand. -
NZIFF 2019 Wellington Programme
WELLINGTON 26 JULY – 11 AUGUST 2019 BOOK AT NZIFF.CO.NZ NZIFF0719_WELLINGTON-1.indd 1 19/06/19 2:40 PM Join our newsletter or follow us on social media, to keep up with the centenary programme of events. @mccahonhouse mccahonhouse.org.nz mccahon100.org.nz MH1425FANZIFF0719_WELLINGTON-1.indd McCahon100 NZIFF ad.indd 2 2 12/06/1919/06/19 5:362:40 PM 48th Wellington International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 26 JULY – 11 AUGUST 2019 EMBASSY THEATRE PENTHOUSE CINEMAS ROXY CINEMA LIGHT HOUSE CINEMA CUBA PROUDLY SUPPORTED BY LIGHT HOUSE CINEMA PETONE SOUNDINGS THEATRE, TE PAPA CITY GALLERY WELLINGTON READING CINEMAS, PORIRUA General Manager: Sharon Byrne Programmer: Sandra Reid Programme Manager: Michael McDonnell Assistant to the General Manager: Caroline Palmer Communications Manager: Melissa Booth Publicist: Sally Woodfield Wellington Festival Manager: Elizabeth Ireland Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Publications Manager: Tim Wong Programme Consultant: Chris Matthews Content Manager: Ina Kinski Content Assistant: Lauri Korpela Technical Adviser: Ian Freer Online Content Coordinator: Sanja Maric Audience Development Coordinator: Emma Carter Guest Coordinator: Lauren Day Social Media Coordinator: David Oxenbridge Communications Assistant: Lynnaire MacDonald Communications Assistant (Auckland): Camila -
Senator Winter 2018 Pictures
SENATOR THEATRE 5904 YORK ROAD ONE SHOW ONLY! WEDNESDAY, JANUARY 24 SUNDAY, JANUARY 28 10 AM 7:30 MONDAY, JANUARY 29 1 PM WEDNESDAY, JANUARY 17 7:30 TUESDAY, JANUARY 30 9:30 PM SUNDAY, JANUARY 21 10 AM MONDAY, JANUARY 22 1 PM TUESDAY, JANUARY 23 9:30 PM WEDNESDAY, JANUARY 31 7:30 PM SUNDAY, FEBRUARY 4 10 AM MONDAY, FEBRUARY 5 1 PM WEDNESDAY, FEBRUARY 14 8 PM TUESDAY, FEBRUARY 6 1 PM WEDNESDAY, FEBRUARY 7 7:30 SUNDAY, FEBRUARY 18 10 AM SUNDAY, FEBRUARY 11 10 AM MONDAY, FEBRUARY 12 1 PM TUESDAY, FEBRUARY 13 9:30 PM REVIVAL CALENDAR ADMISSION EVENING $10 STUDENT / SR $9 MATINEE $7 thesenatortheatre.com WARNER BROTHERS CARTOON SHOW ONE SHOW ONLY SUNDAY, FEBRUARY 25 10 AM REVIVAL CALENDAR ADMISSION EVENING $10 SENATOR THEATRE STUDENT / SR $9 5904 YORK ROAD MATINEE $7 ONCE UPON A TIME IN AMERICA “Just about all the incidents in this…film echo scenes in Hollywood gangster movies, but the director, Sergio Leone, inflates them, slows them down, and gives them a dreamy obsessiveness. He transmutes the lower East Side settings of those gangster movies to give the genre a richer, more luxuriant visual texture. His widescreen view of a group of Jewish kids who start with petty crime and move into big- time racketeering is set in 1921, 1933, and 1968, but not in that order….It isn't just the echoing moments that keep you absorbed--it's the reverberant dreamland settings and Leone's majestic, billowing sense of film movement.” (Pauline Kael) 4K Restoration 251 min. -
Producer, Director, Cinematographer and Editor)
Deconstructing Dad—The Music, Machines and Mystery of Raymond Scott Biography--Filmmaker-Stan Warnow (Producer, Director, Cinematographer and Editor) Stan Warnow received his B.A. from the University of Rochester and after graduating from the NYU School of the Arts cinema program with a Master of Fine Arts began working in New York City both as a cinematographer and editor on documentaries and dramatic films, and has worked in both genres for his whole career. His first feature editing credit was on The Honeymoon Killers, a low budget film noir that went on to be named to the New York Times 10 best list of 1969, as well as becoming a huge European hit--Francois Truffaut at one point referred to it as "his favorite American film." His next major project, as a cameraman and editor was the 1970 Academy Award winning and editing nominated feature documentary Woodstock. He was an editor on many music based projects throughout the 70's including the feature film Hair and the concert documentary No Nukes. He was also an editor on Ragtime. In 1982 he co-directed, co-produced, and supervised the editing of the award winning documentary feature In Our Hands, the film chronicle of the massive June 12, 1982 New York rally against nuclear weapons and energy. The film was a massive all volunteer effort, and included the participation of Pete Seeger, James Taylor, Peter Paul and Mary, and Meryl Streep, and behind the camera luminaries such as Barbara Kopple, Robert Leacock and Buddy Squires. In 1984 he edited the Warner Brothers production of Sesame Street's Follow That Bird. -
Film Festival+2014
WAIROA MĀORI FILM FESTIVAL +2014 KAHUNGUNU MARAE, NUHAKA, WAIROA, AOTEAROA QUEEN’S BIRTHDAY /MATARIKI THURSDAY 29 MAY – MONDAY 2 JUNE 2014 ANCIENT SPIRITS BECKON / THEME INDIGENOUS FREQUENCIES / WWW.KIAORA.TV WWW.KIAORA.TV Above: RangImoekaus Left: Rob Makaraka in Inc’d Below: Home (Australia) Pumanawa The GIft THE SIGNAL & THE NOISE: MESSAGE FROM THE FESTIVAL DIRECTOR It is a great privilege to welcome you to Wairoa. Welcome to our hau kainga, to Nuhaka anD Morere, to be among the people DescenDeD of Kahungunu anD Rakaipaaka to rest anD finD sanctuary in film. Photo: MoniqueDelatour We gather in the sacreD space of the Māori Marae with clarity in soul anD purpose, with Dignity we adhere to tikanga anD cultural practice that is ancient. Aniwaniwa,Waikaremoana, Wairoa Ancient spirits have beckoneD us here to Wairoa anD from this we converse, create, anD collectively explore future worlDs yet to be known anD ancient stories yet to be tolD - On Screen. We at the Wairoa Māori Film Festival recognise Māori, Pasifika anD international inDigenous film makers as global leaders in the expansion of 4th Cinema Paradigms as first espouseD by our great leaders, Rangatira of Aotearoa anD worlD cinema. Aue! We look back with Dewy eyes as we commence the journey forwarD. As Festival Director, I am privilegeD to travel the worlD on an inDigenous film kaupapa. In Canada last year I attenDeD imagineNATIVE Toronto. I was fascinateD how the native peoples of Toronto have a cultural presence in a vast metropolis that is the film festival capital of the worlD. However, in such a crowDeD meDia market, a “Native Voice” is just one fractal among many in a vast manDala of multiculturalism anD urban tribalism.