Broadcasting Our Reo and Culture
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Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Chapter 13: Drama and Theatre in and for Schools:
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons@Waikato http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Drama and Theatre in and for Schools: Referencing the nature of theatre in contemporary New Zealand A thesis submitted in partial fulfilment of the requirements for the degree of Degree Master of Arts in Theatre Studies) at The University of Waikato by Jane Isobel Luton _________ The University of Waikato 2010 Abstract This thesis considers the nature of drama and theatre in and for schools and references the nature of theatre in contemporary New Zealand. Drama in schools in New Zealand has developed from the earliest school productions in the 1800's, through its perceived role to enrich lives, to becoming a discrete Arts subject within the New Zealand educational curriculum in 1999. -
Tēnei Marama
Rima 2011 September 2011 I tukuna mai tēnei whakaahua e Ngaumutane Moana Jones nō Rakiamoa. Tēnei marama • Te Korowai announce their proposed strategy for managing the Kaiköura coastline pg 3 • Signing at Te Waihora pg 10 • Executive summary of the annual report pg 25 • Te Awheawhe Rü Whenua reports 12 months on from the September earthquake pg 31 • Date confirmed for annual general meeting pg 42 • Ngäi Tahu Artists create billboards to the theme Te Haka a Rüaumoko pg 47 Nä te Kaiwhakahaere This has been a busy month for environmental In this issue of Te Pānui Rūnaka, we projects. A particular highlight was the signing of the are pleased to announce another rejuvenation program for Te Waihora, Whakaora Te year of strong financial results and Waihora, on Thursday 25 August 2011. In addition, tribal achievements. Environment Canterbury, Ngāi Tahu and Te Waihora Despite the upheavals and Management Board signed an interim co-governance disruptions caused by a year of agreement which establishes a framework for the active significant earthquake events, the management of Te Waihora and its catchment. These end of year results set out in this agreements signal a new approach to management report are extremely pleasing. of natural resources in the region, one which brings These results are a just reward for together the tikanga responsibilities of Ngāi Tahu and the commitment and courage of the statutory responsibilities of Environment Canterbury. our whānau, staff and businesses – when we consider I note also that by the time this edition of Te Pānui the volatility of the global marketplace on top of our Rūnaka is published, Environment Southland and Te regional disaster, then we can all feel very proud of what Ao Marama will have launched the latest State of the has been achieved, not only the financial success but Environment reports for the Murihiku region – in itself most importantly the ongoing sense of unity and shared another important achievement. -
(No. 6)Craccum-1986-060-006.Pdf
m mm or kwmm w r a K m r Of w m m - 4 APR 1986 * A f'R 1986 a m * u t t t f r Auckland University Students Association, Incorporated FREE Our Beloved VOL 60, NO. 6: 1 APRIL, 1986. Deputy-Leader, Nuclear Scientist rejects "Star Richard Steel, Wars". EDITORS shows intrepid determination in page 3 Nuclear Scientist Rejects VIEW fighting corruption "Star W ars". CRACCUM is a source of free expression and information for the Auckland University Dr Hugh de W itt, Senior Physicist Students and the University Community. — The SHOCK story on page 23. at the Livermore National Laboratory, said that the concept of a "perfect This weeks CRACCUM featuring the population defence of the United States is technically unfeasible for ★ Arts in Review many decades, if not a century." ★ Music While on a brief visit to Auckland, RICHARD STEEL he spoke with Craccum reporter ★ Theatres’ Film Galleries Elizabeth Pritchett. Dr de Witt has I f , access to classified material on nuclear ★ Books MURDER weapons research being carried out at Livermore, although he does not work ★ t .v . in Quad ? on nuclear arms developm ent. Intrigue surrounds "Continuation of S tar W ars is ★ Previews Anti-Watson moves. endangering arms control After discussing the petitidn of 20 negotiations," he said. See next members calling for a Special General week's Craccum for the interview. Meeting of the Association, Executive decided not to call a meeting because, subsequently and before Executive had a t met to discuss the petition, a letter was 'S\ received from three of the petitioners wishing to withdraw their names, announced the AUSA Secretary, Pilar An Award for Alba. -
Wellington Jazz Among the Discourses
1 OUTSIDE IN: WELLINGTON JAZZ AMONG THE DISCOURSES BY NICHOLAS PETER TIPPING A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 2 Contents Contents ..................................................................................................................................... 2 List of Figures ............................................................................................................................. 5 Abstract ...................................................................................................................................... 6 Acknowledgements .................................................................................................................... 8 Introduction: Conundrums, questions, contexts ..................................................................... 9 Sounds like home: New Zealand Music ............................................................................... 15 ‘Jazz’ and ‘jazz’...................................................................................................................... 17 Performer as Researcher ...................................................................................................... 20 Discourses ............................................................................................................................ 29 Conundrums ........................................................................................................................ -
This Online Version of the Thesis Uses Different Fonts from the Printed Version Held in Griffith University Library, and the Pagination Is Slightly Different
NOTE: This online version of the thesis uses different fonts from the printed version held in Griffith University Library, and the pagination is slightly different. The content is otherwise exactly the same. Journeys into a Third Space A study of how theatre enables us to interpret the emergent space between cultures Janinka Greenwood M.A., Dip Ed, Dip Tchg, Dip TESL This thesis is submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 1999 Statement This work has not been previously submitted for a degree or diploma in any university, To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made in the thesis itself. Janinka Greenwood 17 December 1999 Acknowledgments Thanks are due to a number of people who have given me support and encouragement in completing this thesis. Firstly I am very grateful for the sustained encouragement and scholarly challenges given by my principal supervisor Associate Professor John O’Toole and also by my co-supervisor Dr Philip Taylor. I appreciate not only their breadth of knowledge in the field of drama, but also their courageous entry into a territory of cultural differences and their insistence that I make explicit cultural concepts that I had previously taken for granted. I am grateful also to Professor Ranginui Walker who, at a stage of the research when I felt the distance between Australia and New Zealand, consented to “look over my shoulder”. Secondly, my sincere thanks go to all those who shared information, ideas and enthusiasms with me during the interviews that are reported in this thesis and to the student teachers who explored with me the drama project that forms the final stage of the study. -
Keynote Speakers
KEYNOTE SPEAKERS 1 Keynote 1 From Maoritanga to Matauranga: Indigenous Knowledge Discourses Linda Tuhiwai Smith (NMM, Cinema) _______________________________________________________________________________ My talk examines the current fascination with matauranga Maori in policy and curriculum. I am interested in the way academic discourses have shifted dramatically to encompass Maori interests and ways of understanding knowledge. I explore some aspects of the development of different approaches to Maori in the curriculum and track the rising interest in matauranga (traditional Maori knowledge) through a period of neoliberal approaches to curriculum in our education system and measurement of research excellence. The Performance Based Research Fund recognises matauranga Maori as a field of research, Government research funds ascribe to a Vision Matauranga policy which must be addressed in all contestable research funds and there are qualifications, majors and subject papers which teach matauranga Maori at tertiary level. New Zealand leads the world in terms of incorporating indigenous knowledge, language and culture into curriculum. Most of the named qualifications are accredited through the New Zealand Qualifications Authority, which then owns the intellectual property of the curriculum. Maori individuals clearly play a significant role in developing the curriculum and resources. They are mostly motivated by wanting to provide a Maori-friendly and relevant curriculum. However, Maori people are also concerned more widely about cultural -
CUSTODY with CULTURE KIRINGAUA CASSIDY INCREASE YOURKA$H the LANGUAGE ROSEMARY Mcleod of IDENTITY TOM BENNION ARIANA TIKAO SIMON KAAN K Vsng 66/9/07 3:06:33 PM / 9
TE WAIHORA YA BOOZE, YA LOSE! KÖANGA $7.95 2007 SPRING issue 36 CUSTODY WITH CULTURE INCREASE YOUR KA$H K vs NG THE LANGUAGE OF IDENTITY ARIANA TIKAO SIMON KAAN TOM BENNION ROSEMARY McLEOD KING OF THE ROAD KIRINGAUA CASSIDY TTK36_ALL.inddK36_ALL.indd 1 66/9/07/9/07 33:06:33:06:33 PPMM FROM THE ACTING CHIEF OPERATING OFFICER, TE RÜNANGA O NGÄI TAHU, ANAKE GOODALL Ahakoa he iti, he pounamu. Although it is small, it is precious. The statistical representation of Mäori is frequently a portrayal of ethnic disparity – Mäori as enjoying, in comparison to Päkehä New Zealand, less health, wealth, education, a greater proclivity for criminal pursuits and perhaps a “warrior gene” or two. The aesthetic of this picture has been consistently unpalatable, routinely criticised and variously addressed. Those in the pakeke bracket have witnessed EDITORIAL TEAM attempts to eradicate disparity through integration, devolution, biculturalism, a Phil Tumataroa Editor (above) Assistant Editor brave new era of “by Mäori for Mäori”, and most recently, the rapid retreat driven by Felolini Maria Ifopo Sub Editor the “needs not race” rhetoric. This quickstep approach to Mäori policy has distorted Stan Darling Debra Farquhar Sub Editor the frame, obscuring the true picture. The pattern emerges not by comparing Mäori to Päkehä, but by contrasting policy against result. CONTRIBUTORS The United Nations recently refocused the picture by tracing the journey between Dr Neville Bennett Tom Bennion cause and effect. The Committee on the Elimination of Racial Discrimination, as Donald Couch Pirimia Burger indicated by its name, exists to protect and promote the right to racial equality. -
Seeing Ourselves on Stage
Seeing Ourselves on Stage: Revealing Ideas about Pākehā Cultural Identity through Theatrical Performance Adriann Anne Herron Smith Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Otago 2010 Acknowledgements Thanks to my Kaitiaki Rangimoana Taylor My Supervisors: Henry Johnson, Jerry Jaffe, Erich Kolig (2004-July 2006), Martin Tolich (July 2007 onwards) Thanks to my children Ruth Kathryne Cook and Madeline Anne Hinehauone Cook for supporting me in this work. Thanks also to Hilary Halba and Alison East for their help, encouragement and invigorating discussion; to friend and poet Roma Potiki who offered the title for this thesis and also engaged in spirited discussion about its contents; to Monika Smith, Adrienne Jansen, Geesina Zimmermann, Annie Hay Mackenzie and to all of my friends who have supported this project; Thanks to Louise Kewene, Trevor Deaker, Martyn Roberts and Morag Anne Baillie for technical support during this project. Thanks to all of the artists who have made this work possible: Christopher Blake, Gary Henderson, Lyne Pringle, Kilda Northcott, Andrew London and to Hilary Norris, Hilary Halba, Alison East and Lisa Warrington who contributed their time, experience and passion for the work of Aotearoa/New Zealand to this endeavour. ii Abstract This is the first detailed study of New Zealand theatrical performance that has investigated the concepts of a Pākehā worldview. It thus contributes to the growing body of critical analysis of the theatre Aotearoa/New Zealand, and to an overall picture of Pākehā New Zealander cultural identity. The researcher‘s experience of being Pākehā has formed the lens through which these performance works are viewed. -
Wai 2700 the CHIEF HISTORIAN's PRE-CASEBOOK
Wai 2700, #6.2.1 Wai 2700 THE CHIEF HISTORIAN’S PRE-CASEBOOK DISCUSSION PAPER FOR THE MANA WĀHINE INQUIRY Kesaia Walker Principal Research Analyst Waitangi Tribunal Unit July 2020 Author Kesaia Walker is currently a Principal Research Analyst in the Waitangi Tribunal Unit and has completed this paper on delegation and with the advice of the Chief Historian. Kesaia has wide experience of Tribunal inquiries having worked for the Waitangi Tribunal Unit since January 2010. Her commissioned research includes reports for Te Rohe Pōtae (Wai 898) and Porirua ki Manawatū (Wai 2200) district inquiries, and the Military Veterans’ (Wai 2500) and Health Services and Outcomes (Wai 2575) kaupapa inquiries. Acknowledgements Several people provided assistance and support during the preparation of this paper, including Sarsha-Leigh Douglas, Max Nichol, Tui MacDonald and Therese Crocker of the Research Services Team, and Lucy Reid and Jenna-Faith Allan of the Inquiry Facilitation Team. Thanks are also due to Cathy Marr, Chief Historian, for her oversight and review of this paper. 2 Contents Purpose of the Chief Historian’s pre-casebook research discussion paper (‘exploratory scoping report’) .................................................................................................................... 4 Methodology .................................................................................................................... 4 The Mana Wāhine Inquiry (Wai 2700) ................................................................................. 7 -
Matt Chamberlain. Height 182 Cm
Actor Biography Matt Chamberlain. Height 182 cm Feature Film. 2010 Hook Line and Sinker Frank Torchlight Productions Dir. Andrea Bosshard/Shane Loader 2009 Insatiable Moon Tony De Villiers The Insatiable Moon Ltd (Support) Dir. Rosemary Riddell Prd. Mike Riddell, Pip Piper&Rob Taylor 2008 Under The Mountain Uncle Cliff Redhead Films Ltd (Support) Dir. Jonathan King Prd. Richard Fletcher 2007 Avatar Lieutenant Colonel 880 Productions Dir. James Cameron 2006 Black Sheep Oliver Oldsworth Live Stock Films (Support) Dir. Jonathan King Prd. Philippa Campbell 2004 King Kong Venture Crew Big Primate Pictures (Support) Dir. Peter Jackson 2003 In My Fathers Den Jeff IMFD Productions/UK (Support) Dir. Brad McGann 2000 Stickmen Hugh Stick Films Dir. Hamish Rothwell 1995 Frighteners Wayne WingNut Films Dir. Peter Jackson 1993 The Last Tattoo Helmsman Capella International /Plumb Productions (Support) Dir. John Reid PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Matt Chamberlain. Page 2 Short Film. 2011 Stumped Farmer This Tall To Ride Productions (Lead) Dir. Jack Nicol 1992 Rush Hour New Zealand Drama School Productions Dir. Ian Mune Television. 2021 One Lane Bridge Season 2 D. I Preston Great Southern Television NZ (Recurring Guest) Dir. Peter Burger 2019 One Lane Bridge D I David Preston Great Southern Television Dir. Various Prd. Carmen Leonard 2018 Murder is Forever Leo Fisher Dir. Chis Dudman Prd. Netflix 2017 The Interns Performer TVNZ Prd. Gareth Williams & Tim Batt 2017 Roman Empire 2 Germanicus Stephen David Entertainment (Guest) Dir. John Ealer Prd. -
Rob Mokaraka. Height 180 Cm
Actor Biography Rob Mokaraka. Height 180 cm Awards. 2015 Performance of the Year - All Our Sons 2015 Winner of Best Actor Award - Inc 'd 2014 Winner-Best Actor in the Short Film INC 'D, Wairoa Maori Film Festival 2014 Winner-Best Short Film INC 'D, Wairoa Maori Film Festival 2007 Chapman Tripp Theatre Awards - Winner - Best New Playwright - Strange Resting Places 2001 Chapman Tripp Theatre Awards -Winner - Most Promising Newcomer - Have Car Will Travel Feature Film. 2007 Bride Flight Young Mozzie New Holland Pictures Dir. Ben Sombogaart 2002 Aidiko Insane Jobs NZ Film Commission (Pimp) Dir. Adam Larkin 1999 A Night In Voo Doo Dir. Mike Wallace 1999 Speechless, Nurse Dir. Graham Tuckett Short Film. 2011 The Lawn Mower Men Of Kapu Blue Batch Dir. Libby Hakaraia Prd. Tainui Stephens 2011 UpHill Tim Dir. Jackie Van Beek 2004 Tama Tu Waika Aio Films /Defender Films (Lead) Dir. Taika Cohen Prd. Cliff Curtis&Ainsley Gardiner PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Rob Mokaraka. Page 2 Short continued... 2002 The Freezer Rob MF Films Dir. Paolo Rotondo Television. 2018 It Takes a Village Ropata Awa Films Dir. Tammy Davis Prd. Julian Arahanga 2018 The Dead Lands Hako Randolph TDL Limited Dir. Peter Meteherangi Taiko Burger, Michael Hurst Prd. Matthew Metcalfe, Fraser Brown 2014 When We Go to War Maori Captain Jump Film and TV Limited Dir. Peter Burger Prd. Robin Scholes and Janine Dickins 2011 Nga Reo Hou-Strange Resting Places Various Eyeworks New Zealand Ltd /Black Inc Media Ltd Dir.