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MOANA MAORI VERSION Press Release -FINAL
! CASTING BEGINS ON TE REO MAORI LANGUAGE VERSION OF WALT DISNEY ANIMATION STUDIOS’ MOANA Writer Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) and Moana Actress Rachel House (“Gramma Tala”) Made the Announcement on behalf of the Matewa Media Trust, in Collaboration with The Walt Disney Studios Actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) will Reprise their Roles BURBANK, Calif., June 8, 2017 – Casting has begun on the Te Reo Maori language version of Walt Disney Animations Studios Academy Award®-nominated animated feature Moana. The Maori language version is being created by Taika Waititi’s Matewa Media Trust, in collaboration with The Walt Disney Studios. A Casting announcement was posted by Rachel House and Taika Waititi today on www.adrenalingroup.com/ casting. The recording process will take place over the next few months with actors Rachel House (“Gramma Tala”), Temuera Morrison (“Chief Tui”), Jemaine Clement (“Tamatoa”) and Oscar Kightley (“Fisherman”) reprising their roles. Rob Ruha, multi- award-winning composer and solo artist, has joined the team as both Musical Director and as an integral part of the translation/adaptation team. Release details are to be announced, with the goal to have the film shared both in festivals and on DVD for educational purposes in Aotearoa (New Zealand) and beyond. "It's been a big dream of mine to see mainstream movies translated into te reo Maori,” says Waititi. “For indigenous audiences to hear films in their own language is a huge deal, helping to normalize the native voice and give a sense of identification. -
The Ngati Awa Raupatu Report
THE NGATI AWA RAUPATU REPORT THE NGAT I AWA RAUPATU REPORT WA I 46 WAITANGI TRIBUNAL REPORT 1999 The cover design by Cliä Whiting invokes the signing of the Treaty of Waitangi and the consequent interwoven development of Maori and Pakeha history in New Zealand as it continuously unfolds in a pattern not yet completely known A Waitangi Tribunal report isbn 1-86956-252-6 © Waitangi Tribunal 1999 Edited and produced by the Waitangi Tribunal Published by Legislation Direct, Wellington, New Zealand Printed by PrintLink, Wellington, New Zealand Text set in Adobe Minion Multiple Master Captions set in Adobe Cronos Multiple Master LIST OF CONTENTS Letter of transmittal. ix Chapter 1Chapter 1: ScopeScopeScope. 1 1.1 Introduction. 1 1.2 The raupatu claims . 2 1.3 Tribal overlaps . 3 1.4 Summary of main åndings . 4 1.5 Claims not covered in this report . 10 1.6 Hearings. 10 Chapter 2: Introduction to the Tribes. 13 2.1 Ngati Awa and Tuwharetoa . 13 2.2 Origins of Ngati Awa . 14 2.3 Ngati Awa today . 16 2.4 Origins of Tuwharetoa. 19 2.5 Tuwharetoa today . .20 2.6 Ngati Makino . 22 Chapter 3: Background . 23 3.1 Musket wars. 23 3.2 Traders . 24 3.3 Missionaries . 24 3.4 The signing of the Treaty of Waitangi . 25 3.5 Law . 26 3.6 Principles of the Treaty of Waitangi. 28 Chapter 4: The Central North Island Wars . 33 4.1 The relevance of the wars to Ngati Awa. 33 4.2 Conclusion . 39 Chapter 5: The Völkner And Fulloon Slayings . -
Course Title
English Literature Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 112 Cultural Encounters: The Literature of Aoteroa New Zealand Trimester 2 2016 11 July to 13 November 2016 20 Points Bill Manhire (1986) - Robert Cross IMPORTANT DATES Teaching dates: 11 July to 16 October 2016 Mid-trimester break: 22 August to 4 September 2016 Study period: 17 – 20 October 2016 Examination/Assessment period: 21 October to 12 November 2016 Note: Students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). 1 School of English, Film, Theatre, & Media Studies ENGLISH LITERATURE PROGRAMME COURSE OUTLINE ENGL 112 CLASS TIMES AND LOCATIONS Lectures Tue, Thu, Fri 3.10 – 4.00 Maclaurin MCLT102 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 112 site on Blackboard: go to “Tutorial instructions” and then follow the instructions carefully. Remember to record your tutorial time, day and room for future reference. Tutorial rooms will be listed on myAllocator, Blackboard and on the noticeboard in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff: Anna Smaill Māori and Pasifika Support Tutor: Trae Te Wiki Email: [email protected] Email: [email protected] Phone: 463 5256 Phone: 463 9599 Room: vZ 806 Room: vZ 807 Office Hours: tba Office Hours: tba COMMUNICATION OF ADDITIONAL INFORMATION Updated information about the course, and all handouts, etc. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
New Zealand G.Azette
Jumb. 5. 233 THE NEW ZEALAND G.AZETTE WELLINGTON, THURSDAY, JANUARY 21, 1937. Land taken for the Purposes of a Road in Block XV, Land taken for the Purposes of paddocking Driven Cattle in I:leretaunga Survey District, Iiawke's Bay County. Block XV, Iieretaunga Survey District, 'Jlawke's Bay County. [L.S.] GALWAY, Governor-General. A PROCLAMATION. [L.S.] GALvVAY, Governor-General. N pursuance and exercise of the powers and authorities A PROCLAMATION. I vested in me by the Public Works Act, 1928, and of every other power and authority in anywise enabling me in N pursuance and exercise of the powers and authorities this behalf, I, George Vere Arundell, Viscount Galway, I vested in me by the Public Works Act, 1928, and of Governor-General of the Dominion of New Zealand, do hereby every other power and authority in anywise enabling me in proclaim and declare that the land described in tho Schedule this behalf, I, George Vere Arundell, Viscount Galway, hereto is hereby taken for the purposes of a road; and I Governor-General of the Dominion of New Zealand, do hereby do also declare that this Proclamation shall take effect on proclaim and declare that the land described in the Schedule and after the first day of February, one thousand nine hereto is hereby taken for the purposes of paddocking driven hundred and thirty-seven. cattle, and shall vest in the Chairman, Councillors, and Inhabitants of the County of Hawke's Bay as from the date hereinafter mentioned; and I do also declare that this Procla SCHEDULE. -
Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
Faith Review of Film 3
Union-PSCE, Charlotte Theology and Film Professor Pamela Mitchell-Legg No Juarez, Spring 2010 Faith Review of Film 3 Film Title : Whale Rider Year : 2002 Director : Niki Caro (Based on the book The Whale Rider by Witi Ihimaera) Original release form : Theaters Current Availability and Formats : DVD Genre : Drama, Family Story Elements: Cast: Keisha Castle-Hughes …………………. Paikea Apirana Rawirei Paratene ………………………..Koro Apirana Vicky Haughton ……………………… Nanny Flowers Cliff Curtis……………………………….Porourangi Grant Roa ……………………………….Uncle Rawiri Mana Taumaunu ………………………. Hemi Rachel House ………………………….. Shilo Taungaroa Emile ……………………….Willie Tammy Davis ………………………… Dog Plot Summary: Whale Rider is the story of young the girl Paikea, the newest descendant of the native community called Maori in New Zealand. This community struggles to find its place between their traditions and modernity. Paikea is the survivor of twins. Her brother and mother died the day Paikea was born. The grandfather Koro, the leader of Maori community was hoping for the baby boy to survive in order to make him the new leader of the community but only the girl survived. When the father of Paikea realizes that Koro rejects his granddaughter decides to migrate to Germany leaving her daughter Paikea. Meanwhile, Paikea faces rejection, but finds strength and comfort with her grandmother and searches her place in the community. In order to conserve the traditions of their ancestors, Koro decides to start a school for the boys. Paikea is convinced that she can also learn with the boys of the community but the grandfather does not allow her to be in the school. But soon, with the help of her uncle, Paikea learns all the skills and stories of her ancestors and wins a regional speech contest at her school. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense. -
Tēnei Marama
Rima 2011 September 2011 I tukuna mai tēnei whakaahua e Ngaumutane Moana Jones nō Rakiamoa. Tēnei marama • Te Korowai announce their proposed strategy for managing the Kaiköura coastline pg 3 • Signing at Te Waihora pg 10 • Executive summary of the annual report pg 25 • Te Awheawhe Rü Whenua reports 12 months on from the September earthquake pg 31 • Date confirmed for annual general meeting pg 42 • Ngäi Tahu Artists create billboards to the theme Te Haka a Rüaumoko pg 47 Nä te Kaiwhakahaere This has been a busy month for environmental In this issue of Te Pānui Rūnaka, we projects. A particular highlight was the signing of the are pleased to announce another rejuvenation program for Te Waihora, Whakaora Te year of strong financial results and Waihora, on Thursday 25 August 2011. In addition, tribal achievements. Environment Canterbury, Ngāi Tahu and Te Waihora Despite the upheavals and Management Board signed an interim co-governance disruptions caused by a year of agreement which establishes a framework for the active significant earthquake events, the management of Te Waihora and its catchment. These end of year results set out in this agreements signal a new approach to management report are extremely pleasing. of natural resources in the region, one which brings These results are a just reward for together the tikanga responsibilities of Ngāi Tahu and the commitment and courage of the statutory responsibilities of Environment Canterbury. our whānau, staff and businesses – when we consider I note also that by the time this edition of Te Pānui the volatility of the global marketplace on top of our Rūnaka is published, Environment Southland and Te regional disaster, then we can all feel very proud of what Ao Marama will have launched the latest State of the has been achieved, not only the financial success but Environment reports for the Murihiku region – in itself most importantly the ongoing sense of unity and shared another important achievement. -
New Zealand Gazette
~umb.· 127. 3721 THE NEW ZEALAND GAZETTE WELLINGTON, THURSDAY, DECEMBER 19, 1940. Additional Land at Belfa,;;t taken far the Piirposes of the Additional Land taken far Post and Telegraph Purposes in the Hiirunui-Waitaki Railway. City of Christchurch. [ L.S.] GALWAY, Governor-General. [L.S.] GALWAY, Governor-General. A PROCLAMATION. A PROCLAl'VIATION. HEREAS it has been found desirable for the use, con N pursuance and exercise of the powers and authorities W venience, and enjoyment of the Hurunui-Waitaki I vested in me by the Public Works Act, 1928, and of Ra.ilway to take further land at Belfast in addition to land every other power and authority in anywise enabling me in previously acquired for the purposes of the said railway : this behalf, I, George Vere Arundell, Viscount Galway, Now, therefore, I, George Vere Arundel!, Viscount Galway, Governor-General of the Dominion of New Zealand, do Governor-General of the Dominion of New Zealand, in hereby proclaim and declare that the land described in the exercise of the powers and authorities conferred on me by Schedule hereto is hereby taken for post and telegraph sections thirty-four and two hundred and sixteen of the purposes; and I do also declare that this Proclamation shall Public Works Act, 1928, and of every other power and take effect on and after the twenty-third day of December, authority in anywise enabling me in this behalf, do hereby one thousand nine hundred and forty. proclaim and declare that the land described in the Schedule hereto is hereby taken for the purposes above mentioned. -
I-SITE Visitor Information Centres
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