Temuera Morrison MNZM
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Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
Rain of the Children Film Study Guide
Film Study Guide RAIN OF THE CHILDREN 1 / RAIN OF THE CHILDREN New Zealand Film Commission Film Study Guide Rain of the Children The following are activities based on the achievement objectives presented ENGLISH in the Ministry of Education document, ‘English in the New Zealand Curriculum’. They may provide a starting point for teachers wishing to (Achievement Standards) Level 1.5: Show understanding of design a unit based on the film. a visual text. Level 2.5: View, study, analyse visual text. Level 3.4: Respond critically to visual text. 11. Write 5 statements that you MEDIA STUDIES Level 2.2: Closely read an unfamiliar media text. Level 2.3: Demonstrate understanding of messages, values and representations within media text. Level 2.4: Undertake a media genre study. Level 2.5: Explain the use of narrative conventions in media text. Level 3.2: Explain how meaning is created in media texts. GENRE Making a documentary is a more complex activity than many viewers realise. Rain of the Children is a highly ambitious example because it is feature-length, it combines a big historical story with complex personal stories, it uses reconstruction (dramatised events), and it moves between a number of different time levels. Its director, Vincent Ward, is among New Zealand’s most important and original film makers. For all these reasons, it is a rich documentary to study. The documentary genre reflects our desire to get as close as possible to the truth. Rain of the Children grew out of Ward’s sense that there was still much he did not understand about Te Puhi Tatu, the subject of his 1980 documentary In Spring One Plants Alone. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
Annual Report 2019/20
Annual Report 2019 – 2020 TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 G19 REPORT OF THE NEW ZEALAND FILM COMMISSION for the year ended 30 June 2020 In accordance with Sections 150 to 157 of the Crown Entities Act 2004, on behalf of the New Zealand Film Commission we present the Annual Report covering the activities of the NZFC for the 12 months ended 30 June 2020. Kerry Prendergast David Wright CHAIR BOARD MEMBER Image: Daniel Cover Image: Bellbird TE TUMU WHAKAATA TAONGA | NEW ZEALAND FILM COMMISSION Annual Report – 2019/20 1 NEW ZEALAND FILM COMMISSION ANNUAL REPORT 2019/20 CONTENTS INTRODUCTION COVID-19 Our Year in Review ••••••••••••••••••••••••••••••••••••••••••••••••••••• 4 The screen industry faced unprecedented disruption in 2020 as a result of COVID-19. At the time the country moved to Alert Level 4, 47 New Zealand screen productions were in various stages Chair’s Introduction •••••••••••••••••••••••••••••••••••••••••••••••••••• 6 of production: some were near completion and already scheduled for theatrical release, some in post-production, many in production itself and several with offers of finance gearing up for CEO Report •••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 7 pre-production. Work on these projects was largely suspended during the lockdown. There were also thousands of New Zealand crew working on international productions who found themselves NZFC Objectives/Medium Term Goals •••••••••••••••••••••••••••••••••••••••••• 8 without work while waiting for production to recommence. NZFC's Performance Framework ••••••••••••••••••••••••••••••••••••••• 8 COVID-19 also significantly impacted the domestic box office with cinema closures during Levels Vision, Values and Goals ••••••••••••••••••••••••••••••••••••••••••••• 9 3 and 4 disrupting the release schedule and curtailing the length of time several local features Activate high impact, authentic and culturally significant Screen Stories ••••••••••••• 11 played in cinemas. -
In Liquidation)
Liquidators’ First Report on the State of Affairs of Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) 8 March 2019 Contents Introduction 2 Statement of Affairs 4 Creditors 5 Proposals for Conducting the Liquidation 6 Creditors' Meeting 7 Estimated Date of Completion of Liquidation 8 Appendix A – Statement of Affairs 9 Appendix B – Schedule of known creditors 10 Appendix C – Creditor Claim Form 38 Appendix D - DIRRI 40 Liquidators First Report Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) 1 Introduction David Ian Ruscoe and Malcolm Russell Moore, of Grant Thornton New Zealand Limited (Grant Thornton), were appointed joint and several Interim Liquidators of the Taratahi Agricultural Training Centre (Wairarapa) Trust Board (in Liquidation) (the “Trust” or “Taratahi”) by the High Count in Wellington on 19 December 2018. Mr Ruscoe and Mr Moore were then appointed Liquidators of the Trust on 5th February 2019 at 10.50am by Order of the High Court. The Liquidators and Grant Thornton are independent of the Trust. The Liquidators’ Declaration of Independence, Relevant Relationships and Indemnities (“DIRRI”) is attached to this report as Appendix D. The Liquidators set out below our first report on the state of the affairs of the Companies as required by section 255(2)(c)(ii)(A) of the Companies Act 1993 (the “Act”). Restrictions This report has been prepared by us in accordance with and for the purpose of section 255 of the Act. It is prepared for the sole purpose of reporting on the state of affairs with respect to the Trust in liquidation and the conduct of the liquidation. -
Faith Review of Film 3
Union-PSCE, Charlotte Theology and Film Professor Pamela Mitchell-Legg No Juarez, Spring 2010 Faith Review of Film 3 Film Title : Whale Rider Year : 2002 Director : Niki Caro (Based on the book The Whale Rider by Witi Ihimaera) Original release form : Theaters Current Availability and Formats : DVD Genre : Drama, Family Story Elements: Cast: Keisha Castle-Hughes …………………. Paikea Apirana Rawirei Paratene ………………………..Koro Apirana Vicky Haughton ……………………… Nanny Flowers Cliff Curtis……………………………….Porourangi Grant Roa ……………………………….Uncle Rawiri Mana Taumaunu ………………………. Hemi Rachel House ………………………….. Shilo Taungaroa Emile ……………………….Willie Tammy Davis ………………………… Dog Plot Summary: Whale Rider is the story of young the girl Paikea, the newest descendant of the native community called Maori in New Zealand. This community struggles to find its place between their traditions and modernity. Paikea is the survivor of twins. Her brother and mother died the day Paikea was born. The grandfather Koro, the leader of Maori community was hoping for the baby boy to survive in order to make him the new leader of the community but only the girl survived. When the father of Paikea realizes that Koro rejects his granddaughter decides to migrate to Germany leaving her daughter Paikea. Meanwhile, Paikea faces rejection, but finds strength and comfort with her grandmother and searches her place in the community. In order to conserve the traditions of their ancestors, Koro decides to start a school for the boys. Paikea is convinced that she can also learn with the boys of the community but the grandfather does not allow her to be in the school. But soon, with the help of her uncle, Paikea learns all the skills and stories of her ancestors and wins a regional speech contest at her school. -
Star Wars: Boba Fett 2
Star Wars Boba Fett Book 2 Crossfire by Terry Bisson CHAPTER ONE "Hello!" Silence. "Hello!?" No answer. The hallway outside his door was quiet; Boba Fett was all alone. That was okay. Boba was used to being alone. Ever since he had buried his father, he had been by himself - - a ten- year-old against the galaxy. He missed his father but he didn't mind being alone. Sometimes. Sort of. whrr.. Movement! Boba ran to a bend in the:corridor. "Hey! Hey!" .. whrrr... It was just a droid. A small, shoe-sized house droid, the custodial kind that dusted and cleaned continually. While other creatures bustled in other corridors of the Count's underground lair, only the custodial droids came into this hallway. That explained why Boba felt so isolated. But it didn't explain why he had been brought here, and what was going to happen to him. Only the Count could do that. The Count, a tall, thin, powerful man with a cold smile, was known as Tyranus - or Dooku, depending on whom you were talking to. Boba's father, Jango Fett, had left instructions that Boba was to find the Count if something happened to him. Something had happened to Boba's father. He had been killed in a battle with a Jedi. Boba had buried his father on the planet Geonosis. He had gone to his home planet of Kamino only to find that it wasn't home anymore. With his father gone, there was no security. With his father gone, there was no safety. -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
The Staging of Affect and the “Elsewhens” of Documentary Space
djkal The Staging of Affect and the “Elsewhens” of Documentary Space Dan Fleming A quarter of a century ago, the English critic and writer John Berger said, “The true stories of our time have to be able to reconcile a pile of clothes in a drawer with world historical upheavals.”1 This seems like an ideal prescription for documentary but, given our times of intensified globalization and the reorganization of “world historical upheavals” around a particular global narrative, the practical challenge behind Berger’s word “reconcile” seems even more daunting than it did in 1985. In particular, the “pile of clothes in a drawer,” the lived spaces of the everyday, the intimate, the personal, the forgotten, the material things tinged with memory, seem even more at risk of consignment to the category of the inconsequential. Certain durable public exceptions, like the piled and tangled frames and cracked lenses of the Auschwich-Berkenau spectacles, have achieved an iconic status as personal markers of world historical trauma (thus celebrities being invited to donate pairs of old spectacles to a 2008 exhibit in Liverpool, England, marking National Holocaust Day2) but, if anything, this has raised the bar on just whose “pile of clothes in a drawer” might connect with the “true stories of our time” that Berger envisaged. The recent opening of so many old drawers to the burgeoning “family history” genre (e.g. television’s Media Fields Journal no. 3 (2011) 2 The Staging of Affect Who Do You Think You Are?) tends not to facilitate this connection so much -
Star Wars/ Sci-Fi
Star Wars/ Sci-Fi Teen Services Recommendations E-Library Edition Star Wars. Ahsoka YA JOHNSTON Johnston, E. K. The Mandalorian Hoopla e-book only Schreiber, Joe Follows the adventures of Ahsoka Tano after she leaves the Jedi Order and the devastation of Order A novelization retelling of the first season of the 66. She is unsure she can be part of a larger whole smash-hit, instantly iconic Disney+ series, The ever again, but her desire to fight the evils of the Mandalorian. Empire and protect those who need it will lead her right to Bail Organa, and the Rebel Alliance. Overdrive e-book Hoopla e-book Overdrive audiobook Queen's Shadow YA JOHNSTON A Crash of Fate YA CORDOVA Johnston, E. K. Córdova, Zoraida Asked by her successor to become Naboo's Thirteen years after she left, Izzy is returning representative in the Galactic Senate, Padme to Batuu. She's been hired to deliver a Naberrie, the former Queen Amidala, enlists the mysterious parcel, and she just wants to finish help of her loyal handmaidens to navigate the the job and get gone. But upon arrival at treacherous waters of politics. Black Spire Outpost she runs smack into the Overdrive e-book Hoopla e-book Hoopla e-book one person who still means something to her after all this time: her childhood friend Jules. Queen's Peril YA JOHNSTON Overdrive audiobook Johnston, E. K. When Izzy's job goes wrong, they find themselves on the run. Elected as Queen of Naboo at the age of 14, Padmé Naberrie adopts the name Amidala and selects a group of highly skilled handmaidens before facing unexpected tests when the planet is invaded by the The Fight To Survive Hoopla e-book only forces of the oppressive Trade Federation. -
Mainfreight Annual Report 2015
WE DELIVER ANNUAL REPORT 2015 WE DELIVER: LIFE’S ESSENTIALS TO A GLOBAL MARKETPLACE. OUR BUSINESS SPECIALISES IN GLOBAL SUPPLY CHAIN LOGISTICS, HELPING OUR CUSTOMERS SATISFY THE WORLD’S EVER-INCREASING DEMAND FOR ESSENTIAL COMMODITIES – FOR EXAMPLE FOOD, BEVERAGES AND SHELTER. 3 GLOBAL SUPPLY CHAIN LOGISTICS IS ONE OF THE WORLD’S FASTEST-GROWING INDUSTRIES. WHY? AS THE WORLD’S POPULATION DEMANDS READY ACCESS TO COMMODITIES FROM AROUND THE PLANET, A BORDERLESS GLOBAL MARKETPLACE IS A REALITY. Manufacturers who trade in this marketplace are seeking out robust, proven supply chain partners with a global network. Mainfreight has become a serious contender in this space. With real global capability, an ever-intensifying network and aggressive growth targets, we are well-positioned to help our customers get ever-increasing volumes of their products into the hands of their customers. Whether it’s down the road or across the globe. NOTICE OF MEETING Notice is given that the Annual Meeting of Shareholders of Mainfreight Limited will be held at 4.00pm on Wednesday 29 July 2015 at the Barrel Hall, Villa Maria Estate, 118 Montgomerie Road, Mangere, Auckland. Full details, including the Meeting Agenda, are contained in the separate Notice of Meeting and Explanatory Notes accompanying this report, and are also available on the Company’s website, www.mainfreight.com or by scanning the QR above. CONTENTS: 06 07 08 10 12 Our Place in Facts and Chairman’s Group Managing Network Growth the World Figures Report Director’s Report Strategy 14 16 20 24 28 Mainfreight -
From Film Set to Front Line New Zealand’S Largest and Most Modern Hire Fleet
SUMMER 2016 | ISSUE 71 The New Zealand Film and Video Technicians’ quarterly Ginny is awarded – Waka reports So you think you’re insured? www.nztecho.com From film set to front line New Zealand’s largest and most modern hire fleet... ...available at 60 locations nation wide! Power Generation Access Equipment & Pumping Vehicles Earthmoving & Portable Toilets & Barricading Compaction Showers & Fencing Containers New Zealand’s largest EDITORIAL CONTENTS GUILD NEWS & VIEWS 2 Behind the scenes Back in the middle of 2013, I was the editor chosen to relaunch the Executive officer Karla Rodgers – The Guild 101 and most legendary (dare I say ‘iconic’?) ONFILM magazine. For reasons, none of 3 President’s rave which to do with the film industry and everything to do with the state of Past-president Albol steps in and wraps up for the year independent publishing in NZ, it was a short-lived exercise but I enjoyed that brief period burying myself behind-the-scenes. INDUSTRY I’m stoked that Karla has asked me to edit this issue (while Graeme modern hire fleet... has been busy with multiple projects and international travel). There’s 6 In a world… something very special about Kiwi crews and – as I’m a reviewer of the Waka Attewell reports from the NZCS Awards ceremony finished product – you can usually see that specialness on the screen. It’s 10 From film set to front line been a pleasure to reacquaint myself with the business and the issues that Kimberley Hikaka talks about her transition to humanitarian work concern you. ...available at 13 Techosphere: