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Indigenous New Zealand Literature in European Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library A History of Indigenous New Zealand Books in European Translation OLIVER HAAG Abstract This article is concerned with the European translations of Indigenous New Zealand literature. It presents a statistical evaluation of a bibliography of translated books and provides an overview of publishing this literature in Europe. The bibliography highlights some of the trends in publishing, including the distribution of languages and genres. This study offers an analysis of publishers involved in the dissemination of the translations and retraces the reasons for the proliferation of translated Indigenous books since the mid-1980s. It identifies Indigenous films, literary prizes and festivals as well as broader international events as central causes for the increase in translations. The popular appeal of Indigenous literature of Aotearoa/New Zealand has increased significantly over the last three decades. The translation of Indigenous books and their subsequent emergence in continental European markets are evidence of a perceptible change from a once predominantly local market to a now increasingly globally read and published body of literature. Despite the increase in the number of translations, however, little scholarship has been devoted to the history of translated Indigenous New Zealand literature.1 This study addresses that lack of scholarship by retracing the history of European translations of this body of literature and presenting extensive reference data to facilitate follow-up research. Its objective is to present a bibliography of translated books and book chapters and a statistical evaluation based on that bibliography. -
Eurimages Supports 16 European Co-Productions
T +33(0)388412560 www.coe.int [email protected] Ref. 217(2011) Eurimages supports 16 European co-productions Strasbourg, 15.03.2011 - At its 122nd meeting, held from 8 to 10 March 2011 in Istanbul, the Board of Management for the Council of Europe's Eurimages Fund agreed to support the co-production of 16 feature films for a total amount of 5 260 000 Euros: A small chance - Nicole Van Kilsdonk (Netherlands) (Netherlands, Belgium) Blind Watching - Andrzej Jakimowski (Poland) (Poland, France, Portugal) Child Miner - Alexandra Gulea (Romania) (Romania, Germany, France) Comrade - Peter Naess (Norway) (Norway, Sweden) In Flames - Murat Saracoglu (Turkey) (Turkey, Germany) IPU - Convicted to live - Bogdan Dumitrescu Dreyer (Germany - Romania) (Romania, Germany) Kon-Tiki - Espen Sandberg et Joachim Ronning (Norway) (Norway, Sweden, Denmark) Night Boats - Igor Mirkovic (Croatia) (Croatia, Slovenia, Serbia) Niko - Family Affairs - Jorgen Lerdam (Denmark) et Kari Juusonen (Finland) (Finland, Germany, Denmark, Ireland) Animation film Nos Enfants (Aimer à perdre la raison) - Joachim Lafosse (Belgium) (Belgium, Luxembourg, Switzerland) Quartier Libre- Frédéric Fonteyne (Belgium) (Belgium, Luxembourg, France) Tante Hilda ! - Jacques-Rémy Girerd (France) (France, Luxembourg) Animation film Team Mario - Nic Balthazar (Belgium) (Belgium, Netherlands) The Girl with nine wigs - Marc Rothemund (Germany) (Germany, Belgium) The Parade - Srdjan Dragojevic (Serbia) (Serbia, Slovenia, Croatia, “The former Yugoslav Republic of Macedonia”) The Shadow Master/Le -
Rapa Nui Rulebook
A game by Fabrice Besson and Guillaume Montiage Illustrated by Miguel Coïmbra Be the chief of a Rapa Nui clan, and participate in the grand adventure of the moai builders. Use your wisdom and expertise to guide the workers of your villages, and become the most acclaimed chief of the isle! HISTORY From the 13th through the 17th Century, more than 900 monumental statues, moai, were erected on the Polynesian island Rapa Nui, also known as Easter Island. Moai stood on immense stone terraces, called ahu, along the coast, gazing inland; they were often topped with pukao, red stone headdresses. 1 CONCEPT AND GOAL OF THE GAME Sculpt, transport, and erect moai to gain resources, then transform these resources into offerings by adding headdresses to the statues. Whoever has accumulated the most valuable offerings at the end of the game wins! CONTENTS • 1 double-sided board representing the island of Rapa Nui 1 • 21 Moai figurines in 3 different sizes and colors (6 large, 7 medium, 8 small) 2 • 20 Pukao pieces 3 • 2 gray Villager figurines 4 2 3 14 • 27 Offering tiles 5 , including 7 Outstanding Offering tiles 6 9 • 29 Ahu tiles 7 4 11 12 • 2 Ahu & Improvement Tile summaries 8 • 1 Master Stone Carver token 9 10 13 In each player color: 16 17 • 7 figurines (5 Villagers 10 , 1 Sorcerer 11 , 1 Chief 12 ) • 1 player board 13 • 4 Improvement tiles 14 8 • 1 Rongorongo Tablet tile 15 7 • 4 Resource cubes 16 • 1 Animal Totem token 17 15 6 5 1 SETUP (illustration shows a 3-player setup) • Place the board 1 in the middle of the table, with the side corresponding to the num- • Place a random Ahu tile face down on each of the 21 Ahu spaces on the board 11 . -
Ahu Tongariki, Easter Island: Chronological and Sociopolitical Significance Claudio P
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 13 Article 1 Issue 3 September 1999 Ahu Tongariki, Easter Island: Chronological and Sociopolitical Significance Claudio P. Cristino Institute for Easter Island Studies Patricia Vargas Casanova University of Chile Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Cristino, Claudio P. and Vargas Casanova, Patricia (1999) "Ahu Tongariki, Easter Island: Chronological and Sociopolitical Significance," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 13 : Iss. 3 , Article 1. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol13/iss3/1 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Cristino and Vargas Casanova: Ahu Tongariki, Easter Island: Chronological and Sociopolitical Si Ahu Tongariki, Easter Island: Chronological and Sociopolitical Significance Claudio P. Cristino 1 Patricia Vargas Casanovcl Institute for Easter Island Studies, University ofChile Hanga Nui Bay, on the eastern end of the southeast coast the post-contact period. After the toppling ofthe statues, most of of Easter Island, is currently the focal point of research in an these ruins continued to be used as burial sites, greatly altering intensively studied archaeological area that extends from the the original structure, until the conversion of the population to plains at the foot ofthe southwest slopes ofthe Poike Peninsula. -
Tēnei Marama
Rima 2011 September 2011 I tukuna mai tēnei whakaahua e Ngaumutane Moana Jones nō Rakiamoa. Tēnei marama • Te Korowai announce their proposed strategy for managing the Kaiköura coastline pg 3 • Signing at Te Waihora pg 10 • Executive summary of the annual report pg 25 • Te Awheawhe Rü Whenua reports 12 months on from the September earthquake pg 31 • Date confirmed for annual general meeting pg 42 • Ngäi Tahu Artists create billboards to the theme Te Haka a Rüaumoko pg 47 Nä te Kaiwhakahaere This has been a busy month for environmental In this issue of Te Pānui Rūnaka, we projects. A particular highlight was the signing of the are pleased to announce another rejuvenation program for Te Waihora, Whakaora Te year of strong financial results and Waihora, on Thursday 25 August 2011. In addition, tribal achievements. Environment Canterbury, Ngāi Tahu and Te Waihora Despite the upheavals and Management Board signed an interim co-governance disruptions caused by a year of agreement which establishes a framework for the active significant earthquake events, the management of Te Waihora and its catchment. These end of year results set out in this agreements signal a new approach to management report are extremely pleasing. of natural resources in the region, one which brings These results are a just reward for together the tikanga responsibilities of Ngāi Tahu and the commitment and courage of the statutory responsibilities of Environment Canterbury. our whānau, staff and businesses – when we consider I note also that by the time this edition of Te Pānui the volatility of the global marketplace on top of our Rūnaka is published, Environment Southland and Te regional disaster, then we can all feel very proud of what Ao Marama will have launched the latest State of the has been achieved, not only the financial success but Environment reports for the Murihiku region – in itself most importantly the ongoing sense of unity and shared another important achievement. -
Kon-Tiki“ Norsk Tale
Vi viser Golden Globe og Oscar kandidaten : „Kon-Tiki“ Norsk tale Dato: Onsdag, den 20. februar 2013 Tid: kl.: 19:00 Sted: ETH Zentrum Hauptgebäude, Kinosaal HG F1, Rämistrasse 101, 8006 Zürich. Preis: Gratis Påmelding: Terje Wølner-Hanssen, 056 290 10 51, [email protected] I N V I T A T I O N Only Scandinavian Sharks Were Used in the Making of This Film By LARRY ROHTER, New York Times, February 13, 2013 Joachim Rønning and Espen Sandberg, who jointly directed “Kon-Tiki,” one of the five nominees for the Academy Award for best foreign-language film, came naturally to their subject, the explorer Thor Heyerdahl’s 1947 voyage across the Pacific Ocean on a balsawood raft. Friends since they were 10 years old, both men are from a small town in southern Norway that neighbors Heyerdahl’s birthplace, and as boys were enthralled when they visited the Kon-Tiki Museum in Oslo. At age 40, they now live, with their wives and children, a block apart in Oslo, within walking distance of the museum. “Kon-Tiki” is their third feature and second consecutive biopic, coming after “Bandidas,” with Salma Hayek and Penélope Cruz, in 2006, and “Max Manus: Man of War,” a 2008 drama about a Norwegian World War II resistance hero. But Mr. Rønning and Mr. Sandberg, who had started an advertising agency together, first came to attention, at least in the United States, as a result of their prize-winning Budweiser commercial for the Super Bowl telecast featuring Rex the Dog. They spoke by telephone last week from Los Angeles about the origins of “Kon-Tiki” and the evolution of their careers. -
Tony Crook, Peter Rudiak-Gould (Eds.) Pacific Climate Cultures: Living Climate Change in Oceania
Tony Crook, Peter Rudiak-Gould (Eds.) Pacific Climate Cultures: Living Climate Change in Oceania Tony Crook, Peter Rudiak-Gould (Eds.) Pacific Climate Cultures Living Climate Change in Oceania Managing Editor: Izabella Penier Associate Editor: Adam Zmarzlinski ISBN 978-3-11-059140-8 e-ISBN 978-3-11-059141-5 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. © 2018 Tony Crook & Peter Rudiak-Gould Published by De Gruyter Ltd, Warsaw/Berlin Part of Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Managing Editor: Izabella Penier Associate Editor: Adam Zmarzlinski www.degruyter.com Cover illustration: mgrafx / GettyImages Contents His Highness Tui Atua Tupua Tamasese Ta’isi Efi Prelude: Climate Change and the Perspective of the Fish IX Tony Crook, Peter Rudiak-Gould 1 Introduction: Pacific Climate Cultures 1 1.1 Living Climate Change in Oceania 1 1.2 Discourses of Climate Change in the Pacific 9 1.3 Pacific Climate Cultures 16 Elfriede Hermann, Wolfgang Kempf 2 “Prophecy from the Past”: Climate Change Discourse, Song Culture and Emotions in Kiribati 21 2.1 Introduction 21 2.2 Song Culture in Kiribati 24 2.3 Emotions in the Face of Climate Change Discourse in Kiribati 25 2.4 The Song “Koburake!” 26 2.5 Anticipation and Emotions 29 2.6 Conclusion -
Rock Art of the Sacred Precinct at Mata Ngarau, 'Orongo
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 22 Issue 2 October Article 6 2008 ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter Island Foundation Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific Islands Commons, and the Pacific Islands Languages and Societies Commons Recommended Citation Horley, Paul and Lee, Georgia (2008) "ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 22 : Iss. 2 , Article 6. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol22/iss2/6 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Horley and Lee: ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO ROCK ART OF THE SACRED PRECINCT AT MATA NGARAU, 'ORONGO Paul Horley Yuri Fedkovych Chernivtsi National University Georgia Lee Easter island Foundation INTRODUCTION rock surfaces are covered with numerous petroglyphs, creating the highest concentration ofrock art on Easter Island (Lee he ceremonial village of 'Orongo is one of the most 1992: 137). Due to intensive activity over a significant fascinating and important sites on Easter Island. historical period, the rocks of Mata Ngarau present evidence TLocated at the top ofRano Kau's precipitous cliffs, ofre-use and re-carving, allowing us to trace the evolution of 'Orongo offers awe-inspiring views toward the three off-shore petroglyph motifs from simple, incised fom1s to elaborate, islets of Motu Kao Kao, Motu Iti, and Motu Nui. -
Wellington Jazz Among the Discourses
1 OUTSIDE IN: WELLINGTON JAZZ AMONG THE DISCOURSES BY NICHOLAS PETER TIPPING A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 2 Contents Contents ..................................................................................................................................... 2 List of Figures ............................................................................................................................. 5 Abstract ...................................................................................................................................... 6 Acknowledgements .................................................................................................................... 8 Introduction: Conundrums, questions, contexts ..................................................................... 9 Sounds like home: New Zealand Music ............................................................................... 15 ‘Jazz’ and ‘jazz’...................................................................................................................... 17 Performer as Researcher ...................................................................................................... 20 Discourses ............................................................................................................................ 29 Conundrums ........................................................................................................................ -
Filmpädagogisches Begleitmaterial Für Unterricht Und
FILMPÄDAGOGISCHES BEGLEITMATERIAL FÜR UNTERRICHT UND AuSSERSCHULISCHE BILDUNGSARBEIT Liebe Filmfreunde und Filminteressierte, das vorliegende filmpädagogische Material möchte eine weitergehende Beschäftigung mit dem Film »Kon-Tiki« anregen und begleiten – idealerweise nach einem Besuch im Kino. Die Reihenfolge der inhaltlichen Abschnitte muss dabei nicht eingehalten werden; je nach eigenen Interessen und Kenntnisstand können sie auch übersprungen oder in anderer Rei- henfolge gelesen bzw. zur Bearbeitung herangezogen werden. Im Internet stehen ergänzend viele interessante Videoausschnitte mit Interviews und Hin- tergrundinformationen zum Filmdreh sowie als besondere Anregung für eine kreative Projektarbeit der Plan für den Bau eines Modellfloßes bereit – schauen Sie mal rein unter www.kontiki-derfilm.de/schulfloss. Filmspezifische Fachbegriffe, soweit nicht kurz im Text erläutert, können leicht in entspre- chenden Fachbüchern oder online recherchiert werden, entsprechende Hinweise finden sich am Ende des Materials. Und jetzt: Viel Spaß! 2 INHALTSVERZEICHNIS Einführende Informationen 1 Credits 2 Inhalt 3 Figuren 4 Problemstellungen 5 Filmsprache 6 Exemplarische Sequenzanalyse Aufgaben und Unterrichtsvorschläge 7 Fragen und Diskussionsanreize 8 Arbeitsvorschläge (Kopiervorlage) 9 Übersicht: Weiterführende Unterrichtsvorschläge Ergänzende Materialien 10 Sequenzprotokoll 11 Kurzbiografie Thor Heyerdahl 12 Die reale Fahrt der Kon-Tiki im Kontext der Besiedlungstheorien 13 Interview mit Olav Heyerdahl 14 Produktionsnotizen 15 Literaturhinweise -
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ANTHROPOS 109.2014: 161 – 176 The God Tinirau in the Polynesian Art Sergei V. Rjabchikov Abstract. – In this article, data concerning the all-Polynesian fish lau, and Sinilau) is an important problem for an un- god Tinirau are collected. Tinirau was a chief or at least son of a derstanding of the nature of the Polynesian (Austro- chief. The study of the Proto-Polynesian rock picture of Fiji al- nesian) religion.1 Here I discuss in this connection lows to realise main symbols and ideas of the Proto-Polynesians. On this basis, some rock pictures of different Polynesian islands results of my study of rock drawings on Vatulele of are decoded. The cult of Tinirau was widespread in these places, Fiji, Hiva Oa of the Marquesas Islands, Mo‘orea of and this fact is beyond question. This god was strongly associ- the Society Islands, and Easter Island (Rapa Nui). ated with the moon goddess Hina. On the other hand, this brave Moreover, we present the interpretation of the carv- hero was related and at one time was even equal to the lord of the ocean known as Tangaroa. The trinity structure of the sea de- ings on Rapanui royal staffs ua. The destination of ity is discovered. Besides, the semantics of two types of Rapanui Easter Island wooden figurines moai tangata is also wooden artifacts is understood. The Austronesian influence is re- realised. vealed in the Ainu and Japanese cultures. At last, a selection of some rongorongo inscriptions (Easter Island) is read and inter- preted. Such records serve as a reliable key to many Polynesian petroglyphs. -
Broadcasting Our Reo and Culture
Putanga 08 2008 CELEBRATING MÄORI ACHIEVEMENT Paenga Whäwhä – Haratua Paenga BROADCASTING OUR REO AND CULTURE 28 MÄORI BATTALION WAIKATO MÄORI NETBALL E WHAKANUI ANA I TE MÄORI 10 FROM THE CHIEF EXECUTIVE – LEITH COMER Putanga GOING FORWARD TOGETHER 08 Tënä tätou katoa, Te Puni Kökiri currently has four bills being considered by 2008 Parliament – the Mäori Trustee and Mäori Development Bill, the Stories in Kökiri highlight the exciting and Mäori Purposes Bill (No 2), the Mauao Historic Reserve Vesting Bill inspirational achievement of Mäori throughout and the Waka Umanga (Mäori Corporations) Bill. New Zealand. Kökiri will continue to be a reservoir These bills, along with other Te Puni Kökiri work programmes, Paenga Whäwhä – Haratua Paenga of Mäori achievement across all economic, social highlight Mäori community priorities, including rangatiratanga, and cultural areas. iwi and Mäori identity, and whänau well-being, while The feedback we are getting is very supportive and encompassing government priorities including national identity, positive and it reinforces the continuation of our families – young and old, and economic transformation. Kökiri publication in its current form. We feel sure that the passage of these bills will lead to more Behind the scenes in areas that do not capture much success stories appearing in Kökiri where Mäori have put the public attention is a lot of important and worthwhile legislative changes to good effect in their communities. policy and legislative work that Te Puni Kökiri is intimately involved in. Leith Comer Te Puni Kökiri – Manahautü 2 TE PUNI KÖKIRI | KÖKIRI | PAENGA WHÄWHÄ – HARATUA 2008 NGÄ KAUPAPA 5 16 46 28 Mäori Battalion 5 Waikato 16 Mäori Netball 46 The 28th annual reunion of 28 Mäori In this edition we profi le Aotearoa Mäori Netball celebrated Battalion veterans, whänau and Te Puni Kökiri’s Waikato region – its 21st National Tournament in Te friends was hosted by Te Tairäwhiti’s its people, businesses, successes Taitokerau with a fantastic display of C Company at Gisborne’s Te Poho and achievements.