February-May Funding Round 2004
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CATALOGUE 2018 New Titles New Zealand Books at Their Best
CATALOGUE 2018 New Titles new zealand books at their best Birdstories CONTACT DETAILS Contents Geoff Norman Potton & Burton 98 Vickerman Street, PO Box 5128 A fascinating, in-depth account of New Zealand’s birds, which spans their New Titles Nelson, New Zealand discovery, their place in both Pākehā and Māori worlds, their survival and Birdstories Geoff Norman 3 Tel: 03 548 9009 Fax: 03 548 9456 conservation, and the illustrations and art they have inspired. Down the Bay Philip Simpson 4 Email: [email protected] www.pottonandburton.co.nz In 1872, the first instalments of Walter Buller’s A History of the Birds of New Kākāpō Alison Ballance 4 Zealand appeared. When completed, this became a landmark publishing event that Fight for the Forests Paul Bensemann 5 Customer Services Manager described the place of New Zealand’s birds in the Māori world, the first encounters Mitchell & Mitchell Peter Alsop 6 Cheryl Haltmeier Europeans had with our birds, the arguments over their classification, and provided Tel: 03 548 9009 a snapshot of their status at the time. Through Buller’s books, the rest of the Nurture Peter Alsop & Nathan Wallis 6 Email: [email protected] world got to know about New Zealand’s unusual and distinctive birds, and New We Had One of Those Too! Stephen Barnett 7 Zealanders, too, began to appreciate them. National Sales Manager Awatere Harry Broad 8 Pauline Esposito Geoff Norman’s Birdstories carries Buller’s publishing legacy through to the Raise Your Child to Read and Write Frances Adlam 9 Tel: 03 989 5051 $59.99 present day. -
Tove Jansson's Character Studies for the Moomin
INTRODUCTION by Tom Devlin, Creative Director at Drawn & Quarterly In 2011, I went to Helsinki and was lucky enough to tour Tove Jansson’s studio. She lived in the same large studio for fifty-seven years. It was easy to picture Tove there. I saw the table she used to write at; I saw the wood-burning stove she used to heat her house during the long winters; I saw the shelves and shelves of books—many her own, or her favorites by other authors, and even the hand-lettered scrapbooks her mother, Signe, made where she stored the strips she clipped from the newspaper. I saw the tiny alcove with the even tinier bed she had slept in for years. It was surprising how modest the whole place was. As far as I knew she was Finland’s greatest literary celebrity, and yet she had lived such a simple life. Of course, I should have known this before I stepped over the threshold. It’s in her books. It’s visually manifest in her comics. The Moomins them- selves live modest lives. They have many adventures but home is simple and comforting and there is nothing unnecessary. Rereading these comics just before preparing this book, it struck me just how much of Tove we get in these stories. The Moomin stories (whether in chapter book, picture book, or comic form) all have a similar quality—a quality that is rare in today’s world. There’s a distinctly carefree, individualist vibe mixed with a hint of playful cynicism, a kind of embrace-life-and-live-it-to-its- fullest-but-maybe-don’t-get-too-carried-away ethos. -
The Story up to Now Architects, President (2014–16) of the by Bill Mckay
FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land. -
The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy
Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship Spring 1-2015 The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy Molly J. Scanlon Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Scanlon, M. J. (2015). The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy. Composition Studies, 43 (1), 105-130. Retrieved from https://nsuworks.nova.edu/shss_facarticles/517 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Volume 43, Number 1 Volume Spring 2015 composition STUDIES composition studies volume 43 number 1 Composition Studies C/O Parlor Press 3015 Brackenberry Drive Anderson, SC 29621 Rhetoric & Composition PhD Program PROGRAM Pioneering program honoring the rhetorical tradition through scholarly innovation, excellent job placement record, well-endowed library, state-of-the-art New Media Writing Studio, and graduate certificates in new media and women’s studies. TEACHING 1-1 teaching loads, small classes, extensive pedagogy and technology training, and administrative fellowships in writing program administration and new media. FACULTY Nationally recognized teacher-scholars in history of rhetoric, modern rhetoric, women’s rhetoric, digital rhetoric, composition studies, and writing program administration. FUNDING Generous four-year graduate instructorships, competitive stipends, travel support, and several prestigious fellowship opportunities. -
HANDSHAKE Project Overview 2011 - 2022
HANDSHAKE project overview 2011 - 2022 HANDSHAKE 1 (2011-2013) Mentee Mentor Jewelcamp/Masterclass Exhibitions 1 Debbie Adamson Hannah Hedman Studio 20/17, Sydney, 09 – 21 Aug 2011 2 Becky Bliss Fabrizio Tridenti Selector HS1: Peter Deckers NZ Jewellery Show, Wellington, 08 – 12 Sept 3 Nadene Carr Lucy Sarneel with advice from Karl Fritsch 2011 4 Kristin D'Agostino Judy Darragh Masterworks Gallery, Auckland, 01- 18 5 Gillian Deery Estela Saez December 2011 6 Sharon Fitness Lisa Walker Toi Pōneke Gallery, Wellington (JEMposium), 7 Sam Kelly Octavia Cook 09-19 February 2012) 8 Jhana Millers Suska Mackert The National, Christchurch, 24 Aug – 12 Sept 9 Neke Moa Karl Fritsch 2012 06 10 Lynsay Raine Andrea Wagner The Frame galleries (IHM 2013), Munich, – 12 March 2013 11 Sarah Read Iris Eichenberg Objectspace, Auckland (collaboration) 17 12 Jessica Winchcombe Warwick Freeman June – 20 July 2013 1/8 HANDSHAKE 2 (2014-2015) Mentee Mentor Jewelcamp/Masterclass 2015 Exhibitions Toi Pōneke, Wellington (22 November – 13 1 Amelia Pascoe Ruudt Peters 2 Sarah Walker-Holt Helen Britton Selection team HS2: Ben December 2014) 3 Lisa Higgins Cal Lane Lignel, Vivien Atkinson, Stanley Street Gallery, Sydney (8 July – 1 4 Vanessa Arthur David Neale Karl Fritsch and Peter Deckers August 2015during the JMGA conference) 5 Kathryn Yeats Ben Pearce 6 Karren Dale Gemma Draper Ben Lignel Masterclass AVID gallery, Wellington (08 – 22 Sept 2015) 7 Renee Bevan Harrell Fletcher topic: ideas’ and editing Pah Homestead, Auckland (14 Dec 2015 – 14 8 Kelly McDonald Kirsten -
02 Whole.Pdf
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Inherited Body A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Creative Writing at Massey University, Manawatū, New Zealand. Rebecca Joy Styles 2017 Abstract Narrative ethics is a useful tool for approaching New Zealand historical fiction about family history because it looks to the risks and losses of appropriating family for the author, their subjects, and readers. In the following critical analysis I discuss three recent New Zealand novels based on family historical narratives, each of which depict characters attempting to write their own stories within power structures that threaten to silence them: Alison Wong’s As The Earth Turns Silver (2009), Paula Morris’s Rangatira (2011), and Kelly Ana Morey’s Bloom (2003). For a writer a narrative ethics analysis ensures they acknowledge the ethical implications of their work, not just for their own family, but for collective understanding. My novel Inherited Body fictionalises an incident from my family’s history about mental health and sits alongside a contemporary narrative that seeks to understand the possible causes of a psychotic break. A narrative ethics analysis has highlighted my dual role as reader/critic and writer. Wayne C. Booth’s discussion of narrative ethics emphasises the connection between writer, character and their readers. Adam Zachary Newton expands on this transactive connection and shows the ethical consequences of narrating story and fictionalising people, and the reciprocal claims connecting teller, listener, witness and reader in that process. -
Download PDF Catalogue
artart & objectobject Important Paintings & Contemporary Art Thursday 26th April 2012 Welcome to ART+OBJECT’s first Important Paintings and Contemporary Art ART+OBJECT catalogue of 2012. In recent months ART+OBJECT clients have enjoyed a 3 Abbey Street run of significant single vendor catalogues from the ground breaking A. T. Newton Pycroft rare book catalogue in November 2011, the Leo Tattersfield collection Auckland of Chinese Jade which was the centrepiece of A+O’s Asian Art catalogue of PO Box 68 345 February, The English Collection of Modern Design on March 1 and latterly Newton the Russell and Shirley Hodgson Collection of Contemporary Art which was Auckland 1145 offered on March 22 of this year. Turn to page 10 to review some of the auction Telephone: +64 9 354 4646 highlights of this cutting edge collection. Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 In each case these collections revealed an acute eye and a passion for [email protected] assembling definitive and insightful holdings – in some cases assembled over www.artandobject.co.nz many decades. Collectors have responded to these with great enthusiasm resulting in some of the most successful auction catalogues A+O has ever offered. Another trend has been the emergence of the collecting group. A significant Cover: section of this current catalogue is devoted to the Times Group, a collective John Ward Knox founded in 2002 with a defined lifespan of a decade. On page 8 Ben Plumbly Untitled (4) (detail) examines the Times Group Collection and the group’s approach to building a oil on calico large and diverse collection. -
Download PDF Catalogue
Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense. -
Canterbury Painting in the 1990S, 2 June - 8 August, 2000
759. 9938 CAN CANTERBURY PAINTING in the 19905 Published on the occasion ofthe exhibition Canterbury Painting in the 1990s, 2 June - 8 August, 2000. The Robert McDougall Art Gallery and Annex acknowledge the generous support and assistance ofthe artists, public and private collectors and galleries who have made works available for this exhibition • Intended as a celebration ofthe depth and diversity ofpainting in With materials ranging from oil paint and bitumen to excrementand Canterbury over the last decade, this exhibition has been drawn gold and stylistic approaches including realism, figuration, minimal largely from the collections of the Robert McDougall Art Gallery, abstraction and abstract expressionism, this brief selection of with several works also bon-owed from public and private collections paintings demonstrates a formidable diversity, revealing just how locally. Consisting ofthirty four works by emerging and established wide-ranging painting in Canterbury has become. The connections artists, it is, necessarily, an abbreviation of the full story and does each ofthe thirty four artists have to the province also vary between not pretend to represent every aspect of, or artist involved in, those of long-term residents to brief visitors on fellowships. Many contemporary painting practice in the region. Howevel~ the quality have taught here, within both the secondary and tertialy systems; and range presented here bear encouraging testimony to' the still more have been educated at one or more of Canterbury'S art continued health of painting in Canterbury over a decade full of institutions. Whatever their association, all of the artists selected for change and challenge. this exhibition have made an impact on, and contribution to, the fabric ofart within this region. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Tēnei Marama
Rima 2011 September 2011 I tukuna mai tēnei whakaahua e Ngaumutane Moana Jones nō Rakiamoa. Tēnei marama • Te Korowai announce their proposed strategy for managing the Kaiköura coastline pg 3 • Signing at Te Waihora pg 10 • Executive summary of the annual report pg 25 • Te Awheawhe Rü Whenua reports 12 months on from the September earthquake pg 31 • Date confirmed for annual general meeting pg 42 • Ngäi Tahu Artists create billboards to the theme Te Haka a Rüaumoko pg 47 Nä te Kaiwhakahaere This has been a busy month for environmental In this issue of Te Pānui Rūnaka, we projects. A particular highlight was the signing of the are pleased to announce another rejuvenation program for Te Waihora, Whakaora Te year of strong financial results and Waihora, on Thursday 25 August 2011. In addition, tribal achievements. Environment Canterbury, Ngāi Tahu and Te Waihora Despite the upheavals and Management Board signed an interim co-governance disruptions caused by a year of agreement which establishes a framework for the active significant earthquake events, the management of Te Waihora and its catchment. These end of year results set out in this agreements signal a new approach to management report are extremely pleasing. of natural resources in the region, one which brings These results are a just reward for together the tikanga responsibilities of Ngāi Tahu and the commitment and courage of the statutory responsibilities of Environment Canterbury. our whānau, staff and businesses – when we consider I note also that by the time this edition of Te Pānui the volatility of the global marketplace on top of our Rūnaka is published, Environment Southland and Te regional disaster, then we can all feel very proud of what Ao Marama will have launched the latest State of the has been achieved, not only the financial success but Environment reports for the Murihiku region – in itself most importantly the ongoing sense of unity and shared another important achievement.