Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-14-2010 Cultural Play at the Crazy Horse Colossus: Narrative Thomas M. Cornwell Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Cornwell, Thomas M., "Cultural Play at the Crazy Horse Colossus: Narrative." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/communication_theses/64 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact
[email protected]. CULTURAL PLAY AT THE CRAZY HORSE COLOSSUS: NARRATIVE RATIONALITY AND THE CRAZY HORSE MEMORIAL ORIENTATION FILM by THOMAS M. CORNWELL Under the Direction of Dr. Mary Stuckey ABSTRACT This thesis explores the Crazy Horse Memorial orientation film and its rhetorical claim to represent Lakota values in the rhetorically contested Black Hills of South Dakota. Walter Fisher‟s concept of narrative rationality is used to analyze the informal logic of the memorial film narrative. The Crazy Horse Memorial is seen as a response to Mt. Rushmore‟s colonialist legacy. Analysis shows that the Crazy Horse Memorial actually has much in common with Rushmore‟s legacy of Euro-American colonialism. This thesis discusses the effects of this redefinition of Lakota cultural values on the rhetorical sphere of the contested Black Hills. INDEX WORDS: Narrative rationality, American Indians, Crazy Horse Memorial, Black Hills, Lakota, Mount Rushmore, Colossal art, Orientation film CULTURAL PLAY AT THE CRAZY HORSE COLOSSUS: NARRATIVE RATIONALITY AND THE CRAZY HORSE MEMORIAL ORIENTATION FILM by THOMAS M.