A. Biographical Supplement
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The Birthday Massacre
SEPTEMBER / OKTOBER 10 AUSGABE 27 - JAHRGANG 4 THE BIRTHDAY MASSACRE LETZTE INSTANZ DEINE LAKAIEN + BARCELONA AND ONE SPECIAL NGELZOOM TRISTANIA A FAITH AND THE MUSE RAGGEDY ANGRY JESUS ON EXTASY BLIND PASSENGER CANTUS BURANUS DEINE LAKAIEN TEUFEL TRISTANIA 2 EDITORIAL INHALT Schloss Cottenau – 95339 Wirsberg Tel. 09227/940000 [email protected] Vorbei ist der Sommer und mit ihm die Mehrheit www.negatief.de der Festivals des Jahres. Viele von euch dürften ein paar Tage im Zelt verbracht haben und wenn Herausgeber: Danse Macabre, Inh.: Bruno Kramm, Schloss Cottenau, 95339 Wirsberg man sich so ansieht, wie manches „bunte“ Open Chefredaktion: Peter Heymann (V.i.S.d.P.) Air buchstäblich weggeschwemmt wurde, so hat- Redaktion: Cordula Abston, Sven Bauer, Gert Drexl, ten die schwarzen Events doch richtig Glück. Der Frank „Otti“ van Düren, Daniel Friedrich, Eranie Herbst ist nun erfahrungsgemäß die Periode der Funderburk, Peter Heymann, Norma Hillemann, Peter Neuerscheinungen und Touren, in diesem Jahr Istuk, Freya Kettner, Poloni Melnikov, Ringo Müller, u.a. mit And One, Letzte Instanz und Deine La- Luke J.B. Rafka, Marzia Rangels, Birgit Riedmüller, kaien. Wenn ihr zu Gast bei einer eurer Lieblings- Yvonne Stasius bands sein wollt, so schaut doch in nächster Zeit 5 Soundcheck Layout: inachis design & productions öfter auf unsere Homepage www.negatief.de, Lektorat: Ringo Müller 22 Barcelona Special denn dort werden wir eine größere Anzahl Tickets 37 Tooltalk Vervielfältigung oder auszugsweise Verwendung benötigt der verlosen. In diesem Sinne: Party On! schriftlichen Genehmigung. Keine Haftung für unverlangt ein- 44 Festival Essen Originell gesandte Informations- und Datenträger. Die Artikel geben nur eUre reDaKtIOn die Meinung der jeweiligen Verfasser wieder. -
Christoph Martin Wieland - Dichter Und Kanzleiverwalter in Biberach (1760-1769)"
Von Dr. Yvonne Häfner, Biberach Dauerausstellung im Wieland-Gartenhaus Biberach „Christoph Martin Wieland - Dichter und Kanzleiverwalter in Biberach (1760-1769)" In dokumentarischer Form beherbergt das Wieland 2. Thematische Schwerpunkte der Gartenhaus an der Saudengasse 10/1 in Biberach seit neuen Ausstellung dem 12. September 2009 eine Dauerausstellung zum Thema„Christoph Martin Wieland - Dichter und Kanz Am 30. März 1769 teilt Christoph Martin Wieland leiverwalter in Biberach (1760-1769)".1 Möglicherwei• dem Evangelischen Magistrat in Biberach brieflich mit, se schon im Herbst 1765, spätestens aber seit Sommer dass ihm vom Kurfürsten und Erzbischof von Mainz die 1766 hat sich Wieland außerhalb der damaligen Stadt doppelte Stelle eines Regierungsrats und eines Profes mauern ein kleines Gartenhaus gemietet. Hier fand er sors der Philosophie in Erfurt angetragen worden sei: in Mußestunden die notwendige Ruhe, um sich ganz Diesem „mit dem Finger der göttlichen Providenz so seinen literarischen Vorhaben widmen zu können.Ziel sonderbahr bezeichneten Ruf" 5 könne er sich - schreibt der neuen Ausstellung im Wieland-Gartenhaus ist es, Wieland - unmöglich entziehen. Zwei Tage nach Pfings den Besuchern die Bedeutung dieses Ortes - gleich ten desselben Jahres 17 69 macht sich Wieland auf den sam den„Genius Iod" - in Erinnerung zu rufen und Weg. Auf seiner Reise über Augsburg, Nürnberg, Erlan Interesse für Wielands dichterische und berufliche gen, Coburg, Frauenwalde, Illmenau und Arnstadt nach Tätigkeit während seiner Biberacher Jahre zu -
Handlungsspielräume Von Frauen in Weimar-Jena Um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette Von Egloffstein
Handlungsspielräume von Frauen in Weimar-Jena um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette von Egloffstein Dissertation zur Erlangung des akademischen Grades Doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena von Julia Frindte geboren am 15. Juni 1976 in Erfurt Gutachter 1. Prof . Dr. Siegrid Westphal 2. Prof. Dr. Georg Schmidt 3. ....................................................................... Tag des Kolloquiums: 12.12.2005 Inhalt 1. EINLEITUNG ......................................................................................................... 1 1.1 FRAGESTELLUNG................................................................................................. 3 1.2 UNTERSUCHUNGSGEGENSTAND .......................................................................... 6 1.3 FORSCHUNGSSTAND ............................................................................................10 1.4 QUELLENGRUNDLAGE .........................................................................................17 1.5 VORGEHENSWEISE...............................................................................................25 2. DAS KONZEPT ‚HANDLUNGSSPIELRAUM’...........................................................28 2.1 HANDLUNGSSPIELRAUM IN ALLTAGSSPRACHE UND FORSCHUNG .......................29 2.2 DAS KONZEPT ‚HANDLUNGSSPIELRAUM’ ...........................................................38 2.2.1 Begriffsverwendung............................................................................38 -
The Affirmation of the Will
Cambridge University Press 978-1-107-62695-9 - Schopenhauer: A Biography David E. Cartwright Excerpt More information 1 The Affirmation of the Will RTHUR SCHOPENHAUER VIEWED himself as homeless. This sense of A homelessness became the leitmotif of both his life and his philos- ophy. After the first five years of his life in Danzig, where he was born on 22 February 1788, his family fled the then free city to avoid Prus- sian control. From that point on, he said, “I have never acquired a new home.”1 He lived in Hamburg on and off for fourteen years, but he had his best times when he was away from that city. When he left Hamburg, he felt as if he were escaping a prison. He lived for four years in Dresden, but he would only view this city as the birthplace of his principal work, The World as Will and Representation. More than a decade in Berlin did nothing to give him a sense of belonging. He would angrily exclaim that he was no Berliner. After living as a noncitizen resident in Frankfurt am Main for the last twenty-eight years of his life, and after spending fifty years attempting to understand the nature and meaning of the world, he would ultimately conclude that the world itself was not his home. If one were to take this remark seriously, then even Danzig had not been his home. He was homeless from birth. But being homeless from birth did not mean that there was no point to his life. Schopenhauer would also conclude that from birth he had a mission in life. -
THE VIRTUOSO UNDER SUBJECTION: HOW GERMAN IDEALISM SHAPED the CRITICAL RECEPTION of INSTRUMENTAL VIRTUOSITY in EUROPE, C. 1815 A
THE VIRTUOSO UNDER SUBJECTION: HOW GERMAN IDEALISM SHAPED THE CRITICAL RECEPTION OF INSTRUMENTAL VIRTUOSITY IN EUROPE, c. 1815–1850 A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Zarko Cvejic August 2011 © 2011 Zarko Cvejic THE VIRTUOSO UNDER SUBJECTION: HOW GERMAN IDEALISM SHAPED THE CRITICAL RECEPTION OF INSTRUMENTAL VIRTUOSITY IN EUROPE, c. 1815–1850 Zarko Cvejic, Ph. D. Cornell University 2011 The purpose of this dissertation is to offer a novel reading of the steady decline that instrumental virtuosity underwent in its critical reception between c. 1815 and c. 1850, represented here by a selection of the most influential music periodicals edited in Europe at that time. In contemporary philosophy, the same period saw, on the one hand, the reconceptualization of music (especially of instrumental music) from ―pleasant nonsense‖ (Sulzer) and a merely ―agreeable art‖ (Kant) into the ―most romantic of the arts‖ (E. T. A. Hoffmann), a radically disembodied, aesthetically autonomous, and transcendent art and on the other, the growing suspicion about the tenability of the free subject of the Enlightenment. This dissertation‘s main claim is that those three developments did not merely coincide but, rather, that the changes in the aesthetics of music and the philosophy of subjectivity around 1800 made a deep impact on the contemporary critical reception of instrumental virtuosity. More precisely, it seems that instrumental virtuosity was increasingly regarded with suspicion because it was deemed incompatible with, and even threatening to, the new philosophic conception of music and via it, to the increasingly beleaguered notion of subjective freedom that music thus reconceived was meant to symbolize. -
Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer
03/05/2017 Arthur Schopenhauer (Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer First published Mon May 12, 2003; substantive revision Sat Nov 19, 2011 Among 19th century philosophers, Arthur Schopenhauer was among the first to contend that at its core, the universe is not a rational place. Inspired by Plato and Kant, both of whom regarded the world as being more amenable to reason, Schopenhauer developed their philosophies into an instinctrecognizing and ultimately ascetic outlook, emphasizing that in the face of a world filled with endless strife, we ought to minimize our natural desires for the sake of achieving a more tranquil frame of mind and a disposition towards universal beneficence. Often considered to be a thoroughgoing pessimist, Schopenhauer in fact advocated ways — via artistic, moral and ascetic forms of awareness — to overcome a frustrationfilled and fundamentally painful human condition. Since his death in 1860, his philosophy has had a special attraction for those who wonder about life's meaning, along with those engaged in music, literature, and the visual arts. 1. Life: 1788–1860 2. The Fourfold Root of the Principle of Sufficient Reason 3. Schopenhauer's Critique of Kant 4. The World as Will 5. Transcending the Human Conditions of Conflict 5.1 Aesthetic Perception as a Mode of Transcendence 5.2 Moral Awareness as a Mode of Transcendence 5.3 Asceticism and the Denial of the WilltoLive 6. Schopenhauer's Later Works 7. Critical Reflections 8. Schopenhauer's Influence Bibliography Academic Tools Other Internet Resources Related Entries 1. Life: 1788–1860 Exactly a month younger than the English Romantic poet, Lord Byron (1788–1824), who was born on January 22, 1788, Arthur Schopenhauer came into the world on February 22, 1788 in Danzig [Gdansk, Poland] — a city that had a long history in international trade as a member of the Hanseatic League. -
Germany from Luther to Bismarck
University of California at San Diego HIEU 132 GERMANY FROM LUTHER TO BISMARCK Fall quarter 2009 #658659 Class meets Tuesdays and Thursdays from 2 until 3:20 in Warren Lecture Hall 2111 Professor Deborah Hertz Humanities and Social Science Building 6024 534 5501 Readers of the papers and examinations: Ms Monique Wiesmueller, [email protected]. Office Hours: Wednesdays 1:30 to 3 and by appointment CONTACTING THE PROFESSOR Please do not contact me by e-mail, but instead speak to me before or after class or on the phone during my office hour. I check the mailbox inside of our web site regularly. In an emergency you may contact the assistant to the Judaic Studies Program, Ms. Dorothy Wagoner at [email protected]; 534 4551. CLASSROOM ETIQUETTE. Please do not eat in class, drinks are acceptable. Please note that you should have your laptops, cell phones, and any other devices turned off during class. Students do too much multi-tasking for 1 the instructor to monitor. Try the simple beauty of a notebook and a pen. If so many students did not shop during class, you could enjoy the privilege of taking notes on your laptops. Power point presentations in class are a gift to those who attend and will not be available on the class web site. Attendance is not taken in class. Come to learn and to discuss. Class texts: All of the texts have been ordered with Groundworks Books in the Old Student Center and have been placed on Library Reserve. We have a systematic problem that Triton Link does not list the Groundworks booklists, but privileges the Price Center Bookstore. -
Experimental Pharmacology and Therapeutic Innovation in the Eighteenth Century
-e: EXPERIMENTAL PHARMACOLOGY AND THERAPEUTIC INNOVATION IN THE EIGHTEENTH CENTURY by ANDREAS-HOLGER MAEHLE A thesis submitted for the degree of Doctor of Philosophy of the University of London University College London 1996 ProQuest Number: 10017185 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017185 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT In the historiography of pharmacology and therapeutics, the 18th century is regarded as a period of transition from traditional, Galenistic materia medica to the beginnings of modern, experimental drug research. Ackerknecht (1973) characterized the pharmacotherapy of this period as a "chaotic mixture of chemiatric and Galenistic practices", yet acknowledged an "increasing tendency toward empiricism, partly even true experimentalism". This thesis explores this transitional phase for the first time in depth, examining the relations between pharmacological experimentation, theory-building, and therapeutic practice. Furthermore, ethical aspects are highlighted. The general introduction discusses the secondary literature and presents the results of a systematic study of pharmacological articles in relevant 18th-century periodicals. The identified main areas of contemporary interest, the spectrum of methods applied, and the composition of the authorship are described and interpreted. -
Ivory Markets of Europe 23/11/2005 02:25 PM Page 1
Ivory Markets of Europe 23/11/2005 02:25 PM Page 1 Ivory Markets of Europe A survey in France, Germany, Italy, Spain and the UK Esmond Martin and Daniel Stiles Drawings by Andrew Kamiti Published by Care for the Wild International Save the Elephants The Granary PO Box 54667, 00200 Nairobi, Kenya Tickfold Farm and Kingsfold c/o Ambrose Appelbe, 7 New Square, West Sussex RH12 3SE Lincoln’s Inn, London, WC2A 3RA UK UK 2005 ISBN 9966 - 9683 - 4 - 2 Ivory Markets of Europe 23/11/2005 02:25 PM Page 2 CONTENTS List of tables 3 Executive summary 5 Introduction 7 Methodology 8 Results 9 Germany 9 United Kingdom 29 France 45 Spain 64 Italy 78 Status of the ivory trade in Europe 90 Trends in the ivory trade in Europe 93 Discussion 96 Conclusions 99 References 102 Acknowledgements inside back cover 2 Ivory Markets of Europe 23/11/2005 02:25 PM Page 3 LIST OF TABLES Germany Table 1 Number of illegal elephant product seizures made in Germany recorded by ETIS, 1989-2003 Table 2 Number of craftsmen working in ivory in Erbach from the 1870s to 2004 Table 3 Number of ivory items seen for retail sale in Germany, September 2004 Table 4 Types of retail outlets selling ivory items in Germany, September 2004 Table 5 Ivory items for retail sale in the largest shop in Michelstadt, September 2004 Table 6 Retail prices for ivory items seen in Michelstadt, September 2004 Table 7 Retail prices for ivory items seen in Erbach, September 2004 Table 8 Number of retail outlets and ivory items in the main antique markets in Berlin, September 2004 Table 9 New (post 1989) -
Das Große Balladenbuch
Otfried Preußler Heinrich Pleticha Das große Balladenbuch Mit Bildern von Friedrich Fiechelmann Inhaltsübersicht Nicht nur »Theaterstücke im Kleinen« Eine Einführung in die Balladen von Heinrich Pleticha................................................. h Es IST SCHON SPÄT, ES WIRD SCHON KALT Durch die Balladen im Volkston fuhrt Otfried Preußler................................................... 15 Heinrich Heine: Lorelei ................................................................................................. 17 Clemens Brentano: Lore Lay.......................................................................................... 17 Joseph Freiherr von Eichendorff: Waldgespräch............................................................ 19 Eduard Mörike: Zwei Liebchen...................................................................................... 20 Volksballade: Der Wassermann...................................................................................... 21 Agnes Miegel: Schöne Agnete........................................................................................ 23 Franz Karl Ginzkey: Ballade vom gastlichen See ......................................................... 25 Gottfried August Bürger: Lenore.................................................................................... 26 Volksballade: Lenore (aus Des Knaben Wunderhorn) ................................................... 35 Hans Watzlik: Der Tänzer.............................................................................................. -
The Ashgate Research Companion to Imperial Germany ASHGATE RESEARCH COMPANION
ASHGATE RESEARCH COMPANION THE ASHGatE RESEarCH COMPANION TO IMPERIAL GERMANY ASHGATE RESEARCH COMPANION The Ashgate Research Companions are designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companions’ editors bring together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field. The Ashgate Research Companion to Imperial Germany Edited by MattHEW JEFFERIES University of Manchester, UK © Matthew Jefferies 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Matthew Jefferies has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East 110 Cherry Street Union Road Suite 3-1 Farnham Burlington, VT 05401-3818 Surrey, GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data The Ashgate research companion to Imperial Germany / edited by Matthew Jefferies. pages cm Includes bibliographical references and index. ISBN 978-1-4094-3551-8 (hardcover) – ISBN 978-1-4094-3552-5 -
Liszt and Christus: Reactionary Romanticism
LISZT AND CHRISTUS: REACTIONARY ROMANTICISM A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Robert Pegg May 2020 Examining Committee Members: Dr. Maurice Wright, Advisory Chair, Music Studies Dr. Michael Klein, Music Studies Dr. Paul Rardin, Choral Activities Dr. Christine Anderson, Voice and Opera, external member © Copyright 2020 by Robert Pegg All Rights Reserved € ii ABSTRACT This dissertation seeks to examine the historical context of Franz Lizt’s oratorio Christus and explore its obscurity. Chapter 1 makes note of the much greater familiarity of other choral works of the Romantic period, and observes critics’ and scholars’ recognition (or lack thereof) of Liszt’s religiosity. Chapter 2 discusses Liszt’s father Adam, his religious and musical experiences, and his influence on the young Franz. Chapter 3 explores Liszt’s early adulthood in Paris, particularly with respect to his intellectual growth. Special attention is given to François-René, vicomte de Chateaubriand and the Abbé Félicité de Lamennais, and the latter’s papal condemnation. After Chapter 4 briefly chronicles Liszt’s artistic achievements in Weimar and its ramifications for the rest of his work, Chapter 5 examines theological trends in the nineteenth century, as exemplified by David Friedrich Strauss, and the Catholic Church’s rejection of such novelties. The writings of Charles Rosen aid in decribing the possible musical ramifications of modern theology. Chapter 6 takes stock of the movements for renewal in Catholic music, especially the work of Prosper Gueranger and his fellow Benedictine monks of Solesmes, France, and of the Society of Saint Cecilia in Germany.