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Nr 8 / 2016 Nr 8 / 2016 nr 8 / 2016 nr 8 / 2016 RES MUSICA nr 8 / 2016 Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduse osakonna aastaraamat TOIMETUS / EDITORIAL BOARD Toomas Siitan, peatoimetaja / editor in chief Kerri Kotta (muusikateooria / music theory) Kristel Pappel (muusikateater, muusikaajalugu / music theatre, music history) Žanna Pärtlas (etnomusikoloogia / ethnomusicology) Jaan Ross (muusikapsühholoogia / music psychology) Anu Schaper, toimetaja / editor TOIMETUSKOLLEEGIUM / ADVISORY PANEL Mimi S. Daitz (New York City University, USA) Jeff ers Engelhardt (Amherst College, USA) Mart Humal (Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre, Eesti/Estonia) Timo Leisiö (Tampereen Yliopisto / University of Tampere, Soome/Finland) Margus Pärtlas (Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre, Eesti/Estonia) Johan Sundberg (Kungliga Tekniska högskolan / Royal Institute of Technology, Rootsi/Sweden) Avo Sõmer (University of Connecticut, USA) Andreas Waczkat (Georg-August-Universität Göttingen / Göttingen University, Saksamaa/Germany) Res Musicale avaldamiseks esitatud artiklid retsenseeritakse anonüümselt kahe vastava valdkonna asjatundja poolt. All articles submitted are reviewed anonymously by two experts in the fi eld. Keeletoimetajad / Language editors Richard Carr, Triin Kaalep Küljendus ja numbri kujundus / Layout and design of the current issue Maite Kotta Tatari 13 10116 Tallinn, Eesti Tel.: +372 667 5717 e-mail: [email protected] www.muusikateadus.ee/resmusica © EMTS, EMTA, autorid Trükitud AS Pakett trükikojas ISSN 1736-8553 Res Musica artiklid on refereeritud ja indekseeritud RILMi andmebaasis (RILM abstracts of music literature). Selle kogu sisu on elektrooniliselt kättesaadav RILMi kaudu (RILM abstracts of music literature with full text). Res Musica is abstracted and indexed in RILM abstracts of music literature. Its full-text content is available electronically through RILM abstracts of music literature with full text. Sisukord / Table of Contents Saateks koostajalt .......................................................................................................................................................................5 Editor’s Preface .............................................................................................................................................................................7 ARTIKLID/ARTICLES Ignazio Macchiarella Multipart Music as a Conceptual Tool. A Proposal ......................................................................................................9 Mõiste multipart music kui kontseptuaalne vahend. Mõned ettepanekud (resümee) ....................................26 Ardian Ahmedaja The Designation of Concepts in Studies of Multipart Music ............................................................................... 28 Mõistete määratlemine mitmehäälse muusika uuringutes (resümee) ..................................................................42 Žanna Pärtlas Theoretical Approaches to Heterophony .................................................................................................................... 44 Teoreetilised lähenemised heterofooniale (resümee) .................................................................................................71 Susanne Fürniss What Is a Part? Polyphony between Perception and Conception ..................................................................... 73 Mis on partii? Polüfoonia taju ja kontseptsiooni vahel (resümee) ......................................................................... 85 Anda Beitāne The Question of “Harmony” in a Local Multipart Music Practice: Eastern Latvia as a Field for Terminological Experimentation ............................................................................87 „Harmoonia“ küsimus kohalikus mitmehäälses muusikapraktikas: Ida-Läti terminoloogiaeksperimentide väljana (resümee) ....................................................................................... 98 Ulrich Morgenstern European Traditions of Solo Multipart Instrumental Music. Terminological Problems and Perspectives ..............................................................................................................100 Mitmehäälse soolo-instrumentaalmuusika traditsioonid Euroopas. Terminoloogilised probleemid ja perspektiivid (resümee) .....................................................................................115 Alessandro Bratus Tracking Relational Spaces on Record: A Multipart Perspective on the Analysis of Recorded Popular Music ...........................................................116 Salvestise suhestuslike ruumide jälgel: multipart-vaatenurk levimuusika analüüsis (resümee) ..............................................................................................131 3 ARVUSTUSED/REVIEWS Enrique Cámara de Landa ................................................................................................................................................. 132 Maurizio Agamennone (ed.). Polifonie. Procedimenti, tassonomie e forme: una rifl essione “a più voci”. Venezia: il Cardo, 1996, 283 pp. Toomas Siitan ......................................................................................................................................................................... 143 Peter C. Bouteneff . Arvo Pärt: Out of Silene. Yonkers (N.Y.): St Vladimir’s Seminary Press, 2015, 231 lk. Margus Pärtlas .......................................................................................................................................................................146 Eduard Tubin – rahvushelilooja, professionaal, isiksus Eino Tubin. Ballaad. Eduard Tubina lugu. Tallinn: Eesti Teatri- ja Muusikamuuseum, 2015, 239 lk. Vardo Rumessen (koost.). Vestlused Eduard Tubinaga. Tallinn: Rahvusvaheline Eduard Tubina Ühing, 2015, 360 lk. Tiina Selke ................................................................................................................................................................................148 Marju Raju. Some aspects of singing development, the song creating process and favorite songs of Estonian children / Mõningaid aspekte Eesti laste laulmise arengust, ise laulude loomisest ja lemmiklauludest. Tallinn: Estonian Academy of Music and Theatre Dissertations 6 / Eesti Muusika- ja Teatriakadeemia Väitekirjad 6, 2015, 130 lk. Anu Kõlar .................................................................................................................................................................................. 151 Heli Reimann. Jazz in Soviet Estonia from 1944 to 1953: Meanings, Spaces and Paradoxes. University of Helsinki, Academic Dissertation (E-Thesis), 2015 KROONIKA ................................................................................................................................................................................ 156 AUTORID / AUTHORS ........................................................................................................................................................... 158 4 Saateks koostajalt Res Musica kaheksas number on juba teine sel- liskeelse terminoloogia üle, kuid abiks ja võrdlu- le aastaraamatu väljaanne, mis on pühendatud seks võetakse ka teiste maade (näiteks Saksamaa, etnomusikoloogia uurimisvaldkonnale (Res Mu- Prantsusmaa, Itaalia, Venemaa, Läti ja Eesti) termi- sica esimene etnomusikoloogiline number ilmus noloogilisi traditsioone, mistõttu tekivad sageli aastal 2012). Seekord on tegemist artiklitega, mis terminite tõlke küsimused ning mitmes artiklis põhinevad 19.–20. septembril 2014 Eesti Muusi- võib leida kirjanduse tsiteerimist paralleelselt ka- ka- ja Teatriakadeemias toimunud rahvusvahelise hes, originaali ja inglise keeles. seminari teemadel. Seminari korraldas mitme- Samas väljendab terminoloogia teadlaste teo- häälsuse probleemidele keskenduv uurimisrühm reetilisi arusaamasid uuritava muusika loomusest, ICTM (International Council for Traditional Music) nii et arutlused sel teemal ei puuduta kaugeltki Study Group on Multipart Music ning selle tee- mitte ainult sõnade valikut, vaid ka mitmehäälsu- maks oli „Mitmehäälne muusika: teoreetilised se kui kultuurilise, psühholoogilise ja muusikalise lähenemised terminoloogiale” („Multipart Music: nähtuse põhiküsimusi. Tallinna seminaril ilmnes, theoretical approaches on the terminology”). et nendele küsimustele võib läheneda üsna mit- Mainitud akadeemilise ürituse formaat erines mest vaatenurgast, rõhutades seejuures muusi- tava pärase konverentsi omast selle poolest, et kalise protsessi eri aspekte. Käesoleva väljaande osalejate arv oli piiratud kaheksa kutsutud spet- artiklites võib samuti leida erineva suunitlusega sialistiga, kes ettekannete asemel juhtisid eri uurimusi, mis käsitlevad traditsioonilise mitme- teemadele pühendatud sessioone, mille käigus häälsuse sotsiaalseid, kultuurilisi, käitumuslikke, toimusid ühised diskussioonid. Viimane asjaolu kognitiivseid ning ka puhtmuusikalisi tahke. mõjutab otseselt käesoleva väljaande nägu. Esi- Väljaande kolm esimest artiklit käsitlevad Tal- teks iseloomustab seekordse aastaraamatu tekste linna seminari teema kõige üldisemaid küsimu- tavalisest palju suurem temaatiline ühtsus, mis si. Ignazio Macchiarella loob kontseptsiooni tuleneb seminari üsna selgepiiriliselt formuleeri- mitmehäälsest muusikast (multipart music) kui tud teemast. Teiseks on paljud artiklid mõjutatud sotsiaalsest interaktsioonist ja indiviidide
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