Representative List of the Intangible Cultural Heritage Of
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Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
University of California Santa Cruz the Vietnamese Đàn
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
From Freedom to Bondage: the Jamaican Maroons, 1655-1770
From Freedom to Bondage: The Jamaican Maroons, 1655-1770 Jonathan Brooks, University of North Carolina Wilmington Andrew Clark, Faculty Mentor, UNCW Abstract: The Jamaican Maroons were not a small rebel community, instead they were a complex polity that operated as such from 1655-1770. They created a favorable trade balance with Jamaica and the British. They created a network of villages that supported the growth of their collective identity through borrowed culture from Africa and Europe and through created culture unique to Maroons. They were self-sufficient and practiced sustainable agricultural practices. The British recognized the Maroons as a threat to their possession of Jamaica and embarked on multiple campaigns against the Maroons, utilizing both external military force, in the form of Jamaican mercenaries, and internal force in the form of British and Jamaican military regiments. Through a systematic breakdown of the power structure of the Maroons, the British were able to subject them through treaty. By addressing the nature of Maroon society and growth of the Maroon state, their agency can be recognized as a dominating factor in Jamaican politics and development of the country. In 1509 the Spanish settled Jamaica and brought with them the institution of slavery. By 1655, when the British invaded the island, there were 558 slaves.1 During the battle most slaves were separated from their masters and fled to the mountains. Two major factions of Maroons established themselves on opposite ends of the island, the Windward and Leeward Maroons. These two groups formed the first independent polities from European colonial rule. The two groups formed independent from each other and with very different political structures but similar economic and social structures. -
Bulletin POLISH NATIONAL COMMISSION
biuletyn 2013 PRZEGLÑD POLSKIEGO KOMITETU DO SPRAW UNESCO PRZEGLÑD POLSKIEGO KOMITETU DO SPRAW UNESCO biuletynbiuletyn|| 2013 2013 POLISH NATIONAL COMMISSION for UNESCO Reviev bulletin | bulletin | for UNESCO Review UNESCO for POLISH NATIONAL COMMISSION COMMISSION NATIONAL POLISH bulletin 2013 covBIUL13gr.indd 1 14-11-03 14:34 POLISH NATIONAL COMMISSION for UNESCO Review bulletin| 2013 Table of Contents Andrzej Rottermund Workshop for Restorers A Few Words 53 in Nesvizh 5 About Our Activities Last Year Marek Konopka UNESCO 55 Anamnesis – Re-minding Programme Priorities 8 for the Coming Years 61 Kraków – UNESCO City of Literature What We Dealt with Sławomir Ratajski 12 in 2013 UNESCO 2005 Convention 63 A Tool of Cultural Policy Why and How to Protect Cultural 21 Heritage by Modern Means? Intercultural Education Workshops 72 for Teachers Bogusław Szmygin Protecting Our Heritage Libyan Journalists 25 – Contemporary Approach 73 on a Study Visit to Poland Leszek Kolankiewicz The Concept of Intangible Euro-Arab Dialogue Conference Cultural Heritage “Our Commonly Shared Values” 32 in the 2003 Convention 75 held in Algarve Mariusz Czuba Anna Kalinowska Wooden Orthodox Churches Contemporary Man In Dialogue (Tserkvas) of the Polish 77 With The Environment? and Ukrainian Carpathian Region 43 on the World Heritage List Magdalena Machinko-Nagrabecka How to Teach Katarzyna Piotrowska 85 on Sustainable Development? Wieliczka and Bochnia Royal Salt Mines Educating in Dialogue 46 on UNESCO World Heritage List 90 with the Environment 93 ASPnet for Global -
Euroradio Folk Festival RÄTTVIK 28–30 JUNI
P2 sveriges radio presenterar Euroradio folk festival RÄTTVIK 28–30 JUNI 2014 AN ILJ S ID V IK S U M V A L E 29 JUNI – 5 JULI D LEKSAND • MORA SID 1 Euroradio folk festival N MED RESERVATION FÖR& ÄNDRINGAR RÄTTVIK E FOTO: MICKE GRÖNBERG/ SVERIGES RADIO Welcome! The Swedish Radio is both proud and happy to be able to present a part of Sweden which is famous for its blue hills, its flowery mead- ows, its magical lakes and its music. Folk musicians in the beautiful national cos- tumes of the province of Dalecarlia are a common feature at Swedish weddings, re- Välkommen! gardless of where in the country the wedding Vi från Sveriges Radio är stolta och glada över takes place, and when Swedes celebrate att få visa upp en del av Sverige som är känt midsummer and erect a maypole decorated för sina blåa kullar, sina blommande ängar, with summer flowers and green birch leaves, sina trollska sjöar och sin musik. nowhere in Sweden are people more eager to dance round the maypole to the accom- Spelmän i vackra folkdräkter från Dalarna paniment of accordion and fiddles than in är ett vanligt inslag på svenska bröllop oav- Dalecarlia. sett var i landet bröllopet står och att resa en midsommarstång klädd med sommarens Never before have tradition and innovation blommor och gröna björkris som man dansar been as intimately linked as they are in the kring till dragspel och fiol gör man ingenstans folk music of today, and therefore we are es- så gärna som här. -
Aineeton Kulttuuriperintö Esimerkkejä Unescon 2003 Yleissopimuksen Toteuttamisesta Verrokkimaissa Cuporen Verkkojulkaisuja 24
Kulttuuripoliittisen tutkimuksen edistämissäätiö Cuporen verkkojulkaisuja 24 LEENA MARSIO Aineeton kulttuuriperintö Esimerkkejä Unescon 2003 yleissopimuksen toteuttamisesta verrokkimaissa Cuporen verkkojulkaisuja 24 Kulttuuripoliittisen tutkimuksen edistämissäätiö © Tekijät ja Kulttuuripoliittisen tutkimuksen edistämissäätiö Cupore Tiivistelmän käännös Susan Heiskanen Ulkoasu ja taitto: Lagarto ISBN 978-952-5573-53-4 ISSN 1796-9263 Lokakuu 2014 Julkaisun linkit on tarkistettu ja todettu toimiviksi 22.10.2014. Kannen kuva: Vladimir Gudac ©2008 by Ministry of Culture of Croatia, with the permission of UNESCO LEENA MARSIO Aineeton kulttuuriperintö Esimerkkejä Unescon 2003 yleissopimuksen toteuttamisesta verrokkimaissa Kulttuuripoliittisen tutkimuksen edistämissäätiö – CUPORE SISÄLLYSLUETTELO SAATTEEKSI..................................................................................... 6 INTANGIBLE CULTURAL HERITAGE – Summary ......................................... 7 1 JOHDANTO .............................................................................. 9 1.1 Sopimuksen toimeenpanon valmistelu Suomessa ................................. 9 1.2 Selvityksen aineistot .............................................................. 9 1.3 Selvityksen rakenne .............................................................. 12 2 UNESCON YLEISSOPIMUS AINEETTOMAN KULTTUURIPERINNÖN SUOJELEMISESTA ...................................... 14 2.1 Aineeton kulttuuriperintö – käsite ja osa-alueet .................................. 14 2.2 Kulttuuriperintöalan -
Land of Music Festivals
Following tradition Azerbaijan – land of music festivals Lala HUSEYNOVA PhD in Arts THE LAND OF FIRE… AZERBAIJAN HAS BEEN KNOWN AS SUCH FROM TIME IMMEMORIAL, AND THERE ARE MANY REASONS FOR THAT. BUT WE WILL TALK ABOUT A COMPLETELY DIFFERENT FAME THAT THIS DEVELOPING AND FASCINATING LAND IS GRADUALLY EARNING ITSELF. THE LAND OF MUSIC FESTIVALS – tHIS IS HOW AZERBAIJAn’S CURRENT MUSICAL AND CUL- TURAL REALITIES CAN BE DESCRIBED IF WE WERE TO PARAPHRASE THE WELL-KNOWN PHRASE. least one traditional mu- sic festival is conducted in AtAzerbaijan every season. The participants and guests of the second “Space of Mugham” interna- tional festival, held over the spring holidays of Novruz (the first was held in 2009), are convinced that it was one of the most successful international projects on the traditional music of the East. This has largely been pos- sible thanks to the initiator and main sponsor of the festival, the Heydar Aliyev Foundation led by its President, the Goodwill Ambassador of UNESCO and ISESCO, Mehriban Aliyeva. As was the case during the first festival, the 34 www.irs-az.com Azerbaijan – land of music festivals capital Baku became a venue for a re- The festival was joined by vocalists the energy of life, but also the blos- cord number of music events for the and instrumentalists from Azerbaijan som of art and creative inspiration. eight days (14-21 March) of the festi- and foreign countries, including the The upcoming summer season is val. Art enthusiasts had the opportu- USA, Canada, France, Peru, Ecuador, promising to be no less interesting in nity to see the world’s first Mugham Turkey, Uzbekistan, Iran, Iraq, Egypt, terms of music events. -
The Preludes in Chinese Style
The Preludes in Chinese Style: Three Selected Piano Preludes from Ding Shan-de, Chen Ming-zhi and Zhang Shuai to Exemplify the Varieties of Chinese Piano Preludes D.M.A. DOCUMENT Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Jingbei Li, D.M.A. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Steven M. Glaser, Advisor Dr. Arved Ashby Dr. Edward Bak Copyrighted by Jingbei Li, D.M.A 2019 ABSTRACT The piano was first introduced to China in the early part of the twentieth century. Perhaps as a result of this short history, European-derived styles and techniques influenced Chinese composers in developing their own compositional styles for the piano by combining European compositional forms and techniques with Chinese materials and approaches. In this document, my focus is on Chinese piano preludes and their development. Having performed the complete Debussy Preludes Book II on my final doctoral recital, I became interested in comprehensively exploring the genre for it has been utilized by many Chinese composers. This document will take a close look in the way that three modern Chinese composers have adapted their own compositional styles to the genre. Composers Ding Shan-de, Chen Ming-zhi, and Zhang Shuai, while prominent in their homeland, are relatively unknown outside China. The Three Piano Preludes by Ding Shan-de, The Piano Preludes and Fugues by Chen Ming-zhi and The Three Preludes for Piano by Zhang Shuai are three popular works which exhibit Chinese musical idioms and demonstrate the variety of approaches to the genre of the piano prelude bridging the twentieth century. -
I. Introduction
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 93 – 2018 1 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) General Editor: Jon Dunbar Copyright © 2019 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; Email: [email protected] Visit our website at www.raskb.com TRANSACTIONS Volume 93 – 2018 Contents The Diamond Mountains: Lost Paradise Brother Anthony 1 Encouragement from Dongducheon 19 North Korean Fragments of Post-Socialist Guyana Moe Taylor 31 The Gyehu Deungnok Mark Peterson 43 “Literature Play” in a New World Robert J. -
List of the 90 Masterpieces of the Oral and Intangible Heritage
Albania • Albanian Folk Iso-Polyphony (2005) Algeria • The Ahellil of Gourara (2005) Armenia • The Duduk and its Music (2005) Azerbaijan • Azerbaijani Mugham (2003) List of the 90 Masterpieces Bangladesh • Baul Songs (2005) of the Oral and Belgium • The Carnival of Binche (2003) Intangible Belgium, France Heritage of • Processional Giants and Dragons in Belgium and Humanity France (2005) proclaimed Belize, Guatemala, by UNESCO Honduras, Nicaragua • Language, Dance and Music of the Garifuna (2001) Benin, Nigeria and Tog o • The Oral Heritage of Gelede (2001) Bhutan • The Mask Dance of the Drums from Drametse (2005) Bolivia • The Carnival Oruro (2001) • The Andean Cosmovision of the Kallawaya (2003) Brazil • Oral and Graphic Expressions of the Wajapi (2003) • The Samba de Roda of Recôncavo of Bahia (2005) Bulgaria • The Bistritsa Babi – Archaic Polyphony, Dances and Rituals from the Shoplouk Region (2003) Cambodia • The Royal Ballet of Cambodia (2003) • Sbek Thom, Khmer Shadow Theatre (2005) Central African Republic • The Polyphonic Singing of the Aka Pygmies of Central Africa (2003) China • Kun Qu Opera (2001) • The Guqin and its Music (2003) • The Uyghur Muqam of Xinjiang (2005) Colombia • The Carnival of Barranquilla (2003) • The Cultural Space of Palenque de San Basilio (2005) Costa Rica • Oxherding and Oxcart Traditions in Costa Rica (2005) Côte d’Ivoire • The Gbofe of Afounkaha - the Music of the Transverse Trumps of the Tagbana Community (2001) Cuba • La Tumba Francesa (2003) Czech Republic • Slovácko Verbunk, Recruit Dances (2005)