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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Baku News and Events May 2013
Baku News and Events May 2013 Hungarian WizzAir Company will launch Budapest-Baku-Budapest flights - Nijat Mustafayev - APA The Hungarian WizzAir Company will launch a Budapest-Baku-Budapest flight on June 17, 2013, said the WizzAir’s Director Gyorgy Abran. According to him, ticket sales have already begun: “The flights from Budapest to Baku will be implemented on Mondays and Fridays at 20:35 (local time) and from Baku to Budapest – on Tuesdays and Saturdays at 03:55.” Abran noted that the Air Company has 40 Airbus A-320 aircrafts and the company will increase the number of aircrafts to 45 this year. For the present, the company has flights on more than 270 routes (33 countries). It carried 12 million passengers last year and this year is expected to reach 13.5 million. It is well known for flying all over Europe to 89 destinations including Warsaw, Barcelona, Frankfurt, Riga, and London. The current price is 120-150 euro from Baku to Budapest. Baku Charity Triathlon The 9th annual Baku Charity Triathlon will take place on Saturday, June 8, 2013. The race is a sprint-distance triathlon: 500m swim, 20km bike, 5 km run. The swim will take place at the Hyatt Oasis Club indoor pool during the morning, while the afternoon bike and run will take place at Stonepay Royal Park. The categories are an Open Race (men and women), an over 40’s race (men and women), an over 50s race (men and women) and two team races – teams of two or teams of three (no gender difference here). -
Esi Document Id 128.Pdf
Generation Facebook in Baku Adnan, Emin and the Future of Dissent in Azerbaijan Berlin – Istanbul 15 March 2011 “... they know from their own experience in 1968, and from the Polish experience in 1980-1981, how suddenly a society that seems atomized, apathetic and broken can be transformed into an articulate, united civil society. How private opinion can become public opinion. How a nation can stand on its feet again. And for this they are working and waiting, under the ice.” Timothy Garton Ash about Charter 77 in communist Czechoslovakia, February 1984 “How come our nation has been able to transcend the dilemma so typical of defeated societies, the hopeless choice between servility and despair?” Adam Michnik, Letter from the Gdansk Prison, July 1985 Table of contents Executive Summary ......................................................................................................................... I Cast of Characters .......................................................................................................................... II 1. BIRTHDAY FLOWERS ........................................................................................................ 1 2. A NEW GENERATION ......................................................................................................... 4 A. Birth of a nation .............................................................................................................. 4 B. How (not) to make a revolution ..................................................................................... -
© I. Huseynov, 2020 CULTURAL and POLITICAL ASPECT AS A
Вісник Львівського університету. Серія філос.-політолог. студії. 2020. Випуск 31, c. 105–111 Visnuk of the Lviv University. Series Philos.-Political Studies. Issue 31, p. 105–111 UDC 327 DOI https://doi.org/10.30970/PPS.2020.31.14 CULTURAL AND POLITICAL ASPECT AS A FOUNDATION AND A KEY LINK IN THE EXPANDING RELATIONS BETWEEN AZERBAIJAN AND GREECE Ilyas Huseynov Baku Slavic University, Department of International Relations S. Rustam str., 33, AZ1072, Baku, Azerbaijan After Azerbaijan gained independence, relations with Greece began to develop successfully. Greece is one of the first countries to recognize the independence of Azerbaijan. This article exam- ines the dynamics of humanitarian ties between Azerbaijan and Greece. Cultural relations always play a crucial role in the development of bilateral relations. The expansion of cultural ties between Greece and Azerbaijan has a positive impact on other areas as well. Humanitarian relations play an important role in bilateral relations. The paper also outlines the main directions of humanitarian relations between Azerbaijan and Greece. Special attention is paid to the events held in Greece with the aim of promoting the culture and rich heritage of Azerbaijan. It is noted that various concerts, cultural days, book exhi- bitions, and country presentations help bring peoples and cultures closer together. The article provides a possible classification of the ways of cooperation in the cultural and political context between Azerbai- jan and Greece. The influence of the signed agreements and adopted programs between the Government of the Republic of Azerbaijan and the Government of the Hellenic Republic, which formed the main legal basis of bilateral humanitarian relations, is studied. -
A Study of Jazz Piano Pedagogy in Malaysia and Taiwan
Graduate School of Music National Taichung University of Education Master’s Thesis Advisor: Professor Jessie H. S. Chen A Study of Jazz Piano Pedagogy in Malaysia and Taiwan Graduate Student: Low Ee Kee May 2014 ACKNOWLEDGEMENTS This research had been a real growth experiences and the resulting study was my greatest achievement and something of which I was very proud of during the two and a half year study life in Taiwan. First of all, I would like to thank Prof. Jessie Chen for her guidance and insight. She had always pointed me into the right direction and my study wouldn’t have been completed without her. Second, I would like to thank my parents for their wonderful upbringing that shaped me into who I am today. To my four lovely siblings and in-laws for being there for me and went through all the hardship with me, being supportive and care. Tanny, thanks for pampering me. Third, I would like to thank my classmate, Double, Winnie, Tzu Yun, Jenny, Rosanne, Lucy and Win for assisting me all along. Knowing them was the happiest moment of my entire study life in Taiwan. To all of the influential music teachers that I have ever had in my life, Cher Siang, Justin, Juan, Alex, Adil for introducing me the joy of playing jazz music. I will never forget the piano jury and the crazy modern band exam. Finally, to PohSoon, thank you. Your love sustained me. I could not have seen this through without you. 摘要 近年來的爵士音樂之地位在學術界中逐漸受到重視,因此對音樂教育者來 說,深入了解爵士音樂教育亦成為一個重要的課題。雖然許多爵士音樂教育家和 音樂家對現今的爵士音樂教育提供了個人的批判和哲學概念的反思,但仍少有人 能針對其爵士音樂不同的教學模式及方法作進一步的探究。 相較於美國,爵士音樂在馬來西亞及臺灣並非主流音樂。而馬來西亞及臺灣 -
3 0 J Une 2 0
BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 What & Where 1 - 3 0 J u n e 2 0 1 3 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 Uzeyir Hajibeyli Home-Museum Museum of Modern Art 69/69, Shamil Azizbeyov str., Baku 5, Yusif Safarov str., Baku Tel: (99412) 595 25 58 Tel: (99412) 490 84 84 (99412) 595 25 34 Opening hours: Opening hours: Tuesday-Sunday 10:00 – 18:00 11:00-21:00 Monday www.mim.az Jalil Mammadguluzade Home-Museum “Gallery 1969” 56, S. Taghiade str., Baku 27, Uz.Hajibeyli str., Baku Tel: (99412) 492 24 09 Tel: (994 12) 493 28 36 Opening hours: (994 12) 493 28 41 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-18:00 Monday-Friday Nariman Narimanov Memorial Museum 35, Istiglaliyyat str., Baku Vajiha Samadova Exhibition Centre Tel: (99412) 492 05 15 19, Khagani str., Baku Opening hours: Tel: (99412) 493 62 30 09:00-18:00 (99412) 493 65 01 Monday-Sunday (99412) 493 17 44 (99412) 498 69 26 Mammad Said Ordubadi Memorial Museum Opening hours: 19/19, Khagani str., Baku 11:00-17:00 Tel: (99412) 493 50 85 Monday-Sunday Opening hours: 13:00-18:00 Boyuk Gala 19 Art Gallery Monday-Friday 19, Boyuk Gala str., Icherisheher, Baku Tel: (99412) 492 05 78 Hasan bey Zardabi Natural History Museum (99412) 493 05 01 3, Lermontov str., Baku Opening hours: Tel: (99412) 492 06 67 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-17:00 Tuesday-Saturday Center of Azerbaijan Miniature Art 15, Gasr str., Icherisheher, Baku Jafar Jabbarli Home-Museum Tel: (99412) 492 59 06 44, S. -
IAUP Baku 2018 Semi-Annual Meeting
IAUP Baku 2018 Semi-Annual Meeting “Globalization and New Dimensions in Higher Education” 18-20th April, 2018 Venue: Fairmont Baku, Flame Towers Website: https://iaupasoiu.meetinghand.com/en/#home CONFERENCE PROGRAMME WEDNESDAY 18th April 2018 Fairmont Baku, Flame Towers 18:30 Registration 1A, Mehdi Hüseyn Street Fairmont Baku, Flame Towers, 19:00-21:00 Opening Cocktail Party Uzeyir Hajibeyov Ballroom, 19:05 Welcome speech by IAUP President Mr. Kakha Shengelia 19:10 Welcome speech by Ministry of Education representative 19:30 Opening Speech by Rector of ASOIU Mustafa Babanli THURSDAY 19th April 2018 Visit to Alley of Honor, Martyrs' Lane Meeting Point: Foyer in Fairmont 09:00 - 09:45 Hotel 10:00 - 10:15 Mr. Kakha Shengelia Nizami Ganjavi A Grand Ballroom, IAUP President Fairmont Baku 10:15 - 10:30 Mr. Ceyhun Bayramov Deputy Minister of Education of the Republic of Azerbaijan 10:30-10:45 Mr. Mikheil Chkhenkeli Minister of Education and Science of Georgia 10:45 - 11:00 Prof. Mustafa Babanli Rector of Azerbaijan State Oil and Industry University 11:00 - 11:30 Coffee Break Keynote 1: Modern approach to knowledge transfer: interdisciplinary 11:30 - 12:00 studies and creative thinking Speaker: Prof. Philippe Turek University of Strasbourg 12:00 - 13:00 Panel discussion 1 13:00 - 14:00 Lunch 14:00 - 15:30 Networking meeting of rectors and presidents 14:00– 16:00 Floor Presentation of Azerbaijani Universities (parallel to the networking meeting) 18:30 - 19:00 Transfer from Farimont Hotel to Buta Palace Small Hall, Buta Palace 19:00 - 22:00 Gala -
About the Artistic and Performing Features of Violin Works Gara Garayev About the Artistic and Performing Features of Violin Works of Gara Garayev
CEYLA GANİOĞLU CEYLA ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV OF VIOLIN WORKS GARA AND PERFORMING FEATURES ARTISTIC THE ABOUT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Art Proficiency Thesis by CEYLA GANİOĞLU Department of Bilkent University 2019 Music İhsan Doğramacı Bilkent University Ankara May 2019 ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by CEYLA GANİOĞLU In Partial Fulfillment of the Requirements for the Degree of ART PROFICIENCY IN MUSIC THE DEPARTMENT OF MUSIC İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA May 2019 ABSTRACT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Ganioğlu, Ceyla Proficiency in Music, Department of Music Supervisor: Prof. Gürer Aykal May 2019 Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. -
Neuerwerbungen Musik-Cds Zur Ausleihe Juni 2020
NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE JUNI 2020 NEUERWERBUNGEN MUSIK-CDS ZUR AUSLEIHE JUNI 2020 Inhalt Vokalmusik: Gesang für Einzelstimmen .................................................................... 3 Vokalmusik: Chorgesang .......................................................................................... 3 Vokalmusik: Porträts ................................................................................................. 3 Bühnenwerke. Dramatische Musik ............................................................................ 4 Instrumentalmusik: Einzelinstrumente ...................................................................... 4 Instrumentalmusik: Kammermusik ........................................................................... 4 Instrumentalmusik: Werke für Soloinstrumente und Orchester ................................. 5 Instrumentalmusik: Orchesterwerke ......................................................................... 5 Instrumentalmusik: Porträts ...................................................................................... 5 Außereuropäische Volks- und Kunstmusik. Europäische Volksmusik ......................... 6 Jazz ........................................................................................................................... 6 Rockmusik. Popmusik ............................................................................................... 8 Folkmusic. Song. Chanson ...................................................................................... 12 Thematische -
Research and Tradition
RESEARCH AND TRADITION Article received on February 23rd 2017 Article accepted on 10th March 2017 UDC: 78.071.1:929 Денисов E. B. Bogumila Mika * University of Silesia, Katowice, Poland Department of Fine Art and Music Institute of Music ‘BENEATH THE SHADOW OF POLITICS’. RECEPTION OF THE MUSIC OF EDISON DENISOV IN POLAND Abstract: The music of Russian composer Edison Denisov was frequently presented in the Warsaw Autumn festival. Between 1964 and 2005, Polish audiences heard his pieces 21 times, including three world premieres. This music was widely received, especially in the 1960s and the 1970s, when Polish culture was strongly influenced by politics. The following decades brought changes in the context of politics and style in the arts, but Denisov’s compositions continued to be performed in Warsaw. The aim of this paper is to present the opinions formulated by Polish music critics as evidence about the reception of Denisov’s music. Key words: Edison Denisov, reception, the Warsaw Autumn festival, critics, avant-garde, Russian music. * Author contact information: [email protected] 139 New Sound 49,1/2017 The political context in post-war Poland After the Second World War, all culture in Poland, including musical culture, was rigorously controlled by politics. The communist authorities imposed their doctrine of art, so-called ‘socialist realism’. The infamous conference in Lagôw Lubuski in Western Poland in 1949 officially condemned ‘musical formalism’ and proclaimed that only socialist realistic music could be written. Political pressure prohibited artistic contacts with the West, including coop eration with foreign artists. Polish culture gradually became isolated from West ern culture and art. -
26-27-28 JANUARY 2018 on the Frozen Lake of St
FOTO: KATHRIN GRALLA, DER ROTE DRACHE ROTE DER GRALLA, KATHRIN FOTO: 26-27-28 JANUARY 2018 on the frozen lake of St. Moritz #snowpolo snowpolo-stmoritz.com snowpolostmoritz MagazinCover_160x235mm+3mm.indd 1 30.11.17 18:01 Arnd Küchel, Member of the Board of Evviva Polo St. Moritz AG, Dr Piero Dillier, President of the Board, Reto Gaudenzi, VP of the Board and CEO. WELCOME TO THE SNOW POLO ST. MORITZ TOUCH Allegra and welcome back to the unique natural arena that is the frozen Lake St. Moritz! Here, the majestically beautiful nature of the Engadine has shown us that regardless of where we come from, we all share the basic human instinct and desire to bond with others. For all the exciting changes that technology has brought us, what remains unchanged is that we are all wired to connect. Bringing people together from all four corners of the world is what we have been doing year after year, since 1985! Beyond being a celebration of the sport of polo at its best, the Snow Polo World Cup St. Moritz is indeed a celebration of friendship and cross-cultural exchange. A passion for hospitality and a strong desire to connect with our guests is ingrained in our team of over 100 professionals and volunteers that make this event happen. We very much hope that the moments we share together in this fantastic natural paradise – indulging in watching the superb polo as much as the social events off the field – will remind us in the best possible way that we all are not scripted, not programmed, but simply human. -
Musical and Dramatic Features of Choral Scenes in the Operas of Azerbaijani Composers
Journal of Critical Reviews ISSN-2394-5125 Vol 7, Issue 7, 2020 MUSICAL AND DRAMATIC FEATURES OF CHORAL SCENES IN THE OPERAS OF AZERBAIJANI COMPOSERS Ayten Babaeva Baku Music Academy named after Uzeyir Hajibayli Azerbaijan, Baku [email protected] Received: 11.02.2020 Revised: 03.03.2020 Accepted: 17.04.2020 Abstract The presented article is devoted to the musical and dramatic features of choral scenes in the operas of Azerbaijani composers. The paper considers the long-term development of Azerbaijani national operas from operas of mugamat the beginning of the 19th to the 20th century some aspects are found in the context of European and national traditions. Also, the domestic operas of Azerbaijan paid attention to the features of choral scenes, some principles of development, and the richness of the musical language. In particular, the law of updating the dramaturgy of choral scenes in Azerbaijani operas at the level of content and musical language was emphasized. The article classifies Azerbaijani operas by content and considers drama, the principle of structure, features of the musical style, the artistic character of images in the analysis of choral scenes in lyric-dramatic, literary-historical, satirical and patriotic operas. The unique qualities and role of choral scenes in Azerbaijani national operas were also presented. Keywords: Azerbaijan National Opera, musical and dramatic features of choral scenes, mugam opera, lyrical and tragic opera, satirical opera, patriotic opera, musical and exciting art. © 2020 by Advance Scientific Research. This is an open-access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/) DOI: http://dx.doi.org/10.31838/jcr.07.07.87 INTRODUCTION.