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Musical Practices in the Balkans: Ethnomusicological Perspectives

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Musical Practices in the Balkans: Ethnomusicological Perspectives MUSICAL PRACTICES IN THE BALKANS: ETHNOMUSICOLOGICAL PERSPECTIVES МУЗИЧКЕ ПРАКСЕ БАЛКАНА: ЕТНОМУЗИКОЛОШКЕ ПЕРСПЕКТИВЕ СРПСКА АКАДЕМИЈА НАУКА И УМЕТНОСТИ НАУЧНИ СКУПОВИ Књига CXLII ОДЕЉЕЊЕ ЛИКОВНЕ И МУЗИЧКЕ УМЕТНОСТИ Књига 8 МУЗИЧКЕ ПРАКСЕ БАЛКАНА: ЕТНОМУЗИКОЛОШКЕ ПЕРСПЕКТИВЕ ЗБОРНИК РАДОВА СА НАУЧНОГ СКУПА ОДРЖАНОГ ОД 23. ДО 25. НОВЕМБРА 2011. Примљено на X скупу Одељења ликовне и музичке уметности од 14. 12. 2012, на основу реферата академикâ Дејана Деспића и Александра Ломе У р е д н и ц и Академик ДЕЈАН ДЕСПИЋ др ЈЕЛЕНА ЈОВАНОВИЋ др ДАНКА ЛАЈИЋ-МИХАЈЛОВИЋ БЕОГРАД 2012 МУЗИКОЛОШКИ ИНСТИТУТ САНУ SERBIAN ACADEMY OF SCIENCES AND ARTS ACADEMIC CONFERENCES Volume CXLII DEPARTMENT OF FINE ARTS AND MUSIC Book 8 MUSICAL PRACTICES IN THE BALKANS: ETHNOMUSICOLOGICAL PERSPECTIVES PROCEEDINGS OF THE INTERNATIONAL CONFERENCE HELD FROM NOVEMBER 23 TO 25, 2011 Accepted at the X meeting of the Department of Fine Arts and Music of 14.12.2012., on the basis of the review presented by Academicians Dejan Despić and Aleksandar Loma E d i t o r s Academician DEJAN DESPIĆ JELENA JOVANOVIĆ, PhD DANKA LAJIĆ-MIHAJLOVIĆ, PhD BELGRADE 2012 INSTITUTE OF MUSICOLOGY Издају Published by Српска академија наука и уметности Serbian Academy of Sciences and Arts и and Музиколошки институт САНУ Institute of Musicology SASA Лектор за енглески језик Proof-reader for English Јелена Симоновић-Шиф Jelena Simonović-Schiff Припрема аудио прилога Audio examples prepared by Зоран Јерковић Zoran Jerković Припрема видео прилога Video examples prepared by Милош Рашић Милош Рашић Технички уредник Prepared for print by Горан Јањић Goran Janjić Дизајн корица Cover design Ивица Стевић Ivica Stević Тираж Number of copies 300 300 Штампа Print Академска издања Д.О.О., Akademska izdanja D.O.O., Земун, Београд Zemun, Beograd © 2012 Српска академија наука и уметности Музиколошки институт САНУ © 2012 Serbian Academy of Sciences and Arts Institute of Musicology SASA Објављивање овог зборника финансијски је помогло Министарство просвете, науке и технолошког развоја Републике Србије These proceedings have been financially supported by Ministry of education, science and technological development of the Republic of Serbia CONTENTS / САДРЖАЈ Foreword ............................................................................................................ 9 Реч уредника ................................................................................................... 11 Danka Lajić-Mihajlović, Jelena Jovanović, Introduction: Music and ethnomusicology – encounters in the Balkans ................................ 13 Данка Лајић-Михајловић, Јелена Јовановић, Увод: Музика и етномузикологија – сусрети на Балкану ........................................ 27 Martin Stokes, How big is ethnomusicology? .................................................. 29 Мартин Стоукс, Колико је велика етномузикологија? ................................ 40 Lozanka Peycheva, Ethnomusicology connected to Bulgaria – a view of the field of fieldwork ............................................................... 41 Лозанка Пејчева, Етномузиколошка истраживања у Бугарској – поглед на поље теренског рада ........................................................... 53 Mirjana Zakić, The application of the semiotic theory by Ch. S. Peirce in ethnomusicology ................................................................................ 55 Мирјана Закић, Примена семиотичке теорије Ч. С. Перса у етномузикологији .............................................................................. 66 Danka Lajić-Mihajlović, Ethnomusicological research of the guslars memory: a pilot study .......................................................... 67 Данка Лајић-Михајловић, Етномузиколошко истраживање гусларске меморије: пилот студија ................................................... 85 Olga Pashina, Area studies in ethnomusicology: on the problem of identification of musical dialects ....................................................... 87 Олга Пашина, Ареална истраживања у етномузикологији: о проблему идентификације музичких дијалеката ........................... 97 Rodna Veličkovska, Areal investigation and typological systematization of the Macedonian traditional ritual folk singing .................................. 99 Родна Величковска, Ареално проучавање и типолошка систематизација у македонском традиционалном народном обредном певању ............................................................... 117 Daiva Vyčinienė, Relationships between Lithuanian and Balkan Schwebungs-Diaphonie: interdisciplinary search key ......................... 119 Даива Вичиниене, Однос између литванске и балканске Schwebungs-Diaphonie: интердисциплинарни истраживачки приступ ............................................................................................... 147 Athena Katsanevaki, Traditional singing: field research or a performing art? Combining research methods and teaching methods in one field (an introductory note) .......................................................................... 149 Aтина Кацаневаки, Традиционално певање: теренско истраживање или извођачка уметност? Комбиновање истраживачких и едукативних метода на јединственом пољу (уводно разматрање) .. 165 Vesna Peno, Methodological contribution to the research of the Serbian church chant in the context of Balkan vocal music .............................. 167 Весна Пено, Прилог методологији проучавања српског црквеног појања у контексту вокалне музике Балкана .................................. 181 Jelena Jovanović, Identities expressed through practice of kaval playing and building in Serbia in 1990s ........................................................... 183 Јелена Јовановић, Идентитети изражени кроз актуелизацију свирања и градње кавала у Србији 90-тих година XX века ............ 202 Sanja Radinović, Notes on physiognomy and identity of songs from Hektorović’s Fishing and fishermen’ talk .................................... 203 Сања Радиновић, Цртице о физиономији и идентитету народних песама из Хекторовићевог Рибања и рибарског приговарања ........219 Selena Rakočević, Musical practice of the Banat Bulgarians: a brief geopolitical mapping ................................................................ 221 Селена Ракочевић, Геополитичко мапирање музичке праксе банатских Бугара ............................................................................... 235 Sanja Ranković, (Re)construction of the Krajina musical identity: the case of the vocal practice of the folklore ensemble ‘Petar Kočić’ from Čelarevo ............................................................................................... 237 Сања Ранковић, (Ре)конструкција крајишког музичког идентитета у Војводини .......................................................................................... 250 Iva Nenić, (Un)disciplining gender, rewriting the epic: female gusle players..... 251 Ива Ненић, Жене гуслари: (рас)кроћење рода, поновно исписивање епског ................................................................................................... 263 Pál Richter, The legacy of Tihomir Vujičić .................................................... 265 Пал Рихтер, Заоставштинa Тихомира Вујичића ....................................... 279 Miroslav Stojisavljević, The role of audience in contemporary gusle practice of the Serbian-Australian diaspora ........................................ 281 Мирослав Стојисављевић, Улога публике у савременој гусларској пракси српске дијаспоре у Аустралији ............................................. 294 Rastko Jakovljević, The fearless vernacular: reassessment of the Balkan music between tradition and dissolution............................................... 297 Растко Јаковљевић, Неустрашиво народски: преиспитивање балканске музике између традиције и поништења ........................ 311 Ventsislav Dimov, A contribution to the research of the media music of the Balkans: A view from the tavern tables to some relation between the musical cultures in the Balkans in the field of media music during the first half of twentieth century .................................... 313 Венцислав Димов, Допринос истраживању музике у медијима на Балкану: поглед од кафанских столова на неке релације међу музичким културама на Балкану на пољу медијске музике у првој половини XX века ....................................................... 324 Ahmed Tohumcu, Gonca Girgin Tohumcu, Merve Eken Küçükaksoy, Dynamics of performance practice in Turkey: three cases .................. 325 Ахмед Тохумку, Гонђа Гиргин Тохумку, Мерве Екен Кућукаксој, Динамика извођачке праксе у Турској: три студије случаја .......... 332 Mladen Marković, Ethno-music in Serbia as a product of tradition – false or true? ..................................................................................... 333 Младен Марковић, Етно музика у Србији као продукт традиције – false or true? ...................................................................................... 344 Marija Dumnić, ‘This is the Balkans’: constructing positive stereotypes about the Balkans and autobalkanism ................................................. 345 Марија Думнић, ‘Ово је Балкан’: конструисање позитивних стереотипа о Балкану и аутобалканизам ....................................... 356 Contributors / Аутори..................................................................................... 357 DVD Contents / Садржај диска ..................................................................... 363 FOREWORD This book is
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