Decisions Paris, 7 December 2012 Original: English/French
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Fall 03 SP Pgs 10-17
THIS ARTICLE WAS ORIGINALLY PUBLISHED IN THE FALL OF 2003 IN THE COLD STEEL MAIL ORDER CATALOG, ”SPECIAL PROJECTS” COPYRIGHT © 2003 LYNN C. THOMPSON COPYRIGHT © 2003 COLD STEEL, INC. ALL RIGHTS RESERVED CAMPFIRE CUT This was another timed event intended to test a contestant’s knife and its ability to function effectively as a camp knife. For example, could the contestant use his knife to make kindling for a fire? The challenge here was to produce, in thirty seconds, RIPOSTE a large quantity of splinters from a six inch 2X4. HANGING PLASTIC BOTTLE This extremely difficult test involved severing an empty 16 ounce plastic water THE 2003 BLADE SHOW bottle. The bottle was suspended in mid air by a single upholstery thread. The tricky part was cutting the bottle without breaking the thread in the process! After a long absence and much urging from our loyal customers and fans, we decided to attend the Blade show in Atlanta one more time. Here are some of the ROPE CUT high points and low points from our perspective. The final event of the day required each contestant to predict the total number of free hanging manila ropes he could sever in a single stroke. The difficult part, of course, involved living up to one’s prediction. Failure to cut the predicted number HIGH POINTS... of ropes would result in a no score. Throughout the contest, spectators were entertained and educated by the folksy, down home banter of M.C. Jerry Fisk, who did a fantastic job keeping the event on CUSTOMERS AND FANS course. -
Digital Workflows for Sales Operations Excellence
Digital Workflows for Sales Operations Excellence Kris Gorrepati and Hiren Shah Cambrian Lab Contents • Introductions • Sales Operations Workflows and Quote-to-Cash Process • Challenges and Pain Points • Cross-functional Workflows and Orchestration for Sales Operations - Demo • Q&A Cambrian Lab 2 About Cambrian Lab Mission: To Provide Effective and Practical Solutions for New Product and Supply Chain Development Team Industries Locations Supply Chain, New Product Introduction, and Automotive, High-tech, SF Bay Area, Detroit, Boston, Technology Experts from SAP, Samsung, Semiconductor Equipment, Medical Houston Siemens, GM, Ford, Applied Materials Devices, Consumer Products (From Fortune 100 to Start-ups) Expertise Offerings • New Product Development/Introduction, Supply ZFlow – Digital Workflow for the Modern Chain Management and Logistics Supply Chain • Enterprise and Supply Chain Technology (ERP, SCM, Manufacturing, CRM, Sourcing, Finance) Cambrian Lab 3 Sales Operations Workflows Quote-to-Cash Process Request for Install / Sales Sales Customer Information / Integrate / Payment Customer Inquiry Quote PO Proposal Implement Distributor / Integrator Approve Assemble / Approve Sales Sales PO Sales Sales Order Make / Design / Invoice Invoice Inquiry Opportunitychanges Quote Internal Ship Supplier / Assemble / Subcontract Contract Make / Test / PO Manufacturer Ship Cambrian Lab 4 Quote-to-cash Process Industry Variations Manufacturing Software-as-a-service Hardware & Software-as-a-service • Complex quoting • CPQ • Complex quoting • Commit -
Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
Language Style and Meaning in the Lyrics of Bojo Galak by Pendhoza
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 11, Issue 4, 2020 Language Style and Meaning in the Lyrics of Bojo Galak by Pendhoza Laili Etika Rahmawatia*, Putri Haryantib, Hari Kusmantoc, Tety Bekti Sulistyorinid, a,b,c,dIndonesian Language and Literature Education, Faculty of Teacher Training and Education, Universitas Muhammadiyah Surakarta, Surakarta 57102, Indonesia, Email: a*[email protected] This research aims (1) to describe the language style the song Bojo Galak by Pendhoza; and (2) to describe the meaning of the song. Words, phrases, clauses, and sentences are the data for this research, which are sourced from the lyrics of Bojo Galak. These data are collected using listening and note-taking technique and analysed using stylistic and hermeneutical analysis method. The results show that (1) the language styles in Bojo Galak lyrics include: (a) the sound style of dominantly-used assonance in the lyrics, which is /e/; (b) the word style (diction) of the song uses numerous connotative words; (c) the sentence style is done by implicating words and particles. (2) the meanings consisted in Bojo Galak are (a) representative of verbal abuse by a wife against her husband; (b) describe complaints, or an outpouring of a husband's feelings about the nature or character of his partner; (c) teach the meaning of submission and patience in accepting the reality of life; (d) teach the meaning of sincerity or acceptance of the partner’s situation; and (e) teaching the meaning of loyalty. Key words: Language style, song meaning, Bojo Galak. Introduction Song progression in Indonesia has been a point of conversation in daily lives. -
Gamelan Gender Wayang of Bali: Form and Style
..................~~.~.~.. ~------------------ WESLEYAN UNIVERSITY Gamelan Gender Wayang of Bali: Form and Style by Kalafya Brown A thesis submitted to the facuIty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts in Music May, 2000 Middletown, Connecticut My teacher, Kak Luweng, and myself playing gender (above) and just sitting (below), 2 Introduction and Acknowledgements I began studying gamelan music in 1994 while I was an undergraduate at the Massachusetts Institute of Technology. No one tends offhand to associate gamelan with MIT. but there it is. Professor Evan Ziporyn has been directing the gong kebyar ensemble Gamelan Galak Tika at MIT since 1993, and I was an active member from 1994 until 1997. Unfortunately the pressure of my studies at Wesleyan has not allowed me to play with Galak Tika as much as I would like in the past few years. For the three years of my tenure with Galak Tika we were blessed with the artistry of the Balinese husband and wife team of I Nyoman Catra and Desak Made Suarti Laksmi. The magnificent teaching and performance prowess of Evan, Catra and Desak formed the basis of my introduction to gamelan music. In 1997 I came to Wesleyan University to study for the degree of Master of Arts in Music, of which this thesis is a part. Here at Wesleyan I have had the great honor of studying with I. M. Harjito and Sumarsam, two Javanese artists. I sincerely thank them for broadening my awareness of the multifaceted natures of Indonesian music and for sharing with me the great beauty of the central Javanese court gamelan. -
Exploring Aspects of Korean Traditional Music in Young Jo Lee's
EXPLORING ASPECTS OF KOREAN TRADITIONAL MUSIC IN YOUNG JO LEE’S PIANO HONZA NORI Jin Kim, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Adam Wodnicki, Major Professor Elvia Puccinelli, Committee Member Joseph Banowetz, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies John Murphy, Interim Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Kim, Jin. Exploring Aspects of Korean Traditional Music in Young Jo Lee’s Piano Honza Nori. Doctor of Musical Arts (Performance), August 2013, 29 pp., 4 tables, 9 figures, 13 musical examples, bibliography, 32 titles. Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 1943), have been internationally acclaimed for their work. In Western countries, however, there has been a scarcity of academic studies examining the artistry of the music of these Korean composers. Nonetheless, as one of today’s most recognized composers in Korea, Young Jo Lee has been invited to numerous international concerts, conferences, and festivals where his works have been played and discussed. A salient feature of his compositions is the fusion of Korean traditional music and the elements of Western compositions, such as in, for one distinctive example, his piano composition, Piano Honza Nori. This musical study describes and analyzes how Lee integrates Korean traditional elements with Western musical ideas in Piano Honza Nori. Results of this study will contribute to the limited literature on the analysis of contemporary piano composition that integrates Korean traditional elements. -
Unlocking Future Investments in Uganda's Commercial Forest Sector
Uganda Unlocking future investments in Uganda’s commercial forest sector UNDERSTANDING THE IMPACTS OF TIMBER TRADE RESTRICTIONS ON THE PROFITABILITY OF PINE PLANTATION AND SAWMILL INVESTMENTS KEY MESSAGES EPIC } Supplies of pine produced by commercial plantations will increase rapidly over the next 5 years. y Pine plantations planted in the early 2000’s will soon mature, leading to an increase from roughly 200 000 m3 of pine production currently, to 800 000 m3 in 2023, and stabilizing at 1.2 million m3 after that. } Exporting timber from Uganda is impeded by restrictive policies. Numerous approval requirements and a lack of approved grading standards substantially hinder access to export licenses for timber. These restrictions are suppressing domestic prices relative to neighboring countries. } Trade restrictions hinder the profitability of commercial pine production. Based on average production costs and current domestic prices the Net Present Value of investment in commercial pine production ranges between negative USD 368 and negative USD 657 per hectare. } Removing export restrictions is critical to attract and sustain future investments in pine plantations and sawmilling. Access to higher prices offered in regional export markets contributes to a positive Net Present Value of pine plantation investments, in most scenarios, and a positive Net Present Value for investment in sawmilling. ECONOMIC AND POLICY ANALYSIS OF CLIMATE CHANGE OF CLIMATE ANALYSIS AND POLICY ECONOMIC The supply of pine from commercial plantations will rapidly increase over the next five years, but trade policy is lagging behind In 1990, 24 percent of Uganda was covered in natural forest. As a result of settlement and agricultural expansion, illegal logging, and charcoal production, natural forests in Uganda rapidly declined, reaching as low as nine percent of the country’s area in 2015. -
In Collaboration with CSTM/SCTM
FEREN CON CE PROGRAM laboration with CSTM/ In col SCTM IC TM 2011 WE’RE PROUD TO WELCOME THE 41ST WORLD CONFERENCE OF ICTM to Memorial University and to St. John’s, Newfoundland and Labrador. This is a unique corner of Canada, the only part that was once an independent country and then the newest Canadian province (since 1949) but one of the oldest meeting points for natives and new- comers in North America. With four Aboriginal cultures (Inuit, Innu, Mi’kmaq, Métis); deep French, English, Irish, and Scottish roots; and a rapidly diversifying contemporary society, our citizens have shared a dramatic history, including a tsunami, an occupation during WWII, a fragile dependence on the sea including a cod moratorium in recent decades, a key role in the events of 9/11, and more recently, an oil boom. Its nickname – The Rock – tells a lot about its spectacular geography but also about its resilient culture. Traditional music and dance are key ingredients in life here, as we hope you will learn in the week ahead. Our meetings will take place at Memorial University, shown in the foreground of the photo below, and in the Arts & Culture Centre just to the west of the campus. To celebrate the conference themes in music itself, and to bring the public in contact with the remarkable range of scholars and musicians in our midst, we have organized the SOUNDshift Festival to run concurrently with the World Conference of ICTM. Five concerts, open to delegates and the general public, workshops by ICTM members and musicians featured on the concerts, and films are available as part of this festival. -
Bigwala Mus Ic and Dance of the Bas Oga People
BIGWALA MUSIC AND DANCE OF THE BASOGA PEOPLE written by James Isabirye 2012 Background The Basoga are Bantu speaking people who live in southeastern Uganda. They are neighbors to the Baganda, Bagwere, Basamia, Banyoli and Banyoro people. The Basoga are primarily subsistence agricultural people. "Bigwala” is a Lusoga language term that refers to a set of five or more monotone gourd trumpets of different sizes. The music of the trumpets and the dance performed to that music are both called “Bigwala”. Five drums accompany “Bigwala” music and they include a big drum “Engoma e ne ne ”, a long drum “Omugaabe,” short drum “Endyanga”, a medium size drum “Mbidimbidi” and a small drum “Enduumi ” each of which plays a specific role in the set. Bigwala heritage is of significant palace / royal importance because of its ritualistic role during burial of kings, coronations and their anniversaries and stands as one of the main symbols of Busoga kingship. When King Henry Wako M uloki passed away on 1st September 2008, the "Bigwala" players were invited to Nakabango palace and Kaliro burial ground to perform their funeral function. 1 During the coronation of late king Henry Wako Muloki on 11th February 1995; the Bigwala players performed their ritual roles. It is important to note that Busoga kingdom like all others had been abolished in 1966 by the Ugandan republic government of Obote I and all aspects its existence were jeopardised including the Bigwala. The Kingship is the only main uniting identity which represents the Basoga, offers them opportunity to exist in a value system, focuses their initiatives to deal with development issues with in the framework of their ethnic society and connects them to their cherished past. -
Adoption of Conservation Agriculture in Uganda: a Case Study of the Lango Subregion
sustainability Article Adoption of Conservation Agriculture in Uganda: A Case Study of the Lango Subregion Sara Kaweesa 1,* , Saidi Mkomwa 2 and Willibald Loiskandl 3 1 Centre for Development Research, University of Natural Resources and Life Sciences (BOKU), Peter-Jordan-Strasse 76, 1190 Vienna, Austria 2 African Conservation Tillage Network (ACT), P.O. Box 10375, Nairobi 00100, Kenya; [email protected] 3 Institute of Hydraulics and Rural Water Management, University of Natural Resources and Life Sciences, Muthgasse 18, 1190 Vienna, Austria; [email protected] * Correspondence: [email protected]; Tel.: +43-676-43-808-26 Received: 8 August 2018; Accepted: 18 September 2018; Published: 20 September 2018 Abstract: Conservation agriculture (CA) is based on three principles: minimum soil disturbance, maintaining a soil cover through mulching with crop residues or planting cover crops, and practicing crop rotations. CA is practiced in many parts of the world for its benefits to soil and ability to improve yields, among others. There is little documented information on the status of CA adoption in the Lango region in mid-Northern Uganda. This study aimed at determining the extent of CA adoption in relation to the socioeconomic status of the farming population and suggesting relevant strategies for accelerating CA uptake specific to this region. A non-discriminative snowball-sampling technique was used to gather data from 417 households spread over three districts. Semi-structured interviews were conducted using household questionnaires. Farmers’ uptake of CA was related to information gained from training and the benefits that were observed in their fields. Some farm-level constraints in the region included the diminutive ratio of shared tools and equipment; the minimum presence and involvement of extension services; and seasonal rural markets that are dominated by middlemen. -
Ghide Habtetsion Gebremichael the History and Discourse of Kachung
Ghide Habtetsion Gebremichael The History and Discourse of Kachung Forest View of Kachung plantation forest in 2016. Photo: Ghide Gebremichael Master’s thesis in Global Environmental History 1 “If we can really understand the problem, the answer will come out of it, because the answer is not separate from the problem.”(Jiddu Krishnamurti) 2 Abstract This study examined the history of the Kachung forest plantation in northern Uganda and associated environmental discourses. The forest, a project aimed at environmental protection and carbon offsetting, was designated a forest reserve in 1939 by the colonial government, as part of wider efforts to promote Ugandan timber for export and ensure their regeneration as a renewable resource. Since then, Kachung forest has been attributed different environmental significance by various actors, such as by the Uganda Forest Department, the Norwegian Agency for Development and Cooperation (NORAD), the Norwegian Afforestation Group (NAG) and presently by the Norwegian-based Green Resources company (GRAS). Between 1939 and 2006, the forest reserve underwent only limited changes in terms of management and composition. More radical change began in 2006, when GRAS started large- scale tree planting. In 2012, Kachung Forest was certified as a Clean Development Mechanism (CDM) project in accordance with the Kyoto Protocol. Since then, people living in and around the forest have been prevented from using forest resources for their livelihoods. They have expressed resistance to this by encroachment, setting fires in the forest and mounting angry protests against GRAS. One possible reason for this resistance is that afforestation took place with little prior knowledge of the forest’s history and value for local communities. -
Consulting Services)
Request for Expression of Interests (Consulting Services) FOR ECONOMIC AND SECTOR WORK ON AGRICULTURAL VALUE CHAIN STUDY IN UGANDA Agriculture sector in Uganda is a key sector and also will remain the main economic base of the country. As a result, future rate of poverty reduction, overall economic growth, social development and political stability of the country will depend on the growth trajectory of the sector. The President of Uganda, His Excellency, Yoweri Museveni, has recently called for the transformation of Agriculture in Uganda from subsistence to a commercial oriented sector. The end result of agricultural transformation in Uganda are millions of would be thriving small-, medium, and large-scale agribusinesses in every segment of agricultural value chains. In order to better understand the growth potentials and constraints of the agriculture sector and optimize its intervention in the sector, the Bank aims to conduct agricultural value chain study. The main tasks of the study are to prioritize, select and conduct a detailed value chains analysis of priority agricultural commodities. The findings of the study will serve as a guide to design the Ugandan Agricultural Transformation Agenda (UATA), investment direction of the Bank and other development partners. Promoting agriculture and agro-industry/business is recognized as one of the most effective ways to drive inclusive growth and reduce poverty. The African Development Bank (AfDB) is launching study that will inform the development of competitive regional and global value chains with the potential for advancing Uganda’s economic prosperity, increasing food security, job creation and poverty reduction. The study will also inform the Bank’s public sector operations towards creation of an enabling environment especially relating to land tenure policies and laws, financial inclusion efforts, and Private Public Partnerships in physical infrastructure development.