Exploring Aspects of Korean Traditional Music in Young Jo Lee's
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Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
High KDM1A Expression Associated with Decreased CD8+T Cells Reduces the Breast Cancer Survival Rate in Patients with Breast Cancer
Journal of Clinical Medicine Article High KDM1A Expression Associated with Decreased CD8+T Cells Reduces the Breast Cancer Survival Rate in Patients with Breast Cancer Hyung Suk Kim 1 , Byoung Kwan Son 2 , Mi Jung Kwon 3, Dong-Hoon Kim 4,* and Kyueng-Whan Min 5,* 1 Department of Surgery, Division of Breast Surgery, Hanyang University Guri Hospital, Hanyang University College of Medicine, Guri 11923, Korea; [email protected] 2 Department of Internal Medicine, Eulji Hospital, Eulji University School of Medicine, Seoul 03181, Korea; [email protected] 3 Department of Pathology, Hallym University Sacred Heart Hospital, Hallym University College of Medicine, Anyang 14068, Korea; [email protected] 4 Department of Pathology, Kangbuk Samsung Hospital, Sungkyunkwan University School of Medicine, Seoul 03181, Korea 5 Department of Pathology, Hanyang University Guri Hospital, Hanyang University College of Medicine, Guri 11923, Korea * Correspondence: [email protected] (D.-H.K.); [email protected] (K.-W.M.); Tel.: +82-2-2001-2392 (D.-H.K.); +82-31-560-2346 (K.-W.M.); Fax: +82-2-2001-2398 (D.-H.K.); Fax: +82-2-31-560-2402 (K.-W.M.) Abstract: Background: Lysine-specific demethylase 1A (KDM1A) plays an important role in epige- netic regulation in malignant tumors and promotes cancer invasion and metastasis by blocking the immune response and suppressing cancer surveillance activities. The aim of this study was to analyze Citation: Kim, H.S.; Son, B.K.; Kwon, survival, genetic interaction networks and anticancer immune responses in breast cancer patients M.J.; Kim, D.-H.; Min, K.-W. High with high KDM1A expression and to explore candidate target drugs. -
Vol.9 No.4 WINTER 2016 겨울
겨울 Vol.9 No.4 WINTER 2016 겨울 WINTER 2016 Vol.9 No.4 겨울 WINTER 2016 Vol.9 ISSN 2005-0151 OnOn the the Cover Cover Lovers under the Moon is one of the 30 works found in Hyewon jeonsincheop, an album of paintings by the masterful Sin Yun-bok. It uses delicate brushwork and beautiful colors to portray a romantic mo- ment shared between a man and a wom- an. The poetic line in the center reads, “At the samgyeong hour when the light of the moon grows dim, they only know how they feel,” aptly conveying the heart-felt emo- tions of the lovers. winter Contents 03 04 04 Korean Heritage in Focus Exploration of Korean Heritage 30 Evening Heritage Promenade A Night at a Buddhist Mountain Temple Choi Sunu, Pioneer in Korean Aesthetics Jeongwol Daeboreum, the First Full Moon of the Year Tteok, a Defining Food for Seasonal Festivals 04 10 14 20 24 30 36 42 14 Korean Heritage for the World Cultural Heritage Administration Headlines 48 Sin Yun-bok and His Genre Paintings CHA News Soulful Painting on Ox Horn CHA Events Special Exhibition on the Women Divers of Jeju Korean Heritage in Focus 05 06 Cultural Heritage in the Evening Evening Heritage Promenade The 2016 Evening Heritage Promenade program opened local heritage sites to the public in the evening under seven selected themes: Nighttime Text & Photos by the Promotion Policy Division, Cultural Heritage Administration Views of Cultural Heritage, Night Stroll, History at Night, Paintings at Night, Performance at Night, Evening Snacks, and One Night at a Heritage Site. -
2020-Commencement-Program.Pdf
THE JOHNS HOPKINS UNIVERSITY COMMENCEMENT 2020 Conferring of degrees at the close of the 144th academic year MAY 21, 2020 1 CONTENTS Degrees for Conferral .......................................................................... 3 University Motto and Ode ................................................................... 8 Awards ................................................................................................. 9 Honor Societies ................................................................................. 20 Student Honors ................................................................................. 25 Candidates for Degrees ..................................................................... 35 2 ConferringDegrees of Degrees for Conferral on Candidates CAREY BUSINESS SCHOOL Masters of Science Masters of Business Administration Graduate Certificates SCHOOL OF EDUCATION Doctors of Education Doctors of Philosophy Post-Master’s Certificates Masters of Science Masters of Education in the Health Professions Masters of Arts in Teaching Graduate Certificates Bachelors of Science PEABODY CONSERVATORY Doctors of Musical Arts Masters of Arts Masters of Audio Sciences Masters of Music Artist Diplomas Graduate Performance Diplomas Bachelors of Music SCHOOL OF NURSING Doctors of Nursing Practice Doctors of Philosophy Masters of Science in Nursing/Advanced Practice Masters of Science in Nursing/Entry into Nursing Practice SCHOOL OF NURSING AND BLOOMBERG SCHOOL OF PUBLIC HEALTH Masters of Science in Nursing/Masters of Public -
Celebrations in Korean Art During the Joseon Dynasty Pdf, Epub, Ebook
IN GRAND STYLE : CELEBRATIONS IN KOREAN ART DURING THE JOSEON DYNASTY PDF, EPUB, EBOOK Hyonjeong Kim Han | 266 pages | 07 Jan 2014 | Asian Art Museum of San Francisco | 9780939117673 | English | San Francisco, United States In Grand Style : Celebrations in Korean Art During the Joseon Dynasty PDF Book See also: Music of Korea and Korean theatre. Collections were repeatedly printed. This Korean art book is an exploration of the Joseon Dynasty. More Information. Seller Rating:. Photo Gallery. These murals were also the very beginnings of Korean landscape paintings and portraiture. This period began circa 57 BC to AD. Neither colours nor forms had any real change, and rulers stood aside from edicts on art. Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds. If a book is heavy, over-weight, or requires a supplement to the ABE standard default shippin Asian Art Museum Store. Handscroll; ink, colors and gold on paper. Eight-panel folding screen; ink and colors on silk. The most famous art produced by Goryeo artisans was Korean celadon pottery which was produced from circa CE to CE. Under the rules of King Yeongjo reigned — and his grandson, King Jeongjo reigned — , 18th-century Korea saw political stability, active international relations, economic prosperity and cultural innovation. New Hardcover Quantity available: 2. Topics in Linguistics. It explores the meaning and obligations of kingship, the elite culture of the court and the upper class during the Joseon dynasty , and the complex roles of women in organizing and presenting elaborate celebrations, in the grandest of styles. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Download Program Notes
Shin Arirang Traditional (arr. D. Kim) rirang is a Korean folk song — and as is the Exposition in Chicago — and were simply A case with many folk songs, its origins are passed on to her. In any case, these record- obscure and its history is meandering. One ings stand as monuments of sonic history. theory traces it to the 19th century, when Whatever its beginnings, the song’s Heungseon Daewongun served as regent to popularity grew organically and it was em- the monarch Gojong (his son), a period that braced and adapted throughout the Korean ran from 1863 to 1873. During that regency, peninsula. The lyrics, tune, and rhythms a large number of Chinese workers were were modified depending on the region and brought to Seoul to construct the Gyeongbok the performer; yet, even when altered, the Palace. They brought with them the ancestor piece is recognized as part of the Arirang of this piece, a Chinese song titled Airang, family. Musicologists and folklorists have which expressed the workers’ sorrow at be- catalogued and classified the variations of ing separated from their wives or lovers. Arirang — about 60 different varieties of the Or perhaps it is much older than that, song, comprising at least 3,600 variants. The with at least its text reaching to the time principal varieties are typically identified of Park Hyeokgeose (69 BCE–4 CE; reigned with a descriptor that connects the version 57 BCE–4 CE), the founding monarch of with a region of the Korean peninsula. The ver- Silla, one of the Three Kingdoms of Ko- sion called Jeongseon Arirang is widely viewed rea. -
Table of Contents
TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details .................................................................................................................. -
Footnotes Issue 68 [Excerpt] Bereishit Dance
4 Footnotes • Issue 68 • Spring 2021 A Taste of Seoul Concludes Our Virtual Home Season tool, creating a dance that pulls from the old traditions of South Korea to Bereishit Dance Company make something new. BOW_Control and Balance and Imbalance Park is also interested in how sounds affect movement and how we April 8–11, 2021 communicate with others. You’ll notice that Balance and Imbalance includes Pansori (Korean: ), a Korean genre of musical storytelling performed by a singer and a drummer. Park uses pansori Genesis comes from the Hebrew word to meld forms of past and present. He isn’t concerned if you / תישארב>’The word ‘Bereishit ‘Bereishit’, the first word in the Torah meaning ‘in the beginning’. It is understand the story and can understand the language. Instead, he pronounced “BRESH-IT”, if you are curious…you can only imagine the focuses on the sounds of the pansori and how it affects the pronunciations going around our office since last fall! The company’s movement. work focuses on the dynamic relationship related to humanity and Five dancers, one vocalist, and two janggu (traditional Korean drum) sociality. In that sense, the word Bereishit is a symbolic word for performers interact with the sounds and gestures of the piece to humans and the beginning of human civilization. For our final maximize the emotion in Balance and Imbalance. To make Balance presentation, the program explores the boundaries of sport and dance. and Imbalance, the choreographer combined Korean percussion Choreographer and Artistic Director Soon-ho Park has created two (Samulnori), Korean singing (Pansori), Korean folk music, dance and intensely physical works: BOW_Control and Balance and Imbalance. -
Number 2 2010 Tribute to Dr. Zo Zayong
NUMBER 2 2010 TRIBUTE TO DR. ZO ZAYONG KOREAN ART SOCIETY JOURNAL NUMBER 2 2010 Publisher: Robert Turley, President of Korean Art Society and Korean Art and Antiques CONTENTS page About the Authors…………………………………………..…………………...…..…….3 Acknowledgment……….…………………………….…….…………………………..….4 Publisher’s Greeting…...…………………………….…….…………………………..….5 Memories of Zo Zayong by Dr. Theresa Ki-ja Kim.…………………………...….….6-9 Dr. Zo Zayong, A Great Korean by David Mason………..…………………….…...10-20 Great Antique Sansin Paintings from Zo Zayong’s Emille Museum…………....21-28 “New” Sansin Icons that Zo Zayong Painted Himself……………………........….29-34 Zo Zayong Annual Memorial Ceremonies at Yeolsu Yoon’s Gahoe Museum..35-39 Dr. Zo’s Old Village Movement by Lauren Deutsch……….…….……………..….40-56 Books by Zo Zayong…..…………………………….…….………………………......….57 KAS Journal Letters Column………………………………………………………..…58-59 Korean Art Society Events……………………………………………………………...60-62 Korean Art Society Press……………………………………………………………….63-67 Join the Korean Art Society……………...………….…….……………………...…..….68 About the Authors: David Mason is the author of Spirit of the Mountains, Korea’s SAN-SHIN and Traditions of Mountain Worship (Hollym, 1999), a well researched and beautifully illustrated book that is highly recommended reading. He is also the creator of the exhaustive San-shin website (www.san-shin.org) and the enlightening Zozayong website (www.zozayong.com) on the legendary champion of Korean folk art and culture, Zo Zayong. Both of these sites contain a wealth of information not available elsewhere and make for rewarding browsing. [email protected] Lauren Deutsch is the executive producer and director of Pacific Rim Arts (www.pacificrimarts.org) through which she undertakes culturally-focused projects, including festivals, performances, exhibitions, conferences and media (public radio and television) outreach. -
No. 22 How Did North Korean Dance Notation Make Its Way to South
School of Oriental and African Studies University of London SOAS-AKS Working Papers in Korean Studies No. 22 How did North Korean dance notation make its way to South Korea’s bastion of traditional arts, the National Gugak Center? Keith Howard http://www.soas.ac.uk/japankorea/research/soas-aks-papers/ How did North Korean dance notation make its way to South Korea’s bastion of traditional arts, the National Gugak Center? Keith Howard (SOAS, University of London) © 2012 In December 2009, the National Gugak Center published a notation for the dance for court sacrificial rites (aak ilmu). As the thirteenth volume in a series of dance notations begun back in 1988 this seems, at first glance, innocuous. The dance had been discussed in relation to the music and dance at the Rite to Confucius (Munmyo cheryeak) in the 1493 treatise, Akhak kwebŏm (Guide to the Study of Music), and had also, as part of Chongmyo cheryeak, been used in the Rite to Royal Ancestors. Revived in 1923 during the Japanese colonial period by members of the court music institute, then known as the Yiwangjik Aakpu (Yi Kings’ Court Music Institute), the memories and practice of former members of that institute ensured that the music and dance to both rites would be recognised as intangible cultural heritage within the post-liberation Republic of Korea (South Korea), with Chongymo cheryeak appointed Important Intangible Cultural Property (Chungyo muhyŏng munhwajae)1 1 in December 1964 and a UNESCO Masterpiece of the Oral and Intangible Heritage in 2001, and the entire Confucian rite (Sŏkchŏn taeje) as Intangible Cultural Property 85 in November 1986.2 In fact, the director general of the National Gugak Center, Pak Ilhun, in a preface to volume thirteen, notes how Sŏng Kyŏngnin (1911–2008), Kim Kisu (1917–1986) and others who had been members of the former institute, and who in the 1960s were appointed ‘holders’ (poyuja) for Intangible Cultural Property 1, taught the dance for sacrificial rites to students at the National Traditional Music High School in 1980. -
Playing Janggu (Korean Drum)
2011 EPIK Episode 1 Playing Janggu (Korean drum) Written by: Jennifer Arzadon Cheongju Technical High School The most impressive moment that has happened to me at my school would have to be when I accidentally joined the samul nori teacher’s group. I was invited to be a spectator at a samul nori practice session during lunchtime. The moment I entered their practice room, a janggu was placed in front of me and I was shown how to beat the drum-like instrument. Samul nori is the Korean traditional percussion music. The word samul means "four objects" and nori means "play" which is performed with four traditional Korean musical instruments: kkwaenggwari (a small gong), jing (a larger gong), janggu (an hourglass-shaped drum), and buk (a barrel drum similar to the bass drum). The traditional Korean instruments are called pungmul. Every Monday during lunchtime is our regular practices. Our leader kindly gave me my own gungchae and yeolchae so I can practice playing janggu on my own. One month later, we were told that the samul nori team was to perform for the official opening of the school’s new building. The week before the performance, we met and practiced every day during lunch along with the students who were going to perform with us. The day finally came for our first performance and I was pretty nervous. We got dressed in the traditional samul nori outfits and practiced one last time before heading out. The performance went great. We performed in front and all around the building to bless, to ensure good fortune and of course to celebrate.