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Final Thesis Phil Isherwood
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Bolton Institutional Repository (UBIR) Numinous Connections: Poetry in the Hospice Philip Isherwood A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy January 2015 Numinous Connections - Poetry in the Hospice - Philip Isherwood A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy Philip Isherwood Numinous Connections: Poetry in the Hospice Abstract This thesis offers a distinctive approach to writing poetry which has been developed within the context of the author’s/researcher’s observations of, and participation in, end of life care. It will be argued that poetry can have a unique role in supporting patients within a hospice setting. It emerges that there may be a further role of the poem as ‘memorial art’. The practical base to the research has been writing poetry based on conversations with, and the creative artwork of, hospice patients throughout a period of over three years. These working methods have enabled the author to produce a substantial collection of poetry, presented at the start of the thesis, as the prime evidence of the value of the approach. In this research context the ‘numinous’ is interpreted from its extended definition as relating to transcendence, wonder and otherness. Particular components of the writing practice have formed a ‘numinous poetics’. The numinous as a focus in this research has emerged through careful and scholarly reading and reflection as part of the author’s response to the perceived qualities and value of the poems as they were written. -
The Littlest Rebel
The Littlest Rebel By Edward Peple THE LITTLEST REBEL CHAPTER I Young Mrs. Herbert Cary picked up her work basket and slowly crossed the grass to a shady bench underneath the trees. She must go on with her task of planning a dress for Virgie. But the prospect of making her daughter something wearable out of the odds and ends of nothing was not a happy one. In fact, she was still poking through her basket and frowning thoughtfully when a childish voice came to her ears. "Yes, Virgie! Here I am. Out under the trees." Immediately came a sound of tumultuous feet and Miss Virginia Houston Cary burst upon the scene. She was a tot of seven with sun touched hair and great dark eyes whose witchery made her a piquant little fairy. In spite of her mother's despair over her clothes Virgie was dressed, or at least had been dressed at breakfast time, in a clean white frock, low shoes and white stockings, although all now showed signs of strenuous usage. Clutched to her breast as she ran up to her mother's side was "Susan Jemima," her one beloved possession and her doll. Behind Virgie came Sally Ann, her playmate, a slim, barefooted mulatto girl whose faded, gingham dress hung partly in tatters, halfway between her knees and ankles. In one of Sally Ann's hands, carried like a sword, was a pointed stick; in the other, a long piece of blue wood-moss from which dangled a bit of string. "Oh, Mother," cried the small daughter of the Carys, as she came up flushed and excited, "what do you reckon Sally Ann and me have been playing out in the woods!" "What, dear!" and Mrs. -
Figure . Shirley Temple and Jack Haley in a Publicity Still for Rebecca of Sunnybrook Farm (Dir
Figure . Shirley Temple and Jack Haley in a publicity still for Rebecca of Sunnybrook Farm (dir. Allan Dwan, US, ) Discipline and Pleasure: Shirley Temple and the Spectacle of Child Loving Kristen Hatch Contemporary viewers are likely to nd the image of Shirley Tem- ple riding Jack Haley perverse (g. ). Haley is on his hands and knees, straddled by the child, who swishes a riding crop against his backside and loosely holds a leather strap around his neck.1 Temple’s famous dimples and curls frame a face that seems too knowing for such a young girl. Her half- closed eyes look down slyly at the man, while her lips turn up into a disconcerting grin. How could we not see in this a pedophilic fantasy of domination and submission? And yet it is impossible to believe that Twentieth Century-Fox would deliberately stage its highest- grossing star in such a disturbing photograph. In The Structure of Scientic Revolutions, Thomas S. Kuhn draws upon Ludwig Wittgenstein’s discussion of the gestalt shift produced by a duck- rabbit — an image that appears as a duck or a rabbit depending on where one’s focus falls (g. ) — to describe the effects of a paradigm shift in scientic thinking. Practicing in different worlds, [the proponents of competing paradigms] see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything Camera Obscura , Volume , Number ./- © by Camera Obscura Published by Duke University Press • Camera Obscura they please. Both are looking at the world, and what they look at has not changed. -
WHISKY CHASERS Flavour Hunters Rejoice, We’Re Exploring the Pleasures of Whisky and Beer Matching
Outturn August 2019 SMWS Switzerland WHISKY CHASERS Flavour hunters rejoice, we’re exploring the pleasures of whisky and beer matching. Enjoy fizzy new heights with our new collection of casks and pairing recommendations. WWW.SMWS.CH A GAME OF TWO ‘HAUFS’ The second half of the year has already begun, pond: Cask 140.3: Nik nak woody wack and for most, the summer holidays are already was distilled in Texas and finished in a first- nearing their end. The current edition of fill ex-bourbon cask. It therefore has been Outturn is intended to provide you with a wee assigned to the “juicy, oak and vanilla” flavour bit of variety and, hopefully, to offer you a profile. couple of new discoveries. Besides our 17 new releases, there are more Cask 46.79: Chocolate, Cream than 50 other bottlings in our webshop. and malted Bali is ideally suited to a “Hauf’n’Hauf” experiment. If you ever order So, I hope you all have fun rummaging around this in Scotland, you’ll be given a whisky and and discovering, and I’m already looking half a pint of beer. Test this out with a couple forward to the tastings in September. of the countless local speciality beers and discover your own combination of perfect Yours, harmony. If you feel like it, you can even share your discoveries with the other members via our Facebook page; I’d be delighted if you did. And to conclude, we’ll be crossing the big Patric Lutz 25 YEARS OF THE SCOTCH MALT WHISKY SOCIETY IN SWITZERLAND As already mentioned in the last edition of Outturn, we will be celebrating the 25th anniversary of the Scotch Malt Whisky Society in Switzerland during the September tastings. -
Callahan Grinding & Machine
1929 THE TEACOALA VOLUME IV PUBLISHED BY THE SENIOR CLASS OF STATE NORMAL SCHOOL JACKSONVILLE, ALA. The senior Glass of 1929, dedicate this volume of the Teacoala to, our Alma Mater, so dear to all our hearts. To our President, whose guidance through all the years has been an inspiration for the devel- opment of the best that was in us. And to the loyal and faithful Faculty, whose every effort has been in our behalf In the pages that follow, you will see the untiring efforts of those who were sincere- ly interested in the publication of this book, a book not above reproach, but may this year be preserved for you on these pages, may these pictures recall old faces and once familiar scenes. And may the actors in this Drama not go down into the silent tomb of the forgotten. But live always in our hap- py memories of yesterday. JACKSONVILLEHOUSTON COLE STATE LIBRARY UNIVERSITY JACKSONVILLE, ALABAMA 36265 College Classes Athletics Organizations HighFeatures High School Humor and Ads The College Administration Building Page five Campus Scene Training School Page six Boys' Dormitory Page seven Girls' Dormitory Page eight President's Home Page nine Teacoala Alma Mater (Composed by Mrs. Ada McGraw Pitts) Tune: "Where the Morning Glories Grow." How I love you, how I love you, Dear old S. N. S. Where the boys and girls together Are striving for success. We adore you, we adore you, Andl we are working with a wil In our dear old alma mater In the town of Jacksonville. Mid the hills of Alabama Stands our dear old S. -
A Discourse Analysis of Pigs in Motion Pictures
Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures By Mark von Schlemmer Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date defended: July 2, 2010 Acceptance Page This Dissertation Committee for Mark von Schlemmer certifies that this is the approved version of the following dissertation: Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date Approved: July 28, 2010 ii Abstract The representations of “others” in film have been contentious since filmmaking began. Fraught with misrepresentations, cinema has been held responsible, and occasionally credited, for influencing cultural practices and helping to shape discourses in American society. This study suggests that the media representations of nonhuman animals also have a profound effect on how Americans think about animals and that these representations warrant examination to uncover the naturalized messages and assumptions that are presented about animals. Explored here are the extent to which these images depict animal-ness – moments of authentic nonhuman behavior or experience that are not simply a reflection of humanity but have meaning for the animals themselves. This study highlights the case of “food animals” – specifically pigs. The disjunction between how we represent them – the narratological roles they fill in animal films – and the way that actual pigs are used in American society is vast and disturbing. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
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Download Full Book
For Business and Pleasure Keire, Mara Laura Published by Johns Hopkins University Press Keire, Mara Laura. For Business and Pleasure: Red-Light Districts and the Regulation of Vice in the United States, 1890–1933. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.467. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/467 [ Access provided at 1 Oct 2021 16:48 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. For Business & Pleasure This page intentionally left blank studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library For Business & Pleasure Red-Light Districts and the Regulation of Vice in the United States, 1890–1933 mara l. keire The Johns Hopkins University Press Baltimore ∫ 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Keire, Mara L. (Mara Laura), 1967– For business and pleasure : red-light districts and the regulation of vice in the United States, 1890–1933 / Mara L. Keire. p. cm. — (Studies in industry and society) Includes bibliographical references and index. isbn-13: 978-0-8018-9413-8 (hbk. : alk. paper) isbn-10: 0-8018-9413-1 (hbk. : alk. paper) 1. Red-light districts—United States—History—20th century. -
Reconciliation in Civil War Movies
Scholars Crossing Faculty Publications and Presentations English and Modern Languages Spring 3-27-2009 Reconciliation in Civil War Movies Brenda A. Ayres Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/eml_fac_pubs Recommended Citation Ayres, Brenda A., "Reconciliation in Civil War Movies" (2009). Faculty Publications and Presentations. 16. https://digitalcommons.liberty.edu/eml_fac_pubs/16 This Article is brought to you for free and open access by the English and Modern Languages at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Reconciliation in Civil War Movies By Brenda Ayres Presented at the Liberty University 13 th Annual Civil War Seminar "The Reel Civil War: The Civil War in the Cinema" March 28, 2009 The greatest trauma and test to the stamina of America, indisputably, was the Civil War. Over three-and-a-half million men, or one out of every ten, fought in the war. In the South, three out of every four men of military age served (Faust 3). An estimate of 600,000-700,000 men lost their lives. Over one million were injured, with over 50,000 returning home as amputees (Barney 107). One out of every eight men, from ages 13-43, died during the war, or 6% of all Northern males and 18% of all Southern males. The country was shattered, America lost many talented and honorable men, the slaves were freed but needed rehabilitation, widows there were aplenty and children without fathers, families were torn asunder, and the South lay in ruins. -
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr. -
American Cinema of the 1930S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
American Cinema of the 1930s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series presents a group of original essays analyzing the impact of cultural issues on the cin- ema and the impact of the cinema in American society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the continent. The integration of his- torical and cultural events with the sprawling progression of American cinema illu- minates the pervasive themes and the essential movies that define an era. Our series represents one among many possible ways of confronting the past; we hope that these books will offer a better understanding of the connections between American culture and film history. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1930s Themes and Variations EDITED BY INA RAE HARK RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. p. cm. — (Screen decades) Includes bibliographical references and index.