Collectors Odyssey February21
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Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Catalog 21-1 – February, 2021
(To place an online order or see enlarged or additional images, click on the inventory number or first image in any listing.) Kurt A. Sanftleben, ABAA, APS Dealer, NSDA Read’Em Again Books Catalog 21-1 – February, 2021 Item #30 – “MAIL DELIVERED WITHOUT THE LOSS OF MY HAIR, BUT WITH A BULLET HOLE THROUGH THE STOCK OF MY GUN. .. IT WAS A VERY CLOSE CALL FOR MY HEAD” – An amazing Indian Wars and Montana Trail Archive. Robert J. Moore. Mostly Utah, Wyoming, and Montana: 1860s – 1920s. The two highlights of this lot are: Moore’s single-spaced, five-page typed memoir vividly detailing his combat experiences as a sergeant in the 2nd Cavalry Regiment between 1869-1873 during the Indian Wars in Utah and the Yellowstone-Stillwater Region of Wyoming and Montana and His 1881 handwritten daily-diary kept while leading one of the last wagon trains up the Montana Trail from Salt Lake City, Utah to Bozeman, Montana. Our focus is on providing unusual ephemera and original personal narratives including Diaries, Journals, Correspondence, Photograph Albums, & Scrapbooks. We specialize in unique items that provide collectors and researchers with insight into American history, society, and culture while telling stories within themselves. Although we love large archives, usually our offerings are much smaller in scope; one of our regular institutional customers calls them “microhistories.” These original source materials enliven collections and provide students, faculty, and other researchers with details to invigorate otherwise dry theses, dissertations, and publications. Terms of Sale Prices are in U.S dollars. When applicable, we must charge sales tax. -
ASTRID KIRCHHERR Und Grafiken Von KLAUS VOORMANN
InfoMail Nr. 857: Fotos von ASTRID KIRCHHERR und Grafiken von KLAUS VOORMANN Hallo M.B.M., hallo BEATLES-Fan, aus aktuellem Anlass bieten wir an: Astrid Kirchherr: Kunstfotos & Artprints 1. 2. 1. Mitte November 1960: ART PRINT (Original-Foto auf hochwertigem kartonierten Bogen) JOHN LENNON in Hamburg, im Hintergrund STUART SUTCLIFFE 75,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 2. Mitte November 1960: ART PRINT (Original-Foto) PAUL McCARTNEY in Hamburg, im Hintergrund STUART SUTCLIFFE 95,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist numeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 3. 4. 5. 3. November 1960: ART PRINT (Original-Foto) STUART SUTCLIFFE 60,00 € Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) im November 1960 in Hamburg. Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß HINWEIS: Dieser inzwischen rare Kunstdruck stammt aus der allerersten Serie Ende der 80er Jahre. 4. 1962: ART PRINT (Original-Foto) GEORGE HARRISON PORTRAIT 92,50 € Original-Foto von Astrid Kirchherr signiert, limitiert und nummeriert (nur 500 Stück weltweit) Hochformat ca. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
The Jacaranda Club, Slater Street, Liverpool, United Kingdom
“This Is Our Home: The Jacaranda Club 1958-2018” The Jacaranda Club, Slater Street, Liverpool, United Kingdom. Friday 24th - Sunday 26th August,! 2018.! “[The Beatles] were a photographer’s dream, ! ! they were my dream” - Astrid Kirchherr.! “There is a popular notion that the photographer is by nature a voyeur. ! The last one invited to the party. But I’m not crashing; this is my party. ! ! This is my family, my history” - Nan Goldin.! A new exhibition to celebrate the 60th anniversary of Liverpool’s iconic Jacaranda Club opens Friday 24! August during a celebratory weekend of events. “This is Our Home”: The Jacaranda Club 1958-2018 is! an exhibition of photographs, advertisements, posters, and ephemera relating to the past and present! !history of the iconic Slater Street club, curated by Marlie Centawer, and runs 24-26 August 2018.! As one of the first coffee bars in post-war Britain, The Jacaranda Club - affectionately known as “The Jac”! - was opened by Allan Williams in 1958, featuring a record shop upstairs and live music in its basement.! One of these groups was The Silver Beetles, featuring art students John Lennon and Stuart Sutcliffe, who! !Williams employed to paint the walls and a mural in the basement.! “This is Our Home”: The Jacaranda Club 1958-2018 features artefacts and ephemera from the Jac’s legacy and history; then and now. The exhibition is curated by Liverpool-based Marlie Centawer, a writer, musician and photographer, as well as an adjunct lecturer with the Centre for Studies in Arts and Culture !at Brock University, Canada <http://www.marliecentawer.com> ! Much of the exhibition has been donated from original attendees, some loaned from galleries and collectors, and other images extracted from Beatle books and documentaries, including members-only cards used for entry to the club in the 1960s, advertisements in local Liverpool music newspapers, and !images of the venues’ interiors and layouts over the years. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
KENTUCKY in AMERICAN LETTERS Volume I by JOHN WILSON TOWNSEND
KENTUCKY IN AMERICAN LETTERS Volume I BY JOHN WILSON TOWNSEND KENTUCKY IN AMERICAN LETTERS JOHN FILSON John Filson, the first Kentucky historian, was born at East Fallowfield, Pennsylvania, in 1747. He was educated at the academy of the Rev. Samuel Finley, at Nottingham, Maryland. Finley was afterwards president of Princeton University. John Filson looked askance at the Revolutionary War, and came out to Kentucky about 1783. In Lexington he conducted a school for a year, and spent his leisure hours in collecting data for a history of Kentucky. He interviewed Daniel Boone, Levi Todd, James Harrod, and many other Kentucky pioneers; and the information they gave him was united with his own observations, forming the material for his book. Filson did not remain in Kentucky much over a year for, in 1784, he went to Wilmington, Delaware, and persuaded James Adams, the town's chief printer, to issue his manuscript as The Discovery, Settlement, and Present State of Kentucke; and then he continued his journey to Philadelphia, where his map of the three original counties of Kentucky—Jefferson, Fayette, and Lincoln— was printed and dedicated to General Washington and the United States Congress. This Wilmington edition of Filson's history is far and away the most famous history of Kentucky ever published. Though it contained but 118 pages, one of the six extant copies recently fetched the fabulous sum of $1,250—the highest price ever paid for a Kentucky book. The little work was divided into two parts, the first part being devoted to the history of the country, and the second part was the first biography of Daniel Boone ever published. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Comunicato Stampa Mostra Hrair Sarkissian Da Verificare E Completare
Comunicato stampa “Astrid Kirchherr with the Beatles” The Beatles, Hugo Haase, 1960 ©GINZBURG FINE ARTS/PHOTO ASTRID KIRCHHERR Inaugurazione sabato 14 aprile 2018 – ore 18.00 Dal 15 aprile al 17 giugno 2018 Fondazione Carispezia via D. Chiodo 36, La Spezia Fondazione Carispezia inaugurerà sabato 14 aprile (ore 18.00) presso i propri spazi espositivi la mostra “Astrid Kirchherr with the Beatles”, una retrospettiva che ripercorre la storia degli anni formativi dei Beatles nell’Amburgo del dopoguerra – i cosiddetti “Hamburg Days” – attraverso gli scatti della fotografa tedesca che non solo immortalò il gruppo negli anni iniziali della carriera, ma ne influenzò profondamente lo stile trasformandolo in quello che tutti oggi conosciamo. Fondazione Carispezia Via Domenico Chiodo 36 - 19121 La Spezia Tel. 0187 77231 – Fax 0187 772330 www.fondazionecarispezia.it L’esposizione, a cura di ONO arte contemporanea in collaborazione con Ginzburg Fine Arts, sarà visitabile fino al 17 giugno e presenterà una ricca serie di scatti, la maggior parte in bianco e nero: dal primo vero e proprio servizio fotografico del gruppo a momenti privati che ripercorrono la stretta relazione tra i Beatles e la fotografa, oltre che la storia di un luogo e un periodo fondamentale per la band che ha cambiato la storia della musica pop. Nell’agosto del 1960 l’impresario tedesco Bruno Koschmider scritturò i Beatles, una giovane band di Liverpool composta da John Lennon, George Harrison, Paul McCartney, Pete Best e Stuart Sutcliffe, per suonare rock’n’roll in alcuni dei club da lui gestiti sulla Reeperbahn, ad Amburgo. Una delle tante sere in cui suonavano al Kaiserkeller, andarono a sentirli la giovane fotografa Astrid Kirchherr – allora assistente del celebre fotografo Reinhart Wolf – e il suo fidanzato di allora Klaus Voormann. -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.