KENTUCKY in AMERICAN LETTERS Volume I by JOHN WILSON TOWNSEND
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Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
The Story Washington-Wilkes
* THE STORY OF WASHINGTON-WILKES * * AMERICAN GUIDE SERIES * ashinglon- COMPILED AND WRITTEN BY WORKERS OF THE WRITERS ' PROGRAM OF THE WORK PROJECTS ADMINISTRATION IN THE STATE OF GEORGIA Illustrated * Sponsored by the Washington City Council THE UNIVERSITY OF GEORGIA PRESS ATHENS I 9 4 I FEDERAL WORKS AGENCY JoHN M. CARMODY, Administrator WORK. PROJECTS ADMINISTRATION HowARD O. HuNTER, Commissioner FLORENCE l(ERR, Assistant Commissioner H. E. HARMON, State Adnzinistrator COPYRIGHTED 1941 BY THE WASHINGTON CITY COUNCIL PRINTED IN U.S.A. BY THE UNIVERSITY OF GEORGIA PRESS ALL RIGHTS ARE RESERVED, INCLUDING THE RIGHTS TO REPRODUCE THIS BOOK OR PARTS THEREOF IN ANY FORM. CITY OF WASHINGTON WASHINGTON. GEORGIA W. C. LINDSEY. MAYOR COUNCILMEN F. E. BOLINE.CL'l:RK J,G.ALLEN A. A. JOHNSON UO KRUHBtltt 105'1 NASH 11. P. POPE DR. A. W. SIMPSON We, the Mayor and Council of Washington Georgia, feel that we are fortunate in having an opportunity to sponsor a History and Guide of our town and county through the Georgia Writers' Froject of the Work Projects Adminis• tration of the state. It is a pleasure for us to add a word of appreciation to this little book which will find its way to all parts of our nation, telling in a quaint and simple manner the story of th1s locality which is so rich in history, and carrying glimpses or the beauty of our homes and surroundinBs. We are happy to sponsor this worthwhile work and are grateful to the Georgia Writers' Project for giving Miss Minnie Stonestreet the task of compiling this important volume. -
Catalog 21-1 – February, 2021
(To place an online order or see enlarged or additional images, click on the inventory number or first image in any listing.) Kurt A. Sanftleben, ABAA, APS Dealer, NSDA Read’Em Again Books Catalog 21-1 – February, 2021 Item #30 – “MAIL DELIVERED WITHOUT THE LOSS OF MY HAIR, BUT WITH A BULLET HOLE THROUGH THE STOCK OF MY GUN. .. IT WAS A VERY CLOSE CALL FOR MY HEAD” – An amazing Indian Wars and Montana Trail Archive. Robert J. Moore. Mostly Utah, Wyoming, and Montana: 1860s – 1920s. The two highlights of this lot are: Moore’s single-spaced, five-page typed memoir vividly detailing his combat experiences as a sergeant in the 2nd Cavalry Regiment between 1869-1873 during the Indian Wars in Utah and the Yellowstone-Stillwater Region of Wyoming and Montana and His 1881 handwritten daily-diary kept while leading one of the last wagon trains up the Montana Trail from Salt Lake City, Utah to Bozeman, Montana. Our focus is on providing unusual ephemera and original personal narratives including Diaries, Journals, Correspondence, Photograph Albums, & Scrapbooks. We specialize in unique items that provide collectors and researchers with insight into American history, society, and culture while telling stories within themselves. Although we love large archives, usually our offerings are much smaller in scope; one of our regular institutional customers calls them “microhistories.” These original source materials enliven collections and provide students, faculty, and other researchers with details to invigorate otherwise dry theses, dissertations, and publications. Terms of Sale Prices are in U.S dollars. When applicable, we must charge sales tax. -
The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2005 Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren Christian Leigh Faught University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Faught, Christian Leigh, "Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/4557 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christian Leigh Faught entitled "Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Allison R. Ensor, Major Professor We have read this thesis and recommend its acceptance: Mary E. Papke, Thomas Haddox Accepted for the Council: Carolyn R. -
The American Whig Review, 1845-1852: Its History and Literary Contents Donald Frank Andrews University of Tennessee, Knoxville
University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-1977 The American Whig Review, 1845-1852: Its History and Literary Contents Donald Frank Andrews University of Tennessee, Knoxville Recommended Citation Andrews, Donald Frank, "The American Whig Review, 1845-1852: Its History and Literary Contents. " PhD diss., University of Tennessee, 1977. https://trace.tennessee.edu/utk_graddiss/4205 This Dissertation is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Donald Frank Andrews entitled "The American Whig Review, 1845-1852: Its History and Literary Contents." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Nathalia Wright, Major Professor We have read this dissertation and recommend its acceptance: Kenneth Curry, Michael Lofaro, Ralph W. Haskins Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) To the Graduate Council: I am submitting herewith a dissertation written by Donald Frank Andrews entitled "The· .Ameritan· Whig Review, 1845-1852: Its History and Literary Contents." I reconunend that it be accepted in partial fu lfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. -
Early Georgia Magazines Is a Job Well Done
T1 EARLY GEORGIA irst published in 1944, this is a detailed survey of twenty-four o distinguished periodicals published in antebellum Georgia. Flanders shows that literary activity was generally confined to middle Georgia F CO MAGAZINES and often concentrated on themes of religion and morality, early American life, and European adventures. An extensive bibliography and three appendices give a comprehensive list of magazines published during the time, including dates, places of publication, and names of editors and publishers. More than nine hundred footnotes further elaborate on the analysis of backgrounds, local historical events, and information on contributors. "Indeed, it would be difficult to conjure up a query on Georgia's literary magazines that is not answered in Flanders's excellent study. Early Georgia Magazines is a job well done. For his accomplishment, Flanders deserves the admiration of all students of the Old South." South Atlantic Bulletin "Packed with details, lists of representative contents and distributors, and careful details of publication . the work is definitive in its field." American Literature "Has successfully captured much of the richness of human existence . [Flanders's] book becomes in part the story of Georgia life, with now a bit of humor and now pathos as one sees the thorny path trod by the early editors and contributors." Social Forces Bertram Holland Flanders (1892-1979) is also the author of A New Frontier in Education: The Story of the Atlanta Division, University of Georgia. The University of Georgia -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
VOLUME 17 • NUMBER 3 • FALL 2017 Ohio Valley History Is a OHIO VALLEY STAFF John David Smith Gary Z
A Collaboration of The Filson Historical Society, Louisville, Kentucky, Cincinnati Museum Center, and the University of Cincinnati, Cincinnati, Ohio. VOLUME 17 • NUMBER 3 • FALL 2017 Ohio Valley History is a OHIO VALLEY STAFF John David Smith Gary Z. Lindgren University of North Carolina, Mitchel D. Livingston, Ph.D. collaboration of The Filson Editors Charlotte Phillip C. Long Historical Society, Louisville, LeeAnn Whites David Stradling Julia Poston Kentucky, Cincinnati Museum The Filson Historical Society University of Cincinnati Thomas H. Quinn Jr. Matthew Norman Nikki M. Taylor Anya Sanchez, MD, MBA Center, and the University of Department of History Texas Southern University Judith K. Stein, M.D. Cincinnati, Cincinnati, Ohio. University of Cincinnati Frank Towers Steve Steinman Blue Ash College University of Calgary Carolyn Tastad Anne Drackett Thomas Cincinnati Museum Center and Book Review Editor CINCINNATI Kevin Ward The Filson Historical Society Matthew E. Stanley MUSEUM CENTER Donna Zaring are private non-profit organiza- Department of History BOARD OF TRUSTEES James M. Zimmerman and Political Science tions supported almost entirely Albany State University Chair FILSON HISTORICAL by gifts, grants, sponsorships, Edward D. Diller SOCIETY BOARD OF admission, and membership fees. Managing Editors DIRECTORS Jamie Evans Past Chair The Filson Historical Society Francie S. Hiltz President & CEO The Filson Historical Society Scott Gampfer Craig Buthod membership includes a subscrip- Cincinnati Museum Center Vice Chairs Greg D. Carmichael Chairman of the Board tion to OVH. Higher-level Cincin- Editorial Assistants Hon. Jeffrey P. Hopkins Carl M. Thomas nati Museum Center memberships Kayla Reddington Cynthia Walker Kenny also include an OVH subscription. The Filson Historical Society Rev. -
The Filson Club History Quarterly
THE FILSON CLUB HISTORY QUARTERLY VOL. 54 LOUISVILLE, KENTUCKY, OCTOBER, 1980 NO. 4 UNCOVERED -- THE FABULOUS SILVER MINES OF SWIFT AND FILSON BY JOE NICKELL* Part I: The Legend For nearly two centuries a legend has persisted in eastern Ken- tucky concerning the "lost silver mines" of one "Jonathan Swift." In his alleged Journal, Swift relates how he and a company of men preceded Daniel Boone into Kentucky, making annual trips from Alexandria, Virginia to mine silver. From June 21, 1760 until late 1769, they "carried in supplies and took out silver bars and minted coins" which Swift used to buy vessels for his "ship- ping interests." Plagued by Indians, a mutiny of his workmen, and other troubles, and after a pious change of heart, Swift discon- tinued his venture, walled up his mine and a cave full of treasure, and headed for "England or France" to "get a party interested in... working the mines on a large scale." When he returned after a fifteen-year delay (he says he was imprisoned in England), Swift had become blind -- unable to find his fabulous treasure!1 Many have undoubtedly accepted the legend at face value. J. H. Kidwell says: "Men, hoary with age and gray haired, half insane on the subject of the Swift mines ranged the mountains and the likely places, and died in the belief that they were very near the source of the mines as outlined in the Swift Journal....-2 To some, a treasury warrant of 1788 whereby John Filson (the early Ken- tucky mapmaker and historian) recorded 1,000 acres alleged to contain Swift's mine, has lent credence to the legend) (Part III of this article explores the "Filson connection.") *Joz Nxc..mm•, free lance writer and thvesflgator, has a B•,. -
A Native History of Kentucky
A Native History Of Kentucky by A. Gwynn Henderson and David Pollack Selections from Chapter 17: Kentucky in Native America: A State-by-State Historical Encyclopedia edited by Daniel S. Murphree Volume 1, pages 393-440 Greenwood Press, Santa Barbara, CA. 2012 1 HISTORICAL OVERVIEW As currently understood, American Indian history in Kentucky is over eleven thousand years long. Events that took place before recorded history are lost to time. With the advent of recorded history, some events played out on an international stage, as in the mid-1700s during the war between the French and English for control of the Ohio Valley region. Others took place on a national stage, as during the Removal years of the early 1800s, or during the events surrounding the looting and grave desecration at Slack Farm in Union County in the late 1980s. Over these millennia, a variety of American Indian groups have contributed their stories to Kentucky’s historical narrative. Some names are familiar ones; others are not. Some groups have deep historical roots in the state; others are relative newcomers. All have contributed and are contributing to Kentucky's American Indian history. The bulk of Kentucky’s American Indian history is written within the Commonwealth’s rich archaeological record: thousands of camps, villages, and town sites; caves and rockshelters; and earthen and stone mounds and geometric earthworks. After the mid-eighteenth century arrival of Europeans in the state, part of Kentucky’s American Indian history can be found in the newcomers’ journals, diaries, letters, and maps, although the native voices are more difficult to hear. -
Ucin1160578440.Pdf (1.61
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ “Making Middle-Class Marriage Modern in Kentucky, 1830 to 1900” A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY In the Department of History of the College of Arts and Sciences 8 September 2006 by Kathleen Leonard Bayes M.A. (History), University of Cincinnati, 1998 M.A. (Women’s Studies), University of Cincinnati, 1996 B.A., York University, Toronto, Canada, 1982 Committee Chair: Wayne K. Durrill Abstract This study examines changes that Kentucky’s white middle class made to marital ideals in the middle decades of the nineteenth century. It demonstrates that this developing class refined an earlier ideal of companionate marriage to better suit their economic, social, and cultural circumstances in an urban environment. This reevaluation of companionate marriage corresponded with Kentucky’s escalating entry into a national market economy and the state’s most rapid period of urbanization. As it became increasingly unlikely that young men born to Kentucky’s white landed settler families would inherit either land or enslaved labor, they began to rely on advanced education in order to earn a livelihood in towns and cities. Because lack of land and labor caused a delay in their ability to marry, the members of Kentucky’s middle class focused attention on romantic passion rather a balance of reasoned affection and wealth in land when they formulated their urban marital ideal.