The Littlest Rebel
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Figure . Shirley Temple and Jack Haley in a Publicity Still for Rebecca of Sunnybrook Farm (Dir
Figure . Shirley Temple and Jack Haley in a publicity still for Rebecca of Sunnybrook Farm (dir. Allan Dwan, US, ) Discipline and Pleasure: Shirley Temple and the Spectacle of Child Loving Kristen Hatch Contemporary viewers are likely to nd the image of Shirley Tem- ple riding Jack Haley perverse (g. ). Haley is on his hands and knees, straddled by the child, who swishes a riding crop against his backside and loosely holds a leather strap around his neck.1 Temple’s famous dimples and curls frame a face that seems too knowing for such a young girl. Her half- closed eyes look down slyly at the man, while her lips turn up into a disconcerting grin. How could we not see in this a pedophilic fantasy of domination and submission? And yet it is impossible to believe that Twentieth Century-Fox would deliberately stage its highest- grossing star in such a disturbing photograph. In The Structure of Scientic Revolutions, Thomas S. Kuhn draws upon Ludwig Wittgenstein’s discussion of the gestalt shift produced by a duck- rabbit — an image that appears as a duck or a rabbit depending on where one’s focus falls (g. ) — to describe the effects of a paradigm shift in scientic thinking. Practicing in different worlds, [the proponents of competing paradigms] see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything Camera Obscura , Volume , Number ./- © by Camera Obscura Published by Duke University Press • Camera Obscura they please. Both are looking at the world, and what they look at has not changed. -
A Discourse Analysis of Pigs in Motion Pictures
Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures By Mark von Schlemmer Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date defended: July 2, 2010 Acceptance Page This Dissertation Committee for Mark von Schlemmer certifies that this is the approved version of the following dissertation: Cinematic “Pigness”: A Discourse Analysis of Pigs in Motion Pictures Catherine Preston ____________________________ Chairperson Chuck Berg ______________________________ Tamara Falicov ______________________________ Kevin Willmott ______________________________ Barbara Barnett ______________________________ Date Approved: July 28, 2010 ii Abstract The representations of “others” in film have been contentious since filmmaking began. Fraught with misrepresentations, cinema has been held responsible, and occasionally credited, for influencing cultural practices and helping to shape discourses in American society. This study suggests that the media representations of nonhuman animals also have a profound effect on how Americans think about animals and that these representations warrant examination to uncover the naturalized messages and assumptions that are presented about animals. Explored here are the extent to which these images depict animal-ness – moments of authentic nonhuman behavior or experience that are not simply a reflection of humanity but have meaning for the animals themselves. This study highlights the case of “food animals” – specifically pigs. The disjunction between how we represent them – the narratological roles they fill in animal films – and the way that actual pigs are used in American society is vast and disturbing. -
Reconciliation in Civil War Movies
Scholars Crossing Faculty Publications and Presentations English and Modern Languages Spring 3-27-2009 Reconciliation in Civil War Movies Brenda A. Ayres Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/eml_fac_pubs Recommended Citation Ayres, Brenda A., "Reconciliation in Civil War Movies" (2009). Faculty Publications and Presentations. 16. https://digitalcommons.liberty.edu/eml_fac_pubs/16 This Article is brought to you for free and open access by the English and Modern Languages at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Reconciliation in Civil War Movies By Brenda Ayres Presented at the Liberty University 13 th Annual Civil War Seminar "The Reel Civil War: The Civil War in the Cinema" March 28, 2009 The greatest trauma and test to the stamina of America, indisputably, was the Civil War. Over three-and-a-half million men, or one out of every ten, fought in the war. In the South, three out of every four men of military age served (Faust 3). An estimate of 600,000-700,000 men lost their lives. Over one million were injured, with over 50,000 returning home as amputees (Barney 107). One out of every eight men, from ages 13-43, died during the war, or 6% of all Northern males and 18% of all Southern males. The country was shattered, America lost many talented and honorable men, the slaves were freed but needed rehabilitation, widows there were aplenty and children without fathers, families were torn asunder, and the South lay in ruins. -
An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: an Interpretive History of Blacks in American Film by Donald Bogle Dominique M
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2011 An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle Dominique M. Hardiman Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Hardiman, Dominique M., "An Interactive Study Guide to Toms, Coons, Mulattos, Mammies, and Bucks: An Interpretive History of Blacks in American Film By Donald Bogle" (2011). Research Papers. Paper 66. http://opensiuc.lib.siu.edu/gs_rp/66 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 1 AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM BY DONALD BOGLE Written by Dominique M. Hardiman B.S., Southern Illinois University, 2011 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Masters of Science Degree Department of Mass Communications & Media Arts Southern Illinois University April 2011 ii RESEARCH APPROVAL AN INTERACTIVE STUDY GUIDE TOMS, COONS, MULATTOS, MAMMIES, AND BUCKS: AN INTERPRETIVE HISTORY OF BLACKS IN AMERICAN FILM By Dominique M. Hardiman A Research Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Science in the field of Professional Media & Media Management Approved by: Dr. John Hochheimer, Chair Graduate School Southern Illinois University Carbondale April 11, 2011 1 ACKNOWLEDGEMENTS This Research would not have been possible without the initial guidance of Dr. -
American Cinema of the 1930S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
American Cinema of the 1930s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series presents a group of original essays analyzing the impact of cultural issues on the cin- ema and the impact of the cinema in American society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the continent. The integration of his- torical and cultural events with the sprawling progression of American cinema illu- minates the pervasive themes and the essential movies that define an era. Our series represents one among many possible ways of confronting the past; we hope that these books will offer a better understanding of the connections between American culture and film history. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1930s Themes and Variations EDITED BY INA RAE HARK RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. p. cm. — (Screen decades) Includes bibliographical references and index. -
Collectors Odyssey February21
Collectors' Odyssey - Day 2 (Feb 21) 336: Elvis Presley Automotive Documents USD 1,500 - 2,500 Including: a. Tennessee Certificate of Title for 1974 International Scout owned by Elvis Presley with his Memphis address; b. approx, fifteen copies of other documents (including a copy of Elvis' registration for the International) for vehicles owned by Elvis and vehicles owned by Tom Parker. This is an unreserved auction with no minimums. This is an online only sale. Items may be viewed upon appointment in New York City. Condition: More detailed condition reports and additional photographs are available by request. The absence of a condition report does not imply that the lot is in excellent condition. Please message us through the online bidding platform or call Guernsey's at 212-794-2280 to request a more thorough condition report. 337: Jimmy Page, Eric Clapton, Jeff Beck, Charlie Watts USD 500 - 800 Jimmy Page, Eric Clapton, Jeff Beck, Charlie Watts Photograph. Silver gelatin vintage photo by Michael Zagaris, 1983. Image taken at ARMS Benefit, Cow Palace, San Francisco. Paper size 8"x 10" This is an unreserved auction with no minimums. This is an online only sale. Items may be viewed upon appointment in New York City. Condition: More detailed condition reports and additional photographs are available by request. The absence of a condition report does not imply that the lot is in excellent condition. Please message us through the online bidding platform or call Guernsey's at 212-794-2280 to request a more thorough condition report. 338: Early Beatles Photograph by Kirchherr USD 5,000 - 7,000 Early Beatles. -
A Guide to the Filmscripts in the Lilly Library Book Department
From Abbott and Costello in the Foreign Legion to Zorro Rides Again: A Guide to the Filmscripts in the Lilly Library Book Department There are presently over nine hundred scripts in the Lilly Li brary Book department. The movies represented range from the silent version of Ben Hur to Breaking Away. The collection's scope is broad; one can find scripts for great film classics, musicals, mys teries, adventures, shorts, westerns, comedies, and science fiction movies. Many types of filmscripts make up the collection-drafts, cutting continuities, preliminary editions, shooting finals. Gener ally the scripts are accompanied by publicity photos. Although the majority of filmscripts in the collection are for talkies, several scripts are for silent films. The text of a silent film script is devoted primarily to directions for camera shots and de scriptions of the action, and provides title captions instead of dia logue. The earliest script in the collection is for The Four Horsemen of the Apocalypse (released in 1921), the film that gave Rudolph Valentino his first starring role. The Big Parade (1925), King Vidor's popular film about an average man's experiences at war, estab lished John Gilbert as a top star. The Jazz Singer (1927) was the first full length feature with both singing and talking, starring AI }olson in his first movie role. Wings (1928), considered to be the last of the silent spectaculars, was the first movie to receive an Academy Award. Clara Bow and Charles Rogers starred in this tale of World War I flyers. One of the most lavish films of the silent era was the the 1926 MGM version of Ben Hur, starring Ramon Novarro, directed by William Wellman. -
Narrative, Phantasia, and the Historical
The Pennsylvania State University The Graduate School Communication Arts and Sciences PRESIDENTIAL IMAGINARIES: NARRATIVE, PHANTASIA, AND THE HISTORICAL U.S. PRESIDENT IN FICTIONAL FILM A Thesis in Communication Arts and Sciences by Lauren R. Camacci © 2014 Lauren R. Camacci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2014 ii The thesis of Lauren R. Camacci was reviewed and approved* by the following: Kirt H.Wilson Associate Professor of Communication Arts and Sciences Director of Graduate Studies Thesis Advisor Rosa A. Eberly Associate Professor of Communication Arts and Sciences, and English Stephen H. Browne Professor of Communication Arts and Sciences *Signatures are on file in the Graduate School. iii ABSTRACT Presidential Studies represents a robust facet of the field of rhetorical studies. Numerous distinguished scholars have shaped their entire career around the study of the United States presidency. Many other well-respected scholars of rhetoric focus their studies on the analysis of film. Both these areas of study have enriched rhetorical scholarship over the decades. Rarely, however, have studies of fictional film and studies of the historical U.S. president met. This is the intervention of this thesis. This thesis provides an in-depth examination of this phenomenon through an analysis of twelve feature-length fictional films. The project seeks to uncover the ways these fictional films portray the historical U.S. presidency, aided by the interactions of narrative and phantasia. After laying the preliminary theoretical background and structure of the thesis in chapter one, chapter two investigates the historical and contemporary presence of the U.S. -
I Excavating the Ghetto Action Cycle (1991-1996): a Case Study for A
Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study by Amanda Ann Klein B.A. in English, Cornell University, 1999 M.A. in English, University of Pittsburgh, 2001 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Amanda Ann Klein It was defended on July 24, 2007 and approved by Dr. Jane Feuer, Associate Professor, Department of English Dr. Neepa Majumdar, Assistant Professor, Department of English Dr. Paula Massood, Associate Professor, Department of English (Brooklyn College) Dissertation Chair: Dr. Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Amanda Ann Klein 2007 iii Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study Amanda Ann Klein, Ph.D. University of Pittsburgh, 2007 The following dissertation, “Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-based Approach to Genre Theory,” traces an historical, cultural and theoretical genealogy for the ghetto action cycle. This controversial cycle, which was initiated by the success of films like Boyz N the Hood and Menace II Society, participated in the period’s broad cultural debates about race, class, crime and youth. As film cycles are strongly shaped by audience desire, financial viability, current events and studio whims, I argue that they retain the marks of their historical, socioeconomic and generic contexts more precisely than genres, which, because of their longevity and heterogeneity, can be unwieldy objects of study. -
What's Goin' on Around Here?': Dancing Past Binaries and Boundaries in the Little Colonel
Research on Diversity in Youth Literature Volume 3 Issue 1 Minstrelsy and Racist Appropriation Article 5 (3.1) and General Issue (3.2) April 2021 What's goin' on around here?': Dancing Past Binaries and Boundaries in The Little Colonel Dawn Sardella-Ayres University of Cambridge Follow this and additional works at: https://sophia.stkate.edu/rdyl Part of the Children's and Young Adult Literature Commons Recommended Citation Sardella-Ayres, Dawn (2021) "What's goin' on around here?': Dancing Past Binaries and Boundaries in The Little Colonel," Research on Diversity in Youth Literature: Vol. 3 : Iss. 1 , Article 5. Available at: https://sophia.stkate.edu/rdyl/vol3/iss1/5 This Article is brought to you for free and open access by SOPHIA. It has been accepted for inclusion in Research on Diversity in Youth Literature by an authorized editor of SOPHIA. For more information, please contact [email protected]. Sardella-Ayres: What's goin' on around here?': Dancing Past Binaries and Boundari The Little Colonel books, Annie Fellows Johnston’s best-selling series for children, were published in America between 1895-1912, issued in multiple languages, and read worldwide. The books’ protagonist, Lloyd Sherman, is a tomboyish heroine nicknamed the “Little Colonel” for her imperious ways and hot temper, like her Confederate Colonel grandfather. While today, Little Colonel books are not readily available in print, not commonly found in libraries or schools, not generally included in children’s literature curriculum, and rarely researched academically, what has replaced the books in terms of pop culture awareness is the 1935 film. -
Dixie Ort Film
• • CHAPTER 4 Dixie ort Film "As all cinema observers knew, it was time for a cycle to come along. An- other is here—the Deep South cycle, you might call it. Producers and writers alike have turned their attention to the aspects of Dixie, and there's scarcely a studio in Hollywood that hasn't a story of the South in produc- tion." Thus began a 1936 editorial in the New York Times entitled "Sowing the South Forty." Of course, Gone with the Wind, Margaret Mitchell's best- selling novel about the Civil War, was credited with starting the cycle. By the time of this December editorial the book had sold more than 1 million copies—less than seven months after its publication. To capitalize on the book's success, there were several films about the Old South in produc- tion. Mitchell's story, and especially its protagonist, so resonated with the American public that New York Times film critic Frank Nugent observed that "casting Scarlett became a game the entire nation played." German- born director Kurt Neumann, who later made The Fly (1958), was inter- viewed for the New York Times' piece. "Call it a cycle," Neumann said, but "the fact is the South is one of the best subjects Hollywood has ever had for sustained interest." Neumann, director of Rainbow on the River (1936), a film set in New Orleans, predicted that "some of the greatest pictures of the future will be placed in a Southern setting," adding that "we are just beginning to understand the South."1 Although the New York Times may have regarded the emphasis on southern films coming out of Hollywood as a cycle, the fact was there had been numerous films set in the South prior to the publication of Mitchell's novel. -
1001 Films 3
j Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www . I oc . g ov/rr/re co rd A Reference Book for Non-Theatrical Film Users Compiled by Moving Picture Age Chicago Before You Order, Consult Our Experts Our expert guidance will: Save you waste and mistakes; Help you plan your campaign; Offer original ideas and treatment \ assure good photography, developing, printing, cutting, titling, editing. Our services do not add to the cost of the picture. Let us tell you why. When Picture Service Corporation makes pictures for you, you have at your disposal the services of all the best producers. Picture Service has the work done by the one best qualified to handle that particular subject in the best way. Picture Service knows just what kind of work each can do best—and how quickly. Picture Service itself sees that the story is planned so as to be interesting, attractive, and put across your ideas. Our organization includes: WM. M. HANDY—15 ROWLAND ROGERS, years feature editor Ph. B., J. D.—formerly THE CHICAGO TRIB- tlU^Jn °/ Trvro i-i. 4. MOUNT & GOLD- UNE, sees that every WYN Pictographs, picture is really inter- Production Manager esting. Bray Studios, recently LYNE S. METCALFE, dgrg^JJ^ formerly general man- t instructional pic- ager MOTION PIC- tures in New York TUBE AGE. City's Public Schools. TRAINED SCENARIO WRITERS, ADVISERS ON DISTRIBUTION. Through us, you secure a successful picture, properly designed and full of interest.