1001 Films 3

Total Page:16

File Type:pdf, Size:1020Kb

1001 Films 3 j Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www . I oc . g ov/rr/re co rd A Reference Book for Non-Theatrical Film Users Compiled by Moving Picture Age Chicago Before You Order, Consult Our Experts Our expert guidance will: Save you waste and mistakes; Help you plan your campaign; Offer original ideas and treatment \ assure good photography, developing, printing, cutting, titling, editing. Our services do not add to the cost of the picture. Let us tell you why. When Picture Service Corporation makes pictures for you, you have at your disposal the services of all the best producers. Picture Service has the work done by the one best qualified to handle that particular subject in the best way. Picture Service knows just what kind of work each can do best—and how quickly. Picture Service itself sees that the story is planned so as to be interesting, attractive, and put across your ideas. Our organization includes: WM. M. HANDY—15 ROWLAND ROGERS, years feature editor Ph. B., J. D.—formerly THE CHICAGO TRIB- tlU^Jn °/ Trvro i-i. 4. MOUNT & GOLD- UNE, sees that every WYN Pictographs, picture is really inter- Production Manager esting. Bray Studios, recently LYNE S. METCALFE, dgrg^JJ^ formerly general man- t instructional pic- ager MOTION PIC- tures in New York TUBE AGE. City's Public Schools. TRAINED SCENARIO WRITERS, ADVISERS ON DISTRIBUTION. Through us, you secure a successful picture, properly designed and full of interest. Take advantage of our ex- pert service to put your ideas in form for pedagogic or in- struction pictures. Full information on request about animated technical drawings, microscopic and telescopic photography, natural color photography and animated cartoons. Ask our ad- vice about motion picture projectors for your use. PICTURE SERVICE CORPORATION ROWLAND ROGERS, Gen. Mgr. Vanderbilt Avenue Building S. METCALFE LYNE 51 East 42nd Street a £'^\^^S Continental Commercial 861 Reibold Building & ..™ r xmnir xt v BankBlda., Chicago, 111. NEW YORK, N. Y. Dayton, Ohio ©CU601917 1001 FILMS 3 are produced by the Famous Players - Lasky Corporation the mightiest motion picture organiza- tion in the world, whose resources of men, money and material are equaled only by the high ideals it holds for the welfare of the screen. The Famous Players-Lasky Corporation has branches in Boston, New Haven, New York, Buffalo, Albany, Philadelphia, Wash- ington, Pittsburgh, Cincinnati, Cleveland, Detroit, Chicago, Minneapolis, Kansas City, St. Louis, Des Moines, Omaha, Salt Lake City, Denver, San Francisco, Los Angeles, Seattle, Portland, and, for ail the south, Atlanta; for Canada, Toronto. Communicate with the nearest branch for Cpamntmnt(^icturm immmk famous players -lasky corporation l ADOLPH ZUKOR Pres. JESSE L.LASKY Wet Pres. CECIL B.DE MULE Swxtsrqeasnl «-N£W YORIO • J FOREWORD THE one question that, more than any other, is asked by those who contemplate using "movies" in non- theatrical fields is "Where can I get suitable films in suf- ficient numbers to supply my needs?" Many seem to harbor the opinion that there is a scarcity of good instructional pictures. Such however is really not the case. There is, in fact, available an al- most unlimited supply of excellent educational, religious, industrial and other similar non-theatrical productions. It is to acquaint non-theatrical motion picture users with these sources of supply that this booklet has been issued. Months were spent in preparing this booklet while the list of pictures was revised and corrected at great expense, in order to obtain a really representative list of all types of usable film. Space limits alone prevent including many of the older films, some of which might be difficult to obtain. In spite of the greatest care and numerous recheckings some errors in classification and credit may have passed. Forbearance for these is hoped. In addition to listing film this booklet contains an accurate and comprehensive list of film exchanges who exemplify the spirit of service in dealing with non-the- atrical picture users. We acknowledge to them our debt for their assistance in helping to compile this booklet. But for their whole-hearted co-operation, its publication would have been a most difficult, almost impossible, undertakings. Especial credit is given to the list of reviewed and approved films supplied by the National Motion Picture League, with executive offices in Xew York City. Preparations have been made to keep "1001 Films" thoroughly up to date. In every issue of Moving Pic- ture Age, reviews of the latest suitable films will be published. The regular publication of the lists of latest usable films, combined with the articles appearing regularly in Moving Picture Age will become to every reader of the magazine a reliable and up to date guide on the proper use of non-theatrical motion pictures. In addition, the Service Department of Moving Pic- ture Age will give its personal attention to any inquir- ies received from subscribers to the magazine who desire special information on their individual "movie" problems. 1001 FILMS Suggestions for the Com- pilation of Film Programs for— Americanization Boy Scouts Churches Clubs AGRICULTURE FOREMEN'S WOMEN'S SUNDAY EVENING Community Meetings Girl Scouts Hygiene Industrial Relations Associations Juvenile Safety Schools GRADE HIGH Social Work Sunday Schools Y. M. C. A. Y. W. C. A. v Compiled by Moving Picture Age Chicago (Copyright by Class Publications, Inc., 1920) — 1001 FILMS CONTENTS Page Foreword ' 4 How to use this film directory 8 Index to Advertisers , 10 Prompt return brings better service 11 Film Distributors and Exchanges 12 Slides—Manufacture or Rent . 19 State Universities Supplying Film . 20 Films Accident and Fire Prevention. lvM/f{$. 23 Agriculture 24 Botany 30 Boy Scout, Boy and Girl Reform Subjects. 31 Chemistry (see Science) 124 Entertainment . 35 Entertainment—Juvenile 48 Entomology 52 Forestry 54 Geography Alaska 56 Asia, China, Japan. 56 Canada % 60 Cuba . 61 Europe 62 Hawaii 68 Mexico 69 Miscellaneous (Asia and Africa) 71 Panama 76 Philippine Islands 76 South America 77 South Sea Islands 78 U. S. A 79 Geology 93 Girl Scout , 31 History 94 Home Economics 97 Hygiene 98 Industrials 100 Literary 110 Misc. Short Subject Reels 113 Physics (see Science) 124 Religious 128 Science 124 Y. M. C. A 31 Y. W. C. A........ 31 Zoology 131 id 10 1920 1001 FILMS 7 YOUR PROJECTOR WILL GIVE I YOU 50 PER CENT MORE LIGHT IF YOU PROJECT ON A MIRROROID SCREEN It can be washed It is guaranteed It eliminates with soap and not to crack, peel haze, glare and water. or turn black. eyestrain. It is waterproof. It is the only daylight screen that can he used without a jsESHADOW BOX | We have Electric Lamps, Carbons and Film Cement. Write for Details. MIRROROID CORP. 725-7th Ave. New York City At Last Equal to Finest Lantern Slides Glass Slides. on FILM Rolls Non-inflammable Usable on o r d i n ary Weight—100 Slides stereopticon 3 Ounces by means of the Touri- scope at- tachment. A Library of Edu- c a t i o n a 1 Slide Films Ready. Touriscope Dept. UNDERWOOD & UNDERWOOD 415 Fifth Ave., N. Y. 8 1001 FILMS HOW TO USE THIS FILM DIRECTORY MANY film users have had experience in obtaining films for their school and church work, and so are familiar with the operation of a film distributor and his branch exchanges. For those who have not, a word or two on how the exchange operates may be of assistance. Film distribution is not a com- plex business process, although to the uninitiated it may seem so. First, films are produced (photographed) by a company called the producer. Sometimes the producer is also the dis- tributor, but generally the distribution is handled by another company called the distributor. The user rents the films from the distributor and not the producer, unless they are the same concern. The distributor often has branches, called exchanges (local distributing offices), scattered over the country. With this outline of the method of operation the description of any film is made clear. Take, for example, the following film listed on page 112, under the classification "Literary": The White Silence.* Reel, 1; producer, Burton Holmes; exchange, Famous Players-Lasky Corporation. Remarks: A scenic illustrating Whittier's poem, "Snow Bound/' This indicates that the film was produced by Burton Holmes, but is distributed by Famous Players-Lasky Corpora- tion. Turning now to the index we find that the distributors are listed on page 12, and that Famous Players-Lasky Corporation is found on page 13. This gives the exchanges handling this picture. Write to the one nearest you. If the local exchanges are not listed write to the home office. Occasionally a film is listed and distributed by two or more distributors. It may be obtained from either. When writing to any exchange for a film, please say, "As listed in 1001 Films." When a film is listed as "States Rights Dist." it is some- what more difficult to obtain. This means that the film rights have been sold to a local distributor in each state. In such a case it is generally easiest to take up the obtaining of this film with any local branch exchange with which you do business. They can more easily locate it and may be able to rent it for you. In case they cannot do anything for you, write to Moving Picture Age, Film Service Department, and it will endeavor to locate your state distributor. It is well to speak for films well in advance of the date wanted.
Recommended publications
  • Herbert Ponting and the First Documentary 1
    Herbert Ponting And The First Documentary 1 Herbert Ponting And The First Documentary One evening in mid-winter of 1911, in the coldest, most isolated place on earth, some two dozen men of the British Expedition to the South Pole gathered for a slide show. They were hunkered down in a wooden building perched on the edge of Antarctica. For them winter ran from late April to late August. In these four months the sun disappeared entirely leaving them in increasing darkness, at the mercy of gales and blizzards. If you stepped outside in a blizzard, you could become disoriented within a few yards of the hut and no one would know you were lost or where to look for you. On this evening, they were enjoying themselves in the warmth of their well insulated hut. One of their number, who called himself a “camera artist,” was showing them some of the 500 slides he had brought with him to help occupy the long winter hours. The camera artist was Herbert Ponting, a well known professional photographer. In the language of his time he was classified as a “record photographer” rather than a “pictorialist.”i One who was interested in the actual world, and not in an invented one. The son of a successful English banker, Ponting had forsworn his father’s business at the age of eighteen to try his fortune in California. When fruit farming and gold mining failed him, he took up photography, turning in superb pictures of exotic people and places, which were displayed in the leading international magazines of the time.
    [Show full text]
  • The Leadership Issue
    SUMMER 2017 NON PROFIT ORG. U.S. POSTAGE PAID ROLAND PARK COUNTRY SCHOOL connections BALTIMORE, MD 5204 Roland Avenue THE MAGAZINE OF ROLAND PARK COUNTRY SCHOOL Baltimore, MD 21210 PERMIT NO. 3621 connections THE ROLAND PARK COUNTRY SCHOOL COUNTRY PARK ROLAND SUMMER 2017 LEADERSHIP ISSUE connections ROLAND AVE. TO WALL ST. PAGE 6 INNOVATION MASTER PAGE 12 WE ARE THE ROSES PAGE 16 ADENA TESTA FRIEDMAN, 1987 FROM THE HEAD OF SCHOOL Dear Roland Park Country School Community, Leadership. A cornerstone of our programming here at Roland Park Country School. Since we feel so passionately about this topic we thought it was fitting to commence our first themed issue of Connections around this important facet of our connections teaching and learning environment. In all divisions and across all ages here at Roland Park Country School — and life beyond From Roland Avenue to Wall Street graduation — leadership is one of the connecting, lasting 06 President and CEO of Nasdaq, Adena Testa Friedman, 1987 themes that spans the past, present, and future lives of our (cover) reflects on her time at RPCS community members. Joe LePain, Innovation Master The range of leadership experiences reflected in this issue of Get to know our new Director of Information and Innovation Connections indicates a key understanding we have about the 12 education we provide at RPCS: we are intentional about how we create leadership opportunities for our students of today — and We Are The Roses for the ever-changing world of tomorrow. We want our students 16 20 years. 163 Roses. One Dance. to have the skills they need to be successful in the future.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Movie Mirror Book
    WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al­ ways been at high pitch, so, in offering these concise his­ tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made.
    [Show full text]
  • Houlton Maine
    if*;/?.*" AROOSTOOK TIMES SHIRE TOWN OF April 13, 1860 AROOSTOOK COUNT! To Cary Ubrary HOULTON TIMES December 27, 1916 VOL. LX HOULTON, MAINE, WEDNESDAY, MAY 5, 1920 No. 18 Lee J. Bell left Thursday for Boston, i Miss Rose E. Donovan, who has S. J. COURT POTATOES "'here he will enter the Eastern Radio [been associated with the TIMES Tbe l()(,aj market remains firm, In the case of Towle vs. Edmunds THE POSITION school for a course of instruction. THE SALVATION j Publishing Co. for the past ten years, l)uyers offering $10.00 per barrel with skirted 111 the Supreme Judicial court He was accompanied by his father. j has resigned and accepted a position only a few COming in, the roads being Tuesday afternoon, April 27, a verdict Thos. L. Bell, who will visit in Boston j with the First National Bank, and has -n a jiartj condition for hauling. in favor of the defendant was ren­ O f ONE FARMER a few days before returning. ARMY DRIVE I already taken up her duties. The Produce News says: dered. This was a case brought about “If more people knew about your | At a meeting of the delegates to the With four of the largest wholesale by the sale of a car of potatoes which it was claimed went through brokers’ Lending Library, they would patronize J O R FUNDS ON PROSPERITY j Republican Convention at Chicago, potato dealers in New York City under it more,’’ said one of the patrons to ! Col. Frank M. Hume was selected as indictment for profiteering, the trade hands and went to the Law Court on the Lending Library of the TIMES | honorary vice president; Edward W.
    [Show full text]
  • Phil Cook and Othe1" Features RADIO STARS from the Studios Of
    Je ssi~a Dragonette Gl,°aham MeN amee Andy Sap-nella Nit Wit Hour Mary and Bob Phil Cook And Othe1" Features RADIO STARS from the Studios of DONALD MCGILL L UCIEN R U TMAN Baritone T enor WOR-WEAF W'EAF-WOR Americall OPera Company WALTER I{IESEWETTER 3 3 West 67th Street New York Telephone: Trafalgar 8063 , ... BRO\X' NIE PEEBLES Mezzo-SojJrallo Calladiall Natiollal ADELE VASA Railll,' ays MARY S ILVEIRA Coloratllra SOjJrallo W' OR- WEAF Lyric Coloratlira SojJral1O \X'ABC-WEAF-WOR W'OR-W'ABC Americall OPera Com pallY Americall OPera ComjJally Americall OjJera Company © Cl B 60264 f2A()I() FOR ~HE LIStCENER Volume I Number 3 February, 1930 CONTENTS On the Cover: Norman Brokenshire By Gaspano R icca Jessica Dragonette . (Phot ograph) 2 What Light Opera Role Do I Love Most to Play ? By Jessica Dragoneffe 3 The Muscular Diva By Clifford McBride 6 What Price Announcing! . By Norman Brokenshire 7 Andy Sannella-a Real Miracle Man of Music By H erbert Devins 10 Andy Sannella By Gaspano Ricca 11 Have You a Little Nit Wit in Your Home? By William Schudt, Jr. 13 Taught Self to Play Banjo-Roy Smeck Now T eaches Thousands, By Da~id Casein 16 McNamee "a Great Guy," Oscar Writes His Girl Friend, Margy By P. H. W. Dixon 17 "Quaker Girl" Starred on Broadway (Photograph) 19 Rector Again Points Way to Epicurean Delights By Florence Smith Vincent 20 Radio's One-Man Show, phil Cook, Is Marvel of Versatility, By Gene M ulholland 21 Mary and Bob Start Their Third Year of Air Wandering By Jean effe Barnes 23 One of the Immortals By Martha Beaffie 24 A Case for Television ( Photographs) 25 Majestic Hour Experiment Portends New Era in Conducting By Brlic~ Gray 26 An Open Letter to Mr.
    [Show full text]
  • KPMG FICCI 2013, 2014 and 2015 – TV 16
    #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.
    [Show full text]
  • The Beloved: a Documentary Film on the History
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2018 The Beloved: A documentary film on the history and aftermath of Fremantle’s Rajneesh sannyasin community – and – Hidden Realities: Transcendental Structures in Documentary Film: An exegesis Joseph London Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation London, J. (2018). The Beloved: A documentary film on the history and aftermath of Fremantle’s Rajneesh sannyasin community – and – Hidden Realities: Transcendental Structures in Documentary Film: An exegesis. https://ro.ecu.edu.au/theses/2130 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/2130 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth).
    [Show full text]
  • Gloria Swanson
    Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B.
    [Show full text]
  • Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
    Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Robert G. Vignola Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Robert G. Vignola 电影 串行 (大全) The Savage Woman https://zh.listvote.com/lists/film/movies/the-savage-woman-3989130/actors Cabaret https://zh.listvote.com/lists/film/movies/cabaret-5015238/actors The Reward of Patience https://zh.listvote.com/lists/film/movies/the-reward-of-patience-17154615/actors The Claw https://zh.listvote.com/lists/film/movies/the-claw-67200380/actors The Girl Who Came Back https://zh.listvote.com/lists/film/movies/the-girl-who-came-back-13460222/actors The Woman Next Door https://zh.listvote.com/lists/film/movies/the-woman-next-door-19364002/actors The Hungry Heart https://zh.listvote.com/lists/film/movies/the-hungry-heart-8851565/actors The Spider https://zh.listvote.com/lists/film/movies/the-spider-8850600/actors Madame Jealousy https://zh.listvote.com/lists/film/movies/madame-jealousy-8855425/actors The Heart of Youth https://zh.listvote.com/lists/film/movies/the-heart-of-youth-20082374/actors Double-Crossed https://zh.listvote.com/lists/film/movies/double-crossed-5299570/actors More Deadly Than The Male https://zh.listvote.com/lists/film/movies/more-deadly-than-the-male-13469234/actors Her Better Self https://zh.listvote.com/lists/film/movies/her-better-self-3785040/actors The Moment Before https://zh.listvote.com/lists/film/movies/the-moment-before-3988362/actors Audrey https://zh.listvote.com/lists/film/movies/audrey-4820086/actors Women's Weapons https://zh.listvote.com/lists/film/movies/women%27s-weapons-13502674/actors An Innocent Adventuress https://zh.listvote.com/lists/film/movies/an-innocent-adventuress-18914852/actors
    [Show full text]