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Obama White House Salaries
Obama White House Salaries NAME STATUS SALARY PAY BASIS TITLE Axelrod, David M. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND SENIOR ADVISOR Barnes, Melody C. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DIRECTOR OF THE DOMESTIC POLICY COUNCIL Brennan, John O. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DEPUTY NATIONAL SECURITY ADVISOR FOR COUNTERTERRORISM AND HOMELAND SECURITY Brown, Elizabeth M. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND STAFF SECRETARY Browner, Carol M. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT FOR ENERGY AND CLIMATE CHANGE Craig, Gregory B. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND COUNSEL TO THE PRESIDENT Donilon, Thomas E. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DEPUTY NATIONAL SECURITY ADVISOR Dunn, Anita B. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DIRECTOR OF COMMUNICATIONS Emanuel, Rahm I. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND CHIEF OF STAFF Favreau, Jonathan E. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DIRECTOR OF SPEECHWRITING Gaspard, Patrick H. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND DIRECTOR OF POLITICAL AFFAIRS Gibbs, Robert L. Employee $ 172,200.00 Per Annum ASSISTANT TO THE PRESIDENT AND PRESS SECRETARY Jarrett, Valerie B. Employee $ 172,200.00 Per Annum SENIOR ADVISOR AND ASSISTANT TO THE PRESIDENT FOR INTERGOVERNMENTAL AFFAIRS AND PUBLIC ENGAGEMENT Jones, James L. Employee $ 172,200.00 Per Annum NATIONAL SECURITY ADVISOR Lu, Christopher P. -
Boston Symphony Orchestra Concert Programs, Season
LYRIC THEATRE . BALTIMORE Wednesday Evening, January 31, 1934, at 8.30 •XVW % BOSTON %A\\\v SYMPHONY ORCHESTRA INC. FIFTY-THIRD SEASON J933-J934 PRSGRKttftE Dr. SERGE KOUSSEVITZKY LYRIC THEATRE BALTIMORE FIFTY-THIRD SEASON, 1933-1934 INC. Dr. SERGE KOUSSEVITZKY, Conductor WEDNESDAY EVENING, JANUARY 31, at 8.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE AND JOHN N. BURK COPYRIGHT, 1934, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. BENTLEY W. WARREN President HENRY B. SAWYER Vice-President ERNEST B. DANE Treasurer ALLSTON BURR ROGER I. LEE HENRY B. CABOT WILLIAM PHILLIPS ERNEST B. DANE EDWARD M. PICKMAN N. PENROSE HALLOWELL HENRY B. SAWYER M. A. DE WOLFE HOWE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 Fifty-third Season, 1933-1934 Dr. SERGE KOUSSEVITZKY, Conductor ffiL Violins. Burgin, R. Elcus, G. Lauga, N. Sauvlet, H. Resnikofl, V. Concert-master Gundersen, R. Kassman, N. Cherkassky, P. Eisler, D. Theodorowicz, J. Tapley, R. Mariotti, V. Fedorovsky, P. Knudson, C. Leibovici, J. Pinfield, C. Leveen, P. Hansen, E. Zung, M. Del Sordo, R. Gorodetzky, L. Mayer, P. Diamond, S. Bryant, M. Fiedler, B. Zide, L. Beale, M. Stonestreet, L. Messina, S. Murray, }. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Bernard, A. Grover, H. Artieres, L. Cauhape, J. Van Wynbergen, C. Werner, H. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. E. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L» Basses. Kunze, M. Lemaire, J. Ludwig, O. -
Can Preferred Atmospheric Circulation Patterns Over the North-Atlantic-Eurasian Region Be Associated with Arctic Sea Ice Title Loss?
Can preferred atmospheric circulation patterns over the North-Atlantic-Eurasian region be associated with arctic sea ice Title loss? Author(s) Crasemann, Berit; Handorf, Doerthe; Jaiser, Ralf; Dethloff, Klaus; Nakamura, Tetsu; Ukita, Jinro; Yamazaki, Koji Polar Science, 14, 9-20 Citation https://doi.org/10.1016/j.polar.2017.09.002 Issue Date 2017-12 Doc URL http://hdl.handle.net/2115/68177 © 2017, Elsevier. This manuscript version is made available under the CC-BY-NC-ND 4.0 license Rights http://creativecommons.org/licenses/by-nc-nd/4.0/ Rights(URL) http://creativecommons.org/licenses/by-nc-nd/4.0/ Type article File Information 1-s2.0-S1873965217300580-main.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Polar Science 14 (2017) 9e20 Contents lists available at ScienceDirect Polar Science journal homepage: https://www.evise.com/profile/#/JRNL_POLAR/login Can preferred atmospheric circulation patterns over the North- Atlantic-Eurasian region be associated with arctic sea ice loss? * Berit Crasemann a,Dorthe€ Handorf a, , Ralf Jaiser a, Klaus Dethloff a, Tetsu Nakamura b, Jinro Ukita c, Koji Yamazaki b a Alfred-Wegener-Institut, Helmholtz-Zentrum für Polar- und Meeresforschung, Potsdam, Germany b Hokkaido University, Sapporo, Japan c Niigata University, Niigata, Japan article info abstract Article history: In the framework of atmospheric circulation regimes, we study whether the recent Arctic sea ice loss and Received 19 May 2017 Arctic Amplification are associated with changes in the frequency of occurrence of preferred atmospheric Received in revised form circulation patterns during the extended winter season from December to March. -
MARYLAND LETTERS ABOUT LITERATURE FINALISTS 2015 Level One (Grades 4-6)
MARYLAND LETTERS ABOUT LITERATURE FINALISTS 2015 Level One (Grades 4-6) Boonsboro Middle School, Boonsboro Lake Elkhorn Middle School, Columbia Salma Hakam – Peanuts James Dorsey – Amulet Cassandra Woolverton – A Tale Dark and The Bryn Mawr School for Girls, Baltimore Grimm Tahra Khanuja – See You at Harry's Aamina Bora – Candy Bomber Chesapeake Public Charter School, Tilden Middle School, Rockville Lexington Park Declan Burros – Mockingbird Ariel Gill-Ehrenreich – Surviving Hitler Tome School, North East Cold Spring Elementary School, Potomac Elisabeth McDowell – Out of My Mind Dhruv Pai – A Series of Unfortunate Events Hektor Thompson – Peanuts Hebbville Elementary School, Baltimore West Towson, Towson Jordan Franklin – Gifted Hands Blake Bayer – Divergent Tatiana Greene – The Giving Tree Kate Carrera – Wonder Ben Chico – Small Steps Highland Park Elementary School, Ben England – May I Cross Your Golden Landover River Mikaela Lyons – The Fault in Our Stars Carson Glikin – A Long Walk to Water Jackson Graney – Brian's Winter Individual Entry, Silver Spring William Lehmann – Brian's Winter Adoniyah Ben-Tsalmiel – A Medal for Leroy Landon Katz – How They Choked Tatum McLaney – Wonder Key School, Annapolis Ryan Quinn – Land of Stories: A Grimm Lizzy Armstrong – The Witch's Boy Warning Amanda Shrader – Out of My Mind Benjamin Raufman – Prisoner B-3087 Nora Shive – Matilda Krieger Schecter Day School, Baltimore Ceci Wetzel – I Am Malala Gillian Blum – The Tortoise and the Hare MARYLAND LETTERS ABOUT LITERATURE FINALISTS 2015 Level Two (Grades -
Teen Stabbing Questions Still Unanswered What Motivated 14-Year-Old Boy to Attack Family?
Save $86.25 with coupons in today’s paper Penn State holds The Kirby at 30 off late Honoring the Center’s charge rich history and its to beat Temple impact on the region SPORTS • 1C SPECIAL SECTION Sunday, September 18, 2016 BREAKING NEWS AT TIMESLEADER.COM '365/=[+<</M /88=C6@+83+sǍL Teen stabbing questions still unanswered What motivated 14-year-old boy to attack family? By Bill O’Boyle Sinoracki in the chest, causing Sinoracki’s wife, Bobbi Jo, 36, ,9,9C6/Ľ>37/=6/+./<L-97 his death. and the couple’s 17-year-old Investigators say Hocken- daughter. KINGSTON TWP. — Specu- berry, 14, of 145 S. Lehigh A preliminary hearing lation has been rampant since St. — located adjacent to the for Hockenberry, originally last Sunday when a 14-year-old Sinoracki home — entered 7 scheduled for Sept. 22, has boy entered his neighbors’ Orchard St. and stabbed three been continued at the request house in the middle of the day members of the Sinoracki fam- of his attorney, Frank Nocito. and stabbed three people, kill- According to the office of ing one. ily. Hockenberry is charged Magisterial District Justice Everyone connected to the James Tupper and Kingston case and the general public with homicide, aggravated assault, simple assault, reck- Township Police Chief Michael have been wondering what Moravec, the hearing will be lessly endangering another Photo courtesy of GoFundMe could have motivated the held at 9:30 a.m. Nov. 7 at person and burglary in connec- In this photo taken from the GoFundMe account page set up for the Sinoracki accused, Zachary Hocken- Tupper’s office, 11 Carverton family, David Sinoracki is shown with his wife, Bobbi Jo, and their three children, berry, to walk into a home on tion with the death of David Megan 17; Madison, 14; and David Jr., 11. -
Colombian Nationalism: Four Musical Perspectives for Violin and Piano
COLOMBIAN NATIONALISM: FOUR MUSICAL PERSPECTIVES FOR VIOLIN AND PIANO by Ana Maria Trujillo A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Major: Music The University of Memphis December 2011 ABSTRACT Trujillo, Ana Maria. DMA. The University of Memphis. December/2011. Colombian Nationalism: Four Musical Perspectives for Violin and Piano. Dr. Kenneth Kreitner, Ph.D. This paper explores the Colombian nationalistic musical movement, which was born as a search for identity that various composers undertook in order to discover the roots of Colombian musical folklore. These roots, while distinct, have all played a significant part in the formation of the culture that gave birth to a unified national identity. It is this identity that acts as a recurring motif throughout the works of the four composers mentioned in this study, each representing a different stage of the nationalistic movement according to their respective generations, backgrounds, and ideological postures. The idea of universalism and the integration of a national identity into the sphere of the Western musical tradition is a dilemma that has caused internal struggle and strife among generations of musicians and artists in general. This paper strives to open a new path in the research of nationalistic music for violin and piano through the analyses of four works written for this type of chamber ensemble: the third movement of the Sonata Op. 7 No.1 for Violin and Piano by Guillermo Uribe Holguín; Lopeziana, piece for Violin and Piano by Adolfo Mejía; Sonata for Violin and Piano No.3 by Luís Antonio Escobar; and Dúo rapsódico con aires de currulao for Violin and Piano by Andrés Posada. -
Father Heinrich As Kindred Spirit
father heinrich as kindred spirit or, how the log-house composer of kentucky became the beethoven of america betty e. chmaj Thine eyes shall see the light of distant skies: Yet, COLE! thy heart shall bear to Europe's strand A living image of their own bright land Such as on thy glorious canvas lies. Lone lakes—savannahs where the bison roves— Rocks rich with summer garlands—solemn streams— Skies where the desert eagle wheels and screams— Spring bloom and autumn blaze of boundless groves. Fair scenes shall greet thee where thou goest—fair But different—everywhere the trace of men. Paths, homes, graves, ruins, from the lowest glen To where life shrinks from the fierce Alpine air, Gaze on them, till the tears shall dim thy sight, But keep that earlier, wilder image bright. —William Cullen Bryant, "To Cole, the Painter, Departing for Europe" (1829) More than any other single painting, Asher B. Durand's Kindred Spirits of 1849 has come to speak for mid-nineteenth-century America (Figure 1). FIGURE ONE (above): Asher B. Durand, Kindred Spirits (1849). The painter Thomas Cole and the poet William Cullen Bryant are shown worshipping wild American Nature together from a precipice high in the CatskiJI Mountains. Reprinted by permission of the New York Public Library. 0026-3079/83/2402-0035$0l .50/0 35 The work portrays three kinds of kinship: the American's kinship with Nature, the kinship of painting and poetry, and the kinship of both with "the wilder images" of specifically American landscapes. Commissioned by a patron at the time of Thomas Cole's death as a token of gratitude to William Cullen Bryant for his eulogy at Cole's funeral, the work shows Cole and Bryant admiring together the kind of images both had commem orated in their art. -
The Harlem Renaissance: a Handbook
.1,::! THE HARLEM RENAISSANCE: A HANDBOOK A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY ELLA 0. WILLIAMS DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA JULY 1987 3 ABSTRACT HUMANITIES WILLIAMS, ELLA 0. M.A. NEW YORK UNIVERSITY, 1957 THE HARLEM RENAISSANCE: A HANDBOOK Advisor: Professor Richard A. Long Dissertation dated July, 1987 The object of this study is to help instructors articulate and communicate the value of the arts created during the Harlem Renaissance. It focuses on earlier events such as W. E. B. Du Bois’ editorship of The Crisis and some follow-up of major discussions beyond the period. The handbook also investigates and compiles a large segment of scholarship devoted to the historical and cultural activities of the Harlem Renaissance (1910—1940). The study discusses the “New Negro” and the use of the term. The men who lived and wrote during the era identified themselves as intellectuals and called the rapid growth of literary talent the “Harlem Renaissance.” Alain Locke’s The New Negro (1925) and James Weldon Johnson’s Black Manhattan (1930) documented the activities of the intellectuals as they lived through the era and as they themselves were developing the history of Afro-American culture. Theatre, music and drama flourished, but in the fields of prose and poetry names such as Jean Toomer, Langston Hughes, Countee Cullen and Zora Neale Hurston typify the Harlem Renaissance movement. (C) 1987 Ella 0. Williams All Rights Reserved ACKNOWLEDGEMENTS Special recognition must be given to several individuals whose assistance was invaluable to the presentation of this study. -
Fossil Fuels
Gonzaga Debate Institute 1 Warming Core Warming Bad Gonzaga Debate Institute 2 Warming Core ***Science Debate*** Gonzaga Debate Institute 3 Warming Core Warming Real – Generic Warming real - consensus Brooks 12 - Staff writer, KQED news (Jon, staff writer, KQED news, citing Craig Miller, environmental scientist, 5/3/12, "Is Climate Change Real? For the Thousandth Time, Yes," KQED News, http://blogs.kqed.org/newsfix/2012/05/03/is- climate-change-real-for-the-thousandth-time-yes/) BROOKS: So what are the organizations that say climate change is real? MILLER: Virtually ever major, credible scientific organization in the world. It’s not just the UN’s Intergovernmental Panel on Climate Change. Organizations like the National Academy of Sciences, the American Geophysical Union, the American Association for the Advancement of Science. And that's echoed in most countries around the world. All of the most credible, most prestigious scientific organizations accept the fundamental findings of the IPCC. The last comprehensive report from the IPCC, based on research, came out in 2007. And at that time, they said in this report, which is known as AR-4, that there is "very high confidence" that the net effect of human activities since 1750 has been one of warming. Scientists are very careful, unusually careful, about how they put things. But then they say "very likely," or "very high confidence," they’re talking 90%. BROOKS: So it’s not 100%? MILLER: In the realm of science; there’s virtually never 100% certainty about anything. You know, as someone once pointed out, gravity is a theory. BROOKS: Gravity is testable, though.. -
Philosophical Pragmatism and the Pursuit of Perfection: an Intellectual History of Barack Obama’S Foreign Policy
Philosophical Pragmatism and the Pursuit of Perfection: An Intellectual History of Barack Obama’s Foreign Policy Jonathan Middleton A thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of History September 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract This thesis explores the role played by philosophical pragmatism in shaping Barack Obama’s approach to foreign policy. Extending the efforts of James Kloppenberg’s Reading Obama into the foreign policy sphere, the thesis posits that such an approach is more fruitful for understanding Obama’s foreign policy presidency than previous efforts which have tended to employ conventional IR categories to situate Obama. This is a work of intellectual history, taking seriously the notion that we can draw understanding of actors in the past through the ideas and contexts which shaped their modes of thinking. This effort will thus place key Obama-era foreign policy issues in their proper intellectual context. The Iraq and Afghanistan wars, crises in Libya and Syria, the “Pivot to Asia,” and the controversial use of drone technology in a continued counterterrorism effort will each be examined. Obama’s engagement with philosophical pragmatism will not be argued as being a Deus ex machina - that which explains all - but instead forms an explication for a mode of thought that is complex and varied, but crucially, also best captures the essence of the central Obamian effort at reconciling those same contradictions. -
S. Con. Res. 53
III 115TH CONGRESS 2D SESSION S. CON. RES. 53 Honoring the 75th anniversary of the All-American Girls Professional Baseball League. IN THE SENATE OF THE UNITED STATES NOVEMBER 29, 2018 Ms. WARREN (for herself and Mr. MARKEY) submitted the following concur- rent resolution; which was referred to the Committee on Commerce, Science, and Transportation CONCURRENT RESOLUTION Honoring the 75th anniversary of the All-American Girls Professional Baseball League. Whereas the manpower demands of World War II forced many minor league baseball teams to disband as players were drafted, resulting in a dearth of minor league teams by late 1942; Whereas, in late 1942, the Federal Government warned major league baseball teams that increased manpower mobilization could result in cancellation of the 1943 base- ball season, which threatened to shutter Major League Baseball parks across the country; Whereas the All-American Girls Professional Baseball League (AAGPBL) was established, and spring training for the VerDate Sep 11 2014 01:54 Nov 30, 2018 Jkt 089200 PO 00000 Frm 00001 Fmt 6652 Sfmt 6300 E:\BILLS\SC53.IS SC53 kjohnson on DSK79L0C42 with BILLS 2 League started on May 17, 1943, to address the shortage of baseball players; Whereas, from 1943 to 1954, the League provided more than 600 women the chance to play professional baseball, an opportunity never before afforded to female athletes in the United States; Whereas Penny Marshall’s film, ‘‘A League of Their Own,’’ familiarized millions of people in the United States with the history of the League; -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013.