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Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest. -
Blu-Ray Players May Play Either Dvrs Or Dvds. DVD Players Can Only Play Dvds
___ DVD 0101 - 2 Guns Rated R ___ DVD 0644 - 12 Strong Rated R ___ DVD 0100 - 12 Years A Slave Rated R ___ DVD 0645 - The 15:17 to Paris Rated PG-13 ___ DVD 0102 - 21 Jump Street Rated R ___ DVD 0314 - 22 Jump Street Rated R ___ DVR 0315 - 22 Jump Street Rated R ___ DVD 0316 - 23 Blast Rated PG-13 ___ DVD 0577 - The 33 Rated PG-13 ___ DVD 0103 - 42: The Jackie Robinson Story PG-13 ___ DVD 0964 - 101 Dalmations Rated G ___ DVR 0965 - 101 Dalmations Rated G ___ DVR 0966 - 2001: A Space Odyssey (Blu-Ray) Rated G ___ DVD 0108 - About Time Rated R ___ DVD 0107 - Abraham Lincoln: Vampire Hunter R ___ DVD 0242 - The Adjustment Bureau Rated PG-13 ___ DVD 0646 - Adrift (Based on the a True Story) PG-13 ___ DVD 0243 - The Adventures Of Tintin Rated PG ___ DVD 0706 - The Aftermath Rated R ___ DVD 0319 - Age Of Adaline Rated PG-13 Blu-Ray players may play either DVRs or DVDs. DVD players can only play DVDs. 1 | SD BTBL Descriptive Video Order Form: 2020 Catalog ___ DVR 0320 - Age Of Adaline Rated PG-13 ___ DVD 0995 - Aladdin (Animated) Rated G ___ DVR 0996 - Aladdin (Animated) Rated G ___ DVD 0997 - Aladdin (live action) Rated PG ___ DVR 0998 - Aladdin (live action) Rated PG ___ DVD 0321 - Alexander And The Terrible, Horrible, No Good, Very Bad Day Rated PG ___ DVD 0109 - Alice In Wonderland Rated PG ___ DVD 0723 - Alita: Battle Angel Rated PG-13 ___ DVR 0724 - Alita: Battle Angel Rated PG-13 ___ DVD 0725 - All Is True Rated PG-13 ___ DVD 0473 - Almost Christmas Rated PG-13 ___ DVR 0322 - Aloha (Blu-Ray) Rated PG-13 ___ DVD 0726 - Alpha Rated PG-13 ___ DVD 0111 - Alvin And The Chipmunks: The Squeakquel Rated PG ___ DVD 0110 - Alvin And The Chipmunks: Chipwrecked Rated G ___ DVD 0474 - Alvin And The Chipmunks: The Road Chip Rated PG ___ DVD 0244 - The Amazing Spider-Man Rated PG-13 Blu-Ray players may play either DVRs or DVDs. -
MASARYKOVA UNIVERZITA Fakulta Sportovních Studií Rozvoj A
MASARYKOVA UNIVERZITA Fakulta sportovních studií Katedra gymnastiky a úpolů Rozvoj a historické aspekty tanečního stylu street dance Bakalářská práce Vedoucí práce: Vypracoval: PaedDr. Dagmar Šimberová Marcela Holasová Animátor sportovních aktivit PROHLÁŠENÍ Prohlašuji tímto, ţe je tato práce mým autorským dílem, které jsem zpracovala svědomitě a samostatně. Veškeré pouţité prameny a zdroje jsou řádně citované a uvedené v seznamu literatury. V Brně dne podpis ……………. PODĚKOVÁNÍ Ráda bych co nejsrdečněji poděkovala vedoucí mé bakalářské práce PaedDr. Dagmar Šimberové za její velkou trpělivost, vstřícný přístup, podporu a cenné rady a připomínky. OBSAH: ŮVOD ...................................................................................................................... 6 1. Definice tance ...................................................................................................... 8 1. 1 Rozdělení tance .................................................................................... 10 1. 2 Pohybové schopnosti v tanci ............................................................... 10 1. 3 Tanec jako sport a umění ..................................................................... 12 2. Street dance - charakteristika ......................................................................... 14 2. 1 Nejznámější soutěţe a akce street dance. ....................................... ….15 2. 2 Street dance - historie .......................................................................... 17 2. 3 Street dance - rozdělení ....................................................................... -
Syria: the Road to Damascus
Syria: The Road to Damascus Inside Charlotte Building closes A scary fictional Halloween Boybands: now and then Jenna Lilley Gatorade Ohio Softball Player of the Year ++ LetterDear from Readers,the Editors As our tans fade, we set our alarms for early mornings and late night studying. We look forward to Friday nights in the student section, sleeping in on the weekends and a good report card. On behalf of the entire Viking Views staff, we wish you the best of luck for the 2013-2014 school year. Editors-in-Chief Chief Photo/ In this fall issue we take a comprehensive look Carly Preston n Maria Stroia Design Editor at the crisis in Syria, as well as US involvement in Madison DeChellis n Josh Emily Belles the conflict. On page 7, we announce and explain Woods Asst. Photo/ changes taking place in the classroom with the new Managing Editor Design Editors state mandates. Then, we introduce the new foreign exchange students who will be spending their year at Angela Gusbar Zach Esber Hoover on page 12. Chief Copy Editors Vanessa Crano Be sure to check out our scary stories and history of Sydney Stroia n Cassie Pratt Karinna Roknich Halloween on page 10-11, and review our list of scary Celia Kellicker Inforgraphics movies on page 32-33 with the holiday right around Chief News Editor Editor the corner. On page 14-15, a very special senior with a unique talent explains his love for stand-up comedy Liz Deeds Taylor Ulik and his recent success in the field. News Editors Business Finally, we want to give a warm welcome to all Tyler Bradley n Anthony Massa Manager the students at Hoover this year, whether it is your Danielle Huff Trent Cash first year, last year or somewhere in between. -
B-Girl Like a B-Boy Marginalization of Women in Hip-Hop Dance a Thesis Submitted to the Graduate Division of the University of H
B-GIRL LIKE A B-BOY MARGINALIZATION OF WOMEN IN HIP-HOP DANCE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN DANCE DECEMBER 2014 By Jenny Sky Fung Thesis Committee: Kara Miller, Chairperson Gregg Lizenbery Judy Van Zile ACKNOWLEDGEMENTS I would like to give a big thanks to Jacquelyn Chappel, Desiree Seguritan, and Jill Dahlman for contributing their time and energy in helping me to edit my thesis. I’d also like to give a big mahalo to my thesis committee: Gregg Lizenbery, Judy Van Zile, and Kara Miller for all their help, support, and patience in pushing me to complete this thesis. TABLE OF CONTENTS Abstract…………………………………………………………………………… 1. Introduction………………………………………………………………………. 1 2. Literature Review………………………………………………………………… 6 3. Methodology……………………………………………………………………… 20 4. 4.1. Background History…………………………………………………………. 24 4.2. Tracing Female Dancers in Literature and Film……………………………... 37 4.3. Some History and Her-story About Hip-Hop Dance “Back in the Day”......... 42 4.4. Tracing Females Dancers in New York City………………………………... 49 4.5. B-Girl Like a B-Boy: What Makes Breaking Masculine and Male Dominant?....................................................................................................... 53 4.6. Generation 2000: The B-Boys, B-Girls, and Urban Street Dancers of Today………………...……………………………………………………… 59 5. Issues Women Experience…………………………………………………….… 66 5.1 The Physical Aspect of Breaking………………………………………….… 66 5.2. Women and the Cipher……………………………………………………… 73 5.3. The Token B-Girl…………………………………………………………… 80 6.1. Tackling Marginalization………………………………………………………… 86 6.2. Acknowledging Discrimination…………………………………………….. 86 6.3. Speaking Out and Establishing Presence…………………………………… 90 6.4. Working Around a Man’s World…………………………………………… 93 6.5. -
Callahan Grinding & Machine
1929 THE TEACOALA VOLUME IV PUBLISHED BY THE SENIOR CLASS OF STATE NORMAL SCHOOL JACKSONVILLE, ALA. The senior Glass of 1929, dedicate this volume of the Teacoala to, our Alma Mater, so dear to all our hearts. To our President, whose guidance through all the years has been an inspiration for the devel- opment of the best that was in us. And to the loyal and faithful Faculty, whose every effort has been in our behalf In the pages that follow, you will see the untiring efforts of those who were sincere- ly interested in the publication of this book, a book not above reproach, but may this year be preserved for you on these pages, may these pictures recall old faces and once familiar scenes. And may the actors in this Drama not go down into the silent tomb of the forgotten. But live always in our hap- py memories of yesterday. JACKSONVILLEHOUSTON COLE STATE LIBRARY UNIVERSITY JACKSONVILLE, ALABAMA 36265 College Classes Athletics Organizations HighFeatures High School Humor and Ads The College Administration Building Page five Campus Scene Training School Page six Boys' Dormitory Page seven Girls' Dormitory Page eight President's Home Page nine Teacoala Alma Mater (Composed by Mrs. Ada McGraw Pitts) Tune: "Where the Morning Glories Grow." How I love you, how I love you, Dear old S. N. S. Where the boys and girls together Are striving for success. We adore you, we adore you, Andl we are working with a wil In our dear old alma mater In the town of Jacksonville. Mid the hills of Alabama Stands our dear old S. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Download Full Book
For Business and Pleasure Keire, Mara Laura Published by Johns Hopkins University Press Keire, Mara Laura. For Business and Pleasure: Red-Light Districts and the Regulation of Vice in the United States, 1890–1933. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.467. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/467 [ Access provided at 1 Oct 2021 16:48 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. For Business & Pleasure This page intentionally left blank studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library For Business & Pleasure Red-Light Districts and the Regulation of Vice in the United States, 1890–1933 mara l. keire The Johns Hopkins University Press Baltimore ∫ 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Keire, Mara L. (Mara Laura), 1967– For business and pleasure : red-light districts and the regulation of vice in the United States, 1890–1933 / Mara L. Keire. p. cm. — (Studies in industry and society) Includes bibliographical references and index. isbn-13: 978-0-8018-9413-8 (hbk. : alk. paper) isbn-10: 0-8018-9413-1 (hbk. : alk. paper) 1. Red-light districts—United States—History—20th century. -
The Hip Hop Lectures (Volume 1) By: Dr
The Hip Hop Lectures (Volume 1) By: Dr. T.L. Osborne Table of Contents Introduction: Why Am I Writing This Book? Chapter 1: Page 1 African Music History: The Originators Chapter 2: Page 27 The Party is Over: A New Journey Without Beats & Freedom Chapter 3: Page 44 From Hopeless to Hopeful: The Power of Spirituals & The Impacts of Lynch, Tubman, and Turner Chapter 4: Page 82 Sold Out, But Not Necessarily a Sell-Out Chapter 5: Page 104 The Harlem Renaissance: Short-Lived With Long-Term Impacts Chapter 6: Page 216 Rock-N-Roll Ain’t Just White People’s Music Chapter 7: Page 228 The Civil Rights Movement: Fantasy versus Reality Chapter 8: Page 276 The Rise of Post-Civil Rights Movements: The Emergence of The Black Arts Movement & The Black Panther Party Chapter 9: Page 292 Soulless to Soulful: The Impact of Berry Gordy & Motown on Hip Hop Culture i Chapter 1 African Music History: The Originators Historically, Hip Hop culture is known to have started in New York; during the early 1970s. However, controversy surrounds which specific area in New York created the cultural phenomenon, called Hip Hop. The history concerning which part of New York created this influential and multi-billion dollar movement is documented in 1985. The battle rap included rappers from Queensbridge (MC Shan & The Juice Crew) versus rappers from the South Bronx (KRS-One & Boogie Down Productions). Even though, New York, is noted as the birthplace for Hip Hop culture, Hip Hop’s roots were developed before one city or state declared ownership of the cultures’ creation. -
2013 Feature Film Production Report
2013 Feature Film Production Report © 2014, FilmL.A. Research 6255 W. Sunset Blvd., 12th Floor ● Los Angeles, CA 90028 ● 213.977.8600 ● www.filmla.com About this Report This report is the product of independent research conducted by FilmL.A, Inc. FilmL.A. is Los Angeles’ regional film office, serving the City and County of Los Angeles and an ever‐increasing roster of local municipalities. Providing streamlined permit processing, comprehensive community relations, marketing services, film policy analysis and more to these jurisdictions, FilmL.A. works to attract and retain film production in Greater Los Angeles. Integral to FilmL.A.’s work is ongoing research into the benefits that local filming brings to the Los Angeles region. To that end, the company maintains an internal research division devoted to the production, collection and dissemination of information regarding the U.S. film production economy. On behalf of everyone at FilmL.A. and those who depend on local entertainment production for their livelihoods, we thank you for your interest in this report. If you have any questions about the content herein, the authors welcome your inquiries. Adrian McDonald, Lead Research Analyst FilmL.A. Research 6255 W. Sunset Blvd., 12th Floor Hollywood, CA 90028 213.977.8636 www.filmla.com Executive Summary This study is the result of approximately six months of independent research performed by FilmL.A., Inc., the film office for the greater Los Angeles region. It began with a desire to better quantify the negative effects of runaway production on California’s signature feature film industry. FilmL.A. Research endeavored to track the movies released in 2013 to determine where they were filmed, why they filmed in the locations they did, and how much was spent to produce them. -
Ultimate Battle Masters, Le Retour
Communiqué de Presse ULTIMATE BATTLE MASTERS, LE RETOUR Après le succès de la première édition en 2018, qui l’a hissée d’emblée dans le top national des compétitions internationales de breakdance, « L'Ultimate Battle Masters (UBM) » - revient sur le territoire du Grand Paris Seine & Oise, le samedi 28 septembre 2019 au théâtre de la Nacelle à Aubergenville. UBM2, la garantie d’un spectacle explosif Pour cette deuxième édition, le Centre de la Danse Pierre Doussaint (CDLD), équipement communautaire, et l'association KDA élargissent encore les horizons de cette compétition, en dépassant les frontières de la France et de l’Europe, avec l’accueil d’une équipe aux couleurs du Brésil. UBM 2, c’est la garantie d’un spectacle explosif qui allie performances artistiques et prouesses athlétiques de très haut niveau dans une ambiance festive, qui s’adresse à un public intergénérationnel, averti comme amateur. Le Breakdance, une entrée prévue aux JO 2024 Le breakdance ou « breaking » est emblématique en France comme dans le monde entier de l’engouement pour les cultures urbaines. Une ferveur populaire et planétaire pour cette discipline artistique et sportive qui justifie pleinement son entrée en 2024 aux Jeux Olympiques Paris. Les rudiments d’un battle : 2 b.boys (danseurs), plusieurs B.boys (armaguedon) ou 2 crews (équipes de danseurs) se jaugent et se répondent du tac au tac en rivalisant de technique, de musicalité et d’originalité au milieu du cercle (cypher) pour exécuter leur chorégraphie et convaincre le jury comme le public afin de l’emporter. Le DJ a un rôle prépondérant car c’est lui qui choisit les musiques (breakbeat) qui vont entrainer les danseurs à se surpasser sur le rythme, secondé par le speaker qui harangue le public et fait parfois office d’arbitre : rappel des règles, maître du temps… A l’issue de chaque battle les juges ont la lourde tâche de déterminer le vainqueur en s’appuyant sur des critères précis mais qui laissent part à la subjectivité.