Digital Radio Pack

Total Page:16

File Type:pdf, Size:1020Kb

Digital Radio Pack Contents Make Time For Digital Radio Introduction – Make time for digital radio . 2 The BBC’s five new digital radio networks . 3 Interviews: Double Trouble, Phill Jupitus and Phil Wilding (6 Music) . 5 Stand up And Be Counted, Robin Ince (BBC 7) . 8 Listening highlights . 10 Facts and figures . 23 BBC radio networks on DAB . .24 Coverage . 25 Frequently asked questions . 26 Radio milestones . 30 Make Time For Digital Radio Introduction Make time for digital radio Make time for digital radio this summer with This summer sees for the first time a major five new stations from the BBC. on-air promotional campaign by the BBC for its new digital radio portfolio, with radio, From the best in UK garage on 1Xtra to top television and online trails running from late comedy from the nation’s favourite performers June to the end of July. on BBC 7, from exclusive sporting events on Five Live Sports Extra to new Asian talent on Andy Duncan, Director, BBC Marketing & the Asian Network, plus the best in Communications explains:“Our big goal is to contemporary and classic pop on 6 Music, see as many people as possible getting access the BBC’s portfolio of digital radio networks to our new radio networks.We expect new is great news for listeners, bringing them stocks of DAB digital radios to be available in more choice, more great programmes and the shops at the same time as the campaign, so more great radio talent. the impact should be considerable.” Alongside the BBC’s existing family of six Another landmark for summer 2003 is the speech and music stations – Radio 1, Radio 2, expansion of the BBC’s DAB transmitter Radio 3, Radio 4, Radio Five Live and the World network. Currently covering 65% of the UK Service – the five new networks are all available population, the figure will rise to 85% by 2004 nationally on DAB digital radio.And, in some with coverage being extended to areas of areas, the BBC’s regional services have been Scotland, the South and South East, East Anglia, launched on digital radio too. Central England, the North, and the West and South West. As well as more stations, DAB digital radio offers listeners a totally different listening A further landmark for 2003 is the first experience from analogue radio, with no reporting in October on RAJAR of the BBC’s electrical interference or interference from digital-only stations 1Xtra, Five Live Sports atmospheric conditions, clear sound, easy Extra, 6 Music and BBC 7. Figures will cover tuning and extra information transmitted as quarter three of 2003, the months of July, text.The BBC’s digital radio networks are also August and September. available through digital television (satellite, cable and Freeview) and via the internet. Jenny Abramsky, Director, BBC Radio & Music says:“2002 was a wonderful year for BBC 23 June 2003 Radio and a marked a major step towards the digital future.We launched five new networks and made a huge addition to public service broadcasting. It’s clear that the new BBC services will play a major role in driving the uptake of digital radio.” Make Time For Digital Radio 2 BBC Digital Radio Networks The BBC’s five new digital radio networks 1Xtra is the new digital A part-time network, the station broadcasts station from the BBC live events which are not scheduled elsewhere dedicated to playing the on BBC Radio. It’s already the digital home of best in new black music Test Match Special and provides additional for fans nationwide. Wimbledon coverage and in-depth football 1Xtra plays everything from the hottest new commentaries. R&B and hip hop through to the latest breaking drum and bass and reggae. In addition www.bbc.co.uk/fivelive/sportsextra the network is home to some of the best new presenting talent in the country today. A celebration of the very best in With DJs such as Rampage and Ace & Invisible music, 6 Music is in the daytime through to big clubland talent a station for such as the Punjabi Hit Squad, Semtex and people passionate about rock and pop. Femme Fatale in the evening, the line up has something for everyone. Launched on 11 March 2002, 6 Music features a rich mix of contemporary and classic artists 1Xtra provides innovative speech from a that range from The Clash, Patti Smith and dedicated news team alongside an unparalleled New Order, through to Sly & The Family Stone, level of live music and is committed to Jimi Hendrix and Public Enemy. In addition to ensuring its audience gets a station targeted at playing a wide selection of established acts, the their needs and dedicated to their lifestyles. network also champions some of the best emerging bands and talent including Muse,Turin Launched on 16 August 2002, 1Xtra is a real Brakes, Elbow and many others. first for the UK, providing a much-needed service for young, black music fans and helping As diverse as its schedules is 6 Music’s the black music scene grow and develop in a presenter roster which includes, among way it never could before. others, Phill Jupitus, Liz Kershaw, Gideon Coe, Andrew Collins, Jayne Middlemiss, Steve www.bbc.co.uk/1xtra Lamacq, Stuart Maconie,Tom Robinson,Janice Long, Craig Charles and Bruce Dickinson. Five Live Sports Extra is the home True to its promise that it will deliver the best of live sport, offering exclusive music, 6 Music is not dictated to by the charts coverage of major sporting events, or influenced by fashion and gives a national from the Premiership and Six platform to the more obscure tracks that rarely Nations Rugby to Formula One receive airtime on radio. Programming also and cricket. includes highlights from 40 years of bespoke sessions (many of which contain unique, Produced by Radio Five Live’s award-winning otherwiseunavailable recordings) and re-runs of team and launched in February 2002, Five Live definitive BBC music documentaries, which Sports Extra offers listeners the opportunity reveal the true stories at the heart of the music. to enjoy a front-row seat at some of the biggest sporting events of the year. www.bbc.co.uk/6music Make Time For Digital Radio 3 BBC Digital Radio Networks BBC 7 broadcasts A one-stop shop unadulterated for Asian entertainment all communities, the day, every day, Asian Network celebrating the power of the spoken word to re-launched as a nationwide digital station on make people think, smile laugh out loud. It offers 28 October 2002.The station features news, the best of BBC comedy, drama and books from including top international and consumer the archives, as well as a daily live kids’ show. stories, and music from the British Asian scene -– from cutting-edge sounds to old favourites. Welcome to a world where Winnie The Pooh meets The League Of Gentlemen, where Alan For young Asians living in different urban Partridge meets Alice In Wonderland and communities across the country, the channel where Agatha Christie meets Doctor Who. provides an opportunity to have a voice about BBC 7’s huge range of top-quality programmes issues affecting their lives.And because the guarantees there’s something for everybody. station has a young talent base, it ensures that the Asian Network’s finger is firmly on the Its comedy line-up includes some of the best- pulse of contemporary Asian life. known shows and biggest names around. Listeners can hear the original radio comedies Sonia Deol presents a weekday morning show which became TV hits – Dead Ringers, Goodness dedicated to giving Asian Britons the chance to Gracious Me, Knowing Me, Knowing You – plus all- discuss the big news or social issues of the day; time greats The Goons, Hancock’s Half Hour and Gagan Grewal presents Breakfast, a mixture of Just A Minute, and stand-up from the likes of Rory news, travel, sport and the best music to start Bremner, Greg Proops, Jo Brand and Ross Noble. the day; Ray Khan makes sure listeners are kept entertained and informed on their way home There’s also drama, from thrillers to detective from work on his Drive programme; and stories, science fiction to the classics, as well as weekends can be spent catching up on sports readings of favourite books and best sellers. Big news or the glamorous goings on in the film Toe is a new, live, interactive show just for kids, world, from Bollywood to Hollywood, with providing gossip, competitions, interviews and presenters Maz Khan and Rajni Sharma. stories with presenters including Jez Edwards and Kirsten O’Brien. On the music front, DJ Adil Ray and DJ Ritu showcase the latest offerings from British BBC 7 launched on 15 December 2002 and Asian artists including feature interviews and was awarded one of the radio industry’s top live studio sessions. awards – a Sony Gold – for Best Station Sound in May 2003. In July it extends its broadcasting www.bbc.co.uk/asiannetwork hours from midnight to 3.30am. www.bbc.co.uk/bbc7 The BBC’s long-standing radio networks – Radio 1, Radio 2, Radio 3, Radio 4, Radio Five Live and the World Service (in English) – can also be heard on DAB digital radio, as well as BBC regional services in some areas. Make Time For Digital Radio 4 Breakfast Show – interview Double Trouble Breakfast Show,Weekdays, 7.00am, 6 Music It’s been over a year since 6 Music hit the them every morning when he’s on shift.They airwaves yet in all that time Breakfast Show have convinced themselves that he waits to presenter Phill Jupitus and his producer and hear his requested song before attending to sidekick, Phil Wilding, have never been his dying patients … interviewed together.
Recommended publications
  • BBC SOUND BROADCASTING Its Engineering Development
    Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting.
    [Show full text]
  • History of the DVB Project
    History of the DVB Project (This article was written by David Wood around 2013.) Introduction The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of Understanding (MoU). Until late 1990, digital television broadcasting to the home was thought to be impractical and costly to implement. During 1991, broadcasters and consumer equipment manufacturers discussed how to form a concerted pan-European platform to develop digital terrestrial TV. Towards the end of that year, broadcasters, consumer electronics manufacturers and regulatory bodies came together to discuss the formation of a group that would oversee the development of digital television in Europe. This so-called European Launching Group (ELG) expanded to include the major European media interest groups, both public and private, the consumer electronics manufacturers, common carriers and regulators. It drafted the MoU establishing the rules by which this new and challenging game of collective action would be played. The concept of the MoU was a departure into unexplored territory and meant that commercial competitors needed to appreciate their common requirements and agendas. Trust and mutual respect had to be established. The MoU was signed by all ELG participants in September 1993, and the Launching Group renamed itself as the Digital Video Broadcasting Project (DVB). Development work in digital television, already underway in Europe, moved into top gear. Around this time a separate group, the Working Group on Digital Television, prepared a study of the prospects and possibilities for digital terrestrial television in Europe.
    [Show full text]
  • Replacing Digital Terrestrial Television with Internet Protocol?
    This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch.
    [Show full text]
  • 52183 FRMS Cover 142 17/08/2012 09:25 Page 1
    4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs.
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
    BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter
    [Show full text]
  • PRESS RELEASE 12 May 2016
    PRESS RELEASE 12 May 2016 City of Birmingham Symphony Orchestra announces its 2016-17 Birmingham concert Season Inaugural season with Mirga Gražinytė-Tyla as CBSO Music Director Mirga Gražinytė-Tyla conducts 6 programmes throughout the season Pianist Steven Osborne is CBSO’s Artist in Residence The Spirit of England series explores the many facets of English identity, with artists including Tasmin Little, Nicholas Collon and comedian Adil Ray The CBSO Chorus performs Mozart’s Idomeneo under Mirga Gražinytė-Tyla Guest artists include Alison Balsom, Nicola Benedetti, Benjamin Grosvenor, Roderick Williams, Sarah Connolly, Jean-Guihen Queyras, Barbara Hannigan and Stephen Hough Guest conductors include Andris Nelsons, Richard Egarr, Karina Canellakis, Edward Gardner, Alpesh Chauhan, Ben Gernon and John Wilson Friday Night Classics and Christmas concerts include programmes presented by Jessica Hynes, Mark Kermode, John Suchet, Adil Ray and Anne-Marie Minhall The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2016-17 Birmingham Concert Season at Symphony Hall, Birmingham, the first with Mirga Gražinytė-Tyla as Music Director. The season includes an exploration of different perspectives of Englishness; British pianist Steven Osborne performs a number of concerts as Artist in Residence; and the Orchestra welcomes an array of top international artists in a season with something for everyone. Osborn Music Director Mirga Gražinytė-Tyla Following her phenomenally successful debut with the CBSO last season and subsequent appointment as Osborn Music Director, Mirga Gražinytė-Tyla directs six programmes in her inaugural season. The CBSO is known for performing the widest range of orchestral and choral music, and Gražinytė-Tyla continues this tradition in her new role.
    [Show full text]
  • LR003208 - Alfred Bradley (Interview 14) - No Date.Wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715
    File: LR003208 - Alfred Bradley (interview 14) - no date.wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715 START AUDIO Interviewer: A history of north regional broadcasting, interview number 14, Alfred Bradley. Radio's very first play was broadcast from Station 2LO London on the 15th November 1922. The day after Broadcasting England first began and it was heard in the children's programme but the north region can probably boast the first adult play written for wireless. L. du Garde Peach was the author. It came from the British Broadcasting Company's Metrovix studio and was broadcast by Station 2ZY. By the start of the 1930s far more Northerners were hearing plays than seeing them in the theatre. They were produced by the likes of Jan Bussell, Cecil McGiven and by Edward Wilkinson. The radio dramatic feature became the invention and hallmark of Geoffrey Brideson and Frances Dillon, Olive Shapley and Joan Littlewood all working from North region. By the 1940s James R Gregson had started a school for Radio Playwrights at the Leeds Studios. No history of North Regional Broadcasting would be anywhere near compete without BBC Regional Drama's most distinguished name, that of Alfred Bradley who's with me now. 0:01:19 Alfred you joined in 1959? Alfred Bradley: Yes, I came from a strange job. I was drama advisor in Leicestershire. I suppose I started off wanting to be an actor and I grew out of that very quickly. Found I was better at directing than acting. I couldn't be bothered to remember the lines.
    [Show full text]
  • Ideology of the Air
    IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me.
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • Bpsr N Nte Cei B Nary
    5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 1 Spring 2013 No. 158 £2.00 Bulletin RPS bicentenary 5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 2 5689 FRMS pages:Layout 1 20/02/2013 17:11 Page 3 FRMS BULLETIN Spring 2013 No. 158 CONTENTS News and Comment Features Editorial 3 Cover story: RPS Bicentenary 14 Situation becoming vacant 4 A tale of two RPS Gold Medal recipients 21 Vice-President appointment 4 FRMS Presenters Panel 22 AGM report 5 Changing habits 25 A view from Yorkshire – Jim Bostwick 13 International Sibelius Festival 27 Chairman’s column 25 Anniversaries for 2014 28 Neil Heayes remembered 26 Roger’s notes, jottings and ramblings 29 Regional Groups Officers and Committee 30 Central Region Music Day 9 YRG Autumn Day 10 Index of Advertisers Societies Hyperion Records 2 News from Sheffield, Bath, Torbay, Horsham, 16 Arts in Residence 12 Street and Glastonbury, and West Wickham Amelia Marriette 26 Nimbus Records 31 CD Reviews Presto Classical Back cover Hyperion Dohnányi Solo Piano Music 20 Harmonia Mundi Britten and Finzi 20 Dutton Epoch British Music for Viola and orch. 20 For more information about the FRMS please go to www.thefrms.co.uk The editor acknowledges the assistance of Sue Parker (Barnsley Forthcoming Events and Huddersfield RMSs) in the production of this magazine. Scarborough Music Weekend, March 22nd - 25th (page 13) Scottish Group Spring Music Day, April 27th (page 13) th th Daventry Music Weekend, April 26 - 28 (pages 4 & 8) Front cover: 1870 Philharmonic Society poster, courtesy of th West Region Music Day, Bournemouth, June 4 RPS Archive/British Library th FRMS AGM, Hinckley, November 9 EDITORIAL Paul Astell NOTHER AGM HAS PASSED, as has another discussion about falling membership and A the inability to attract new members.
    [Show full text]
  • “Talkin' 'Bout My Generation”: Radio Caroline and Cultural Hegemony
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation Article (Accepted Version) Miley, Frances M and Read, Andrew F (2017) Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation. Accounting History, 22 (3). pp. 301-319. ISSN 1032-3732 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/67723/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way.
    [Show full text]