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Report on Information and Communication for Development

Policy and Research Programme on Role of Media and Communication in Development Final Project Report April 2010 – March 2012 Grant Reference Number: AG4601 MIS Code: 732-620-029 Contact: James Deane, Head of Policy [email protected] BBC Media Action Bush House, PO Box 76, Strand, London WC2B 4PH Telephone +44 (0) 207 557 2462, Fax +44 (0)207 379 1622, E-mail: [email protected] www.bbcworldservicetrust.org 2 BBC Media Action Policy and Research Programme on the Role of Media and Communication in Democratic Development INTRODUCTION This is the final report of the Policy and Research Programme on the Role of Media and Communication Development. It provides a narrative overview of progress and impact between April 2010 and March 2012 of the DFID funded Policy and Research Programme on the Role of Media in Development, building on an earlier report submitted for activities carried out between April 2010 and March 2011. In 2006 the Department for International Development (DFID) allocated £2.5 million over five years for the establishment of a 'Policy and Research Programme on the Role of Media and Communication in Development' to be managed by BBC Media Action (formerly the BBC World Service Trust). The Programme ran from July 2006 through to March 2012, including a no-cost extension. A small additional contribution to the Programme from the Swedish International Development Agency was received over the period (approximately £300,000 over the period 2009- 2012). In November 2011, DFID reached agreement with the BBC World Service Trust (since January 2012, renamed as BBC Media Action) for a new Global Grant amounting to £90 million over five years.
Annual Review 2008 Creative Partnerships in International Development Introduction

Annual Review 2008 Creative partnerships in international development introduction Mission The BBC World Service Trust uses media and Why media and communication to reduce poverty and promote human rights, thereby enabling people to build better lives for themselves. communication matters Vision We believe that independent and vibrant media are critical to the development of free and just societies. We live on a planet rich in resources We share the BBC’s ambition to strengthen the exchange and yet more than three billion people of accurate, impartial and reliable information to enable try to survive on less than $2.50 a day. people to make informed decisions. Our inspiration is a Many people in developing countries world in which individuals and civil society use media and are confronted with desperately difﬁ cult communications to become effective participants in their challenges: hunger, HIV and AIDS, own political, economic, social and cultural development. population growth, climate change, war, and the daily grind of poverty. The work is structured in three regions: Africa, Asia and Europe, Middle East and Central Asia. We are also When considering global inequality, there is involved in cross-cutting activities, including policy, public still the overarching perception among the affairs and business development that span all regions. general public and many people working for development agencies that the chief Our work focuses on two main areas, media development and importance of the media is to draw public development communications, and is delivered through four attention – especially in rich countries – to overarching themes: emergency response, governance the plight of people living in poverty.
Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK

BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter
LR003208 - Alfred Bradley (Interview 14) - No Date.Wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715

File: LR003208 - Alfred Bradley (interview 14) - no date.wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715 START AUDIO Interviewer: A history of north regional broadcasting, interview number 14, Alfred Bradley. Radio's very first play was broadcast from Station 2LO London on the 15th November 1922. The day after Broadcasting England first began and it was heard in the children's programme but the north region can probably boast the first adult play written for wireless. L. du Garde Peach was the author. It came from the British Broadcasting Company's Metrovix studio and was broadcast by Station 2ZY. By the start of the 1930s far more Northerners were hearing plays than seeing them in the theatre. They were produced by the likes of Jan Bussell, Cecil McGiven and by Edward Wilkinson. The radio dramatic feature became the invention and hallmark of Geoffrey Brideson and Frances Dillon, Olive Shapley and Joan Littlewood all working from North region. By the 1940s James R Gregson had started a school for Radio Playwrights at the Leeds Studios. No history of North Regional Broadcasting would be anywhere near compete without BBC Regional Drama's most distinguished name, that of Alfred Bradley who's with me now. 0:01:19 Alfred you joined in 1959? Alfred Bradley: Yes, I came from a strange job. I was drama advisor in Leicestershire. I suppose I started off wanting to be an actor and I grew out of that very quickly. Found I was better at directing than acting. I couldn't be bothered to remember the lines.
Ideology of the Air

IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me.
Bpsr N Nte Cei B Nary

5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 1 Spring 2013 No. 158 £2.00 Bulletin RPS bicentenary 5689 FRMS cover:52183 FRMS cover 142 18/02/2013 15:00 Page 2 5689 FRMS pages:Layout 1 20/02/2013 17:11 Page 3 FRMS BULLETIN Spring 2013 No. 158 CONTENTS News and Comment Features Editorial 3 Cover story: RPS Bicentenary 14 Situation becoming vacant 4 A tale of two RPS Gold Medal recipients 21 Vice-President appointment 4 FRMS Presenters Panel 22 AGM report 5 Changing habits 25 A view from Yorkshire – Jim Bostwick 13 International Sibelius Festival 27 Chairman’s column 25 Anniversaries for 2014 28 Neil Heayes remembered 26 Roger’s notes, jottings and ramblings 29 Regional Groups Officers and Committee 30 Central Region Music Day 9 YRG Autumn Day 10 Index of Advertisers Societies Hyperion Records 2 News from Sheffield, Bath, Torbay, Horsham, 16 Arts in Residence 12 Street and Glastonbury, and West Wickham Amelia Marriette 26 Nimbus Records 31 CD Reviews Presto Classical Back cover Hyperion Dohnányi Solo Piano Music 20 Harmonia Mundi Britten and Finzi 20 Dutton Epoch British Music for Viola and orch. 20 For more information about the FRMS please go to www.thefrms.co.uk The editor acknowledges the assistance of Sue Parker (Barnsley Forthcoming Events and Huddersfield RMSs) in the production of this magazine. Scarborough Music Weekend, March 22nd - 25th (page 13) Scottish Group Spring Music Day, April 27th (page 13) th th Daventry Music Weekend, April 26 - 28 (pages 4 & 8) Front cover: 1870 Philharmonic Society poster, courtesy of th West Region Music Day, Bournemouth, June 4 RPS Archive/British Library th FRMS AGM, Hinckley, November 9 EDITORIAL Paul Astell NOTHER AGM HAS PASSED, as has another discussion about falling membership and A the inability to attract new members.
“Talkin' 'Bout My Generation”: Radio Caroline and Cultural Hegemony

View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation Article (Accepted Version) Miley, Frances M and Read, Andrew F (2017) Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation. Accounting History, 22 (3). pp. 301-319. ISSN 1032-3732 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/67723/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way.
British Radio Drama and the Avant-Garde in the 1950S

British radio drama and the avant-garde in the 1950s Hugh Chignell 1 Bournemouth University, UK Correspondence: Professor Hugh Chignell, Faculty of Media and Communication, Bournemouth University, Poole, Dorset, BH12 5BB, UK. +44 (0)1202 961393 Email: [email protected] 1 British radio drama and the avant-garde in the 1950s Abstract The BBC in the 1950s was a conservative and cautious institution. British theatre was at the same time largely commercial and offered a glamorous distraction from wider social and political realities. During the decade, however, new avant-garde approaches to drama emerged, both on the stage and on radio. The avant-garde was particularly vibrant in Paris where Samuel Beckett was beginning to challenge theatrical orthodoxies. Initially, managers and producers in BBC radio rejected a radio version of Beckett’s, Waiting for Godot and other experimental work was viewed with distaste but eventually Beckett was accepted and commissioned to write All That Fall (1957), a masterpiece of radio drama. Other Beckett broadcasts followed, including more writing for radio, extracts from his novels and radio versions of his stage plays as well as plays by the experimental radio dramatist, Giles Cooper. This article examines the different change agents which enabled an initially reluctant BBC to convert enthusiastically to the avant-garde. A networked group of younger producers, men and women, played a vital role in the acceptance of Beckett as did the striking pragmatism of senior radio managers. A willingness to accept the transnational cultural flow from Paris to London was also an important factor. The attempt to reinvent radio drama using ‘radiophonic’ sound effects (pioneered in Paris) was another factor for change and this was encouraged by growing competition from television drama on the BBC and ITV.
Implications of the BBC World Service Cuts

House of Commons Foreign Affairs Committee Implications of the BBC World Service Cuts Written evidence Only those submissions written specifically for the Committee and accepted by the Committee as evidence for the inquiry into the Implications of the BBC World Service Cuts are included. 1 List of written evidence 1 Gilberto Ferraz Page 4 2 Corinne Podger 6 3 Rosie Kaynak 7 4 Keith Perron 8 5 Jonathan Stoneman 11 6 Keith Somerville 13 7 Sir John Tusa 19 8 John Rowlett 23 9 Jacqueline Stainburn 24 10 Richard Hamilton 25 11 Elzbieta Rembowska 26 12 Ian Mitchell 27 13 Marc Starr 28 14 Andrew Bolton 29 15 Patrick Xavier 30 16 Ailsa Auchnie 31 17 Catherine Westcott 32 18 Caroline Driscoll 35 19 BECTU 37 20 Rajesh Joshi, Rajesh Priyadarshi 40 and Marianne Landzettel 21 Clem Osei 44 22 Sam Miller 45 23 The Kenya National Kiswahili Association (CHAKITA) 47 24 Mike Fox 50 25 Kofi Annan 51 26 Geraldine Timlin 52 27 Nigel Margerison 53 28 Dennis Sewell 54 29 Voice of the Listener & Viewer 56 30 Kiyo Akasaka 60 31 Neville Harms 61 32 M Plaut 64 33 Graham Mytton 65 34 National Union of Journalists 67 35 National Union of Journalists Parliamentary Group 76 36 Trish Flanagan 78 37 Ben Hartshorn 80 38 Naleen Kumar 81 39 Jorge da Paz Rodrigues 83 40 BBC World Service 84 41 BBC World Service 89 2 42 Marc Glinert 100 43 Andrew Tyrie MP 101 44 BBC World Service 103 3 Written evidence from Gilberto Ferraz (Retired member of the World Service, in which served for 30 years) PROPOSED CLOSING DOWN OF THE BBC PORTUGUESE LANGUAGE SERVICE The announcement of the closure of the Portuguese Language Service to Africa is lamentable and wrong for the following reasons: 1.
Shiplake and the Banks of the Thames

Shiplake and the banks of the Thames Introduction The walk takes us from Shiplake (strictly speaking Shiplake Cross), through Lower Shiplake, along the banks of the Thames as far as Shiplake College and then back to the start. Key points are numbered on the map and correspond to the numbered sections below. Shiplake is a two-village parish. The oldest part is the area known as the village of Shiplake Cross. It is close to the parish church of St. Peter and Paul, Shiplake College (formerly Shiplake Court and farm), the local primary school and the Plowden Arms pub. The newer part, near the river and the station, is Lower Shiplake which is the "commercial centre", with all the shops, a post office etc. The name Shiplake most likely stems from 'stream where sheep are washed‘ (sheeplake) but it has also been suggested that it could be named after the final resting place of a Viking ship (ship loss) as the river was too shallow to navigate above Shiplake. 1) Shiplake Memorial Hall and Institute Shiplake Memorial Hall was built in 1925-6 as the gift of the Mardon family in memory of their son killed in the First World War. It was prominently supported by the Thames Lodge of the Freemasons. It was used as a temporary classroom for evacuees from London during World War Two, as the local primary school was not big enough. In 2013 a complete refurbishment and expansion was undertaken costing £450,000 (almost the same as it cost to build the original). At the western end of Memorial Avenue is a primary school, originally built in 1847 but replaced in 1963 and extended since then.
India and Asia-Pacific

The AIBs 2013 The short list Current affairs documentary | radio ABC International - Radio Australia/Radio National Background Briefing: PNG Land Scandal Grey Heron Media Documentary on One - Take No More Radio Free Europe/Radio Liberty In the Footsteps of Sandzak Youths Who Fight in Syria Radio Taiwan International My Days at the Mental Ward Voice of Nigeria Health Corner: Managing Autism Voice of Russia FGM - The Horror of Hidden Abuse Creative feature | radio Classic FM Beethoven: The Man Revealed Kazakhstan TV & Radio Corporation Classicomania Nuala Macklin – independent producer Below the Radar Radio Taiwan International Once upon a Taiwan Voice of Nigeria Ripples Voice of Russia Out to Dry: A London Launderette on the Line Investigative documentary | radio BBC Arabic Arab Refugees in Scotland Radio Free Asia Lost but not Forgotten: Justice Sought for Missing Uyghurs Radio Free Europe/Radio Liberty Victims of 88 (AKA 2009) Tinderbox Production An Unspeakable Act Live journalism | radio Middle East Broadcasting Networks Afia Darfur - Darfurian Refugees BBC 5 Live Victoria Derbyshire Show: Animal Research Lab Radio New Zealand International The Auckland Tornado Voice of Russia The News Show (Death of Margaret Thatcher) International radio personality Classic FM John Suchet Voice of America Paul Westpheling Voice of America Steve Ember Voice of Russia Tim Ecott Children’s factual programme or series | TV ABS-CBN Broadcasting Corporation Matanglawin (Hawkeye) Sabang Dragons Australian Broadcasting Corporation My Great Big Adventure -
Broadcasting in the UK and US in the 1950S

Broadcasting in the UK and US in the 1950s Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley Broadcasting in the UK and US in the 1950s: Historical Perspectives Edited by Jamie Medhurst, Siân Nicholas and Tom O’Malley This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Jamie Medhurst, Siân Nicholas, Tom O’Malley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8899-0 ISBN (13): 978-1-4438-8899-8 CONTENTS Contributors ............................................................................................... vii Editors ........................................................................................................ ix Acknowledgements .................................................................................... xi List of illustrations .................................................................................... xiii Chapter One ................................................................................................. 1 Introduction Jamie Medhurst and Tom O’Malley Chapter Two ...............................................................................................