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Robin Whenary Resume
ROBIN WHENARY - Director of Photography ON THE BEACHES (Short) Director: Luke Rodgers. Producers: Jesse Algranti and Harry Cherniak. Starring: Bella Ramsey, Toby Woolf, Nicholas Woodeson, Simon Paisley Day and John Dalgleish. Walnut Pictures / UK Jewish Film. ACKLEY BRIDGE (Series 3, Episodes 1 & 2) Director: Penny Woolcock. Producer: Jo Johnson. Starring: Amy Leigh Hickman, Poppy Lee Friar, Jo Joyner, Sunetra Sarker and Robert James-Collier. Channel 4 Television. RACHEL (Short) Director: Caroline Bartleet. Producer: Ania Nakov. Starring: Jodie Whittaker, Kate Ashfield and Clara Read. Stefan Allesch-Taylor / The Ridley Scott Creative Group. Encounters Short Film Festival 2019 Aesthetica Short Film Festival 2019 Underwire Film Festival 2019 DELICIOUS (Series 3) Director: Robin Sheppard & Amit Gupta. Producer: Phillippa Giles. Starring: Dawn French, Emilia Fox, Sheila Hancock, Iain Glen and Vincent Regan. Bandit Television / Sky. ACKLEY BRIDGE (Series 2, Episodes 9 & 10) Director: Penny Woolcock Producers: Alex Lamb Starring: Amy Leigh Hickman, Poppy Lee Friar, Liz White, Jo Joyner, Adil Ray and Sunetra Sarker. The Forge / Channel 4 THANKS FOR THE MEMORIES (Television Mini-Series) Director: Amit Gupta. Producer: Simon Lewis. Starring: Tom Wlaschiha, Tamzin Merchant, James Fleet, Paul Bazely Sally Bretton and Tom Bennett. Gate Television Production / ZDF. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] ALL THE DEVIL’S MEN (Feature) Director: Matthew Hope. Producers: Amory Leader and Hannah Leader. Starring: Milo Gibson, Silvia Hoeks, Gbenga Akinnagbe and William Fichtner. Graceway Films Ltd. THE ARRIVAL (Short) Director: Annetta Laufer Producer: Joy Gharoro-Akpojotor Starring: Naomi Ackie, Anthony Welsh and Sharlene Whyte. -
Monstrous Aunties: the Rabelaisian Older Asian Woman in British Cinema and Television Comedy
Monstrous Aunties: The Rabelaisian older Asian woman in British cinema and television comedy Estella Tincknell, University of the West of England Introduction Representations of older women of South Asian heritage in British cinema and television are limited in number and frequently confined to non-prestigious genres such as soap opera. Too often, such depictions do little more than reiterate familiar stereotypes of the subordinate ‘Asian wife’ or stage the discursive tensions around female submission and male tyranny supposedly characteristic of subcontinent identities. Such marginalisation is compounded in the relative neglect of screen representations of Asian identities generally, and of female and older Asian experiences specifically, within the fields of Film and Media analysis. These representations have only recently begun to be explored in more nuanced ways that acknowledge the complexity of colonial and post-colonial discoursesi. The decoupling of the relationship between Asian and Indian, Pakistani and Bangladeshi heritage, together with the foregrounding of religious rather than national-colonial identities, has further rendered the topic more complex. Yet there is an exception to this tendency. In the 1990s, British comedy films and TV shows began to carve out a space in which transgressive representations of aging Asian women appeared. From the subversively mischievous Pushpa (Zohra Segal) in Gurinder Chadha’s debut feature, Bhaji on the Beach (1993), to the bickering ‘competitive mothers’ of the ground-breaking sketch show, Goodness, Gracious Me (BBC 1998 – 2001, 2015), together 1 with the sexually-fixated grandmother, Ummi (Meera Syal), in The Kumars at Number 42 (BBC, 2001-6; Sky, 2014), a range of comic older female figures have overturned conventional discourses. -
Digital 4.Indb
LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS Introducció 1 FUNDACIÓD’EUROPA I EL CANADÀ JAUME BOFILL PUBLICACIONS DIGITALS > N.4 LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS D’EUROPA I EL CANADÀ Doris Boira Bueso FUNDACIÓ JAUME BOFILL PUBLICACIONS DIGITALS > N.4 LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS Introducció 2 LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS Introducció 3 D’EUROPA I EL CANADÀ D’EUROPA I EL CANADÀ Agraïments Aquesta recerca ha estat possible gràcies a les experiències, iniciatives i aportacions de per- sones que pertanyen a entitats, mitjans, xarxes i institucions que han apostat per la diversitat en la seva vida personal i professional. A totes elles els agraeixo la predisposició a implicar-se en la tasca d’obrir nous camins i nous espais de comunicació. La col·lecció Publicacions Digitals de la Fundació Jaume Bofill inclou investigacions que han estat encarregades i que es consideren d’especial rellevàcia social i política. Les opinions que s’hi expressen corresponen als autors. La reproducció total o parcial d’aquesta obra per qualsevol procediment, compresos la reprografia i el tractament informàtic, resta rigorosament prohibida sense l’autorització dels propietaris del copyright, i estarà sotmesa a les sancions establertes a la llei. Primera edició: juny de 2007 © dels textos: Doris Boira Bueso © d’aquesta edició: Fundació Jaume Bofill, 2007 Provença, 324 08037 Barcelona [email protected] http://www.fbofill.cat Disseny de la col·lecció: Amador Garrell Maquetació: Jordi Vives Edició i muntatge del CD-ROM: José Manuel Jarque ISBN: 978-84-85557-70-7 Dipòsit legal: B-28609-2007 FUNDACIÓ JAUME BOFILL PUBLICACIONS DIGITALS > N.4 FUNDACIÓ JAUME BOFILL PUBLICACIONS DIGITALS > N.4 LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS Introducció 2 LA DIVERSITAT CULTURAL A LES RÀDIOS I TELEVISIONS Introducció 3 D’EUROPA I EL CANADÀ D’EUROPA I EL CANADÀ Índex Introducció . -
ANDY Mcdonnell - Director of Photography
ANDY McDONNELL - Director of Photography SILENT WITNESS (Series 23 Episodes 9 & 10) Director: Dominic Leclerc Producer: Lawrence Till Starring: Emilia Fox, William Gaminara and Tom Ward BBC BULLETPROOF (Series 2) Director: Sam Masud Producer: Kieran Murray-Smith Starring: Noel Clarke and Ashley Walters Vertigo Films / Sky One ACKLEY BRIDGE (Series 3) Director: Alex Lamb Producer: Jo Johnson Starring: Amy Leigh Hickman, Poppy Lee Friar, Jo Joyner and Sunetra Sarker Channel 4 VICTORIA III Director: Geoff Sax Producers: Rebecca Eaton, David Boulter Starring: Jenna Coleman, Tom Hughes Mammoth Screen ACKLEY BRIDGE Director: Joe Stephenson Producers: Alex Lamb, George Faber and George Ormond Starring: Paul Nicholls, Jo Joyner and Adil Ray Channel 4 TROY: FALL OF A CITY Director: Mark Brozel Producer: Barney Reisz Starring: Christiaan Schoombie, Lex King, Louis Hunter and David Avery Kudos / BBC LOVE, LIES AND RECORDS Director: Dominic Leclerc Producer: Yvonne Francas Starring: Ashley Jensen, Adrian Bower, Kenny Doughty and Rebecca Front Rollem Productions 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LAST TANGO IN HALIFAX (Series 4 - Christmas Special) Director: Juliet May Producer: Karen Lewis Starring: Anne Reid, Derek Jacobi and Sarah Lancashire Red Productions HUMANS (Series 2) Director: Mark Brozel. Producer: Paul Gilbert. Starring: Gemma Chan, Colin Morgan and Emily Berrington. Kudos Film and Television. DCI BANKS (Series 5) Director: Mark Brozel. Producer: Anne-Louise Russell. Starring: Stephen Tompkinson, Andrea Lowe and Caroline Catz. Left Bank Pictures. HAPPY VALLEY (Series 2) Director: Sally Wainwright. Producer: Tom Sherry. Starring: Sarah Lancashire, James Norton, Katherine Kelly and Julie Hesmondhalgh. -
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination. -
STRAIGHT from the HEART Symphony Hall, Birmingham
STRAIGHT FROM THE HEART Symphony Hall, Birmingham Wednesday 30 June 2021, 2.00pm & 6.30pm Kazuki Yamada – Conductor Alban Gerhardt – Cello Anderson Litanies (CBSO Centenary Commission – UK Premiere) 20’ Dvořák Symphony No.7 40’ Love Dvořák’s New World symphony? Then why not try something a OUR CAMPAIGN FOR MUSICAL little stronger? Dvořák’s Seventh begins with a rumble of thunder, and LIFE IN THE WEST MIDLANDS ends in a shout of defiance; in between come summer storms, lilting dance tunes, and some of the sweetest, most heartfelt music in any These socially-distanced concerts have been made possible by funding from Arts great symphony. The CBSO’s Principal Guest Conductor Kazuki Yamada Council England’s Culture Recovery Fund, never stints on emotion; and it’s a perfectly-chosen complement to the plus generous support from thousands of UK premiere of the CBSO’s latest Centenary Commission – Litanies, individuals, charitable trusts and companies a major new cello concerto from our former Composer in Association through The Sound of the Future fundraising Julian Anderson. It’s Julian’s very personal tribute to a friend who died too campaign. young, and with the phenomenal Alban Gerhardt as soloist, we think it’s set to be an instant classic. By supporting our campaign, you will play your part in helping the orchestra to recover from the pandemic as well as renewing the way we work in our second century. Plus, all new memberships are currently being matched pound for pound by a generous You are welcome to view the online programme on your mobile device, but please ensure that your member of the CBSO’s campaign board. -
City of Birmingham Symphony Orchestra's Debussy Festival Curated by Mirga Gražinytė-Tyla 16
20 February 2018 City of Birmingham Symphony Orchestra’s Debussy Festival Curated by Mirga Gražinytė-Tyla 16 – 25 March 2018 In March 2018, the City of Birmingham Symphony Orchestra (CBSO) presents the Debussy Festival, a major celebration of the composer’s work across two weekends, to mark the centenary of his death. The festival is the largest-scale artistic collaboration to-date between the CBSO, Town Hall Symphony Hall, Birmingham Contemporary Music Group (BCMG), Royal Birmingham Conservatoire, University of Birmingham, Ikon Gallery and The Electric Cinema. The Debussy Festival has been conceived by CBSO Music Director Mirga Gražinytė-Tyla, inspired by the composer’s search for beauty, his vision and influences, and the music he inspired. The festival includes all of Debussy’s major works, with complementary pieces by composers with a strong connection to Debussy’s music and world premieres by contemporary composers who have been inspired by his work. The festival – the largest event of its kind in the country - is centred around eight concerts at Symphony Hall, Birmingham. There will also be a series of chamber music concerts at CBSO Centre from CBSO musicians and Royal Birmingham Conservatoire musicians, who will also perform Debussy piano music and songs in the Conservatoire’s new recital hall. Concerts are themed to the different facets of Debussy’s work, highlighting his versatility as a composer In addition to concerts, the festival also encompasses film, free talks and a Debussy ‘Pianoathon’ for the general public to take part in over two days at Birmingham New Street Station. Tickets are available for individual concerts, or festival passes are available. -
WILL P. SAUNDERS 07968-983863 | [email protected]
WILL P. SAUNDERS 07968-983863 | [email protected] Creative Leader, Executive Producer, Digital Strategist I combine editorial leadership across Television & Radio with extensive knowledge and experience in Digital Media. With resilience, adaptability & drive I inspire my teams to deliver excellent results whether that is return on investment, awards, or millions of views on Television, online, or elsewhere. AREAS OF EXPERTISE Media Production, 20 years experience on television on radio & online Strategic Thinking, 8 years devising and implementing practical digital strategies Team Leadership, From large & live TV Outside Broadcast’s to boutique digital agencies Talent Management, Comedy Superstars, TV Channel Controllers & Government Ministers Communication/Presentation, Invited speaker at MIP, IBC, SxSW etc… PROFESSIONAL EXPERIENCE DEPARTMENT OF CULTURE, MEDIA, AND SPORT: Consultant 2017 - I have recently consulted with DCMS following the publication of The Cultural White Paper and a government review aimed at making the UK a world leader in Digital Culture. I led a workstream and public consultation exercise that will result in a narrative and a series of policy recommendations later this year. BBC STUDIOS: Creative Director, Digital 2014 - 2017 Drove Digital Development & new business for one of the UK’s leading media producers with an annual slate of around £350 million. Developed new business opportunities with BBC Three, BBC Learning & BBC Worldwide tripling factual digital business from 2014/5 to 2016/17. Editorially led & launched www.bbc.co.uk/taster. A home for new ideas at the BBC, and a way to test new technologies, new formats and new talent. Since its launch in 2015 Taster has produced over 200 pilots, had over 50 million page views, won numerous awards and led the way for data informed decision making at the BBC. -
Birmingham Conservatoire 03
v.11.15 02 Contents Welcome to Birmingham Conservatoire 03 Welcome to Birmingham Conservatoire 03 Conducting 25 The moment you arrive in Birmingham you will be at the centre Why choose Birmingham Conservatoire? 04 Composition 26 of the United Kingdom in a major international city which is home to not just one but TWO of the world’s finest concert halls (Town The benefits of Birmingham Alumni profile: Laura Mvula 06 27 Hall and Symphony Hall). Birmingham is also home to a world Birmingham City University 07 Music Technology 28 class orchestra (City of Birmingham Symphony Orchestra) and a Student life and accommodation 08 constant stream of visiting international soloists – many of whom come to give masterclasses at the Conservatoire. The possibilities Our International Community 10 for you to develop a career in music will be endless – especially if Professional development and partnerships 12 Performance opportunities 29 you take advantage of the unique collaborations the Conservatoire Partners in orchestral development: the CBSO 13 Guest performers 29 has to offer as part of a major University. Academic study 30 You will soon discover that the Conservatoire’s practice rooms, Pedagogy, Learning and Participation 31 studios and performance spaces are hives of activity, buzzing with the creativity and hard work of students committed to becoming Student profile: Laura Feeney 14 Tutors 33 professional musicians. You will also benefit from specialist Strings 15 Research 33 conservatoire training and be treated with the individual care and Woodwind 16 The courses we offer 34 attention you need as we aim to inspire you to become the very best musician you can possibly be. -
The Use of Performance As a Tool for Communicating Islamic Ideas and Teachings
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository THE USE OF PERFORMANCE AS A TOOL FOR COMMUNICATING ISLAMIC IDEAS AND TEACHINGS By RAHEES KASAR A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Philosophy, Theology and Religion Department of Theology and Religion College of Arts and Law University of Birmingham July 2015 i University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. GLOSSARY Allah Arabic word for God Da’wah To call, to invite Islah Revival Balag Proclamation Dawat Islami A da’wah group, invitation to Islam Tablighi Jamaat Da’wah Group, Society for spreading faith Hikaya Tale or narrative Tamtheel Pretention Khayaal Imagination Ta’ziyah Shia passion plays Fiqh Islamic law Aqeedah Creed Sunnah Prophet Tradition Ummah Muslim Community ii ABSTRACT The emergence and growth of performance for the purpose of communicating Islamic ideas and teachings is a topic that has gained popularity with no real academic research, which is vital as it is utilised as a tool for da’wah, propagation and communication. -
HOUGH PLAYS SAINT-SAËNS Symphony Hall, Birmingham
HOUGH PLAYS SAINT-SAËNS Symphony Hall, Birmingham Wednesday 19 May 2021, 2.00pm & 6.30pm Edward Gardner – Conductor Stephen Hough – Piano Saint-Saëns Piano Concerto No.4 25’ Mazzoli Violent, Violent Sea 9’ Debussy La Mer 23’ OUR CAMPAIGN FOR MUSICAL LIFE IN THE WEST MIDLANDS OK, so we’ve got a summer of staycations ahead – but today we’re off Your support of the CBSO’s The Sound of the to the Mediterranean without even leaving Symphony Hall! Former Future campaign will raise £12.5m over five CBSO Principal Guest Conductor Edward Gardner is always a welcome years to: visitor here in Birmingham, and he’s our tour guide on a voyage that Accelerate our recovery from the takes us to the sun-kissed seascapes of Claude Debussy’s La Mer Covid-19 crisis so that we can get back to (you’d never guess that he composed it in Eastbourne). As for Stephen enriching people’s lives through music as Hough – well, the man whom critics have called “our greatest living quickly as possible pianist” is another old friend of the CBSO. Today he brings energy, Renew the way we work for our second elegance and genius-level insight to Saint-Saëns’ passionate Fourth century, opening up the power of Piano Concerto – you’ll wonder why we don’t hear it more often. music to an even broader cross-section of society whilst securing our tradition of artistic excellence. Support your CBSO at cbso.co.uk/donate You are welcome to view the online programme on your mobile device, but please ensure that your sound is turned off and that you are mindful of other members of the audience. -
A Corpus-Based Analysis of the Construction of Identities in the BBC Sitcom Citizen Khan by Sayed Mohammed Bilal Kadiri
A Corpus-based analysis of the Construction of Identities in the BBC Sitcom Citizen Khan By Sayed Mohammed Bilal Kadiri Thesis submitted for the Degree of Doctor of Philosophy Department of Linguistics and English Language May 2017 Abstract An abundance of studies post 9-11 have critically evaluated the representations of Islam and Muslims in the media. In spite of this, very little work has focused on portrayals of Muslims in fictional television programming. This thesis aims to address this gap by investigating language usage and the construction of identities in the BBC sitcom Citizen Khan, which is centred around a family living in the Sparkhill area of Birmingham. In order to carry out this analysis a 40,000 word corpus was created, consisting of transcripts of the thirteen episodes from the first two seasons of the sitcom. The analysis utilised an array of different analytical tools and approaches to carry out an in- depth textual and visual analysis. Corpus software was used to carry out an initial quantitative analysis which identified salient aspects of identity within the sitcom. This was followed by a qualitative analysis which employed a modified version of Fairclough’s 3 stages of Critical Discourse Analysis (CDA) framework to assist in interpreting the data from a wider contextual standpoint. Incorporated into the framework were aspects of Conversational Analysis and Multimodal Analysis, in order to provide evaluation of some of the textual and visual aspects of the programme. The analysis indicated that the lead character Mr Khan has a hybrid of intersecting identities: Pakistani, British and Muslim; and his negotiation of these multiple identities was used by the writers to generate humour.