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Sir Andrew Davis the Grainger Collection / Topfoto / Arenapal
elgar FALSTAFF orchestral songs ‘grania and diarmid’ incidental music and funeral march roderick williams baritone sir andrew davis Sir Edward c. 1910 Elgar, The Grainger Collection / TopFoto / ArenaPAL Sir Edward Elgar (1857 – 1934) Falstaff, Op. 68 (1913) 35:57 Symphonic Study in C minor • in c-Moll • en ut mineur for Full Orchestra Dedicated to Sir Landon Ronald 1 I Falstaff and Prince Henry. Allegro – Con anima – Animato – Allegro molto – Più animato – 3:09 2 II Eastcheap. Allegro molto – Molto grandioso e largamente – Tempo I – Poco più tranquillo – 2:54 3 Gadshill. A Tempo I – The Boar’s Head. Revelry and sleep. Allegro molto – Con anima – Più lento – Giusto, con fuoco – Poco tranquillo – Allegro molto – Poco più lento – Allegro – Poco a poco più lento – 9:21 4 Molto tranquillo – Molto più lento – 1:14 5 Dream Interlude. Poco allegretto – 2:36 6 III Falstaff’s march. Allegro – Con anima – Poco meno mosso – Animato – A tempo [Poco meno mosso] – 2:58 7 The return through Gloucestershire. [ ] – Poco sostenuto – Poco a poco più lento – 1:27 8 Interlude. Gloucestershire, Shallow’s orchard. Allegretto – 1:34 3 9 The new king. Allegro molto – The hurried ride to London. [ ] – 1:06 10 IV King Henry V’s Progress. Più moderato – Giusto – Poco più allegro – Animato – Grandioso – Animato – 3:29 11 The repudiation of Falstaff, and his death. [ ] – Poco più lento – Poco più lento – Più lento – Poco animato – Poco più mosso – A tempo giusto al fine 6:00 Songs, Op. 59 (1909 – 10)* 6:31 12 3 Oh, soft was the song. Allegro molto 1:52 13 5 Was it some golden star? Allegretto – Meno mosso – Più mosso – Meno mosso – Tempo I 2:10 14 6 Twilight. -
The Hills of Dreamland
SIR EDWARD ELGAR (1857-1934) The Hills of Dreamland SOMMCD 271-2 The Hills of Dreamland Orchestral Songs The Society Complete incidental music to Grania and Diarmid Kathryn Rudge mezzo-soprano† • Henk Neven baritone* ELGAR BBC Concert Orchestra, Barry Wordsworth conductor ORCHESTRAL SONGS CD 1 Orchestral Songs 8 Pleading, Op.48 (1908)† 4:02 Song Cycle, Op.59 (1909) Complete incidental music to 9 Follow the Colours: Marching Song for Soldiers 6:38 1 Oh, soft was the song (No.3) 2:00 *♮ * (1908; rev. for orch. 1914) GRANIA AND DIARMID 2 Was it some golden star? (No.5) 2:44 * bl 3 Twilight (No.6)* 2:50 The King’s Way (1909)† 4:28 4 The Wind at Dawn (1888; orch.1912)† 3:43 Incidental Music to Grania and Diarmid (1901) 5 The Pipes of Pan (1900; orch.1901)* 3:46 bm Incidental Music 3:38 Two Songs, Op. 60 (1909/10; orch. 1912) bn Funeral March 7:13 6 The Torch (No.1)† 3:16 bo Song: There are seven that pull the thread† 3:33 7 The River (No.2)† 5:24 Total duration: 53:30 CD 2 Elgar Society Bonus CD Nathalie de Montmollin soprano, Barry Collett piano Kathryn Rudge • Henk Neven 1 Like to the Damask Rose 3:47 5 Muleteer’s Serenade♮ 2:18 9 The River 4:22 2 The Shepherd’s Song 3:08 6 As I laye a-thynkynge 6:57 bl In the Dawn 3:11 3 Dry those fair, those crystal eyes 2:04 7 Queen Mary’s Song 3:31 bm Speak, music 2:52 BBC Concert Orchestra 4 8 The Mill Wheel: Winter♮ 2:27 The Torch 2:18 Total duration: 37:00 Barry Wordsworth ♮First recordings CD 1: Recorded at Watford Colosseum on March 21-23, 2017 Producer: Neil Varley Engineer: Marvin Ware TURNER CD 2: Recorded at Turner Sims, Southampton on November 27, 2016 plus Elgar Society Bonus CD 11 SONGS WITH PIANO SIMS Southampton Producer: Siva Oke Engineer: Paul Arden-Taylor Booklet Editor: Michael Quinn Front cover: A View of Langdale Pikes, F. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
Di Xiao Piano
Di’s international career started at 17 when she played Chengzong Di Xiao Yin’s Yellow River Piano Concerto in Kuala Lumpur and Penang for the Malaysian Royal Family. Piano Subsequently Di has been invited to perform as a soloist in many Described as “a pianist of countries including Malaysia, Ukraine, Singapore, India, China awesome gifts” and compared to and the UK. In the UK, her concert Clara Schumann by the critics, performances have received much Chinese pianist Di Xiao concluded a acclaim. Her debut at Symphony major international recital tour in Hall Birmingham in 2006 was 2009 representing the UK as part of described by the UK Chinese Times the universally acclaimed 'Rising as “A stunning concert!” and an Stars' series. The tour included sell early performance of the Schumann out concerts at the Concertgebouw Concerto prompted The Birmingham Amsterdam, Vienna Konzerthaus, Post to say “In her graceful, dancing Salzburg Mozartium, Stockholm finale it was easy to imagine Clara Konserthaus and Luxembourg Schumann at the keyboard.” Di has Philharmonie. Following her Köln appeared in a number of important Philharmoie recital, played to an Career Highlights music festivals including Breman audience of over 1000, the press Musikfest (Germany), New • Performed “Yellow River stated that “Di Xiao presents a Generation Arts Festival (UK), Concerto” for Malaysian demanding programme that takes Buxton Arts Festival (UK) and Royal Family at Kuala your breath away.” As the tour Leamington Music Festival (UK). In Lumpur aged 17. progressed she went on to thrill October 2010 Di conducted a tour of audiences at Symphony Hall and China during which she played for • Birmingham Symphony Town Hall Birmingham, Brussels the enormous inaugural Classical Hall Debut, 2006. -
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IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Salle de Concerts Grande-Duchesse Joséphine-Charlotte Saison 2008/09 1 Partenaires d’événements: Nous remercions nos partenaires qui en Partenaires de programmes: associant leur image à la Philharmonie et en soutenant sa programmation, permettent sa diversité et l’accès à un public plus large. pour «Jeunes publics» pour «Backstage» Partenaires média: Partenaires officiels: 2 Sommaire / Inhalt / Content IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Jazz, World & Easy listening Orchestre Philharmonique du Luxembourg Cycle Philharmonique I 140 Salle de Concerts Grande-Duchesse Jazz & beyond 66 Cycle Philharmonique II 142 Joséphine-Charlotte – Saison 2008/09 Autour du monde 74 Amis de l’Orchestre Philharmonique du Ciné-Concerts 80 Luxembourg 144 Bienvenue / Willkommen / Welcome 4 Pops 84 Chill at the Phil 88 Solistes Européens, Luxembourg 146 European Music Academy, Schengen 150 Soirées de Luxembourg 152 IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Orchestre Special «Les Musiciens» – Orchestre de Chambre du Luxembourg 154 Grands orchestres 16 Luxembourg Festival 94 Grands solistes 20 Musiques d’aujourd’hui 96 L’Orchestral 24 On the border -
Mark Hilliard Wilson St
X ST. JAMES CATHEDRAL X SEATTLE X 3 SEPTEMBER 2021 X 6:30 PM X MUSICAL PRAYER mark hilliard wilson St. James Cathedral Guitarist “Méditation” from Thaïs Jules Massenet 1842–1912 Etude No. 10 from 12 Etudes, Op. 6 Fernando Sor c. 1778–1839 Ave Maria Franz Schubert 1797–1828 Simple Gifts Joseph Brackett 1797–1882 Jesu, Joy of Man’s Desiring Johann Sebastian Bach 1685–1750 Gymnopédie No. 1 from Trois Gymnopédies Erik Satie 1866–1925 Nigbati Iya Mi Ba Reriin Taiwo Adegoke “When my mother laughs” birth year unknown Theme from second movement ofNew World Symphony Antonín Dvořák 1841–1904 Prelude No. 1 in C Major from The Well-Tempered Clavier, BWV 846 J. S. Bach Woven World Andrew York b. 1958 Classical guitarist Mark Hilliard Wilson curates programs that explore the experiences of the heart through the ages, hoping to share some insight and reflection on our common humanity. He brings joy and technical finesse to the listener while integrating music from diverse backgrounds and different ages with a compelling story and a wry sense of humor. Performing regularly at festivals and concert series, Wilson has distinguished himself as a unique voice with programs that feature his own transcriptions of both the well-known and the obscure. Wilson’s compositions for the guitar have been appearing on stages throughout the Northwest US and Canada for over 15 years. He works in is the relatively unexplored genre of an ensemble of multiple guitars as the conductor, composer, arranger, and music director to the Guitar Orchestra of Seattle. Wilson has taught at Whatcom Community College and Bellevue College. -
Winter 2015 Programme
Winter 2015 programme Box Office 020 8463 0100 www.blackheathhalls.com Hire the Halls Blackheath Halls, a Grade II listed building, offers two beautiful and unique spaces for celebrations, performances, recordings, conferences and rehearsals. Renowned for the quality of its acoustics, the magnificent Great Hall is the venue of choice for leading orchestras and ensembles for recordings and rehearsals. Among those who choose Blackheath Halls as their preferred venue are Chandos Records, English National Opera, London Symphony Orchestra and Channel 4. The recently refurbished Recital Room, which is licensed for wedding ceremonies, offers the perfect location for smaller scale functions and chamber music performances. For all hire enquiries please contact Caroline Foulkes, [email protected] or 020 8318 9758 BLACKHEATH WELCOMESUNDAYS PLENTY TO KEEP YOU ENTERTAINED IN 2015 CONTENTS A Happy New Year to everyone. concert, including the wonderfully Blackheath Sundays Blackheath Halls has a great tradition for evocative Seven Last Words on the Cross bringing you some of the best names on by James MacMillan. This is a rare the comedy circuit. Following in that opportunity to see and hear one of the Classical events tradition, we are delighted to announce leading choral groups in the world. the launch of Laughing Boy Comedy Club, The Jette Parker Young Artists will a monthly Thursday night show in the present three further Wednesday evening Recital Room. Alongside new and recitals at the Halls, the first on 21 January. CoLab emerging comedy talents, the Comedy The students of Trinity Laban will once Club will feature some of the top again be providing a diverse range of comedians trying out new material. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Soundboardindexnames.Txt
SoundboardIndexNames.txt Soundboard Index - List of names 03-20-2018 15:59:13 Version v3.0.45 Provided by Jan de Kloe - For details see www.dekloe.be Occurrences Name 3 A & R (pub) 3 A-R Editions (pub) 2 A.B.C. TV 1 A.G.I.F.C. 3 Aamer, Meysam 7 Aandahl, Vaughan 2 Aarestrup, Emil 2 Aaron Shearer Foundation 1 Aaron, Bernard A. 2 Aaron, Wylie 1 Abaca String Band 1 Abadía, Conchita 1 Abarca Sanchis, Juan 2 Abarca, Atilio 1 Abarca, Fernando 1 Abat, Joan 1 Abate, Sylvie 1 ABBA 1 Abbado, Claudio 1 Abbado, Marcello 3 Abbatessa, Giovanni Battista 1 Abbey Gate College (edu) 1 Abbey, Henry 2 Abbonizio, Isabella 1 Abbott & Costello 1 Abbott, Katy 5 ABC (mag) 1 Abd ar-Rahman II 3 Abdalla, Thiago 5 Abdihodzic, Armin 1 Abdu-r-rahman 1 Abdul Al-Khabyyr, Sayyd 1 Abdula, Konstantin 3 Abe, Yasuo 2 Abe, Yasushi 1 Abel, Carl Friedrich 1 Abelard 1 Abelardo, Nicanor 1 Aber, A. L. 4 Abercrombie, John 1 Aberle, Dennis 1 Abernathy, Mark 1 Abisheganaden, Alex 11 Abiton, Gérard 1 Åbjörnsson, Johan 1 Abken, Peter 1 Ablan, Matthew 1 Ablan, Rosilia 1 Ablinger, Peter 44 Ablóniz, Miguel 1 Abondance, Florence & Pierre 2 Abondance, Pierre 1 Abraham Goodman Auditorium 7 Abraham Goodman House 1 Abraham, Daniel 1 Abraham, Jim 1 Abrahamsen, Hans Page 1 SoundboardIndexNames.txt 1 Abrams (pub) 1 Abrams, M. H. 1 Abrams, Richard 1 Abrams, Roy 2 Abramson, Robert 3 Abreu 19 Abreu brothers 3 Abreu, Antonio 3 Abreu, Eduardo 1 Abreu, Gabriel 1 Abreu, J. -
Edward Elgar: Enigma Variations What Secret? Perusal Script Not for Performance Use Copyright © 2010 Chicago Symphony Orchestra
Edward Elgar: Enigma Variations What Secret? Perusal script Not for performance use Copyright © 2010 Chicago Symphony Orchestra. Duplication and distribution prohibited. In addition to the orchestra and conductor: Five performers Edward Elgar, an Englishman from Worcestershire, 41 years old Actor 2 (female) playing: Caroline Alice Elgar, the composer's wife Carice Elgar, the composer's daughter Dora Penny, a young woman in her early twenties Snobbish older woman Actor 3 (male) playing: William Langland, the mediaeval poet Arthur Troyte Griffith (Ninepin), an architect in Malvern Richard Baxter Townsend, a retired adventurer William Meath Baker, a wealthy landowner George Robertson Sinclair, a cathedral organist August Jaeger (Nimrod), a German music-editor William Baker, son of William Meath Baker Old-fashioned musical journalist Pianist Narrator Page 1 of 21 ME 1 Orchestra, theme, from opening to figure 1 48" VO 1 Embedded Audio 1: distant birdsong NARRATOR The Malvern Hills... A nine-mile ridge of rock in the far west of England standing about a thousand feet above the surrounding countryside... From up here on a clear day you can see far into the distance... on one side... across the patchwork fields of Herefordshire to Wales and the Black Mountains... on another... over the river Severn... Shakespeare's beloved river Avon... and the Vale of Evesham... to the Cotswolds... Page 2 of 21 and... if you're lucky... to the north, you can just make out the ancient city of Worcesteri... and the tall square tower of its cathedral... in the shadow of which... Edward Elgar spent his childhood and his youth.. -
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МUSIC SUMMER FESTIVALS AS PROMOTERS OF THE SPA CULTURAL TOURISM: FESTIVAL OF CLASSICAL MUSIC VRNJCI Smiljka Isaković1, Jelena Borović-Dimić2 Abstract This paper is dedicated to the music summer festivals, a hallmark of the local community and the holder of the economic development of the region and the society, from ancient times to the present day. Special emphasis is placed on the International Festival of classical music "Vrnjci", held in Belimarković mansion in July, organized by the Homeland Мuseum – Castle of Culture of Vrnjaĉka Banja. A dramatic development of high technologies brought forth a new era based on conceptual creativity. Leisure time is prolonged, while tourism as one of the activities of spending leisure time is changing from passive to active. The cultural sector is becoming an important partner in the economic development of countries and cultural tourism is gaining in importance. Festival tourism in this country must be supported by the wider community and the state because the quality of cultural events makes us an equal competitor on the global tourism market. Keywords: cultural tourism, festivals, art, music, local self governments. Cultural Tourism The middle of the nineteenth and the twentieth centuries can be called the period of tourism, since Stendhal popularized this term in France with his book "Memoirs of a tourist" (1838) and Englishman Thomas Cook opened his travel agency in 1841. Modern tourism experienced its first expansion between 1850 and 1870, enabled by the major railways networking in Europe -
MEC FM - Rio De Janeiro Dial: 99,3 Execução Data Hora Música Intérprete Compositor Programa Vivo Mec
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC FM - Rio de Janeiro Dial: 99,3 Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE FILADÉLFIA 01/12/2019 02:22:39 "SYLVIA" - SUÍTE DE BALLET. DELIBES (Leo) (1836-1891)(Francês) X REGENTE: EUGENE ORMANDY Programação Musical ORQUESTRA POPS DE BOSTON (1840 - 1893) 01/12/2019 02:35:11 SUÍTE DO BALÉ "O QUEBRA NOZES", OPUS 71 A. X REGENTE: JOHN WILLIAMS TCHAIKOVSKY (Pyotr Ilyich) Programação Musical REGENTE: ROBERTO MINCZUK VILLA-LOBOS (Heitor) 01/12/2019 03:01:35 BACHIANAS BRASILEIRAS Nº2 X ORQUESTRA SINFÔNICA DE SÃO PAULO (OSESP) (1887 - 1959) Programação Musical (1862 - 1918) 01/12/2019 03:24:25 CLAIR DE LUNE, DA SUÍTE BERGAMASQUE PIANO: NELSON FREIRE X DEBUSSY (Claude) Programação Musical REGENTE: LORIN MAAZEL RaVeL (Maurice) 01/12/2019 03:30:04 RAPSÓDIA ESPANHOLA X ORQUESTRA FILARMÔNICA DE VIENA (1875 - 1937) Programação Musical REGENTE: RICHARD STUDT HOLST (Gustav)(1874-1934)(Reino Unido) 01/12/2019 03:48:32 SUÍTE SAINT PAUL OP.29 X SINFONIETTA DE BOURNEMOUTH (1874 - 1934) Programação Musical REGENTE: CARLO MARIA GIULINI (1840 - 1893) 01/12/2019 04:02:04 SINFONIA Nº 6 EM SI MENOR OPUS 74 - PATÉTICA X ORQUESTRA FILARMONIA TCHAIKOVSKY (Pyotr Ilyich) Programação Musical ORQUESTRA DE PARIS SAINT-SAENS (Camille) (1835 - 1921) (França) 01/12/2019 04:50:11 DANÇA MACABRA VIOLINO SOLO: LUBEN YORDANOFF X (1835 - 1921) REGENTE: DANIEL BAREMBOIM Programação Musical ORQUESTRA DO FESTIVAL