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A Hundred Years of British Piano Miniatures Butterworth • Fricker • Harrison Headington • L
WORLD PREMIÈRE RECORDINGS A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON HEADINGTON • L. & E. LIVENS • LONGMIRE POWER • REYNOLDS • SKEMPTON • WARREN DUNCAN HONEYBOURNE A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON • HEADINGTON L. & E. LIVENS • LONGMIRE • POWER • REYNOLDS SKEMPTON • WARREN DUNCAN HONEYBOURNE, piano Catalogue Number: GP789 Recording Date: 25 August 2015 Recording Venue: The National Centre for Early Music, St Margaret’s Church, York, UK Producers: David Power and Peter Reynolds (1–21), Peter Reynolds and Jeremy Wells (22–28) Engineer: Jeremy Wells Editors: David Power and Jeremy Wells Piano: Bösendorfer 6’6” Grand Piano (1999). Tuned to modern pitch. Piano Technician: Robert Nutbrown Booklet Notes: Paul Conway, David Power and Duncan Honeybourne Publishers: Winthrop Rogers Ltd (1, 3), Joseph Williams Ltd (2), Unpublished. Manuscript from the Michael Jones collection (4), Comus Edition (5–7), Josef Weinberger Ltd (8), Freeman and Co. (9), Oxford University Press (10, 11), Unpublished. Manuscript held at the University of California Santa Barbara Library (12, 13), Unpublished (14–28), Artist Photograph: Greg Cameron-Day Cover Art: Gro Thorsen: City to City, London no 23, oil on aluminium, 12x12 cm, 2013 www.grothorsen.com LEO LIVENS (1896–1990) 1 MOONBEAMS (1915) 01:53 EVANGELINE LIVENS (1898–1983) 2 SHADOWS (1915) 03:15 JULIUS HARRISON (1885–1963) SEVERN COUNTRY (1928) 02:17 3 III, No. 3, Far Forest 02:17 CONSTANCE WARREN (1905–1984) 4 IDYLL IN G FLAT MAJOR (1930) 02:45 ARTHUR BUTTERWORTH (1923–2014) LAKELAND SUMMER NIGHTS, OP. 10 (1949) 10:07 5 I. Evening 02:09 6 II. Rain 02:30 7 III. -
The BBC National Orchestra of Wales Is the Nation's Only Full-Time
CC(3) AC 11 Communities and Culture Committee Inquiry into the „accessibility of arts and cultural activities in Wales‟ Submission by the BBC National Orchestra of Wales We are grateful for the opportunity to provide evidence for the Committee‟s Inquiry. The first part of our submission provides an overview of the Orchestra‟s work. The second part addresses a number of questions posed in the consultation letter. A. Background The BBC National Orchestra of Wales (BBC NOW) is the nation‟s only full-time professional symphony orchestra. It has an established reputation as one of the leading orchestral ensembles in the UK. It has won considerable audience and critical acclaim in recent years, under its conducting team, led by Thierry Fischer. The Orchestra‟s home is the newly-built Hoddinott Hall at the Wales Millennium Centre in Cardiff, and it produces extensive output for BBC Radio 3, BBC Radio Wales and BBC Radio Cymru. With the crucial funding support of Arts Council Wales, the Orchestra has also developed a major national role, touring throughout Wales each year (this role is described in more detail in our response to question 1) and delivering a highly-regarded community outreach and education programme (please see our response to question 2). In any one season, BBC NOW strives to present a broad repertoire of both past and contemporary music to allow audiences to experience works drawn from the whole panoply of orchestral music – from the baroque to present day film and jazz. The Orchestra works with a wide range of contemporary composers and has two positions specifically for composers within its artistic roster. -
Divine Art Is to Release a New Album Violin Muse with Madeleine Mitchell Featuring 7 World Premiere Recordings by UK Composers
Divine Art is to release a new album Violin Muse with Madeleine Mitchell featuring 7 world premiere recordings by UK composers Violin Muse Madeleine Mitchell Release Date: 20 October 2017 Label: Divine Art Review copies on request from late August Album launch: 25 October Royal College of Music More information below “One of the UK’s liveliest musical forces, the indefatigably adventurous violinist Madeleine Mitchell” The Times Divine Art is to release a new album, Violin Muse with Madeleine Mitchell, featuring 7 world premiere recordings by UK composers Guto Puw, Michael Nyman, Sadie Harrison, Geoffrey Poole, David Matthews, Michael Berkeley and Judith Weir. As an internationally renowned solo violinist with a critically acclaimed discography, Madeleine has been an inspiration to composers and painters alike over the years, including The Madeleine Series by painter Gerald Marks which were created between 1989-1991. Five of the works, by Puw, Nyman, Harrison, Poole and Matthews were written for and premiered by Mitchell. Judith Weir writes: “Madeleine Mitchell’s central position as an advocate of new violin music makes her the ideal performer to undertake this survey of recent work by UK composers”. On 7 September, Madeleine Mitchell will perform the world premiere of Grace Williams’ Violin Sonata (1938) with Konstantin Lapshin, in addition to the Weir and Harrison from Violin Muse, at Bangor University as part of the International Conference on Women’s Work in Music. On 25 October, 2-4pm, the Royal College of Music will host an album launch with a performance by Madeleine and Nigel Clayton and discussion with composer Guto Puw and RCM Head of Composition William Mival, followed by refreshments. -
The Diggers' Requiem 5 the Diggers' Requiem
HONOUR THEIR SPIRIT 1918-2018 AUSTRALIAN PREMIERE THE DIGGERS’ REQUIEM SATURDAY 6 OCTOBER 2018 CANBERRA PROGRAM GUIDE The Diggers’ Requiem has been co-commissioned by the Australian War Memorial and the Department of Veterans’ Affairs. The Diggers’ Requiem a été commandé par le Mémorial de guerre d’Australie (Australian War Memorial) et le ministère australien des Anciens Combattants (Department of Veterans’ Affairs). The Diggers’ Requiem wurde vom australischen Kriegerdenkmal und dem australischen Veteranen-Ministerium in Auftrag gegeben. The Diggers’ Requiem band arrangements and concerts in Melbourne and Sydney as well as tonight’s concert in Canberra have been generously supported by the Australian Defence Force. MESSAGE FROM THE GOVERNOR GENERAL OF AUSTRALIA The Diggers’ Requiem is a new and bold musical and artistic work. It is evocative and reverent. A century after the Armistice, Australia’s leading composers take us through the brutality, loss and tragedy of the battles of the Somme and beyond, but ultimately also offer solace, hope and peace. This performance, produced by Chris Latham, the Australian War Memorial’s first musical artist-in-residence, boasts a choir of 70 voices, the ringing of 62,000 bells – one for each Australian life lost, and a stirring lone piper lament. It offers a unique opportunity to remember and reflect on the fate of those whose lives were lost and forever changed by this “war to end all wars”. The diggers we are thinking of are now long past, but their contribution remains with us, their spirit lives in us, and tribute is paid to their memory in the fourteen stirring, touching and reflective movements of The Diggers’ Requiem. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
52183 FRMS Cover 142 17/08/2012 09:25 Page 1
4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs. -
2008 ANZARME Conference Proceedings
Australian and New Zealand Association for Research in Music Education Proceedings of the XXXth Annual Conference Innovation and Tradition: Music Education Research 3 – 5 October 2008 Melbourne, Victoria, Australia 1 All published papers have been subjected to a blind peer-review process before being accepted for inclusion in the Conference Proceedings Publisher Australian and New Zealand Association for Research in Music Education (ANZARME, Melbourne, Australia Editor Dr Jane Southcott Review Panel Prof. Pam Burnard Prof. Gordon Cox Dr Jean Callaghan Dr James Cuskelly Associate Prof. Peter Dunbar-Hall Dr Helen Farrell Dr Jill Ferris Professor Mark Fonder Dr Scott Harrison Dr Bernard Holkner Dr Neryl Jeanneret Dr Anne Lierse Dr Sharon Lierse Dr Janet McDowell Dr Bradley Merrick Dr Stephanie Pitts Dr Joan Pope Assoc. Prof. Robin Stevens Dr Peter de Vries Assoc. Prof. Robert Walker Printed by Monash University Format CD ROM ISBN: 978-0-9803116-5-5 2 CONTENTS Keynote Address: The First Musical Festival of the Empire 1911: 1 Tradition as innovative propaganda Thérèse Radic, University of Melbourne The artist as academic: Arts practice as research/as a site of 15 knowledge Diana Blom, University of Western Sydney Dawn Bennett, Curtin University David Wright, University of Western Sydney Aural traditions and their implications for music education 26 Roger Buckton, University of Canterbury, New Zealand A retrospection of the 1960s music education reforms in the USA 36 Harry Burke, Monash University Through the Eyes of Victor McMahon: The Flute -
The Council, 28/02/08
Y CYNGOR 28/02/08 THE COUNCIL, 28/02/08 Present: Councillor Meinir Owen (Chair) Councillor Evie Morgan Jones (Vice-chair) Councillors: S W Churchman, E T Dogan, Dyfed Edwards, Dylan Edwards, Elwyn Edwards, Huw Edwards, Trefor Edwards, T G Ellis, Alun Wyn Evans, Tomos Evans, W A Evans, Margaret Griffith, Selwyn Griffiths, Huw Price Hughes, Richard Parry Hughes, R J Hughes, Sylvia Humphreys, O P Huws, Dafydd Iwan, Peredur Jenkins, Anne Lloyd Jones, Arwel Jones, Brian Jones, Charles Jones, Dai Rees Jones, E Meinir Jones, Henry Jones, Iris Margretta Jones, John Gwilym Jones, Linda Wyn Jones, R L Jones, R Morris Jones, W Penri Jones, P.G.Larsen, Dewi Lewis, Dewi Llewelyn, Dilwyn Lloyd, Bill Lovelock, J W Meredith, W.M.Meredith, Godfrey Northam, Glyn Owen, M Sol Owen, W.Roy Owen, W Tudor Owen, Gerald Parry, Arwel Pierce, Emyr Pugh, D H Roberts, Caerwyn Roberts, Ieuan Roberts, Liz Saville Roberts, W Gareth Roberts, Jean Roscoe, Kathleen Thomas, M. L.Vaughan, Alan Williams, Ann Williams, Gwilym Williams, J.W.Williams Owain Williams and R H Wyn Williams. Also present: Harry Thomas (Chief Executive), Dilwyn O Williams (Strategic Director - Resources), Iwan Trefor Jones (Strategic Director - Development), D P Lewis (Strategic Director - Care), Dewi V Rowlands (Strategic Director - Environment), Dafydd Edwards (Head of Finance), Dilys Phillips (Monitoring Officer / Head of Administration and Public Protection), Geraint George (Head of Policy and Performance), Gwen Carrington (Head of Social Services), Gareth Wyn Jones (Senior Legal and Administrative -
Winter 2015 Programme
Winter 2015 programme Box Office 020 8463 0100 www.blackheathhalls.com Hire the Halls Blackheath Halls, a Grade II listed building, offers two beautiful and unique spaces for celebrations, performances, recordings, conferences and rehearsals. Renowned for the quality of its acoustics, the magnificent Great Hall is the venue of choice for leading orchestras and ensembles for recordings and rehearsals. Among those who choose Blackheath Halls as their preferred venue are Chandos Records, English National Opera, London Symphony Orchestra and Channel 4. The recently refurbished Recital Room, which is licensed for wedding ceremonies, offers the perfect location for smaller scale functions and chamber music performances. For all hire enquiries please contact Caroline Foulkes, [email protected] or 020 8318 9758 BLACKHEATH WELCOMESUNDAYS PLENTY TO KEEP YOU ENTERTAINED IN 2015 CONTENTS A Happy New Year to everyone. concert, including the wonderfully Blackheath Sundays Blackheath Halls has a great tradition for evocative Seven Last Words on the Cross bringing you some of the best names on by James MacMillan. This is a rare the comedy circuit. Following in that opportunity to see and hear one of the Classical events tradition, we are delighted to announce leading choral groups in the world. the launch of Laughing Boy Comedy Club, The Jette Parker Young Artists will a monthly Thursday night show in the present three further Wednesday evening Recital Room. Alongside new and recitals at the Halls, the first on 21 January. CoLab emerging comedy talents, the Comedy The students of Trinity Laban will once Club will feature some of the top again be providing a diverse range of comedians trying out new material. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
The Music of Edmund Rubbra, by Ralph Scott Grover (Review)
West Chester University Digital Commons @ West Chester University Music Theory, History & Composition College of Visual & Performing Arts 9-1994 The uM sic of Edmund Rubbra, by Ralph Scott Grover (review) Julian Onderdonk West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/musichtc_facpub Part of the Musicology Commons Recommended Citation Onderdonk, J. (1994). The usicM of Edmund Rubbra, by Ralph Scott Grover (review). Notes, Second Series, 51(1), 152-153. Retrieved from http://digitalcommons.wcupa.edu/musichtc_facpub/40 This Book Review is brought to you for free and open access by the College of Visual & Performing Arts at Digital Commons @ West Chester University. It has been accepted for inclusion in Music Theory, History & Composition by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. 152 NOTES, September 1994 A hot tip: The Sorabji Archive, now five bra's working methods and of its evolution years old or so, is the only source for those over his career. He also makes frequent use wishing to acquire photocopies of the music of the Rubbra literature, printing sizable and the composer's writings, whether pub- portions not only of performance and lished or not. The address is: Easton Dene, record reviews, but of scholarly essays as Bailbrook Lane, Bath BA1 7AA, England. well. MARC-ANDR]HAMELIN The pity is that this excellently thorough Philadelphia book displays on nearly every page a de- fensive awareness of Rubbra's secondary stature. Like so many other studies of "mi- The Music of Edmund Rubbra.