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2008 ANZARME Conference Proceedings
Australian and New Zealand Association for Research in Music Education Proceedings of the XXXth Annual Conference Innovation and Tradition: Music Education Research 3 – 5 October 2008 Melbourne, Victoria, Australia 1 All published papers have been subjected to a blind peer-review process before being accepted for inclusion in the Conference Proceedings Publisher Australian and New Zealand Association for Research in Music Education (ANZARME, Melbourne, Australia Editor Dr Jane Southcott Review Panel Prof. Pam Burnard Prof. Gordon Cox Dr Jean Callaghan Dr James Cuskelly Associate Prof. Peter Dunbar-Hall Dr Helen Farrell Dr Jill Ferris Professor Mark Fonder Dr Scott Harrison Dr Bernard Holkner Dr Neryl Jeanneret Dr Anne Lierse Dr Sharon Lierse Dr Janet McDowell Dr Bradley Merrick Dr Stephanie Pitts Dr Joan Pope Assoc. Prof. Robin Stevens Dr Peter de Vries Assoc. Prof. Robert Walker Printed by Monash University Format CD ROM ISBN: 978-0-9803116-5-5 2 CONTENTS Keynote Address: The First Musical Festival of the Empire 1911: 1 Tradition as innovative propaganda Thérèse Radic, University of Melbourne The artist as academic: Arts practice as research/as a site of 15 knowledge Diana Blom, University of Western Sydney Dawn Bennett, Curtin University David Wright, University of Western Sydney Aural traditions and their implications for music education 26 Roger Buckton, University of Canterbury, New Zealand A retrospection of the 1960s music education reforms in the USA 36 Harry Burke, Monash University Through the Eyes of Victor McMahon: The Flute -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
The Forgotten Fronts the First World War Battlefield Guide: World War Battlefield First the the Forgotten Fronts Forgotten The
Ed 1 Nov 2016 1 Nov Ed The First World War Battlefield Guide: Volume 2 The Forgotten Fronts The First Battlefield War World Guide: The Forgotten Fronts Creative Media Design ADR005472 Edition 1 November 2016 THE FORGOTTEN FRONTS | i The First World War Battlefield Guide: Volume 2 The British Army Campaign Guide to the Forgotten Fronts of the First World War 1st Edition November 2016 Acknowledgement The publisher wishes to acknowledge the assistance of the following organisations in providing text, images, multimedia links and sketch maps for this volume: Defence Geographic Centre, Imperial War Museum, Army Historical Branch, Air Historical Branch, Army Records Society,National Portrait Gallery, Tank Museum, National Army Museum, Royal Green Jackets Museum,Shepard Trust, Royal Australian Navy, Australian Defence, Royal Artillery Historical Trust, National Archive, Canadian War Museum, National Archives of Canada, The Times, RAF Museum, Wikimedia Commons, USAF, US Library of Congress. The Cover Images Front Cover: (1) Wounded soldier of the 10th Battalion, Black Watch being carried out of a communication trench on the ‘Birdcage’ Line near Salonika, February 1916 © IWM; (2) The advance through Palestine and the Battle of Megiddo: A sergeant directs orders whilst standing on one of the wooden saddles of the Camel Transport Corps © IWM (3) Soldiers of the Royal Army Service Corps outside a Field Ambulance Station. © IWM Inside Front Cover: Helles Memorial, Gallipoli © Barbara Taylor Back Cover: ‘Blood Swept Lands and Seas of Red’ at the Tower of London © Julia Gavin ii | THE FORGOTTEN FRONTS THE FORGOTTEN FRONTS | iii ISBN: 978-1-874346-46-3 First published in November 2016 by Creative Media Designs, Army Headquarters, Andover. -
Engaging the Young Volunteer
Australian HThe Annual ReviewOSPITALLER of the2017 Australian Association of the Sovereign Order of Malta ENGAGING THE YOUNG VOLUNTEER KOREA Korean Delegation’s first report PILGRIMAGE Walking in the footsteps of St Paul COATS CAMPAIGN The Order’s 900 year old mission in action Lieutenant of the Grand Master Frà Giacomo Dalla Torre del Tempio di Sanguinetto was elected on 29 April 2017 by the Council Complete of State for one year. Australian WELCOME HOSPITALLER2017 elcome to the Australian Hospitaller magazine, the Annual Australian Review of the Australian Association of the Sovereign Order of Malta, for the year 2017. HThe Annual ReviewOSPITALLER of the2017 Australian Association of the Sovereign Order of Malta WThis edition takes a look at the challenge facing our Order both in Australia and the Order’s national associations around the world; that of engaging and recruiting young volunteers to the Order of Malta’s ENGAGING mission to the needs of the poor, the sick, the elderly, the handicapped, THE YOUNG the outcast and the refugee. Our article on Homelessness highlights the VOLUNTEER plight of the growing number of rough sleepers in Australia. In some of our cities, walking by these poor souls without your heart going out to them can be extremely hard and the many unanswered stories about their current situation and their plight are just as difficult to comprehend. KOREA Korean Delegation’s first report The Australian Association mourned the loss of a number of PILGRIMAGE members in 2017 and in this edition we have selected three obituaries: Walking in the footsteps of St Paul COATS CAMPAIGN the Association’s only Knight of Justice Frà Richard Divall AO OBE The Order’s 900 year old mission in action CMM; celebrated portrait painter Confrere Paul Fitzgerald AM KMG; and former Australian Association Master of Ceremonies Confrere Thomas (Tom) Hazell AO KHS KMG CMM. -
The Music of Frederick Septimus Kelly
54 Flowers of the Great War The Complete Works of Frederick Septimus Kelly (1881-1916) It Is Not Dawn Till You Awake 1. It Is Not Dawn Till You Awake* 16. Harvest Eve* (34 Wimpole Street, 32. The Pride of Youth* (Hunter’s Inn, Heddon’s Mouth, London W1, April 8 1910) 2’32 (August 15, 1910, Bisham Grange, Devon, 6 April 1901) 3’45 17. When the Lamp Is Shattered*, rev. Jan. 3 1915) 1’29 Louise Page soprano, No. 3 from Six Songs, Op. 6 33. The Cherry Tree*, No. 5 from Six Alan Hicks piano (1910–13) 3’29 Songs, Op. 6 (87 Wimpole Street, 2. In May* (To My Mother) (Eton, Louise Page soprano, London, 1 May 1913) 0’58 1895) 3’03 Alan Hicks piano Louise Page soprano, Tamara-Anna Cislowska piano 18. Monograph No. 5 for piano* Alan Hicks piano 3. A Dirge* (Eton, summer, 1899) (11 May 1913 – 4 May 1916) 1’42 34. Weep No More Sad Fountains* 0’59 19. Monograph No. 19 for piano* (Higher Combe, Haslemere, 4. The Isle* (Eton, summer 1899) 1’38 (1911 –May 4 1916) 1’05 21 March 1909) 5’02 5. Break, Break, Break* (SS Rome, 20. Monograph No. 23 for piano 35. Mirrors* (Bisham Grange, Marlow, August 1899) 2’44 (1911 – May 4 1916) 1’49 6 January 1910) 3’16 6. O Venus* (SS Rome, Tamara-Anna Cislowska piano 36. The Summer is Ended* August 25, 1899) 1’45 21. Music, When Soft Voices Die, No. (1910? - premiered Balliol, Novem- 7. Crossing the Bar* (Glenyarrah, 4 from Six Songs, Op. -
British 8Th Infantry Division on the Western Front, 1914-1918
Centre for First World War Studies British 8th Infantry Division on the Western Front, 1914-18 by Alun Miles THOMAS Thesis submitted to The University of Birmingham For the Degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts & Law January 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Recent years have seen an increasingly sophisticated debate take place with regard to the armies on the Western Front during the Great War. Some argue that the British and Imperial armies underwent a ‘learning curve’ coupled with an increasingly lavish supply of munitions, which meant that during the last three months of fighting the BEF was able to defeat the German Army as its ability to conduct operations was faster than the enemy’s ability to react. This thesis argues that 8th Division, a war-raised formation made up of units recalled from overseas, became a much more effective and sophisticated organisation by the war’s end. It further argues that the formation did not use one solution to problems but adopted a sophisticated approach dependent on the tactical situation. -
MDA024 Kelly Songs 3
Australian Music Series – MDA024 Fulfilment The Unpublished Songs – Three For voice and piano Frederick Septimus Kelly Sydney, 1881 – France, 1916 Edited by Richard Divall Music Archive Monash University Melbourne 2! ! Information about the MUSIC ARCHIVE series Australian Music And other available works in the free digital series is available at http://artsonline.monash.edu.au/music-archive This edition may be used free of charge for private performance and study. It may be freely transmitted and copied in electronic or printed form. All rights are reserved for performance, recording, broadcast and publication in any audio format. © 2014 Richard Divall Published by MUSIC ARCHIVE OF MONASH UNIVERSITY Sir Zelman Cowen School of Music Monash University, Victoria, 3800, Australia ISBN 978-0-9925672-3-1 ISMN 979-0-9009642-3-6 The edition has been produced with generous assistance from the Marshall-Hall Trust ! 3! Introduction Australian F S Kelly’s brief life uniquely encompassed the highest levels in sport (he won gold for Britain as a rower at the 1908 Olympics) and music (as pianist, composer, conductor and patron). It ended with a hero’s death. Kelly was a Lieutenant- Commander in the Royal Naval Division’s Hood Battalion. He was twice at Gallipoli, where he was wounded, receiving the DSC for his bravery under fire. He was with the burial party when Rupert Brooke (1887-1915) was interred on the island of Skyros, the poet having died as the Royal Naval Division was making its way to the Dardanelles. Devastated by this loss, Kelly wrote his Elegy: in memoriam Rupert Brooke. -
Sporting Memorabilia Monday 04 November 2013 14:00
Sporting Memorabilia Monday 04 November 2013 14:00 Graham Budd Auctions Ltd Sotheby's 34-35 New Bond Street London W1A 2AA Graham Budd Auctions Ltd ( Sporting Memorabilia) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 A French spelter figure of a boxer in training circa 1920s, Frank Duffett's extensive collection of boxing programmes signed to the base H. FUGERE, height 34cm., 13 1/2in. mostly dating from the 1950s, international fights, Harry Levine Estimate: £150.00 - £200.00 & Jack Solomons promotions, also a good number of regional British promotions, plus some amateur and overseas content (a qty. in two cartons) Lot: 9 Estimate: £300.00 - £500.00 A silver-mounted ebonised walking stick associated with the bare knuckle prize fighter Jem Smith, hallmarked London, 1887, the handle end inscribed PRESENTED TO J. HARPER, Lot: 2 BY J. ARCHBELL & J. EMLER ESQRES., OF THE JACK OF Selected volumes from Frank Duffett's boxing library, Vincent NEWBURY FOR SERVICES RENDERED TO JEM SMITH IN George Dowling's Fistiana or The Oracle of the Ring 1841; THE INTERNATIONAL FIGHT FOR THE CHAMPIONSHIP OF Bells Life's Fights For The Championship and Celebration Prize THE WORLD 1887 The inscription refers to the $10,000 bare Battles 1855; Pierce Egan's Boxiana in 5 vols, undated; Henry knuckle fight on 19th December 1887 between England's Jem Downes Miles's Pugilistica in 3 vols 1906; Bohun Lynch's The Smith and the NY born American Jake Kilrain that took place at Prize Ring 1925; and four of Balliere's Popular Atlas of the Isle de Souverains in France. -
Floreat Domus 2012
ISSUE NO.18 MAY 2012 Floreat Domus BALLIOL COLLEGE NEWS Special Feature: Matthew Lynn Balliol’s Crime writers of Balliol on the Euro and 750th Three successful crime writers talk about their motives writing thrillers Anniversary Contents Welcome to the 2012 Annual Record: edition of Floreat Domus. news and notes Please fill in and return the ‘News CONTENTS and Notes’ card enclosed in this issue of Floreat PAGE 1 College news PAGE 26 Pass it on Domus by 17 July to How three Old Members PAGE 7 College success be included in this inspire young minds year’s Annual Record. PAGE 9 Student news Pages 18-19 PAGE 28 An Interview PAGE 11 Student success with Matthew Lynn Financial journalist, Matt Lynn, on PAGE 13 College features the Euro and writing thrillers Special feature Pages 30-32 Pages 24–25 PAGE 13 Balliol’s PAGE 30 Special feature: outreach initiatives Crime writers of Balliol PAGE 15 Nick Trefethen’s Three successful crime writers index cards talk about their motives PAGE 33 Bookshelf Features A selection of books published PAGE 16 Balliol Olympians by Old Members Balliol’s part in the greatest sporting competition on earth Development PAGE 18 Global Balliol News Old Members tell us why Singapore is a great place to live and work PAGE 35 Balliol’s 750th anniversary – celebrating PAGE 20 Modern Day Explorer a remarkable point in the An alternative lifestyle – how College’s history Robert Twigger makes it work Page 7 Pages 20–21 PAGE 36 The Annual Fund: PAGE 22 Right of Reply another record year Letters regarding an article printed in the 2011 issue of Floreat Domus PAGE 37 Classics at Balliol; Balliol Economics and PAGE 24 Big Society Capital Andrew Graham Is it possible to combine social investment with financial returns? PAGE 38 Benefactors to Balliol our special feature about the uncanny number Publication details Editorial of Balliol crime writers (page 30). -
Editing the Diaries of F.S. Kelly: Unique Insights Into an Expatriate's Hiusical Career
Editing the Diaries of F.S. Kelly: Unique Insights into an Expatriate's hiusical Career Th&kse Radic The National Library of Australia houses eight volumes of the diaries of composer-pianist Frederick Septimus Kelly, (1881-1916) purchased from an English book dealer in 1979. For twenty years these have remained virtually unread. In 1999 The National Library of Australia (NLA) commissioned me to select and edit extracts from these diaries'and to prepare an extended introduction to them for publication in 2001.2 There are some 2,600 pages in the uncut original manuscript. What these voluminous writings offer, among other things, is a unique insight into the way an expatriate musical career was built within the wider context of musical and social institutions at a crucial time in the regeneration of British music. What they reveal is valuable talent typically lost to Australia through the general assumption that such talent was best sent to develop elsewhere. The 1979 offer of sale included a description of Kelly, using a quote from the then current edition of the British Dictionary of National Biography. This claimed him to be 'one of the most promising English musicians of his day ... and one of the greatest scullers of all time! In fact Frederick Septimus Kelly, DSC, an Olympic gold medallist, was an Australian. He was born at 47 Phillip Street, Sydney on 29 May 1881; to an Irish business and mining magnate, Thomas Hussey Kelly (arrived 1860), and his Australian-born wife Mary Anne n6e The diaries of Fnxleridc Septimus Kelly, pianist, composer, oarsman, and naval officer, were acquired from the antiquarianbookselling and dealing firm of Henry Bristow Ltd. -
An Australian Composer Abroad: Malcolm Williamson And
An Australian Composer Abroad: Malcolm Williamson and the projection of an Australian Identity by Carolyn Philpott B.Mus. (Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Tasmania October 2010 Declaration of Originality This dissertation contains no material that has been accepted for a degree or diploma by the University of Tasmania or any other institution, except by way of background information that is duly acknowledged in the text. I declare that this dissertation is my own work and to the best of my knowledge it contains no material previously published or written by another person except where clear acknowledgement or reference is made in the text, nor does it contain any material that infringes copyright. This dissertation may be made available for loan and limited copying in accordance with the Copyright Act 1968. Carolyn Philpott Date ii Abstract Malcolm Williamson (1931-2003) was one of the most successful Australian composers of the latter half of the twentieth century and the depth, breadth and diversity of his achievements are largely related to his decision to leave Australia for Britain in the early 1950s. By the 1960s, he was commonly referred to as the “most commissioned composer in Britain” and in 1975 he was appointed to the esteemed post of Master of the Queen’s Music. While his service to music in Britain is generally acknowledged in the literature, the extent of his contribution to Australian music is not widely recognised and this is the first research to be undertaken with a strong focus on the identification and examination of the many works he composed for his homeland and his projection of an Australian identity through his music and persona. -
Newsletter No
Newsletter No. 15, May 2018 From the Curator’s Desk As usual, my thanks are due to our wonderful and dedicated team of volunteers for all their hard work and support. They are currently engaged in a wide range of activities, including research, collections care and retrospective documentation. We have recently made some exciting but uncatalogued discoveries amongst collections relating to the Malayan Emergency. As you know, we are always looking to enhance our knowledge and the collections, so if any of our readers have any memorabilia, souvenirs or memories they wish to share please do get in touch. We have continued to receive numerous requests for information about relatives who served in the Regiment, but the nature of these are now changing as the centenary of the First World War draws to a close and the 80th anniversary of the outbreak of the Second World War approaches. The Museum was represented on 21 March 2018 at the VC stone laying event to commemorate Major-General Frank Crowther Roberts by our Chairman, Lt. Colonel Mark Jackson. The final Worcestershire Regiment VC commemoration is that of Colonel George Grogan and will take place at Devonport at the end of the month. The Museum has once again contributed to the University of Worcester History Work Experience Module. Our student placement this year was Alex Yarnold a 2nd year History undergraduate. In his time with us, Alex has undertaken research into the role of the Regiment and the Volunteers in the Boer War 1899-1902 and produced a useful and exciting interactive tool for exploring the conflict in the museum gallery.