ABC All About Audiences – Annual Report 2015
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
The ABC's Inaugural Public Meeting
UpdateApril 2018 Vol 26, No. 1 Thrice Yearly Newsletter The ABC’s Inaugural Public Meeting meeting had been advertised for some and with gentle humour sought sympathy Professor Ed Davis AM weeks by the ABC and interested people for his plight in having to perform on the NSW President of ABC Friends* were encouraged to seek seats at one of same stage as his bosses. He outlined the venues and to submit questions. All the format for the meeting and explained he ABC presented its inaugural seats were taken. The ABC’s Chair, Justin that some 350 questions had been Public Meeting at 10 am, 9 February, Milne; Managing Director, Michelle Guthrie; submitted. These had been examined by T2018. The host venue was Studio Chief Finance Officer, Louise Higgins and an independent organisation which had 22, at the ABC’s headquarters in Ultimo, five other Directors were on the stage at grouped the questions into nine themes; Sydney. Two other audiences were linked Sydney. a question would be selected from each and put to the senior managers in the to the event, at studios in Launceston The host was Michael Rowland, a well- room. First, the ABC’s Chair, MD and and Rockhampton. The proceedings known face from ABC News Breakfast were also streamed by the ABC. The on TV. He welcomed all-comers warmly continued on page 4. From the Editor 2 Political bias and ABC Friends 9 Use of Social Media to promote ABC Friends and Somerville Cartoon 3 A public broadcaster that Raise Funds 15 bows to political pressure Letter to the Editor 3 isn’t doing its job 10 State News 16 NSW Friends’ Meeting with Inside ABC Furores: Then and Now 11 NSW Branch News 21 Classic FM 6 From The National President 12 Parliamentary Roundup 22 ABC library closures 8 Update ABC Friends National ABC must spend ‘more Why ABC Friends is Committee 2018 13 time talking to ordinary sounding the alarm 9 Australians’ 23 Update From the Editor Publication Information (and National Vice-President) Update is published three times a year by ABC Friends National Inc. -
The Diggers' Requiem 5 the Diggers' Requiem
HONOUR THEIR SPIRIT 1918-2018 AUSTRALIAN PREMIERE THE DIGGERS’ REQUIEM SATURDAY 6 OCTOBER 2018 CANBERRA PROGRAM GUIDE The Diggers’ Requiem has been co-commissioned by the Australian War Memorial and the Department of Veterans’ Affairs. The Diggers’ Requiem a été commandé par le Mémorial de guerre d’Australie (Australian War Memorial) et le ministère australien des Anciens Combattants (Department of Veterans’ Affairs). The Diggers’ Requiem wurde vom australischen Kriegerdenkmal und dem australischen Veteranen-Ministerium in Auftrag gegeben. The Diggers’ Requiem band arrangements and concerts in Melbourne and Sydney as well as tonight’s concert in Canberra have been generously supported by the Australian Defence Force. MESSAGE FROM THE GOVERNOR GENERAL OF AUSTRALIA The Diggers’ Requiem is a new and bold musical and artistic work. It is evocative and reverent. A century after the Armistice, Australia’s leading composers take us through the brutality, loss and tragedy of the battles of the Somme and beyond, but ultimately also offer solace, hope and peace. This performance, produced by Chris Latham, the Australian War Memorial’s first musical artist-in-residence, boasts a choir of 70 voices, the ringing of 62,000 bells – one for each Australian life lost, and a stirring lone piper lament. It offers a unique opportunity to remember and reflect on the fate of those whose lives were lost and forever changed by this “war to end all wars”. The diggers we are thinking of are now long past, but their contribution remains with us, their spirit lives in us, and tribute is paid to their memory in the fourteen stirring, touching and reflective movements of The Diggers’ Requiem. -
2008 ANZARME Conference Proceedings
Australian and New Zealand Association for Research in Music Education Proceedings of the XXXth Annual Conference Innovation and Tradition: Music Education Research 3 – 5 October 2008 Melbourne, Victoria, Australia 1 All published papers have been subjected to a blind peer-review process before being accepted for inclusion in the Conference Proceedings Publisher Australian and New Zealand Association for Research in Music Education (ANZARME, Melbourne, Australia Editor Dr Jane Southcott Review Panel Prof. Pam Burnard Prof. Gordon Cox Dr Jean Callaghan Dr James Cuskelly Associate Prof. Peter Dunbar-Hall Dr Helen Farrell Dr Jill Ferris Professor Mark Fonder Dr Scott Harrison Dr Bernard Holkner Dr Neryl Jeanneret Dr Anne Lierse Dr Sharon Lierse Dr Janet McDowell Dr Bradley Merrick Dr Stephanie Pitts Dr Joan Pope Assoc. Prof. Robin Stevens Dr Peter de Vries Assoc. Prof. Robert Walker Printed by Monash University Format CD ROM ISBN: 978-0-9803116-5-5 2 CONTENTS Keynote Address: The First Musical Festival of the Empire 1911: 1 Tradition as innovative propaganda Thérèse Radic, University of Melbourne The artist as academic: Arts practice as research/as a site of 15 knowledge Diana Blom, University of Western Sydney Dawn Bennett, Curtin University David Wright, University of Western Sydney Aural traditions and their implications for music education 26 Roger Buckton, University of Canterbury, New Zealand A retrospection of the 1960s music education reforms in the USA 36 Harry Burke, Monash University Through the Eyes of Victor McMahon: The Flute -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
The Economic Benefits of Improving Social Inclusion a Report
The economic benefits of improving social inclusion A report commissioned by SBS August 2019 The economic benefits of improving social inclusion| August 2019 | Special Broadcasting Service (SBS) Contents Foreword 3 Executive summary 6 1. Introduction 8 2. Social inclusion 11 3. Economic benefits of social inclusion 19 4. Building social inclusion for the future 36 Conclusion 52 Appendix A 53 Appendix B 61 Appendix C 66 Limitation of our work 69 Download a PDF version of this report at: www.deloitte.com/au/benefits-improving-social-inclusion.com.au. 2 The economic benefits of improving social inclusion| August 2019 | Special Broadcasting Service (SBS) Foreword Australia’s prosperity used to depend on the ‘wide brown land’ and ‘riding on the sheep’s back’. Our commodity exports are still mainstays of our living standards but Australia’s economy is changing. As we move through the digital age, the services sector becomes more and more important as a source of output, employment and material prosperity. For the services sector to drive steadily rising living standards for all Australians – through higher wages and rising profits – it must generate steadily improving levels of productivity or output per worker. Only a highly productive services sector can sustain high-wage jobs and profitable businesses, large and small. Productivity in agriculture and manufacturing depends a great deal on scale and technological innovation. In the services sector, productivity depends on creativity and imagination, which in turn drive innovation. Increasingly the services sector is the home of start-ups aimed at finding innovative ways to deliver new and existing services to larger numbers of clients. -
Blitz Magazine August28
. 6 .W 2 S 06 20 r 3 Au be gust 28 - Septem PB Blitz Magazine Blitz Magazine Editor’s letter Blitz Magazine: Telephone: 02 985 775 Fax: 02 9313 8626 Address: PO Box 7, Kingsford 202 Level , Blockhouse, Lower Campus [email protected] Web: www.source.unsw.edu.au Blitz Advertising: Advertising Artwork 2 days prior to publication. Bookings 20 days prior to publication. Rates and enquiries should be by Rob Gascoigne directed to Charlotte O’Brien Have a Heart: Phone: 985 7331 All Love is Equal 6 ’m notorious for making huge sweeping Email: [email protected] statements with only the vaguest foundation in the truth, but I’m going to Contributions: Imake another one right now. My all time, Letters, articles, photos and other printable absolute favourite play is Angels in America. matter are welcome. Please contact the I have no doubt that you would have seen, editor to discuss suitability. or heard of, the excellent miniseries. If you haven’t seen it yet – on stage or screen Publisher: – check it out. You’re missing one of the best Blitz is published each Monday of session by works by one of this world’s best writers UNSW Source. (Tony Kushner should be beatified); it would be criminal if you missed it. The views expressed herein are not Artsweek 2006 17 necessarily the views of UNSW Source, Why raise this now? Well, as a ‘gay fantasia’, unless as expressly stated. UNSW Source it combines two of this week’s most accepts no responsibility for the accuracy of prominent themes: queer pride and the arts. -
Upper Middle Bogan Med
When an upper middle class woman discovers she is adopted she is shocked to find out... She comes from a drag racing family in the outer suburbs. Synopsis Upper Middle Bogan is a new eight-part comedy series Heading up a drag racing team in the outer suburbs, which tells the story of two families living at opposite Wayne and Julie are thrilled to be reunited with the ends of the freeway. daughter they thought they had lost. Sensing she was different her whole life, Bess Denyar Bess is keen to get to know her new family, however (Annie Maynard), a doctor with a highbrow mother, fitting in doesn’t always come easily. Her sister is a Margaret (Robyn Nevin), an architect husband, Danny tough nut to crack and there are misunderstandings (Patrick Brammall) and twin 13 year olds at a private aplenty. Navigating their way through the unknown is school, finds out she is adopted and is stunned. Even a challenge for all of these very entertaining individuals. more so when she meets her birth parents, Wayne (Glenn Robbins) and Julie Wheeler (Robyn Malcolm). A Gristmill Production for ABC TV. Executive Producers Robyn Butler, Wayne Hope, Geoff Porz and ABC TV If that’s not enough to digest, Bess also discovers she Executive Producer Debbie Lee. has siblings, Amber (Michala Banas), Kayne (Rhys Mitchell) and Brianna (Madeleine Jevic). PREMIERES THURSDAY 15 AUGUST 8.30PM ABC1 For more information, we’d be happy to help. Tracey Taylor, ABC TVMarComs P. 03 9524 2313 M. 0419 528 213 E. [email protected] For images visit abc.net.au/tvpublicity abc.net.au/abc1 facebook.com/abctv twitter.com/abctv #uppermiddlebogan One Two I’m A Swan Forefathers, Two Mothers THURSDAY 15 AUGUST 8.30PM ABC1 THURSDAY 22 AUGUST 8.30PM ABC1 When Bess Denyar, a successful doctor with an Still struggling with the news she is adopted, Bess architect husband, an overbearing mother and is angry with Margaret for lying to her for all these twin 13 year olds at a private school, finds out years and refuses to speak to her. -
GOLD WALKLEY Conference What’S the Story Will Be Held at the National Film & Sound CATEGORY SPONSOR Archive in Canberra on November 29 & 30
WALKLEY AWARD FINALISTS ANNOUNCED THURSDAY, 18 OCTOBER 2012 From scoops to scandals, world events and previously untold stories – the Walkley Award finalists for 2012 demonstrate the ongoing strength and diversity of journalism in Australia. Finalists in the general categories of the 57th annual Walkley Awards for Excellence in Journalism were announced at simultaneous events in Sydney, Melbourne and Brisbane tonight. Media, Entertainment & Arts Alliance federal secretary Christopher Warren said the high standard of 2012 Walkley Award entries showed the enduring value of quality journalism in a challenging period for the media industry. “This year’s Walkley Award entries show that despite the financial and regulatory pressures being placed on journalists and newsrooms, the demand for high-quality, independent journalism continues growing every year,” Mr Warren said. Finalists for the Business Award, the Nikon-Walkley Awards for Excellence in Photojournalism and the Documentary Award were announced earlier this week. The 2012 Walkley Awards attracted more than 1300 entries, with winners to be announced on November 30 at the Awards Presentation and Gala Dinner at Parliament House in Canberra, broadcast on SBS. A special Capital Edition of The Walkley Foundation’s annual media GOLD WALKLEY conference What’s the Story will be held at the National Film & Sound CATEGORY SPONSOR Archive in Canberra on November 29 & 30. The conference features the best line-up of local and international speakers for any media conference in Australia, including New York Times founding interactive news editor Aron Pilhofer, ABC Director of News Kate Torney and Canberra Times editor-at-large Jack Waterford. Both the Gala Dinner and Conference are sponsored by Centenary of Canberra, an initiative of the ACT Government, to celebrate the 100th anniversary of Australia’s capital city in 2013. -
JUNE 21-27, 2019 / VOL. 41 / NO. 31 / LAWEEKLY.COM Art Ar Nd the Way
Italian Eatery Toscana Celebrates its 30th Anniversary • The Satanic Doo-Wop of Twin Temple • The history of Historical Roasts ® JUNE 21-27, 2019 / VOL. 41 / NO. 31 / LAWEEKLY.COM Art Ar nd the Way e Dr. Maya Angelou High School Mural Festival highlighted social justice and deep community roots By Jordan Riefe 2 Y Y WEEKL LA | June 21 - 27, 2019 | | June WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. 3 LA WEEKLY | June 21 - 27, 2019 | WWW.LAWEEKLY.COM 4 L June 21-27, 2019 // Vol. 41 // No. 31 // laweekly.com Y Y WEEKL LA Contents | June 21 - 27, 2019 | | June WWW.LAWEEKLY.COM 21 GO LA...6 FILM...18 A rooftop Gypsy party to kick off summer, The creators of Historical Roasts recount the unveiling of Dolores Huerta Plaza, a their rise from a local comic store to Netflix. celebration for toys of everyone’s favorite BY NICK WALKER. monster, and more to do and see in L.A. this week. MUSIC...21 Satanic doo-wop duo Twin Temple are FEATURE...11 deadly serious in their subversiveness. BY Dr. Maya Angelou Community High School’s KATHERINE TURMAN. recent dedication of more than two dozen murals strengthen its roots to South Central and help redefine the neighborhood’s reputation to outsiders. -
Questions & Answers & Tweets
Questions & Answers & Tweets Jock Given & Natalia Radywyl Abstract This article reports on the integration of Twitter messages into the live television broadcast of the Australian Broadcasting Corporation’s (ABC) weekly public affairs discussion program, Q&A. The program first went to air in May 2008; Twitter integration began two years later. Twitter integration is an evolving example of ‘participation television’, but not one that involves the kind of remote- control/set-top-box interactivity that digital television promised. Q&A integrates broadcast and online content in a way the program makers thought would serve the animating purpose of the television program: to increase public engagement in politics. It is an attempt to use the internet to make television better rather than to concede its eclipse, by marrying brief fragments of online speech with the one-way, single-channel authority of a television program broadcast live across a nation by a public service broadcaster. The research draws on data about Twitter use supplied by the ABC and its contractor TweeVee TV, OzTAM television ratings data, interviews and email correspondence with ABC staff and others conducted by the two authors between June and October 2011, and observations on the making of the episode of the show in Sydney on 29 May 2011. Keywords: digital television, public service broadcasting, social media, television, Twitter Here’s what we’ll be looking for as we dip into the #QandA stream— • tweets that are concise (short), timely and on topic • tweets that are witty and entertaining • tweets that add a fresh perspective to the debate • tweets that make a point without getting too personal (ABC 2011a) Introduction In May 2010, the Australian Broadcasting Corporation (ABC) began to display Twitter ‘tweets’ on-screen in the broadcast of the hour-long, weekly current affairs discussion program, Q&A.1 In each hour-long episode, around 80–100 tweets using the hashtag #qanda are selected for display in the broadcast program. -
1996-1997 Annual Report (Complete Report)
Australian Broadcasting Corporation annual report 1996–97 oneABC charter The functions and duties which Parliament contents has given to the ABC are set out in the Charter of the Corporation (ss6(1) and (2) of Corporate Profile the Australian Broadcasting Corporation Act 1983). ABC Charter inside cover 6(1) The functions of the Corporation are — One ABC 1 (a) to provide within Australia innovative and comprehensive Significant events 2 broadcasting services of a high standard as part of the ABC Services 4 Australian broadcasting system consisting of national, commercial and community sectors and, without limiting the Financial Summary 5 generality of the foregoing, to provide— ABC Board Members 7 (i) broadcasting programs that contribute to a sense of One ABC Structure 8 national identity and inform and entertain, and reflect the cultural diversity of, the Australian community; and Executive Members 9 (ii) broadcasting programs of an educational nature; Statement by Directors 10 (b) to transmit to countries outside Australia broadcasting Review of Operations 15 programs of news, current affairs, entertainment and cultural enrichment that will— News and Current Affairs 15 (i) encourage awareness of Australia and an international Regional Services 18 understanding of Australian attitudes on world affairs; and Feature (ii) enable Australian citizens living or travelling outside Radio and Television Audiences 24 Australia to obtain information about Australian affairs and National Networks 27 Australian attitudes on world affairs; and Program