1996-1997 Annual Report (Complete Report)
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Roger Smalley: a Case-Study of Post -50S Western Music
Research Report: Roger Smalley: A Case-Study of Post -50s Western Music Christopher Mark When I gave a seminar on Roger Smalley's Concerto for Piano and Orchestra at the University of Melbourne in April 1992, a number of people asked me 'Why Smalley?' I'm still not sure quite how to take this. The general reaction to the work, and to my presentation, was positive (at least, that was the impression I gained), and I don't think the question was of the 'why are you spending your time on this drivel' variety. I think it arose because very few people in the audience of staff and graduate students had heard the work-which is remarkable given its high prominence as winner of the Paris Rostrum, its relatively heathy number of broadcasts and its wide availability on an Australian Music Centre CD (Vox Australis, VAST 003-21988)- and were puzzled as to how I had heard of him. My answer, which I suspect they may have found naive, was simply that I had known of Smalley when he was still in the LJK, and had heard a few of the early Australian pieces (such as the Symphony and the Konzertstiidc for solo violin and orchestra) when they were broadcast on BBC radio. I had liked the music and wanted to get to know it better. I still hold that this is the most important impulse for the academic study of music. It drives all my research. And with Smalley I can be very precise about what drew me to his scores: the expressive range of both the Concerto and the other work on the CD I have mentioned, the Symphony, and the sense that every note has been fully considered. -
The ABC's Inaugural Public Meeting
UpdateApril 2018 Vol 26, No. 1 Thrice Yearly Newsletter The ABC’s Inaugural Public Meeting meeting had been advertised for some and with gentle humour sought sympathy Professor Ed Davis AM weeks by the ABC and interested people for his plight in having to perform on the NSW President of ABC Friends* were encouraged to seek seats at one of same stage as his bosses. He outlined the venues and to submit questions. All the format for the meeting and explained he ABC presented its inaugural seats were taken. The ABC’s Chair, Justin that some 350 questions had been Public Meeting at 10 am, 9 February, Milne; Managing Director, Michelle Guthrie; submitted. These had been examined by T2018. The host venue was Studio Chief Finance Officer, Louise Higgins and an independent organisation which had 22, at the ABC’s headquarters in Ultimo, five other Directors were on the stage at grouped the questions into nine themes; Sydney. Two other audiences were linked Sydney. a question would be selected from each and put to the senior managers in the to the event, at studios in Launceston The host was Michael Rowland, a well- room. First, the ABC’s Chair, MD and and Rockhampton. The proceedings known face from ABC News Breakfast were also streamed by the ABC. The on TV. He welcomed all-comers warmly continued on page 4. From the Editor 2 Political bias and ABC Friends 9 Use of Social Media to promote ABC Friends and Somerville Cartoon 3 A public broadcaster that Raise Funds 15 bows to political pressure Letter to the Editor 3 isn’t doing its job 10 State News 16 NSW Friends’ Meeting with Inside ABC Furores: Then and Now 11 NSW Branch News 21 Classic FM 6 From The National President 12 Parliamentary Roundup 22 ABC library closures 8 Update ABC Friends National ABC must spend ‘more Why ABC Friends is Committee 2018 13 time talking to ordinary sounding the alarm 9 Australians’ 23 Update From the Editor Publication Information (and National Vice-President) Update is published three times a year by ABC Friends National Inc. -
Journalism : Technology, Industry, Management, Education
Deakin Research Online This is the published version: Hirst, Martin and Withnall, Janice 1997, JEA 1997 : Time for journalism : technology, industry, management, education. Proceedings of the Journalism Education Association annual conference, Sydney, N.S.W., 1-4 Dec. 1997, Kingswood, N.S.W., Journalism Department, School of Communication and Media, University of Western Sydney. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30043088 Reproduced with the kind permission of the copyright owner. Copyright : 1997, JEA Time for Journalism Technology, Industry, Management, Education Proceedings of the Journalism Education Association Annual Conference December 1 - 4, 1997 Editors: Martin Hirst Janice Withnall Desktop Publishing: Jodie Lancashire & Alison Bridger Journalism Department School of Communication and Media University of Western Sydney, Nepean PO Box 10 Kingswood NSW Australia 2747 © The authors and the University of Western Sydney, Nepean. ISBN 0-646-35388-8 CONTENTS Media Ownership: Old Themes, New Challenges Jock Given 1 Broadcasting in the Twenty First Century David Flint 6 Journalism Education: What the Editor Sees Jack Waterford 10 Journalism Education: Shooting the Rapids of Change Suellen Tapsall 16 Cyberspace: The Legal Black Hole Rhonda Breit 20 Pagination: Friend of Foe? Jacqui Ewart 23 Who's Ethics Are They Anyway? Ian Richards 26 The Ethics of Writing a Journalism Biography Matthew Ricketson 29 Journalism Educators' Perplexing Quest for Relevance and Respect Jay Black 32 Does Journalism have -
Teaching Electronic Music – Journeys Through a Changing Landscape
Revista Vórtex | Vortex Music Journal | ISSN 2317–9937 | http://vortex.unespar.edu.br/ D.O.I.: https://doi.org/10.33871/23179937.2020.8.1.12 Teaching electronic music – journeys through a changing landscape Simon Emmerson De Montfort University | United Kingdom Abstract: In this essay, electronic music composer Simon Emmerson examines the development of electronic music in the UK through his own experience as composer and teacher. Based on his lifetime experiences, Emmerson talks about the changing landscape of teaching electronic music composition: ‘learning by doing’ as a fundamental approach for a composer to find their own expressive voice; the importance of past technologies, such as analogue equipment and synthesizers; the current tendencies of what he calls the ‘age of the home studio’; the awareness of sonic perception, as opposed to the danger of visual distraction; questions of terminology in electronic music and the shift to the digital domain in studios; among other things. [note by editor]. Keywords: electronic music in UK, contemporary music, teaching composition today. Received on: 29/02/2020. Approved on: 05/03/2020. Available online on: 09/03/2020. Editor: Felipe de Almeida Ribeiro. EMMERSON, Simon. Teaching electronic music – journeys throuGh a chanGinG landscape. Revista Vórtex, Curitiba, v.8, n.1, p. 1-8, 2020. arly learning. The remark of Arnold Schoenberg (in the 1911 Preface to his Theory of Harmony) – “This book I have learned from my pupils” – is true for me, too. Teaching is E learning – without my students I would not keep up nearly so well with important changes in approaches to music making, and it would be more difficult to develop new ideas and skills. -
October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
The Key Lessons Learnt from Producing the ABC Programme Talking
The key lessons learnt from producing the ABC programme Talkin g Heads a talk show/documentary hybrid in a fast turnaround environment Jack King HND: Business Studies (Aston Birmingham) This exegesis is submitted as the written component for the degree of Master of Arts (Research) Film and Television Production: Creative Industries Queensland University of Technology 2009 Supervisors: Associate Professor Geoff Portmann and Associate Professor Alan McKee Abstract The following exegesis will detail the key advantages and disadvantages of combining a traditional talk show genre with a linear documentary format using a small production team and a limited budget in a fast turnaround weekly environment. It will deal with the Australian Broadcasting Corporation series Talking Heads, broadcast weekly in the early evening schedule for the network at 18.30 with the presenter Peter Thompson. As Executive Producer for the programme at its inception I was responsible for setting it up for the ABC in Brisbane, a role that included selecting most of the team to work on the series and commissioning the music, titles and all other aspects required to bring the show to the screen. What emerged when producing this generic hybrid will be examined at length, including: The talk show/documentary hybrid format needs longer than 26’30” to be entirely successful. The type of presenter ideally suited to the talk show/documentary format requires someone who is genuinely interested in their guests and flexible enough to maintain the format against tangential odds. The use of illustrative footage shot in a documentary style narrative improves the talk show format. -
HARP LEGENDS Simone Young Conducts
HARP LEGENDS Simone Young Conducts THURSDAY AFTERNOON SYMPHONY Thursday 24 July 2014 EMIRATES METRO SERIES Friday 25 July 2014 MONDAYS @ 7 Monday 28 July 2014 concert diary CLASSICAL Jandamarra Meet the Music Wed 16 Jul 6.30pm HOLST A Fugal Overture Thu 17 Jul 6.30pm VAUGHAN WILLIAMS Oboe Concerto ^Tea & Symphony STANHOPE & HAWKE^ Fri 18 Jul 11am premiere Jandamarra – Sing for the Country complimentary morning tea from 10am Brett Weymark conductor Major Partner Kimberley Diamond Diana Doherty oboe Pre-concert talk Simon Lobelson baritone by Vincent Plush Yilimbirri Ensemble – singers and dancers (Wed, Thu only) Members of Gondwana Choirs Thursday Afternoon Symphony Harp Legends Thu 24 Jul 1.30pm LISZT Orpheus Emirates Metro Series RODRIGO Concierto serenata for harp Fri 25 Jul 8pm BRACEGIRDLE Legends of the Old Castle – Mondays @ 7 Harp Concertino AUSTrALiAN premiere Mon 28 Jul 7pm ZEMLINSKY The Mermaid Pre-concert talk Simone Young conductor by Yvonne Frindle Louise Johnson harp (Bracegirdle) Sivan Magen harp (Rodrigo) Harpists of the World Harp Congress Special Event Pepe Romero Premier Partner Credit Suisse ROSSINI The Barber of Seville: Overture Fri 1 Aug 8pm RODRIGO Concierto de Aranjuez Sat 2 Aug 8pm VIVALDI Concerto in D, RV 93 Pre-concert talk BEETHOVEN Symphony No.8 45 minutes before Tito Muñoz conductor each performance Pepe Romero guitar APT Master Series Four Last Songs Wed 13 Aug 8pm GLANERT Frenesia AUSTrALiAN premiere Fri 15 Aug 8pm R STRAUSS Four Last Songs Sat 16 Aug 8pm BRAHMS Symphony No.2 Pre-concert talk David Robertson -
Joanne Donahoe-Beckwith DOP/Camera Operator CV
!1 ! ABN 13 074 384 133 JOANNE DONAHOE-BECKWITH DIRECTOR OF PHOTOGRAPHY CAMERA OPERATOR VIMEO SITE https://vimeo.com/user6075584 WEB SITE www.joannedonahoebeckwith.com.au AGENT Freelancers Promotions Phone +61 3 96822722 Phone +61 414 741 548 Email [email protected] TELEVISION SERIES/SPECIALS 2016 THE BIG DISEASE - DOP MAIN UNIT - ONAIR MID 2017 Series 1 , 3 x Episodes - Documentary Series Production: CJZ Cordel Jigsaw in association with SBS and Screen Australia Series Producer: Bruce Permezel Producers: Esther Coleman-Hawkins & Tamara Bodenham HOMELESS (woking title) - DOP MAIN UNIT - ONAIR 2017 Series 1 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Series Director: Cian O'Clery LITTLE ACORNS - DOP MAIN UNIT Web Series 1, 9 x Episodes - Comedy Production: Pocket TV Pty Ltd in association with Guilty and Screen Australia Producer: Eyvonne Carfora Associate Producer: Genevieve Morris & Rachel Griffiths Directors: Trudy Hellier, Maria Theodorakis, Chris Benz FIRST CONTACT - DOP MAIN UNIT with Justin Brickle & Simeon Bryan Series 2 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Directors: Bruce Permezel & David Grusovin DADVICE - DOP MAIN UNIT Web Series 1, 4 x Episodes for Beyond Blue Production Company: Stand Up Productions in association with J. WALTER THOMPSON Producer: Dave Dellar Director: Nick -
Contents What’S New
July / August, No. 4/2011 CONTENTS WHAT’S NEW Quandamooka Native Title Determination ............................... 2 Win a free registration to the Joint Management Workshop at the 2011 National Native 2012 Native Title Conference! Title Conference: ‘What helps? What harms?’ ........................ 4 Just take 5 minutes to complete our An extract from Mabo in the Courts: Islander Tradition to publications survey and you will go into the Native Title: A Memoir ............................................................... 5 draw to win a free registration to the 2012 QLD Regional PBC Meeting ...................................................... 6 Native Title Conference. Those who have What’s New ................................................................................. 6 already completed the survey will be automatically included. Recent Cases ............................................................................. 6 Legislation and Policy ............................................................. 12 Complete the survey at: Native Title Publications ......................................................... 13 http://www.tfaforms.com/208207 Native Title in the News ........................................................... 14 If you have any questions or concerns, please Indigenous Land Use Agreements (ILUAs) ........................... 20 contact Matt O’Rourke at the Native Title Research Unit on (02) 6246 1158 or Determinations ......................................................................... 21 [email protected] -
Comments Submitted by the Pew Charitable Trusts on Behalf of 6,771 Members of the Public
Comments submitted by The Pew Charitable Trusts on behalf of 6,771 members of the public November 30, 2015 The Honorable Stephen Ostroff, M.D. Acting Commissioner U.S. Food and Drug Administration 10903 New Hampshire Avenue Silver Spring, MD 20993 The Honorable Thomas Vilsack Secretary of Agriculture U.S. Department of Agriculture 1400 Independence Avenue, S.W. Washington, D.C. 20250 Director Tom Frieden, M.D. Centers for Disease Control and Prevention 1600 Clifton Rd Atlanta, GA 30333 Re: “Collecting On-Farm Antimicrobial Use and Resistance Data; Public Meeting; Request for Comments,” Docket No. FDA-2015-N-2768 Dear Commissioner Ostroff, Secretary Vilsack, and Director Frieden: FDA took a valuable step in May when it issued a proposed rule to collect species-specific antibiotic sales estimates. Thank you for collaborating with USDA and CDC to obtain public input on possible approaches for collecting additional on-farm antibiotic use and resistance data. To be most useful, on- farm use information should be quantitative and should shed light on why antibiotics are used in food animal production: for treating diseases or for preventing or controlling their spread. This information is essential to enhancing antibiotic stewardship, evaluating whether FDA policies and industry interventions are reducing unnecessary use, and illustrating trends in use and resistance. Your on-farm data collection plan should include the following elements: • Antibiotic class used and medical importance. • Dispensing status. • Purpose of antibiotic use. • Species and animal production class receiving the antibiotic. • Route of administration. Increasing on-farm sampling for antibiotic-resistant bacteria in live animals could help explain where and when antibiotic resistance emerges in the food animal production chain. -
Paul Mcdermott
Paul McDermott Australia's Good News MC Paul McDermott is without doubt one of Australia’s most popular and versatile entertainers with his comedy, acting, singing, writing and illustrating talents all publicly and critically acclaimed. Paul McDermott has been at the forefront of Australian entertainment since the Doug Anthony Allstars attained national and international success in the 1980s. When they disbanded, Paul moved on to writing and presenting national radio programs on Triple J and television programs including The Big Gig, DAAS Kapital, Good News Week and Side Show on ABCTV. In 2008, Paul reintroduced Good News Week to television audiences on Channel Ten. Many corporate clients have used Paul’s talents in a variety of roles. In addition to his well-known musical and general hosting roles, Paul has undertaken, with a great success, corporate debating as both panelist and moderator. He also hosts highly entertaining and tailored Good News Week events for Australia’s corporates. As a Master of Ceremonies Paul McDermott’s quick wit, intellect and incredible abilities stand him well ahead of most in the industry. His additional talents as a comedian and musical performer make him a unique addition to any corporate event or function. Since 1992, Paul has fronted the hot comedy trio GUD, which sold out theatres and festivals across Australia and at the Edinburgh Fringe Festival. In 2003, GUD was awarded the prestigious ‘The Age Critics Award’ at the Melbourne International Comedy Festival. In 1996-1997 he co-hosted breakfast radio on Triple J with Mikey Robins, Steve Abbott and later Jen Oldershaw. -
Feduni Researchonline Copyright Notice
FedUni ResearchOnline https://researchonline.federation.edu.au Copyright Notice This is an original manuscript/preprint of an article published by Taylor & Francis in Continuum in September 2020, available online: https://doi.org/10.1080/10304312.2020.1782838 CRICOS 00103D RTO 4909 Page 1 of 1 Comic investigation and genre-mixing: the television docucomedies of Lawrence Leung, Judith Lucy and Luke McGregor Lesley Speed In the twenty-first century, comedians have come to serve as public commentators. This article examines the relationship between genre-mixing and cultural commentary in four documentary series produced for the Australian Broadcasting Corporation (ABC) that centre on established comedians. These series are Lawrence Leung’s Choose Your Own Adventure (2009), Judith Lucy’s Spiritual Journey (2011), Judith Lucy is All Woman (2015) and Luke Warm Sex (2016). Each series combines the documentary and comedy genres by centring on a comedian’s investigation of a theme such as spirituality, gender or sex. While appearing alongside news satire, these docucomedies depart from the latter by eschewing politics in favour of existential themes. Embracing conventions of personalized documentaries, these series use performance reflexively to draw attention to therapeutic discourses and awkward situations. Giving expression to uncertain and questioning views of contemporary spirituality, gender and mediated intimacies, the docucomedies of Lawrence Leung, Judith Lucy and Luke McGregor stage interventions in contemporary debates that constitute forms of public pedagogy. Documentary comedy These series can be identified as documentary comedies, or docucomedies, which combine humour and non-fiction representation without adhering primarily to either genre. Although the relationship between comedy and factual screen works has received little sustained attention, notes Paul Ward, a program can combine both genres (2005, 67, 78–9).