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NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
52183 FRMS Cover 142 17/08/2012 09:25 Page 1
4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs. -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
Orchestral Works, Volume 1
A1 Orchestral Works, Volume 1 - ClassicalNet Review ● Concerto for Violin & Orchestra ● Cello Concerto ● Morning Song (Maytime in Sussex) Lydia Mordkovitch, violin Raphael Wallfisch, cello Margaret Fingerhut, piano London Philharmonic Orchestra/Bryden Thomson Chandos CHANX10154 77K18 The opening volume in Chandos's series of Bax's orchestral music (minus the symphonies) concentrates on works for soloist and orchestra. The series has reached its ninth volume, by the way. Considered one of the great English composers in his own day, Bax has pretty much slid into obscurity outside Britain. It's tempting to blame the changes on the musical scene after World War II, but in truth Bax's music had begun to fade by the late Thirties, despite his becoming Master of the King's Music in 1942. Vaughan Williams, Walton, and Britten – and slightly less prominent figures like Tippett, Bliss, and Rubbra – had superseded him with a more aggressive Modernism. As he grew older, he composed less and less. Chandos has made an heroic effort to bring him back by issuing recordings of all the symphonies, orchestral music, piano music, and possibly chamber music. I consider Bax's music well worth reviving: an interesting mix of late Romantic and Modern, superb handling of the orchestra, and a uniQuely complex counterpoint resulting from his orchestral sonorities. Bax intended his 1937 violin concerto for Heifetz. Heifetz rejected it, for some reason. No one ever accused Heifetz of perfect taste, especially in modern music, but, really, he spat on a masterpiece and what's more, one perfectly suited to his musical point of view – big, Romantic, heroic. -
Musicweb International August 2020 RETROSPECTIVE SUMMER 2020
RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
MALCOLM ARNOLD (1921-2006) SOMMCD 0640 a Centenary Celebration MALCOLM ARNOLD Peter Fisher Violin · Margaret Fingerhut Piano a Centenary
MALCOLM ARNOLD (1921-2006) SOMMCD 0640 A Centenary Celebration MALCOLM ARNOLD Peter Fisher violin · Margaret Fingerhut piano A Centenary 1 Solitaire – Sarabande* 3:34 bo Ballad 2:27 (arr. Alan Poulton) bp Moto perpetuo 1:30 piano Celebration 2 Trapeze – Lola’s Theme* 2:51 bq Hobson’s Choice Suite* 4:03 (arr. Alan Poulton) (arr. Alan Poulton) Sonata for Violin and Piano No.1, Op.15 [16:14] br Sonata for Violin and Piano No.2, Op.43 8:07 3 I. Allegretto 5:59 Five English Dances* (arr. Paul Harris) 4 II. Andante tranquillo 5:04 bs 5 No.1, Set 1, Op.27 1:34 III. Allegro vivace 5:11 bt No.3, Set 1, Op.27 3:02 Four Scottish Dances , Op.59* [9:42] bu No.5, Set 2, Op.33 1:54 (arr. David Gedge) cl No.6, Set 2, Op.33 2:23 6 cm No.7, Set 2, Op.33 2:53 I. Pesante ( = 104) 2:16 7 II. Vivace ( = 160) 2:13 cn 8 Thème pour mon Amis* 1:34 III. Allegretto ( = 96) 3:49 Fingerhut Margaret (arr. Alan Poulton) First RecordingsFirst 9 · IV. Con brio ( = 144) 1:24 co The Chalk Garden – Madrigal* 2:01 Five Pieces for Violin and Piano, Op.84 [8:57] bl (arr. Alan Poulton) Prelude 1:44 Total duration: 69:03 bm Aubade 1:15 includes bn Waltz 2:01 *First recordings violin Recorded at Henry Wood Hall, London on November 21 & December 4, 2020 Recording Producer and Engineer: Michael Ponder Front cover: Private Practice or A Solo at Home by H Pyall (1827) © The Fitzwilliam Museum, Cambridge. -
Imperial Students Dive Head First Into RAG Week
felixonline.co.uk @felixImperial /FelixImperial [email protected] Keeping the cat free since 1949 issue 1597 February 13th 2015 Union Council votes in favour of Inside... How solar energy is closing Weeks Hall evolving Hall may turn into childcare facilities for staff News, page 6 Science 12-13 Felix previews the Imperial students Cricket World Cup dive head first into RAG Week Sports 46-47 Steven Cowley: physics, fusion and hair Felix covers the Features 10-11 Council votes to reduce charity events that rent of Acton halls have taken over campus News, pages 4 and 5 News 7 2 13.02.2015 THE STUDENT PAPER OF IMPERIAL COLLEGE LONDON FELIX This week’s issue... [email protected] Felix Editor Philippa Skett CONTENTS EDITORIAL TEAM Editor-In-Chief I’m too tired to think PHILIPPA SKETT News 3–8 Deputy Editor PHILIP KENT Features 10–11 Treasurer Science 12-14 of a decent title here THOMAS LIM Technical Hero Games 15 LUKE GRANGER-BROWN his week Union Council made Fun Felix Fact: I sit on Council and Music 16–17 a lot of decisions that could get a vote as the PG Non Faculty News Editors potentially affect students in Representative, not as Felix editor, CAROL ANN CHEAH T KUNAL WAGLE Television 18 years to come. We passed a paper meaning I represent part of the condemning the Counter Terrorism Business School. Its odd how these Comment Editor Film 29 Bill, another outlining our intentions things work out. TESSA DAVEY to lobby College to divest from fossil Debra Humphris, who was present Welfare 20 fuels, another stating our plans at the Union Council meeting on Technology Editors JAMIE DUTTON to save Pembridge Hall and yet Tuesday, told the students there that OSAMA AWARA Arts 27–34 another about the rent prices for College would listen to the decisions accommodation. -
Arnold Bax and the Poetry of Tintagel
ARNOLD BAX AND THE POETRY OF TINTAGEL A Dissertation submitted to the College of Fine Arts of Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by William B. Hannam December, 2008 HANNAM, WILLIAM B., PH.D., DECEMBER, 2008 MUSIC ARNOLD BAX AND THE POETRY OF TINTAGEL (213PP.) Director of Dissertation: Theodore J. Albrecht The latter part of the nineteenth and the early part of the twentieth centuries saw what is commonly accepted as a resurgence in music from the British Isles, but to this day, most of the actual music of this resurgence remains unknown to all but the most knowledgeable of art music aficionados. Among the composers active during this period, one of the most heralded in his day but little recognized now is Sir Arnold Bax (1883 – 1953). To the aforementioned aficionados, he is known for several substantial yet infrequently performed contributions to the symphonic repertoire, among them the tone poem Tintagel. Known in England as a composer, Bax carried on a separate life as a writer of poetry and drama in Ireland, working under the name Dermot O’Byrne. At the time of composition of the tone poem, Bax also wrote a four- stanza verse poem titled “Tintagel Castle.” Both were written for and dedicated to the pianist Harriet Cohen, with whom he was having an affair. The focus of this dissertation is an extensive look at the circumstances surrounding the composition of Tintagel, examining factors of development in Bax’s compositional style, his personal life including the affair with Harriet Cohen, and the influence of Yeats and Irish culture on Bax’s writings as Dermot O’Byrne. -
The Young Conductor Looks to the Future
THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . APRIL 2018 gramophone.co.uk Robin Ticciati The young conductor looks to the future PLUS Paul Lewis explores Haydn’s piano sonatas Handel’s Saul: the finest recordings UNITED KINGDOM £5.75 Intimate concerts featuring internationally acclaimed classical musicians in central London Now Booking Until July 2018 Igor Levit Cuarteto Casals: Beethoven Cycle Roderick Williams: Exploring Schubert’s Song Cycles O/Modernt: Purcell from the Ground Up Haydn String Quartet Series Jörg Widmann as Composer-Performer and much more… The Wigmore Hall Trust 36 Wigmore Street, London W1U 2BP Director: John Gilhooly OBE www.wigmore-hall.org.uk Registered Charity Number 1024838 A special eight-page section focusing on recent recordings from the US and Canada JS Bach Solo Violin Sonatas and Partitas, BWV1001-1006 talks to ... Johnny Gandelsman vn In a Circle F b ICR101 (124’ • DDD) Johnny Gandelsman The violinist and co-founder Bach’s Violin of Brooklyn Rider discusses his Sonatas and debut solo recording of Bach Partitas are among the most frequently Was it a challenge to plunge straight into performed works for the instrument, Bach for your first solo recording? or any instrument. Recordings evince a Not really. Over the the last three years spectrum of approaches, from historical I’ve performed all six Sonatas and Partitas treatments on period instruments to in concert about 30 times, which has been concepts Romantic and beyond. deeply rewarding. I wanted to capture this Among the newest journeys is Johnny moment of personal learning and growth. Gandelsman’s freshly considered account Do you miss the collaborative process of these monuments. -
August 2020 Vol.22, No. 2 the Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected]
Journal August 2020 Vol.22, No. 2 The Elgar Society Journal 37 Mapledene, Kemnal Road, Chislehurst, Kent, BR7 6LX Email: [email protected] August 2020 Vol. 22, No. 2 Editorial 3 Sir Adrian Boult CH. 5 President Andrew Neill Sir Mark Elder CH CBE Sir John Barbirolli, CH: An Elgarian Perspective 16 David L. Jones Vice-Presidents Diana McVeagh Elgar - Views From and For the Continent 27 Dame Janet Baker, CH, DBE Christopher Redwood Leonard Slatkin Sir Andrew Davis, CBE Elgar and Dan 30 Christopher Robinson, CVO, CBE Arthur Reynolds Andrew Neill Martyn Brabbins ‘“Gerontius” with M.S. notes by Elgar’: R. J. Buckley’s Vocal Score of 36 Tasmin Little, OBE The Dream of Gerontius in the Borthwick Institute for Archives at the Julian Lloyd Webber University of York Professor Jonathan Wainwright Music Review 58 Chairman Neil Mantle MBE Book Review 61 Vice-Chairman CD Reviews 64 Stuart Freed Recent CD Releases 74 Treasurer Peter Smith 100 Years Ago... 76 Secretary George Smart The Editors do not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Adrian Boult by Jonathan Trowell (loaned by the Bowerman Charitable Trust). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Now… Relax! How the RCM Is Tackling Performance Anxiety
The Magazine for the Royal College of MusicI Spring 2013 Now… relax! How the RCM is tackling performance anxiety What’s inside... Welcome to upbeat... When you’re under the spotlight, it’s not always easy to ‘relax’ on stage. But developing a stage presence and ability to communicate with an audience is a vital part of Contents training as a musician at the RCM. To help students along, Head of Performance Science Professor Aaron Williamon has led a team of researchers to develop the first 4 In the news performance simulator for musicians. Turn to page 12 to find out how he’s using this Updating you on recent RCM new technology to help students improve their performance skills. activities... This issue we also say a fond farewell to Peter Hewitt who is leaving us after 22 years as 10 Farewell to Peter Director of the RCM’s Junior Department. Turn to page 10 to read his about his time at Peter Hewitt reminisces over his the JD, including taking part in the rain-soaked Thames Pageant for the Queen’s Jubilee time as Director of the RCM’s Celebrations. Junior Department We would also like to take this opportunity to invite you all to witness a thrilling 12 Simulating and stimulating concert. On Tuesday 23 May, the RCM Symphony Orchestra will be performing one of performance the truly great orchestral works of the 20th century – Messiaen’s Turangalîla – at the Professor Aaron William tells Royal Festival Hall. Turn to page 9 for further details. Upbeat about his latest research into performance anxiety We’re always keen to hear from students past and present, so if you have anything you would like us to feature in the next issue of Upbeat, send your news and pictures to 14 Meeting the supporters [email protected] by Monday 29 April 2013.