Imperial Students Dive Head First Into RAG Week
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NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
Australia Square T-20 Series
SPORTS SATURDAY, NOVEMBER 8, 2014 Australia square T-20 series MELBOURNE: Australia bounced back man of the match.” (18) and Farhaan Behardien (5) in taking from their opening heavy loss to ham- The Proteas, who dominated the two for 15 off four overs, while paceman mer South Africa by seven wickets and Australians in the Adelaide opener, were James Faulkner claimed three for 25 off square their Twenty20 series in always under pressure after winning the his complement of four overs. Melbourne yesterday. toss. Skipper JP Duminy played a lone “We were outplayed in all forms of The Australians, beaten by the same hand topscoring with 49 off 51 balls the game and there’s a lot of learning margin in Adelaide on Wednesday, were with three fours and a towering six over we can take out of today’s match,” superior with bat and ball to cruise to the fence at the vast MCG arena before Duminy said. “We know we need to victory. The home side restricted South he was caught in the deep by Finch. come up with something drastic for us Africa to 101 for seven off their 20 overs In the space of two overs, openers to come back tomorrow. “These kind of and had few problems reaching 102 for Quinton de Kock and Rilee Rossouw things are good for youngsters, just to KHULNA: Zimbabwean cricketer Hamilton Masakadza three in 12.4 overs to wrap up victory. were both back in the changerooms. experience winning and losing, today plays a shot during the fifth day of the second cricket The series now goes to a decider in Two days earlier the pair formed a was a particularly convincing victory for Sydney tomorrow. -
52183 FRMS Cover 142 17/08/2012 09:25 Page 1
4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs. -
Winter 2015 Programme
Winter 2015 programme Box Office 020 8463 0100 www.blackheathhalls.com Hire the Halls Blackheath Halls, a Grade II listed building, offers two beautiful and unique spaces for celebrations, performances, recordings, conferences and rehearsals. Renowned for the quality of its acoustics, the magnificent Great Hall is the venue of choice for leading orchestras and ensembles for recordings and rehearsals. Among those who choose Blackheath Halls as their preferred venue are Chandos Records, English National Opera, London Symphony Orchestra and Channel 4. The recently refurbished Recital Room, which is licensed for wedding ceremonies, offers the perfect location for smaller scale functions and chamber music performances. For all hire enquiries please contact Caroline Foulkes, [email protected] or 020 8318 9758 BLACKHEATH WELCOMESUNDAYS PLENTY TO KEEP YOU ENTERTAINED IN 2015 CONTENTS A Happy New Year to everyone. concert, including the wonderfully Blackheath Sundays Blackheath Halls has a great tradition for evocative Seven Last Words on the Cross bringing you some of the best names on by James MacMillan. This is a rare the comedy circuit. Following in that opportunity to see and hear one of the Classical events tradition, we are delighted to announce leading choral groups in the world. the launch of Laughing Boy Comedy Club, The Jette Parker Young Artists will a monthly Thursday night show in the present three further Wednesday evening Recital Room. Alongside new and recitals at the Halls, the first on 21 January. CoLab emerging comedy talents, the Comedy The students of Trinity Laban will once Club will feature some of the top again be providing a diverse range of comedians trying out new material. -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
Groundwork Buddhist Studies Reader
...thus we have heard... (may be reproduced free forever) Buddhist Studies Reader Published by: Groundwork Education www.layinggroundwork.org Compiled & Edited by Jeff Wagner Second Edition, May 2018 This work is comprised of articles and excerpts from numerous sources. Groundwork and the editors do not own the material, claim copyright or rights to this material, unless written by one of the editors. This work is distributed as a compilation of educational materials for the sole use as non-commercial educational material for educators. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free to edit and share this work in non-commercial ways. Any published derivative works must credit the original creator and maintain this same Creative Commons license. Please notify us of any derivative works or edits. "53 Wearing the broad-brimmed hat of the west, symbolic of the forces that guard the Buddhist Studies Reader wilderness, which is the Natural State of the Dharma and the true path of man on Earth: Published by Groundwork Education, compiled & edited by Jeff Wagner all true paths lead through mountains-- The Practice of Mindfulness by Thích Nhất Hạnh ..................................................1 With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by Like a Leaf, We Have Many Stems by Thích Nhất Hạnh ........................................4 the stupidity of those who think things can be gained and lost whereas in truth all is Mindfulness -
Match Report
Match Report Afghanistan, AFG vs Zimbabwe Afghanistan, AFG - Won by 81 runs Date: Sun 10 Jan 2016 Location: United Arab Emirates Match Type: Twenty20 Scorer: Anit Anoop Toss: Zimbabwe, ZIM won the toss and elected to Bowl URL: http://www.crichq.com/matches/332061 Afghanistan, AFG Zimbabwe Score 215-6 Score 134-10 Overs 20.0 Overs 18.1 Mohammad Shahzad† DT Tiripano Usman Ghani R Mutumbami† Mohammad Nabi TS Chisoro Asghar Stanikzai* PJ Moor Gulbadin Naib H Masakadza Karim Sadiq CJ Chibhabha Shafiqullah MN Waller Rashid Khan Sikandar Raza Sayed Shirzad E Chigumbura* Dawlat Zadran LM Jongwe Amir Hamza AG Cremer page 1 of 34 Scorecards 1st Innings | Batting: Afghanistan, AFG R B 4's 6's SR Mohammad . 1 1 . 6 1 4 2 . 1 . 4 . 1 . 1 4 . 4 1 4 . 1 6 4 4 1 1 . 1 . 6 1 not out 118 67 10 8 176.12 6 6 1 6 4 . 1 6 . 6 1 2 1 1 . 4 1 1 . 1 4 2 1 2 . 1 Shahzad† Usman Ghani 1 . 2 1 1 . // b AG Cremer 5 13 0 0 38.46 Asghar . 1 . 6 1 1 1 . 4 4 . // b LM Jongwe 18 12 2 1 150.0 Stanikzai* Karim Sadiq 2 4 2 4 . // c PJ Moor b TS Chisoro 12 5 2 0 240.0 Shafiqullah . 1 6 1 . // c PJ Moor b CJ Chibhabha 8 6 0 1 133.33 Mohammad 1 1 . 6 2 1 1 . 4 6 . // b DT Tiripano 22 12 1 2 183.33 Nabi Gulbadin Naib 1 6 2 1 2 1 // run out (DT Tiripano/R Mutumbami†) 13 6 0 1 216.67 Extras (w 6, nb 1, b 8, lb 4) 19 Total (6 wickets; 20.0 overs) 215 10.75 RPO Did Not Bat:["Rashid Khan", "Sayed Shirzad", "Dawlat Zadran", "Amir Hamza"] Fall of Wicket: 43-1 (Usman Ghani 6.1 ov ), 116-2 (Asghar Stanikzai 11.4 ov ), 145-3 (Karim Sadiq 13.3 ov ), 154-4 (Shafiqullah 14.4 ov ), 201-5 (Mohammad Nabi 18.5 ov ), 215-6 (Gulbadin Naib 19.6 ov ) Bowling: Zimbabwe, ZIM O M R W EC AV EX DT Tiripano 4.0 0 36 1 9.00 36.00 (w 3) TS Chisoro 4.0 0 25 1 6.25 25.00 (w 1) LM Jongwe 4.0 0 34 1 8.50 34.00 (w 1) CJ Chibhabha 4.0 0 56 1 14.00 56.00 AG Cremer 3.0 0 35 1 11.67 35.00 (w 1) Sikandar Raza 1.0 0 17 0 17.00 - (nb 1) Notes: 50 up for Afghanistan at 7.1. -
P26 Layout 1
26 Sports Sunday, November 4, 2018 Williams, Masakadza slam fifty each in first Bangladesh Test Zimbabwe score 236-5 on opening day of the first Test SYLHET: Sean Williams and skipper Hamilton SCOREBOARD Masakadza slammed a fifty each as Zimbabwe made 236-5 on the opening day of the first Test against Scoreboard at stumps on the first day of 1st test Bangladesh in Sylhet yesterday. Williams topscored between Bangladesh and Zimbabwe yesterday at with 88 off 179 balls after Masakadza hit 52 in his 105 Sylhet, Bangladesh. ball knock to lay the initial foundation for Zimbabwe at the Sylhet International Cricket Stadium, which was Zimbabwe 1st innings hosting its maiden Test. Bangladesh made some regular breakthroughs, Hamilton Masakadza lbw Abu Jayed 52 mostly by their spinners, but lacked the penetrating power to completely unsettle the visiting side playing Brian Chari b Taijul Islam 13 their first Test in 2018. Williams received some support from Peter Moor as the duo shared 72 runs for the fifth Brendan Taylor c Nazmul Hossain Shanto b Taijul Islam 6 wicket after the Bangladesh spinners looked to have slowly gained control. Sean Williams c Mehedi Hasan b Mahmudullah 88 Skipper Mahmudullah denied Williams his second Test century when he forced the left-hander to give a Sikandar Raza b Nazmul Islam 19 catch at slip to Mehidy Hasan after hitting nine fours in his patient knock. “I think it’s a very good Test wicket. Peter Moor Not Out 37 Couple of the balls were turning and bouncing and couple of them were keeping quite low and skidding Regis Chakabva Not Out 20 through with the arm,” Williams said. -
P18:Layout 1
WEDNESDAY, SEPTEMBER 4, 2013 SPORTS IOC inspectors see ‘progress,’ but timeline tight RIO DE JANEIRO: IOC inspectors have tions about the possibility of protests at English as a second language, sought to must all go in the streets and demon- policing measures, which were criticized seen “strong, solid progress” but think the games. clarify his colleague. “I’m not saying we strate every day.” as heavy-handed during the organizers need a sharper focus in the Protests took place almost every day at are in favor of demonstrations, but we are Felli said the IOC had “experts” from Confederations Cup. Police routinely used countdown to the 2016 Rio de Janeiro the recent Confederations Cup — a in a democracy where people want to Australia and Britain working with tear gas and rubber bullets to disperse Olympics. warm-up for next year’s football World demonstrate. ... But we are not saying you Brazilian authorities on crowd-control and crowds, including crowds outside the The IOC coordination commission, Cup in Brazil. Demonstrators took to the tournament final between Spain and headed by former Olympic hurdles cham- streets with complaints about spending Brazil at Rio’s Maracana stadium. pion Nawal El Moutawakel, finished a billions on mega-events such as the “Probably the fact they are not so used two-day inspection visit on Monday and Olympics and World Cup in a country with to (crowd control) because there were not seemed to take a stronger tone than on poor public services and large economic so many protests before in Brazil,” Felli its previous four visits. -
Shedding & Gathering
Shedding & Gathering 23 minutes For an audio version in English and Spanish dial: 646-880-9127 To stream, visit www.thebushwickstarr.org/ silverliningradio Fall is the time of shedding old leaves and gathering what we need. Today, we’re going let go of, and how to gather what gives us strength. We’ll share 2 exercises from our audio program that invite this theme. 1. We’re going to warm up by shedding our “leaves.” The things you’re tired of carrying, or that you’re ready to let go of—we’re going to call those “leaves.” Each time we shed a “leaf,” we’ll shake a part of our body like we are helping the wind blow that leaf away. wrists. You can shed leaves from your belly or the top of your head or your nose. Or from anywhere you are holding tension. Let’s name some “leaves” and shed them one by one. Caitlin: So for me, one leaf I want to shed is DESPAIR. And I will shake my arms and wrists like branches in the wind and, while I’m shaking, call out: “DESPAIRRRRRR” Caitlin and Rachel call out “DESPAAIIIRRRR” while shaking their upper bodies. Your turn. You can shed as many leaves as you need to. 2. There are lots of important signs we are seeing in New York City windows these days, ranging from Black Lives Matter posters to thank you notes for essential workers. And there are so many MORE messages we could use—so many things that we still need to be reminded of. -
The Burgess Bird Book for Children Thornton W
The Burgess Bird Book for Children Thornton W. Burgess TO THE CHILDREN AND THE BIRDS OF AMERICA THAT THE BONDS OF LOVE AND FRIENDSHIP BETWEEN THEM MAY BE STRENGTHENED THIS BOOK IS DEDICATED I JENNY WREN ARRIVES. Introducing the House Wren. II THE OLD ORCHARD BULLY. The English or House Sparrow. III JENNY HAS A GOOD WORD FOR SOME SPARROWS. The Song, White-throated and Fox Sparrows. IV CHIPPY, SWEETVOICE AND DOTTY. The Chipping, Vesper and Tree Sparrows. V PETER LEARNS SOMETHING HE HADN'T GUESSED. The Bluebird and the Robin. VI AN OLD FRIEND IN A NEW HOME. The Phoebe and the Least Flycatcher. VII THE WATCHMAN OF THE OLD ORCHARD. The Kingbird and the Great Crested Flycatcher. VIII OLD CLOTHES AND OLD HOUSES. The Wood Peewee and Some Nesting Places. IX LONGBILL AND TEETER. The Woodcock and the Spotted Sandpiper. X REDWING AND YELLOW WING. The Red-winged Blackbird and the Golden-winged Flicker. XI DRUMMERS AND CARPENTERS. The Downy, Hairy and Red-headed Woodpeckers. XII SOME UNLIKE RELATIVES. The Cowbird and the Baltimore Oriole. XIII MORE OF THE BLACKBIRD FAMILY. The Orchard Oriole and the Bobolink. XIV BOB WHITE AND CAROL THE MEADOW LARK. The So-called Quail and the Meadow Lark. XV A SWALLOW AND ONE WHO ISN'T. The Tree Swallow and the Chimney Swift. XVI A ROBBER IN THE OLD ORCHARD. The Purple Martin and the Barn Swallow. XVII MORE ROBBERS. The Crow and the Blue Jay. XVIII SOME HOMES IN THE GREEN FOREST. The Crow, the Oven Bird and the Red-tailed Hawk. -
Orchestral Works, Volume 1
A1 Orchestral Works, Volume 1 - ClassicalNet Review ● Concerto for Violin & Orchestra ● Cello Concerto ● Morning Song (Maytime in Sussex) Lydia Mordkovitch, violin Raphael Wallfisch, cello Margaret Fingerhut, piano London Philharmonic Orchestra/Bryden Thomson Chandos CHANX10154 77K18 The opening volume in Chandos's series of Bax's orchestral music (minus the symphonies) concentrates on works for soloist and orchestra. The series has reached its ninth volume, by the way. Considered one of the great English composers in his own day, Bax has pretty much slid into obscurity outside Britain. It's tempting to blame the changes on the musical scene after World War II, but in truth Bax's music had begun to fade by the late Thirties, despite his becoming Master of the King's Music in 1942. Vaughan Williams, Walton, and Britten – and slightly less prominent figures like Tippett, Bliss, and Rubbra – had superseded him with a more aggressive Modernism. As he grew older, he composed less and less. Chandos has made an heroic effort to bring him back by issuing recordings of all the symphonies, orchestral music, piano music, and possibly chamber music. I consider Bax's music well worth reviving: an interesting mix of late Romantic and Modern, superb handling of the orchestra, and a uniQuely complex counterpoint resulting from his orchestral sonorities. Bax intended his 1937 violin concerto for Heifetz. Heifetz rejected it, for some reason. No one ever accused Heifetz of perfect taste, especially in modern music, but, really, he spat on a masterpiece and what's more, one perfectly suited to his musical point of view – big, Romantic, heroic.