Now… Relax! How the RCM Is Tackling Performance Anxiety

Total Page:16

File Type:pdf, Size:1020Kb

Now… Relax! How the RCM Is Tackling Performance Anxiety The Magazine for the Royal College of MusicI Spring 2013 Now… relax! How the RCM is tackling performance anxiety What’s inside... Welcome to upbeat... When you’re under the spotlight, it’s not always easy to ‘relax’ on stage. But developing a stage presence and ability to communicate with an audience is a vital part of Contents training as a musician at the RCM. To help students along, Head of Performance Science Professor Aaron Williamon has led a team of researchers to develop the first 4 In the news performance simulator for musicians. Turn to page 12 to find out how he’s using this Updating you on recent RCM new technology to help students improve their performance skills. activities... This issue we also say a fond farewell to Peter Hewitt who is leaving us after 22 years as 10 Farewell to Peter Director of the RCM’s Junior Department. Turn to page 10 to read his about his time at Peter Hewitt reminisces over his the JD, including taking part in the rain-soaked Thames Pageant for the Queen’s Jubilee time as Director of the RCM’s Celebrations. Junior Department We would also like to take this opportunity to invite you all to witness a thrilling 12 Simulating and stimulating concert. On Tuesday 23 May, the RCM Symphony Orchestra will be performing one of performance the truly great orchestral works of the 20th century – Messiaen’s Turangalîla – at the Professor Aaron William tells Royal Festival Hall. Turn to page 9 for further details. Upbeat about his latest research into performance anxiety We’re always keen to hear from students past and present, so if you have anything you would like us to feature in the next issue of Upbeat, send your news and pictures to 14 Meeting the supporters [email protected] by Monday 29 April 2013. Upbeat meets RCM Friend and Patron, Chelsea Pensioner NB: Please note that we cannot guarantee to include everything we receive and that we David Poultney reserve the right to edit submissions. 16 Student notes… Upbeat online Current student success stories Did you know that Upbeat is available to read online at www.rcm.ac.uk/upbeat If you’d prefer to read it in this way, do contact us at [email protected] and we’ll 18 Staff notes… stop sending you a paper copy. If you’d like us to send you an email notification News from professorial, academic when Upbeat is published, let us know your email address too. and administrative staff 20 Alumni notes… Updates from RCM graduates 22 Obituaries PERC’M performing at St Mary’s Church in Beverly Front cover – Peter Kirk in the RCM International Opera School’s production of Bizet’s Le docteur Miracle Inside front cover – Variable Geometry ensemble Inside back cover – A performance of works by Jonathan Dove and featuring artwork by Anita Klein All photography © Chris Christodoulou 3 In the news... Soirée d’Or 2012 The RCM’s annual fundraising event, Soirée d’Or, took place at the V&A Museum on 5 December last year. More than £185,000 was raised, which will be used to provide substantial scholarships to talented RCM students. The evening began with a Taittinger champagne reception in the Medieval and Renaissance Galleries with music provided by alumna Charlotte Harding’s jazz quartet and a trio of RCM trumpeters, who performed a new work by current student Brandan Musk. A five-course dinner followed in the impressive Raphael Gallery during which guests were entertained by alumnus Sir James Galway and RCM violinist Ksenia Berezina, accompanied by Peter Limnov. With the focus on raising funds for the RCM scholarship appeal Sir Roger Carr delivered an inspiring speech, in which he likened the hard work and dedication of classical musicians to that of Olympic athletes. He also referred to the professionalism and sheer pluck of the RCM Chamber Choir who hit the headlines last year following their stoical performance in torrential rain during the Royal Jubilee River Pageant. A lively auction followed with bidders competing for items that included a performance by Ksenia Berezina at a private event, a luxury break in Morocco, a private dinner at the Dorchester Hotel, and the use of a private box at the Royal Albert Hall to attend one of Alfie Boe’s 2013 performances. The evening finally closed with a rousing performance of Jerusalem by the RCM Chamber Choir and audience participation in four popular carols. The RCM is very fortunate to have the 4 December 2013, please contact Mary Partnership, Hatch Mansfield, Ketel One support of a hard-working committee Cosgrave ([email protected]) if Vodka, London Russian Ballet School, led by Lady Carr (chairman), with you would like to attend. Mason Rose, Mihaela Christou Bespoke Lady Middleton, Emma Rose, Fiona Jewellery, Hambleton Hall, Nevill Holt, Flint, Tanya Rose, Lady Walters, Judy The RCM thanks the following Mowschenson and Anastasia Christou, companies and individuals for their O.P.I, Paul Wayne Gregory, Percy & Reed, all of whom work tirelessly throughout generous sponsorship and donations: QMS Medi Cosmetics, Roja Parfums, the year to secure table sales, RLM Finsbury, Boutinot, British Gas, Royal Mansour Marrakech, Royal Opera sponsorship and exceptional prizes Burberry, Richard and Anastasia House, Sally Clarke Ltd, St James’s Hotel to auction on the evening. The next Christou, The Dorchester Collection, and Club, Steinway & Sons, Steven Soirée d’Or will be held on Wednesday Green & Black’s, Inn or Out, Intern Morris and Wilberforce Chambers. 4 Double win at RCM pianist Pavel Kolesnikov has Honens won the highly prestigious First Prize Soundtrack_ Laureate Award of $100,000 (Can) at International the finals of the Honens International Cologne 9.0 Piano Competition Piano Competition in Canada. Although a relatively recent competition, it is known as one of the most prestigious and one of the most searching in terms of the requirements. Pavel was required to produce several recitals and recordings in order to reach the competition final, in which he performed Tchaikovsky’s Piano Concerto no 1. RCM alumni have scooped two awards at Soundtrack_Cologne 9.0, one of In addition to his lucrative money prize, Europe’s leading festivals of sound and Pavel, who studies with Norma Fisher media. and is supported by the Russell Gander Award, has also been awarded a three- RCM Composition for Screen graduate year artistic and career development and now RCM professor Enrica programme. Valued at half a million Sciandrone won the Peer Raben Award Canadian dollars, this programme for the best music for a short film. Her includes worldwide representation entry, ‘Suckablood’, was chosen from an for three years and a recording on the unprecedented 320 nominations. The Hyperion label. European Talent Award was awarded to RCM Composition for Screen graduate John Chua from Singapore. This is the Vanessa Latarche, who commented on second time a graduate of the RCM Lang Lang’s story Lang Lang’s “real gift” in being able to bring music to the masses, and praised has won this award, following on from The RCM has appeared in a feature- Martin Batchelar’s success in 2010. his ability to engage children with length documentary about star pianist classical music. Organised by the Cologne Congress for Lang Lang. Music and Sound in Film and Media, Several scenes in the documentary – Do or Die: Lang Lang’s Story, part of the SoundTrack_Cologne is a German including the central interview with BBC’s ‘imagine...’ series, aired on BBC One festival of music and sound in film and presenter Alan Yentob – were filmed in November. The programme explored media, which has developed into one of at the RCM, where Lang Lang has the personal story behind the Chinese Europe’s most important screen music been a regular visitor in recent years: classical music superstar, and included events. Eighteen students on the RCM he has given two immensely popular Composition for Screen programme interviews with various influential figures masterclasses, received an Honorary attended the festival as part of a group in the musical world. These included Doctorate, and met participants in the study visit to Germany, sponsored by the RCM Head of Keyboard Professor RCM’s International Piano Course. German Academic Exchange Service. A big thank you In December the Royal College of Music participated in the 2012 Big Give Christmas Challenge to raise funds for our scholarship programme. We’re delighted to report that thanks to the great generosity of our donors we have surpassed last year’s total, raising a staggering £136,930. Thank you to all those who contributed to The Big Give, which will go towards transforming the lives of talented young musicians. Piano masterclass with Lang Lang 5 In the news... We were delighted to welcome Welcoming Professor Alexander Sokolov, Rector In defence of of Moscow Conservatory, to the RCM in Professor October last year. the recorder! Alexander Sokolov Professor Sokolov gave a talk, visited Head of Historical Performance the RCM Museum and discussed future Ashley Solomon has featured on artistic collaborations with RCM Artistic Simon Mayo’s popular Radio 2 Director Stephen Johns. He then met Drivetime show. with Professor Colin Lawson, Director of the RCM, to sign and re-affirm the Following a phone-in confession from memorandum of agreement between a listener, who disliked the recorder the two institutions, which allows for so much that he hid his sister’s and a number of educational and artistic children’s, Ashley gallantly went on air collaborations. to defend his instrument. He gave a brief account of the recorder’s history, Central to this historic partnership is before performing a delightful set of the longstanding close relationship variations on the well-known tune between the keyboard faculties: each Greensleeves.
Recommended publications
  • Upbeat Summer 2017
    UPBEATUPBEAT SUMMER 2017 NEWS FROM INSIDE THE ROYAL COLLEGE OF MUSIC IN THIS ISSUE AWARDING EXCELLENCE BREAKING NEW GROUND RISING STARS OF THE RCM HIGHLIGHTS FESTIVAL OF PERCUSSION 2017 The RCM’s annual Festival of Percussion returned on 7 May 2017 with an exceptional line-up of events and special guests. Visitors enjoyed performances from artists such as Benny Greb and the Band of the RAF Regiment, alongside family workshops, a day- long Trade Fair and toe-tapping evening concert with the RCM Big Band. Photos: Chris Christodoulou Front cover: Louise Alder at BBC Cardiff Singer of the World © Brian Tarr 2 UPBEAT SUMMER 2017 CONTENTS WELCOME 4 NEWS The latest news and activities from TO UPBEAT the Royal College of Music 9 As we went to press with the summer issue of Upbeat, news awarding EXCELLENCE of alumna Louise Alder’s success at the BBC Cardiff Singer of Upbeat explores the history behind the RCM’s most prestigious awards the World 2017 competition made its way to the Royal College of Music. Louise won the prestigious Dame Joan Sutherland Audience 10 Prize after getting through to the Song Prize and Main Prize finals of the WHERE ARE THEY NOW? Find out what some of our award competition, and I am thrilled that she has rightly earned a place on the front winners are up to in this special cover of Upbeat. Find out more on page seven. extended article, featuring interviews with Ieuan Jones, Charlotte Harding, On graduating from the RCM in 2013 Louise received the Tagore Gold Katy Woolley and Ruairi Glasheen Medal, an award that was first given out more than a century ago to outstanding students.
    [Show full text]
  • Thesis October 11,2012
    Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation. Elena Nalimova 10 October 2012 Submitted in partial requirement for the Degree of PhD in Performance Practice at the Goldsmiths College, University of London 1 Declaration The work presented in this thesis is my own and has not been presented for any other degree. Where the work of others has been utilised this has been indicated and the sources acknowledged. All the translations from Russian are my own, unless indicated otherwise. Elena Nalimova 10 October 2012 2 Note on transliteration and translation The transliteration used in the thesis and bibliography follow the Library of Congress system with a few exceptions such as: endings й, ий, ый are simplified to y; я and ю transliterated as ya/yu; е is е and ё is e; soft sign is '. All quotations from the interviews and Russian publications were translated by the author of the thesis. 3 Abstract This thesis presents a performer’s view of Galina Ustvolskaya and her music with the aim of demystifying her artistic persona. The author examines the creation of ‘Ustvolskaya Myth’ by critically analysing Soviet, Russian and Western literature sources, oral history on the subject and the composer’s personal recollections, and reveals paradoxes and parochial misunderstandings of Ustvolskaya’s personality and the origins of her music. Having examined all the available sources, the author argues that the ‘Ustvolskaya Myth’ was a self-made phenomenon that persisted due to insufficient knowledge on the subject. In support of the argument, the thesis offers a performer’s interpretation of Ustvolskaya as she is revealed in her music.
    [Show full text]
  • The Use of Rachmaninov's Second Piano Concerto in the Film Brief
    Soundtrack to a Love Story: The Use of Rachmaninov’s Second Piano Concerto In the Film Brief Encounter Sean O’Connor MHL 252 April 22, 2013 Soundtrack to a Love Story 1 Classic FM, an independent radio station in the United Kingdom, has held a poll each Easter weekend since 1996 where listeners can vote on the top 300 most popular works of classical music. In 2013, Sergei Rachmaninov’s Piano Concerto No. 2 in C minor filled the number-one spot for the third year in a row. However, when BBC News first published an online article about this in April 2011, the headline did not mention the composition’s actual title. Instead, it referred to the concerto as the “Brief Encounter theme”1. Rather than being known as a concerto by Rachmaninov, many listeners in the United Kingdom recognize the music as the score prominently used in the classic British motion picture Brief Encounter (1945). How is it that so many listeners associate the music with this film rather than as arguably Rachmaninov’s most celebrated work? To determine the reason, listeners must critically analyze the concerto and the film together to find a unifying emotion through recurring themes. This analysis will do just that, examining each movement and where excerpts from those movements appear in the film. That analysis must begin, however, with background information on both works. Today, Rachmaninov’s Second Piano Concerto is considered one of the finest musical compositions of the late romantic period, as well as, according to the poll mentioned earlier, one of the most popular pieces of “classical music” around the world.
    [Show full text]
  • NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
    NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection.
    [Show full text]
  • Data Hora Música Intérprete Compositor Programa Vivo Mec. 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR ORQUESTRA DE
    Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC AM BRASÍLIA - Dial: 800kHZ - UF:DF Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE CÂMARA LES INVENTIONS TOUCHEMOULIN (Joseph)(1727- 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR VIOLINO: DANIEL SEPEC Programação Musical X 1801)(França) DIREÇÃO: PATRICK AYRTON HARMONIZAÇÃO PARA INSTRUMENTOS DE SOPRO CONJUNTO DE CÂMARA MOZZAFIATO MOZART (Wolfgang Amadeus) (1756-1791) 01/07/2019 02:22:43 Programação Musical X SOBRE TEMAS DA ÓPERA: "AS BODAS DE FIGARO" DIREÇÃO: CHARLES NEIDICH (Áustria) Piano: Christopher Hinterhuber CONCERTO PARA PIANO e ORQUESTRA EM LÁ 01/07/2019 02:41:48 ORQUESTRA FILARMÔNICA REAL DE LIVERPOOL RIES (FERDINAND)(1784-1838)(Alemanha) Programação Musical X MENOR, OP. 132 - "ADEUS À INGLATERRA". REGENTE: UWE GRODD QUARTETO "VOKALZEIT" e Composições de Weber, Schumann, Heinrich 01/07/2019 03:17:15 SELEÇÃO DE CANÇÕES FOLCLÓRICAS ALEMÃS Programação Musical X TROMPISTAS DA ORQUESTRA FILARMÔNICA DE BERLIM Werner, (1841 - 1904) 01/07/2019 03:27:46 QUINTETO DE CORDAS EM LÁ MENOR, OPUS 1 MEMBROS DO OCTETO DA FILARMÔNICA DE BERLIM DVORÁK (Antonín)(1841 - 1904)(República Programação Musical X Checa) ORQUESTRA SINFÔNICA NACIONAL DO BRASIL - UFF LEOPOLDO MIGUEZ (1850-1902)(Rio de 01/07/2019 03:56:12 "AVE LIBERTAS" - Poema Sinfônico Programação Musical X REGENTE: LÍGIA AMADÍO Janeiro) PRELÚDIO DA ÓPERA "OS MESTRES CANTORES DE THE LONDON CLASSICAL PLAYERS WAGNER (Richard) (1813-1883) (Austria - 01/07/2019 04:15:52 Programação Musical X NÜREMBERG" REGENTE: ROGER NORRINGTON Italia) LISZT (Franz) (1811-1886)(Hungria- 01/07/2019 04:24:36 SONATA EM SI MENOR S.178 PIANO: ARNALDO COHEN Programação Musical X Alemanha) DOS CAMPOS e BOSQUES DA BOÊMIA - POEMA ORQUESTRA FILARMÔNICA DE ISRAEL SMETANA(Bedrich)(1824 - 1884)(República 01/07/2019 04:55:34 Programação Musical X SINFÔNICO DO CICLO "A MINHA PÁTRIA".
    [Show full text]
  • 52183 FRMS Cover 142 17/08/2012 09:25 Page 1
    4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs.
    [Show full text]
  • Winter 2015 Programme
    Winter 2015 programme Box Office 020 8463 0100 www.blackheathhalls.com Hire the Halls Blackheath Halls, a Grade II listed building, offers two beautiful and unique spaces for celebrations, performances, recordings, conferences and rehearsals. Renowned for the quality of its acoustics, the magnificent Great Hall is the venue of choice for leading orchestras and ensembles for recordings and rehearsals. Among those who choose Blackheath Halls as their preferred venue are Chandos Records, English National Opera, London Symphony Orchestra and Channel 4. The recently refurbished Recital Room, which is licensed for wedding ceremonies, offers the perfect location for smaller scale functions and chamber music performances. For all hire enquiries please contact Caroline Foulkes, [email protected] or 020 8318 9758 BLACKHEATH WELCOMESUNDAYS PLENTY TO KEEP YOU ENTERTAINED IN 2015 CONTENTS A Happy New Year to everyone. concert, including the wonderfully Blackheath Sundays Blackheath Halls has a great tradition for evocative Seven Last Words on the Cross bringing you some of the best names on by James MacMillan. This is a rare the comedy circuit. Following in that opportunity to see and hear one of the Classical events tradition, we are delighted to announce leading choral groups in the world. the launch of Laughing Boy Comedy Club, The Jette Parker Young Artists will a monthly Thursday night show in the present three further Wednesday evening Recital Room. Alongside new and recitals at the Halls, the first on 21 January. CoLab emerging comedy talents, the Comedy The students of Trinity Laban will once Club will feature some of the top again be providing a diverse range of comedians trying out new material.
    [Show full text]
  • Concert Program
    CONCERT PROGRAM 1 Концертная программа Санкт-ПетербургСкая гоСударСтвенная конСерватория им. н. а. римСкого-корСакова THE ST. PETERSBURG N. A. RIMSKY-KORSAKOV STATE CONSERVATORY Санкт-Петербург ST. PETERSBURG 2014 2 УчреДитель FOUNDER Владимир СТОПИЧЕВ Vladimir STOPICHEV декан оркестрового факультета Dean of the Orchestra Department Санкт-Петербургская государственная The St. Petersburg N. A. Rimsky-Korsakov леонид ЗАЙЧИК Leonid ZAICHIK консерватория им. Н. А. Римского-Корсакова State Conservatory декан фортепианного факультета Dean of the Piano Department Юрий ЛАПТЕВ Yury LAPTEV При поддержке With support from декан вокально-режиссерского факультета Dean of the Vocal and Directing Department Министерства культуры Российской Федерации the Ministry of Culture of the Russian Federation олег ШАРОВ Oleg SHAROV Комитета по культуре Санкт-Петербурга the St. Petersburg Committee for Culture декан факультета народных инструментов Dean of the Folk Instruments Department Комитета по внешним связям Санкт-Петербурга the Committee for External Relations of St. Petersburg наталья АГАБаБоВа Natalia AGABABOVA декан по работе с иностранными учащимися Chief of the Dean`s Office for International Students ирина БОГАЧЕВа Irina BOGACHEVA заведующая кафедрой сольного пения Head of the Recital Division ПОПЕЧИТЕЛЬСКий СоВет THE BOARD OF TRUSTEES екатерина мУрина Ekaterina MURINA заведующая кафедрой специального фортепиано Head of the Special Piano Division ГЕНЕРАЛЬНЫЕ КОНСУльСтВа: THE CONSULATES GENERAL OF: александр ТИТОВ Alexander TITOV Соединенных Штатов Америки в Санкт-Петербурге the United States in St. Petersburg заведующий кафедрой оперно-симфонического Head of the Opera and Symphony дирижирования Conducting Division Федеративной Республики Германия в Санкт-Петербурге the Federal Republic of Germany in St. Petersburg антон ТАНОНОВ Anton TANONOV Азербайджанской Республики в Санкт-Петербурге the Republic of Azerbaijan in St.
    [Show full text]
  • A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
    BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book.
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]
  • Western Australia), 1900-1950
    Edith Cowan University Research Online Theses : Honours Theses 2007 An investigation of musical life and music societies in Perth (Western Australia), 1900-1950 Jessica Sardi Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Other Music Commons, and the Work, Economy and Organizations Commons Recommended Citation Sardi, J. (2007). An investigation of musical life and music societies in Perth (Western Australia), 1900-1950. https://ro.ecu.edu.au/theses_hons/1290 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1290 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. Youe ar reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]