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WESTFIELD LEADER Thm Leading and Mott Widely Circulated Weekly Tiew$Paper in Union County (-EIGHTH Yeafi—No
WESTFIELD LEADER Thm Leading And Mott Widely Circulated Weekly Tiew$paper In Union County (-EIGHTH YEAfi—No. 20 Entered &a Second Clu* Matter Publlahad Poet Ofnce, WeatfiaU. X.t. WESTFIELD, NEW JERSEY, THURSDAY, JANUARY 23, 1958 •very Thurii 32P«g«»—lOCraU ited Fund To Hold Beware Speeders! YMCA To Hold Annual ' Radar Is Here Dinner To Honor A radar unit to cmtrol •st Annual Meeting •peedinf ana1 otter mliiu Open House Saturday violations suck M corotoa* and rackleia driving has been School Board Public The Westfleld YMCA will hold The Gra-Y Hellcat Club will purchased by tho Polica De- Mayor, Council ontributors its annual open house program conduct a movie-swim night from partment, it was announced Hearing Is Tuesday Saturday in recognition of Na- 7 to 9 p.m. While the eighth grade today by Del. Lieut. John tional YMCA. Week. The program Junior Hi-Y "Clubs will sponsor a Duelks, acting police chief. d to Vote, will consist of only regularly canteen program for all eighth TH. Beard of Education The unit will be pieced in Events Set For Dr.CleeWill scheduled activities. grade boys and girls from. 7:30 operation early next week. will koU . public luuni o. All club programs, gymnasium to 10:80 p.m. The program will in- Duolks warned residents to er Reports Me KSt-59 buJ|.t Tue.«V periods, recreational and instruc- clude movies, swimming, game Brotherhood Speak at Annual ional swimming classes will be room, bowling and dancing. "be careful and observe the •t S ..•. i. the Elm Street open for observation along with speed lawi, especially on quiet Jlrst annual meeting of the Sckeol auditorium. -
52183 FRMS Cover 142 17/08/2012 09:25 Page 1
4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs. -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Mark Hilliard Wilson St
X ST. JAMES CATHEDRAL X SEATTLE X 3 SEPTEMBER 2021 X 6:30 PM X MUSICAL PRAYER mark hilliard wilson St. James Cathedral Guitarist “Méditation” from Thaïs Jules Massenet 1842–1912 Etude No. 10 from 12 Etudes, Op. 6 Fernando Sor c. 1778–1839 Ave Maria Franz Schubert 1797–1828 Simple Gifts Joseph Brackett 1797–1882 Jesu, Joy of Man’s Desiring Johann Sebastian Bach 1685–1750 Gymnopédie No. 1 from Trois Gymnopédies Erik Satie 1866–1925 Nigbati Iya Mi Ba Reriin Taiwo Adegoke “When my mother laughs” birth year unknown Theme from second movement ofNew World Symphony Antonín Dvořák 1841–1904 Prelude No. 1 in C Major from The Well-Tempered Clavier, BWV 846 J. S. Bach Woven World Andrew York b. 1958 Classical guitarist Mark Hilliard Wilson curates programs that explore the experiences of the heart through the ages, hoping to share some insight and reflection on our common humanity. He brings joy and technical finesse to the listener while integrating music from diverse backgrounds and different ages with a compelling story and a wry sense of humor. Performing regularly at festivals and concert series, Wilson has distinguished himself as a unique voice with programs that feature his own transcriptions of both the well-known and the obscure. Wilson’s compositions for the guitar have been appearing on stages throughout the Northwest US and Canada for over 15 years. He works in is the relatively unexplored genre of an ensemble of multiple guitars as the conductor, composer, arranger, and music director to the Guitar Orchestra of Seattle. Wilson has taught at Whatcom Community College and Bellevue College. -
A Brief Survey of Plucked Wire-Strung Instruments, 15Th-18Th Centuries - Part Two
The Wire Connection By Andrew Hartig A Brief Survey of Plucked Wire-Strung Instruments, 15th-18th Centuries - Part Two Wire-Strung Instruments in the 16th Century ment and was used in a multitude of countries and regions. Al- Most of the wire-strung instruments from the 15th century though most players today think of the cittern as a single type of discussed in part one — such as the harpsichord, psaltery, and instrument, there were in fact many different types, each signifi- Irish harp — continued to be used on a regular basis throughout cantly different enough from the others so as to constitute separate the 16th century (and they would continue to be used into the 18th). instruments. However, almost all citterns have in common a tuning The major exception to this was the Italian cetra, which disap- characterized by the intervals of a 5th between the third and second peared at the end of the 15th century only to evolve into many dif- courses and a major 2nd between the second and first courses, and ferent forms of citterns. one or more re-entrantly tuned strings. Historically, the 16th century heralds the beginning of ma- jor shifts in thinking that led to experimentation and innovation Diatonic 6- and 7-Course Cittern in many aspects of life. Times were changing: from the discovery This was the earliest form of cittern used, possibly devel- of the “New World” that had begun at the end of the 15th century, oped from the cetra late in the 15th or early in the 16th century, and to the shifts in politics, power, religion, and gender roles that oc- it was definitely still in use into the 17th century. -
Review Article Clinical Management of Cystic Echinococcosis: State of the Art, Problems, and Perspectives
Am. J. Trop. Med. Hyg., 79(3), 2008, pp. 301–311 Copyright © 2008 by The American Society of Tropical Medicine and Hygiene Review Article Clinical Management of Cystic Echinococcosis: State of the Art, Problems, and Perspectives Thomas Junghanss, Antonio Menezes da Silva, John Horton, Peter L. Chiodini, and Enrico Brunetti* Section of Clinical Tropical Medicine, University Hospital Heidelberg, Heidelberg, Germany; Serviço de Cirugia Geral e Digestiva, Hospital de Pulido Valente, Lisbon, Portugal; Tropical Projects, Hitchin, United Kingdom;Department of Clinical Parasitology, Hospital for Tropical Diseases, London, United Kingdom; Division of Infectious and Tropical Diseases, University of Pavia, IRCCS S. Matteo Hospital Foundation, Pavia, Italy Abstract. Clinical management of cystic echinococcosis (CE) has evolved over decades without adequate evaluation of important features such as efficacy, effectiveness, rate of adverse reactions, relapse rate, and cost. CE occurs in health care environments as different as Europe/North America and resource-poor countries of the South and the East. This creates setting-specific problems in the management of patients. Furthermore, studies carried out in either of the two fundamentally different environments lack external validity, i.e., results obtained in one setting may be different from those in the other and practices that can work in one may not be applicable to the other. In this paper, we review the current management procedures of CE with particular emphasis on the evidence base and setting-specific problems. INTRODUCTION dures of CE with particular emphasis on the evidence base and setting-specific problems. Cystic echinococcosis (CE) is among the most neglected parasitic diseases. Development of new drugs and other treat- MATERIALS AND METHODS ment modalities receives very little attention, if any, and is Papers covering the subject were obtained by a Medline slow.1,2 Clinical management procedures have evolved over search of the literature published in English on this subject. -
EASTMAN SCHOOL of MUSIC String Department Handbook
EASTMAN SCHOOL OF MUSIC String Department Handbook Fourth Edition 2016 REVISED AND EDITED BY ASST. PROF. OF VIOLONCELLO, ROSEMARY ELLIOTT EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER © 2016 by Eastman School of Music Eastman School of Music String Department Handbook, Page 2 EDITOR’S PREFACE TO THE THIRD EDITION The String Department is the largest department at Eastman. The materials central to this department are presented in this handbook for the use of ESM faculty, students, administration and staff. When necessary reference should also be made to the Registrar’s Office online publications: • The Academic Policy Handbook at http://www.esm.rochester.edu/registrar/policy/ and, • The Forms and Advising worksheets at http://www.esm.rochester.edu/registrar/forms/ Further information is available in the Student Recital Handbook, available online at http://www.esm.rochester.edu/concerts/office/forms/); and the Collaborative Partnerships page found on the Accompanying Department’s Accompanying Services web page at http://www.esm.rochester.edu/accompanying/services/ or by following the link under “Current Students” in the navigation bar at the top of the ESM home page. Additional communication about immediate string department issues will be posted regularly on the string department website at http://www.esm.rochester.edu/strings/ or contact the department’s Administrative Assistant by e-mail. Eastman School of Music String Department Handbook, Page 3 EASTMAN SCHOOL OF MUSIC String Department Handbook Fourth Edition 2016 T A B L E O F C O N T E N T S EDITOR’S PREFACE Page 2 JURY GUIDELINES FOR STRING MAJORS 5 Jury Requirements by level and major Performers Juries Master of Music in Performance and Literature/Doctor of Musical Arts Juries Senior and Graduate Degree Recital Guidelines Concerto Competition REQUIRED COURSES IN GUITAR STUDIES. -
Clique AQUI E Confira a Lista De Alunos Concluintes Do Ano
EXECUTIVO DIÁRIO OFICIAL DOS PODERES DO ESTADO Vitória (ES), terça-feira, 17 de Agosto de 2021. 21 EXTRATO DA ORDEM DE FORNECIMENTO nº. Processo SEGER: 2020-FJ7CS 00072-2021 Processo PCES:2021-2FFCG CONTRATANTE: POLÍCIA CIVIL DO ESTADO DO ESPÍRITO SANTO-PCES Objeto: PAPEL A4 CONTRATADA: HUMAITÁ COMERCIO DE PAPEIS E Valor: R$ 137.770,00 ALIMENTOS EIRELI-EPP Fonte: 101 CNPJ: 36.214.108/0001-24 DRª. DENISE MARIA CARVALHO Forma de Contratação: Participante da ARP nº 003/2021 - SEGER Delegada Geral da PCES Em Exercício Pregão Eletrônico: 002/2021 Protocolo 699712 Secretaria de Estado da Educação - SEDU - PORTARIA Nº 798-S, DE 13 DE AGOSTO DE 2021. Publica as relações nominais dos alunos concluintes do ano letivo de 2019, da rede pública estadual e da rede privada de escolas jurisdicionadas à Superintendência Regional de Educação Cariacica. O SECRETÁRIO DE ESTADO DA EDUCAÇÃO, no uso das atribuições que lhe foram conferidas pela Lei Nº 3.043/75, e considerando a Resolução CEE/ES Nº 1.836/2008, de 04 de dezembro de 2008 (D.O. 17/12/2008), a Portaria SEDU Nº 163-R, de 14 de dezembro de 2018 (D.O. 17/12/2018), o §2º da Portaria SEDU nº 435-S, de 29 de março de 2021 (D.O. 01/04/2021), e o que consta no Processo E-DOCs 2021-WP3LJ, RESOLVE: Art. 1º Tornar pública as relações nominais dos alunos concluintes do ano letivo de 2019, da rede pública estadual e da rede privada das escolas jurisdicionadas à Superintendência Regional de Educação Cariacica, das etapas e modalidades de ensino a seguir relacionadas: I - Ensino Médio na forma regular e na modalidade de Educação de Jovens e Adultos – EJA; II - Ensino Fundamental na modalidade de Educação de Jovens e Adultos – EJA; III - Educação Profissional Técnica de Nível Médio nas formas integrada, subsequente e concomitante; IV - Exames Supletivos referentes ao Ensino Fundamental e Ensino Médio. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
Download on to Your Computer Or Device
Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival. -
INSIDE Special Advertising Section Photo: Ikaika Hussey $REAMING OF THE FUTURE
Apelila (April) 2019 | Vol. 36, No. 4 THE LIVING WATER OF OHA A NEW CLIMATE FOR CHANGE page 14 How global warming is affecting our islands, and what the next generation is doing about it 12-year old Mahdi Melliani spoke at the Climate Strike in March at the State Capitol. - INSIDE Special advertiSing Section Photo: Ikaika Hussey $REAMINGOF THEFUTURE Hāloalaunuiakea Early Learning Center is a place where keiki love to go to school. It‘s also a safe place where staff feel good about helping their students to learn and prepare for a bright future. The center is run by Native Hawaiian U‘ilani Corr-Yorkman. U‘ilani wasn‘t always a business owner. She actually taught at DOE for 8 years. A Mālama Loan from OHA helped make her dream of owning her own preschool a reality. The low-interest loan allowed U‘ilani to buy fencing for the property, playground equipment, furniture, books…everything needed to open the doors of her business. U‘ilani and her staff serve the community in ‘Ele‘ele, Kaua‘i, and have become so popular that they have a waiting list. OHA is proud to support Native Hawaiian entrepreneurs in the pursuit of their business dreams. OHA‘s staff provide Native Hawaiian borrowers with personalized support and provide technical assistance to encourage the growth of Native Hawaiian businesses. Experience the OHA Loans difference. Call (808) 594-1924 or visit www.oha.org/ loans to learn how a loan from OHA can help grow your business. -A LAMA,OANS CANMAKEYOURDREAMSCOMETRUE (808) 594-1924 www.oha.org/loans follow us: /oha_hawaii | /oha_hawaii | fan us: /officeofhawaiianaffairs | Watch us: /OHAHawaii apelila2019 3 ‘o¯lelo a ka luna Ho‘okele messAgE from the ceo looking forWard to the next phaSe of our miSSion Aloha mai ka¯kou, Legislature temporarily set that number at $15.1 million annu- ally. -
New on Naxos the World’S Leading Classical Music Label
25years NEW ON NAXOS The World’s Leading Classical Music Label FEBRUARY 2012 Also Available on Blu-ray Audio This Month’s Other Highlights © Mark Dellas © 2012 Naxos Rights International Limited · Contact Us: [email protected] www.naxos.com · www.classicsonline.com · www.naxosmusiclibrary.com NEW ON NAXOS | FEBRUARY 2012 8.572441 Playing Time: 76:45 Edvard GRIEG (1843-1907) String Quartet in G minor Op 27 (arr Alf Årdal) String Quartet in F major (arr Alf Årdal) Arne NORDHEIM (1931-2010) • Rendezvous Oslo Camerata • Stephan Barratt-Due Grieg’s String Quartet in G minor has long established itself as one of the finest such works of the second half of the nineteenth century. The distinction of its thematic material, and its use in cyclical form, is reinforced by an ultimately victorious motto theme. The F major Quartet was written later, but remained unfinished, but it too is a fertile creation with a strong dance profile. Both works are heard in Alf Årdal’s imaginative arrangements for string orchestra. Arne Nordheim, Norway’s leading living composer, wrote Rendezvous as a quartet but expanded it in 1986. It is an intense, moving, and beautifully crafted work. Stephan Barratt-Due has been artistic director of the Barratt Due Institute of Music since 1985, a conservatory in Oslo founded in 1927 by his grandparents and now one of the main educational institutions of music in Norway. Barratt-Due is among the leading violin professors in Scandinavia, and under his leadership the Oslo Camerata has become increasingly in demand both nationally and internationally.