INSIDE Special Advertising Section Photo: Ikaika Hussey $REAMING OF THE FUTURE
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CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Soundboardindexnames.Txt
SoundboardIndexNames.txt Soundboard Index - List of names 03-20-2018 15:59:13 Version v3.0.45 Provided by Jan de Kloe - For details see www.dekloe.be Occurrences Name 3 A & R (pub) 3 A-R Editions (pub) 2 A.B.C. TV 1 A.G.I.F.C. 3 Aamer, Meysam 7 Aandahl, Vaughan 2 Aarestrup, Emil 2 Aaron Shearer Foundation 1 Aaron, Bernard A. 2 Aaron, Wylie 1 Abaca String Band 1 Abadía, Conchita 1 Abarca Sanchis, Juan 2 Abarca, Atilio 1 Abarca, Fernando 1 Abat, Joan 1 Abate, Sylvie 1 ABBA 1 Abbado, Claudio 1 Abbado, Marcello 3 Abbatessa, Giovanni Battista 1 Abbey Gate College (edu) 1 Abbey, Henry 2 Abbonizio, Isabella 1 Abbott & Costello 1 Abbott, Katy 5 ABC (mag) 1 Abd ar-Rahman II 3 Abdalla, Thiago 5 Abdihodzic, Armin 1 Abdu-r-rahman 1 Abdul Al-Khabyyr, Sayyd 1 Abdula, Konstantin 3 Abe, Yasuo 2 Abe, Yasushi 1 Abel, Carl Friedrich 1 Abelard 1 Abelardo, Nicanor 1 Aber, A. L. 4 Abercrombie, John 1 Aberle, Dennis 1 Abernathy, Mark 1 Abisheganaden, Alex 11 Abiton, Gérard 1 Åbjörnsson, Johan 1 Abken, Peter 1 Ablan, Matthew 1 Ablan, Rosilia 1 Ablinger, Peter 44 Ablóniz, Miguel 1 Abondance, Florence & Pierre 2 Abondance, Pierre 1 Abraham Goodman Auditorium 7 Abraham Goodman House 1 Abraham, Daniel 1 Abraham, Jim 1 Abrahamsen, Hans Page 1 SoundboardIndexNames.txt 1 Abrams (pub) 1 Abrams, M. H. 1 Abrams, Richard 1 Abrams, Roy 2 Abramson, Robert 3 Abreu 19 Abreu brothers 3 Abreu, Antonio 3 Abreu, Eduardo 1 Abreu, Gabriel 1 Abreu, J. -
'The Role of Hawaiian Guitar in the Present Context of Hindustani
KARNATAK UNIVERSITY DHARWAD ‘The Role of Hawaiian Guitar in the Present Context of Hindustani Classical Music – A Practical Analysis’ A thesis submitted to the Karnatak University, Dharwad for the award of the degree of ‘Doctor of Philosophy’ in performing arts Research Student PRAKASH SONTAKKE Research Guide Dr. Smt. MEERA SHIVSHANKAR GUNDI Associate Professor (Retd.) MA Sangeetha & Phd P G Department of Music and Fine Arts Karnatak University, Dharwad January 2015 Sculpture depicting Lord Ganesha playing the ancient Indian slide veena CONTENTS Acknowledgments ................................................................................................................................ vi Certificate ............................................................................................................................................ ix Declaration ........................................................................................................................................... x Introduction .......................................................................................................................................... 1 1. The Hawaiian Guitar .................................................................................................................. 11 1.1. The History of the Hawaiian Guitar .................................................................................. 11 1.2. The Development of the Hawaiian Guitar as a Main Instrument ..................................... 15 1.2.1. Arrival of the Electric -
Reaching out to Others Retired Educator Ann Yoneshige Returns to Tutor KA‘I Students
NONPROFIT ORGANIZATION U.S. POSTAGE PAID HONOLULU HI PERMIT NO. 1058 563 Kamoku Street Honolulu, Hawai‘i 96826 SCHOOL BULLETIN VOLUME LIX • NUMBER 2 | SPRING 2018 INSIDE: How ‘Iolani Leads to Better the Community History of Helping Others Students ‘Cough-Up’ For War Relief was the headline for this photo published in ‘Iolani School’s student newspaper Imua on March 14, 1941. William F. Smarz, Jr. ’42 collects money for a fund drive for relief efforts. Photo: ‘Iolani School Archives, Imua Reaching Out to Others Retired Educator Ann Yoneshige returns to tutor KA‘I students. WWW.IOLANI.ORG Editor’s note ENDNOTE tudents are not the only ones who graduate from ‘Iolani. Teachers gradu- ate, too. In St. Alban’s Chapel this past May, the school’s faculty and staff SCHOOL BULLETIN Sgathered as Dr. Timothy Cottrell presented seven teachers with retirement gifts, and colleagues bid congratulations and farewell to longtime friends. Director of Communications & ‘Iolani Bulletin Editor Had Dalton Sue really been teaching at ‘Iolani for 37 years? You’d never Cathy Lee Chong • [email protected] know because of his youthful outlook and elan. Pamela Shim had been at ‘Iolani Assistant Editor Jane Murphy Romjue • [email protected] for 32 years. Patsy Asato for 28; David Caldwell for 23; Tennye Cabrera for 22; Director of Interactive Media Susan Okino for 17, and Bob Kane for 4. Several retirees taught at other schools John Tamanaha ’87 • [email protected] or had diverse first careers before ‘Iolani. Art Director Teammates paid tribute by sharing recollections, praise and tearful “good- Leigh Morrison • [email protected] byes.” Librarian Linda Reser, who celebrated 30 years of service, noted she will Assistant Graphic Designer miss eating lunch with the now retired handful of Lower School faculty and that Haryson Lum ’11 • [email protected] third grade teachers Shim and Okino loved their jobs so much that they start as Hawaiian language review early as summer to plan for Halloween. -
Race, Indigeneity, and the Militarization of Hawai'i
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Geographies of Desecration: Race, Indigeneity, and the Militarization of Hawai'i Laurel Turbin Mei-Singh The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1390 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] GEOGRAPHIES OF DESECRATION RACE, INDIGENEITY, AND THE MILITARIZATION OF HAWAI‘I by Laurel Turbin Mei-Singh A dissertation submitted to the Graduate Faculty in Earth and Environmental Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 LAUREL TURBIN MEI-SINGH All Rights Reserved ii Geographies of Desecration: Race, Indigeneity, and the Militarization of Hawai‘i by Laurel Turbin Mei-Singh This manuscript has been read and accepted for the Graduate Faculty in Earth and Environmental Sciences in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _______________ ______________________________ Date Ruth Wilson Gilmore Chair of Examining Committee _______________ ______________________________ Date Cindi Katz Executive Officer Supervisory Committee Kandice Chuh Dean Saranillio Rupal Oza THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Geographies of Desecration: Race, Indigeneity, and the Militarization of Hawai‘i by Laurel Turbin Mei-Singh Advisor: Ruth Wilson Gilmore Geographies of Desecration: Race, Indigeneity, and the Militarization of Hawai‘i develops a genealogy of military fences and their relationship to Hawaiian struggles for self-determination and national liberation. -
Hawaiians and Is Administered by Hawaii’S Oldest and Largest Bank
‘Aukake (August) 2011 | Vol. 28, No. 8 THE LIVING WATER OF OHA www.oha.org/kwo Kolten Wong didn’t disappoint the University of Hawai‘i Rainbows as its top recruit in 2008. Now he’s working to prove himself as pro ball player in Davenport, Iowa. – Photo: Courtesy of Quad Cities River Bandits what if one business became the start of many? - MALAMA LOAN - Fixed for 7 Years % - Loans up to $100,000 4.00 apr - Quick and Easy Application With the OHA M¯alama Loan, you can start or expand your business, make home improvements or fulfi ll educational and vocational needs for you and your children. It’s exclusively for Native Hawaiians and is administered by Hawaii’s oldest and largest bank. “I saw a need for spa professionals to be better educated about Hawaiian treatments. The M¯alama Loan enabled me to turn my ✽ ✽ ✽ idea into a business. When my students graduate, they’ll have the skills and the confi dence to start a business of their own.” KAHUA WAIWAI (FOUNDATION FOR WEALTH) In order to have choices and a sustainable future, Native Hawaiians —Malia Sanchez, Owner must progress toward greater economic self-sufficiency. makana esthetics wellness academy APPLY TODAY. Visit fhb.com, call 643-LOAN or visit any branch. Service. Solutions. Security. Yes, We Care. Member FDIC All applicants must be of Native Hawaiian ancestry, whether applying as an individual or collectively, as a group of people organized for economic development purposes. Partnerships, LLC’s and Corporations that apply must also be 100% Native Hawaiian owned. -
Ka Wai Ola: October 2019
‘Okakopa (October) 2019 | Vol. 36, No. 10 THE LIVING WATER OF OHA www.oha.org/kwo PAGE 10 - - Ha‘awina ‘olelo ‘oiwi: Learn Hawaiian Ho‘olako ‘ia e Ha‘alilio Solomon - Kaha Ki‘i ‘ia e Dannii Yarbrough - This lesson teaches how to show possession in ‘olelo Hawai‘i. There are two ways to show possession, k-possessive and k-less possessive, but this issue only teaches k-possessive. There are also two classes, usually called kino-O and kino-A, but this issue will focus on kino-O possessions. The possessive marker ko goes before the possessor(s), and the possession(s) follows, as in the following formula: ko + possessor(s) + possession(s) To pluralize the possessor, the definite article ke/ka (“the”) becomes na-: - - - ko ke kane wa‘a = the man’s canoe ko na kane wa‘a = the men’s canoe To pluralize the possession, use the word mau before it: Possession with pronouns There are three pronouns that combine with the possessive marker ko and change form: wau (I/me), ‘oe (you), and ia (he/she/it). These combine as the following forms: ko + wau = ko’u ko + ‘oe = kou ko + ia = kona These are the only pronouns that combine with the possessive marker ko. All other possessors remain - - the same. ko na kane mau wa‘a = the men’s canoes - E ho‘i hou mai i ke-ia mahina a‘e! Be sure to visit us again next month for a new ha‘awina ‘o-lelo Hawai‘i (Hawaiian language lesson)! Follow us: /oha_hawaii | /oha_hawaii | Fan us: /officeofhawaiianaffairs | Watch us: /OHAHawaii ‘okakopa2019 3 ‘O¯LELO A KA POUHANA MESSAGE FROM THE CEO MELE INSPIRES COLLABORATION AND PRIDE mele nvt. -
Volume 52, Number 03 (March 1934) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1934 Volume 52, Number 03 (March 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 03 (March 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/820 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. NOTE THE ETUDE MARCH 1934. Page 139 GRAND OPERA IN CANTATA FORM EaiiDijiQii QSi os NINE Tieachir’sCirtificate PLAYS Do you feel that if you were given the Opportunity you could accomplish more in Music—qualify for the bigger and better opportunities that are ready and waiting just as soon as you are BY qualified to grasp them ? Your musical knowledge—your position and income today EUGENE —are the result of the training you have given your natural ability. Additional training will open up new fields, new oppor¬ tunities, greater income and higher standing in the musical O'NEILL world. You can get this invaluable training right in your own home, CHORAL FANTASIAS without any interference with your regular work, and at but a fraction of the cost in time and money otherwise necessary. -
Color Front Cover
COLOR FRONT COVER COLOR PAGE 2: Support CGOTH COLOR PAGE 3: CG on the Shore/ CG on the Border COLOR PAGE 4 2013-14 Concerts Welcome to our 19th Season! In this catalog you will find a year's worth of activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music and arts organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of a common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this exciting program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the belief that we can improve ourselves and our world by searching for the common ground in one another, through our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. We continue to grow! Common Ground on the Hill is a multifaceted year-round program, including two separate Traditions Weeks of summer classes, concerts and activities, held on the campus of McDaniel College, two Music and Arts festivals held at the Carroll County Farm Museum, two seven-event Monthly Concert Series held in Westminster and Baltimore, and this summer's second annual Common Ground on Seminary Ridge at the Lutheran Theological Seminary in Gettysburg, Pennsylvania. -
Ukulele ‘Is Today’ Gisa Jähnichen
14 The History of the ‘Ukulele ‘Is Today’ Gisa Jähnichen ‘The past is never dead. It’s not even past.’ Faulkner’s oft-quoted maxim1 is well suited to the history of the ‘ukulele, as this chapter is intended to illustrate. In a recent thesis defence, one of my students was asked why she was so intent in detailing historical facts while obviously aiming at a marketing study. She replied, ‘The past makes the present as it is’. How history is seen as a process that includes present and future is crucial to the understanding of cultural studies. Faulkner’s enthusiasm for and approach to history is worth being understood by musicologists who deal mainly with real-time subject matters, not only musically but also the underlying cultural processes (Fargnoli and Golay 2009). The ‘ukulele is a symbolic item in the perception of Hawai‘i as a ‘culture’. The history of this popular instrument, however, has seen many twists and turns on its way to becoming an iconic musical instrument for various cultural movements. In tracing the details, including specific approaches to what is called ‘music-ing’, this chapter highlights the importance of historical depth in ethnomusicological research. Historical depth in such research has also been encouraged by Stephen Wild, to whom I dedicate this 1 Paraphrased from a statement given orally and confirmed by LeClair in his chapter ‘The “Big Train” and Historical Fiction: Matthiesen, Vollman, Sayles, McCarthy’ (LeClair 2014). 375 A DISTINCTIVE VOICE IN ThE ANTIPODES chapter. The recent availability of electronic information tools and wealth of details does not necessarily make the task any easier as subject matters are not neatly sorted according to places and times. -
Ukulele History Epub
$4.99 “Cool Hand Uke” Copyright © 2013 by Dan Scanlan All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. Printed in the United States of America First Printing: March 2013 ISBN-978-0-9626280-5-4 2 CONTENTS Forward ................................................................................................3 The Early Times ....................................................................................9 The Marriages .....................................................................................10 Early Ukulele .......................................................................................14 Players and the Songs .............................................................................17 Ukulele Cycles ......................................................................................21 Overtones .............................................................................................29 ©2013 Dan Scanlan This book is also published as an ebook: ISBN-978-0-9626280-5-4 Revision 1, July 2, 2013 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewers and scholars, who may quote short -
HSGA QUARTERLY Published Four Times a Year in Honolulu, Hawai‘I by the Hawaiian Steel Guitar Association
HSGA QUARTERLY Published four times a year in Honolulu, Hawai‘i by the Hawaiian Steel Guitar Association Volume 34, Issue 134 Spring 2019 Inside this Issue… “More on the HSGA Dues 3 Options” by John Limbach “Steel Guitar Showcased in 4 Waikīkī” by Addison Ching “Hawai‘i Island Festival 5 Preview” by Dan Tremblay 5 “HSGA Board Nominations Sought” by John Limbach Veteran steel guitarist from the island of Kaua‘i, Ed Punua, making his third appearance Buy & Sell – Member 5 as HSGA Guest Artist at our upcoming Fort Collins Festival. Don’t miss it! Advertisements 6 “My Harlin Brothers Dream” by F. Della-Penna Fort Collins 2019 Late Breaking News By Chris Kennison due to a back injury sustained in early 8 “After You’ve Gone” – Steel Arr. by Troy Brenningmeyer summer with a longer-than-expected This year’s festival is almost upon recovery time. 10 “Winchester 2019 us! It runs September 19, 20 and 21 Ed studied with Barney Isaacs and Highlights” by Nick Fryer and will again be held in Fort Collins, has been a mainstay of the Kaua‘i steel 11 Members’ Corner – News home of Colorado State University, Fat guitar scene for many years. He has from HSGA Members Tire beer, and gateway to the northern also performed in South Korea, Japan, Rocky Mountains. For thirty-three Hong Kong, Tahiti and on the U.S. 12 “Tau and Rose Moe Classic years, HSGA has held an annual main- mainland. Recordings” by Les Cook land gathering where members show- His musical upbringing began early 14 “Mystery” Steeler in 1942 case their musicianship, teach each at age seven, and as a member of a Las Vegas” other, jam, make friends, and listen to very musical family, he gained invalu- world-class Hawaiian steel guitar.