Yê{Pjo Êuvjêivshêz

Total Page:16

File Type:pdf, Size:1020Kb

Yê{Pjo Êuvjêivshêz {êê~êìêz>ê} Yê{pjoêuvjêivsh­­­êZ êìêR:R® vêz|rêêên4êìêUêêz|rêêê hê¡­êh꣪­ê¡¡­ê¢ªª¨êꡦ®ªªê| ¡­êRêE꣪­ê¡¡­ê¢ªª¨êꡦ®ªªê­ ovmi|ynrhwlsslêìêoyhkuêrhwsurh o ê¾êzꡪ¡ªê~ |êêlêzêl±êêiêêzêy êê±êq|k­êwês5ê êwê5Oêqêlêêq|k­êwês5±êEêzê êêyR p®êzrÆ~ꪦ©©¡¡¢¢¥ª©©²ê­­ têê|Qêìêwê® êêz5 WRêê:B Inzercia A4 SLUK Vianoce 2008.indd 1 22.10.2008 15:41:23 BRATISLAVA V KULTÚRE BRATISLAVA IN KULTUR BRATISLAVA IN CULTURE Bratislavské hUdoBNé Musikfestspiele Bratislava SLáVNosti Bratislava MUSIC FestivaL 21. 11. – 07. 12. 2008 Dirigent |conductor: Peter Feranec Sólisti |Solisten |soloists: violončelo |violoncello |cello 44. Bratislavské hUdobné slávnosti Zbormajsterka |choreinstudierung |choirmaster: denis Šapovalov, Blanka Juhaňáková Julia Stefanovič, husle |violine |violin Hlavný usporiadateľ: Slovenská filharmónia Sólisti |Solisten |soloists: z poverenia a s príspevkom Ministerstva kultúry J. Glebov: Symfonické skice husle |violine |violin SR Viktor Tretiakov, D. Šostakovič: Koncert pre violončelo a orchester Michal Lehotský, tenor |tenor |tenor BHS sa konajú pod záštitou prezidenta Ivana č.1 Es dur op. 107 Gašparoviča J. Brahms: Koncert pre husle a orchester D dur A. Borodin: Symfónia č. 2 h mol Čestná prezidentka BHS: Edita Gruberova op. 77 J. Glebov: Symphonische Skizzen E. Suchoň: Žalm zeme podkarpatskej op. 12 ESD D. Schostakowitsch: Konzert für Violoncello 44. MuSIkfEStSpIElE BRatISlava 65 und Orchester Nr. 1 Es-Dur op. 107 Hauptveranstalter: Slowakische philharmonie J. Brahms: Konzert für Geige und Orchester D-Dur A. Borodin: Symphonie Nr. 2. h-Moll im auftrag und mit der unterstützumg des op. 77 Yevgeny Glebov: Symphonic Sketches kulturministeriums der Slowakischen Republik E. Suchoň: Psalm des Karpathenlandes op. 12 Dmitry Shostakovich: Cello Concerto No.1 in E Die MfB finden unter dem Ehrenschutz des ESD 65 Flat Major Op. 107 präsidenten der SR Ivan Gašparovič statt Johannes Brahms: Violin Concerto in D Major Op. Alexander Borodin: Symphony No. 2. in B Minor Ehrenpräsidentin der MfB: Edita Gruberova 77 44tH BRatISlava MuSIc fEStIval Eugen Suchoň: Psalm of the Sub-Carpathian 23.11. 16:00 MS Main organizer: Slovak philharmonic as delegated Land Op. 12 ESD 65 ne |So |Sun by and with financial support from the Ministry of culture of the Slovak Republic AMERICKý VEčER 22. 11. 16:00 MS Zwiebelovo kvarteto the festival is held under the patronage of Ivan So |Sa |Sat Gašparovič, the president of the Slovak Republic aMERIkanIScHER aBEnD Honorary president: Edita Gruberova ŠTáTNy KoMoRNý oRChester ŽILINA | Zwiebel Quartett SPEVáCKy ZBoR Ad UNA CoRdA MS – Moyzesova sieň |Moyzessaal |Moyzes Hall aMERIcan nIGHt KS SF – koncertná sieň Sf |konzertsaal der Sp Slovak SInfonIEtta ŽIlIna | cHoR aD una Zwiebel Quartet |concert Hall of the Sp coRDa Spoluúčinkuje |Mitwirkender |guest performer: MS SF – Malá sála Sf |kleiner Saal der Sp |Small Slovak SInfonIEtta ŽIlIna | cHoIR aD una Martin Mosorjak, klarinet |klarinette |clarinet Hall of the Sp coRDa Osvaldo Golijov: The Dreams and Prayers of Isaac ZS PP – Zrkadlová sieň primaciálneho paláca Dirigent |conductor: Peter Breiner the Blind (1994) |Spiegelsaal des primatialpalais |Mirror Hall of the Zbormajster |choreinstudierung |choirmaster: Steve Reich: Different Trains (1988) primate´s palace Marián Šipoš George Crumb: Black Angels (Images I) (1970) Sólisti |Solisten |soloists: 14. 11. 19:30 KS SF. Tomas dratva, klavír |klavier |piano 19:30 KS SF pi |fr |fri Andrej Šeban, elekt. gitara, fujara |elektrische TwIN CITy oRChestra Gitarre, Binsenflöte |Electric Guitar, fujara and MIMoRIAdNy KoNCERT BhS Dirigent |conductor: Zdeněk Mácal orchestra auSSERoRDEntlIcHES konZERt DER MfB Sólista |Solist |soloist: M. Piaček: dielo na objednávku Festivalového Anton Sorokow, husle |violine |violin ExtRa concERt of tHE BRatISlava MuSIc výboru BHS premiéra fEStIval L. van Beethoven: Egmont, predohra op.84 L. Koželuh: Koncert pre klavír a orchester č. 4 J. N. Hummel: Koncert pre husle a orchester G dur La Scala Philharmonic A dur P IV:4 svetová premiéra Dirigent |conductor: daniele Gatti W. A. Mozart: Symfónia č. 41 C dur „Jupiter- A. Šeban: Opus I. pre elektrickú gitaru, fujaru Sinfonie“ KV 551 S. Prokofiev: Romeo a Júlia, suita č. 1 op. 64 b a orchester L. van Beethoven: Egmont, Vorspiel op.84 a suita č. 2 op. 64 c M. Spusta: Tri žalmy kajúcne pre zbor a orchester J. N. Hummel: Konzert für Violine und Orchester P. I. Čajkovskij: Symfónia č. 5 e mol op. 64 M. Piaček: Uraufführung des Werkes im Auftrag G-dur S. Prokofiew: Romeo und Julia, Suite Nr. 1 op. 64 des Festivalkomitees der MFB W. A. Mozart: Symphonie Nr. 41 C-Dur „Jupiter- b und Suite Nr. 2 op. 64 c L. Koželuh: Konzert für Klavier und Orchester Nr. Sinfonie“ KV 551 P. I. Tschaikowsky: Symphonie Nr. 5 e-Moll op. 64 4 A-Dur P:IV:4 Welturaufführung Ludwig van Beethoven: Egmont, overture Op.84 Sergey Prokofiev: Romeo and Juliet, Suite No. 1 A. Šeban: Opus I für elektrische Gitarre, Johann Nepomuk Hummel: Violin Concerto in G Op. 64bis and Suite No. 2 Op. 64ter Binsenflöte und Orchester Major Pyotr Iľyich Tchaikovsky: Symphony No.5 in M. Spusta: Drei reuevolle Psalme für Chor und Wolfgang Amadeus Mozart: Symphony No. 41 in E Minor Op. 64 Orchester C Major “Jupiter-Symphony” KV 551 Marek Piaček: work commissioned by the Festival 21. 11. 19:30 KS SF Committee of the Bratislava Music Festival 24. 11. 19:30 KS SF premiere pi |fr |fri po |Mo |Mon SLáVNostné oTVoRENIE 44. RočNíKA Leopold Kozeluch: Keyboard Concerto No. 4 in A Major Op. 16 P:IV:4 world premiere VEľKý SyMFoNICKý oRChester BhS Andrej Šeban: Opus I. for Electric Guitar, Fujara P. I. čAJKoVSKého Slovenská filharmónia | Slovenský and Orchestra filharmonický zbor GRosses TscHaIkowskY SympHonie Orchester Marek Spusta: Three Penitent Psalms for choir tcHaIkovSkY SympHonY oRcHEStRa fEStlIcHE ERöffnunG DES 44. jaHRGanGS and orchestra DER MfB Dirigent |conductor: Vladimir Fedosejev Slowakische philharmonie | Slowakischer 19:30 KS SR Sólista |Solist |soloist: philharmonischer chor Alexander Kniazev, violončelo |violoncello |cello BIELoRUSKá FILhARMóNIA A. Glazunov: Koncertný valčík č.1 D dur op. 47 fEStIvE opEnInG of tHE 44tH YEaR of tHE pHIlHaRMonIE DER WEISSRuSSIScHEn REpu- N. Miaskovskij: Koncert pre violončelo a orchester BRatISlava MuSIc fEStIval BlIk c mol op.66 Slovak philharmonic | Slovak philharmonic choir BIEloRuSIan pHIlHaRMonIc oRcHEStRa P. I. Čajkovskij: Symfónia č.4 f mol op. 36 Dirigent |conductor: Alexander Anissimov A. Glazunov: Konzert-Walzer Nr. 1 D-Dur op. 47 55 BRATISLAVA V KULTÚRE BRATISLAVA IN KULTUR BRATISLAVA IN CULTURE Bratislavské hUdoBNé Musikfestspiele Bratislava SLáVNosti Bratislava MUSIC FestivaL Henri Demarquette Daniele Gatti Ensemble phoenix Munich N. Mjaskowskij: Konzert für Violoncello und James Galway, flauta |flöte |flute f. Mompou: canciones y danzas, výber (č. 7,1,3,8) Orchester c-Moll op. 66 Jeanne Galway, flauta |flöte |flute M. Ravel: Zrkadlá | Miroirs, klavírny cyklus P. I. Tschaikowsky: Symphonie Nr. 4 f-Moll op. 36 F. Devienne: Sinfonia concertante pre dve flauty F. Chopin: Polonéza č. 1 cis mol op. 26, Andante Alexander Glazunov: Concert Waltz No. 1 in D a orchester G dur op. 76 spianato et Grande Polonaise brillante, Es dur Major J. Ibert: Koncert pre flautu a orchester (1934) op. 22, Štyri mazúrky op. 24, Scherzo č. 2 b mol Nikolay Myaskovsky: Cello Concerto in C Minor M. Ravel: Moja matka hus | Ma Mère l´oye, op. 31 Op. 66 Pavana pre mŕtvu infantku | Pavane pour une F. Mompou: Canciones y danzas, Auswahl (Nr. 7, Pyotr Iľyich Tchaikovsky: Symphony No. 4 in infante défunte, Couperinov náhrobok | Le 1 ,3 ,8) F Minor Op. 36 Tombeau de Couperin M. Ravel: Spiegel | Miroirs, Klavierzykus F. Devienne: Sinfonia Concertante für zwei Flöten F. Chopin: Polonaise Nr. 1 cis-Moll op. 26, 25. 11. 17:00 MS SF und Orchester G-Dur op. 76 Andante spianato et Grande Polonaise brillante ut |Di |tue J. Ibert: Konzert für Flöte und Orchester (1934) Es-Ddur op. 22, Vier Mazurkas op. 24, Scherzo RoSAMUNdE QUARTET M. Ravel: Meine Mutter, die Gans | Ma Mère l´oye Nr. 2 b-Moll op. 31 Valentin Silvestrov |Silwestrov, Tigran , Pavana zum Gedächtnis von iner Infantin | Federico Mompou: Canciones y danzas, selection Mansurian, Dmitry Šostakovič |Schostakowitsch Pavane pour une infante défunte, Le Tombeau de (Nos. 7, 1, 3, 8) |Shostakovich Couperin Maurice Ravel: Miroirs, piano cycle François Devienne: Sinfonia concertante for two Fryderyk Chopin: Polonaise No. 1 in C Sharp 19:30 KS SF flutes and orchestra G Major Op. 76 Minor Op. 26, Andante spianato et Grande Jacques Ibert: Flute Concerto (1934) Polonaise brillante in E Flat Major Op. 22, Four SINFoNIA VARSoVIA Mazurkas Op. 24, Scherzo No. 2 in B Flat Minor Dirigent a sólista |Dirigent und Solist |conductor Maurice Ravel: Ma Mère l´oye |Pavane pour une Op. 31 and soloist: infante défunte, Le Tombeau de Couperin Gábor Boldoczki, trúbka |trompete |trumpet 27. 11. 17:00 MS SF 29. 11. 16:00 MS SF W. A. Mozart: Divertimento F dur KV 138 Št |Do |thu So |Sa |Sat A. Vivaldi: Koncert pre husle, sláčiky a basso FRANZ SChUBERT a gitara continuo G dur op. 3 č. 3 RV 310 (v transkripcii NEMECKá PIESEň NA SLoVENSKU Koncert pre trúbku, sláčiky a basso continuo F DEutScHES lIED In DER SloWakEI fRanZ ScHuBERt unD DIE GItaRRE dur) GERMan SonG In SlovakIa fRanZ ScHuBERt anD GuItaR K. Penderecki: Sinfonietta č. 1 per archi (1991) Petra Chiba, soprán |Sopran |soprano večer piesní |liederabend |Evening of Songs J. B. G. Neruda: Koncert pre trúbku, sláčiky Petra Noskaiová, alt |alt |alto Emily Van Evera, soprán |Sopran |soprano a basso continuo Es dur Ivan Buffa, klavír |klavier |piano Martin Krajčo, gitara |Gitarre |Guitar A. Dvořák: Serenáda pre sláčikový orchester E diana Cibuľová, klavír |klavier |piano dur op. 22 19:30 KS SF G. Ph. Telemann: Koncertná sonáta pre trúbku, 19:30 KS SF BRUCKNER oRChester LINZ sláčiky a basso continuo D dur Dirigent |conductor: dennis Russell davies W. A. Mozart: Divertimento F-Dur KV 138 Savaria SyMPhoNy oRChestra Dirigent |conductor: Alpaslan Ertüngealp Sólista |Solist |soloist: A.
Recommended publications
  • Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna Via Japan
    ReVisions Musicals in Post- Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan Rina Tanaka Published on: Mar 14, 2017 Updated on: Jan 04, 2018 ReVisions Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan 1. Introduction The end of the globalization era meant the beginning of new methods, regardless of regional predominance. Today, a new style of performances is coming from non-English-speaking countries even in the genre of musical, which is originally from English-speaking countries. However, it has been overlooked due to the commercial or even mass productive nature of musicals (McMillin 2006, pp. 28- 29), which has been a dominant pattern in musicals for decades[1]. How have musicals been changing in the post-globalization era? This paper analyzes the interactions established between Vienna and Japan by musicals since the 1990s as a possible illustration of the post- global theater. It consists of the following four parts. Section 1 presents two key concepts of this paper, “post-global” and “interweaving cultures in performances” as well as the current situation regarding musicals. Section 2 deals with the short history of musicals in Vienna in the post-war era until the launch of the first successful “Wiener [Viennese]” musical Elisabeth. As Vienna started taking its musical productions to the world, Japan was the first importer of Elisabeth. Section 3 considers two adaptations of Elisabeth in Japan as examples, indicating the reactions of other countries as well as Vienna, including the “re-import” phenomenon. After the great popularity of the Wiener musicals in Japan and the successive adaptations in the world, a new type of co-production developed in Japan.
    [Show full text]
  • The Drink Tank
    Cover—A Tribute to Sweeney Todd by Maurine Starkey!!! Page 3—Editorial by Alissa McKersie Page 4—My Favorite Musicals by Chris Garcia Art from Sheryl Birkhead Page 6—How a Boy from Albuquerque Came to Love Musicals by Ron Oakes Art by Sheryl Birkhead Page 10—Theatrical Problems by Bernadette Durbin Art by Chris Page 12—Jubilee: Around the World with Cole Porter and Moss Hart by Laura Frankos Page 18—First Broadway: First Date by Steven H Silver and Melanie Silver Photo courtesy Steven H Silver Page 22—The Rocky Horror Picture Show by Juan Sanmiguel Page 24—Regina Love Victorious by Jay Hartlove Photos courtesy Jay Hartlove (And remember to nominate The Mirror’s Revenge for Best Dramatic Presentation Short Form in 2019!) Page 25—Two Shades of Musicals by Richard von Busack Art by Michele Wilson Page 34—Musicals on the Far East End of Broadway by Kurt Erichsen Page 45—Teaneck Tanzi by Chris Page 47—Some Quick Shots from Ron Oakes Page 49—Galavant by Espana Sheriff Page 51—Musicals by Graham CHarnock Page 53—Gilbert & Sullivan & Murder: 10 Mysteries Set around G&S Productions By Petrea Mitchell When I was four-years-old, my mum took me to audition for my first musical, The Sound of Music. I knew the song I was supposed to sing, and we practiced in the restroom be- forehand. When it came time to sing in front of people, I really did NOT want to sing “Do-Re -Mi”. I wanted to sing “Twinkle, Twinkle”, and they let me.
    [Show full text]
  • 2020 “Vienna's the City, the Place to Become the Top of the Line.”
    2020 “Vienna’s the city, the place to become the top of the line.” – Billy Joel – er ernitz Wu fan te d/S Boar urist To enna Vi © o ienna.inf .v www 2 Monika and Sylvester Levay and Gayle Berry- Zöchbauer granted us an exclusive look at their private apartments. They live in famous tourist destinations: Schönbrunn Palace and the MuseumsQuartier. We went to see them and talked about what it was like to live in a monument! And we have another special feature story for you: have you ever looked at a bee hive at close quarters? We will treat you to a fascinating insight into the colorful world of Vienna’s honey bees. And we tell you why these insects are so important for the city. And if bees could talk, they would surely agree that Vienna is the world’s most livable city. Dear reader, If anyone still needs convincing, in this Vienna Journal we share ten good reasons why the city deserves the title. It’s not for nothing that in 2019 There’s music in the air. And there is no better air the international consultants at Mercer named the for it than in Vienna, the Capital of Music – this was Austrian capital the most livable city in the world also clear to Ludwig van Beethoven, who selected for the tenth year in a row! In another coup for the Austrian capital as his new home in 1792 before Vienna, respected UK magazine The Economist rising to stardom in the city. 2020 will mark the named us ‘The World’s Most Liveable City’ for the 250th anniversary of his birth.
    [Show full text]
  • Pre-Owned 1970S Sheet Music
    Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny
    [Show full text]
  • Heroji FINAL.Indd 1 23.9.2013 9:18:29 Heroji FINAL.Indd 2 23.9.2013 9:18:29 Heroji FINAL.Indd 3
    Heroji_FINAL.indd 1 23.9.2013 9:18:29 Heroji_FINAL.indd 2 23.9.2013 9:18:29 Heroji in slavne osebnosti na Urednik: Božidar Jezernik Slovenskem Ljubljana 2013 Heroji_FINAL.indd 3 23.9.2013 9:18:29 Heroji in slavne osebnosti na Slovenskem Zbirka: Zupaničeva knjižnica, št. 38 (ISSN 1855-671X) Urednik: Božidar Jezernik Lektorica: Danijela Tamše Uredniški odbor zbirke: Mojca Bele, Jože Hudales, Božidar Jezernik, Boštjan Kravanja, Mirjam Mencej, Rajko Muršič, Jaka Repič Fotografija na naslovnici: Božidar Jezernik Recenzenta: Boštjan Kravanja, Jaka Repič Imensko in stvarno kazalo: Sara Špelec © Univerza v Ljubljani, Filozofska fakulteta, 2013. Vse pravice pridržane. Brez pisnega dovoljenja Filozofske fakultete Univerze v Ljubljani je prepovedano repro- duciranje, distribuiranje, dajanje v najem, javna priobčitev, dajanje na voljo javnosti (internet), predelava ali vsaka druga uporaba tega avtorskega dela ali njegovih delov v kakršnemkoli obsegu ali postopku, vključno s fotokopiranjem, tiskanjem ali shranitvijo v elektronski obliki. Odstranitev tega podatka je kazniva. Založila: Znanstvena založba Filozofske fakultete Univerze v Ljubljani Za založbo: Branka Kalenić Ramšak, dekanja Filozofske fakultete Izdal: Oddelek za etnologijo in kulturno antropologijo Ljubljana, 2013 Naklada: 400 izvodov Zasnova zbirke: Mojca Turk Oblikovanje in priprava za tisk: Jure Preglau Tisk: Birografika Bori, d. o. o. Cena: 24,90 EUR Publikacija Heroji in slavne osebnosti na Slovenskem je nastala v okviru projekta Junaki in slavne osebnosti v Sloveniji in Srednji Evropi (J6-5558, 2013–2016, vodja: Božidar Jezernik), ki ga omogoča Javna agencija za raziskovalno dejavnost RS. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 929(=163.6)(082) HEROJI in slavne osebnosti na Slovenskem / glavni ured- nik Božidar Jezernik ; [imensko in stvarno kazalo Sara Špelec].
    [Show full text]
  • Wiederauffuhrung
    Wiederauffuhrung www.flatcaps.it Zum diesjährigen Konzertprogramm »MUSICALISCH « gehören Songs aus bekannten Musicals wie »Hair«, MUSICALISCH »Grease«, »Elisabeth« und »Mozart«, aber auch weniger in Auer – Aula Magna bekannten wie der Oberschule für Landwirtschaft »How To Succeed In Business Without Really Trying«, Beginn um 20.30 Uhr »Pippin« und »Once On This Island«. Sopran Alt Tenor Bass Barbara Christian Edmund BAND Sabine Wolfi Gruber Leitung Sabrina Evi Werner Peter Piano Magdalena Gerhard Oscar Uli Seppi Gesamtleitung Christine Tutzer Evi Bass Inge Barbara Max Martin Markus Mayr Leitung Band Wolfi Gruber Monika Petra Roland Johannes Schlagzeug Gunda Dietmar Franz Andreas Rogger Technik Leukos OHG Chor Carmen Gitarre Martina Evi Heinrich Theo Schwarz Choreographie Reda Roshdy Manuela Christof Trompete Programm One Brick At A Time • Musical „Barnum“ 1980 • Cy Coleman & Michael Stewart With You • Musical „Pippin“ 1972 • Stephen Schwartz & Roger O. Hirson Brotherhood Of Man • Musical „How To Succeed In Business Without Really Trying“ Solo: Peter Kasal • 1961 F. Loesser & A. Burrows We Dance • Musical „Once On This Island“ 1990 • Stephen Flaherty & Lynn Ahrens Solo: Evi Gruber & Peter Kasal • Elton John & Tim Rice They Live In You • Musical „Der König der Löwen“ 1997 Solo: Gerhard Pöhl • Elton John & Tim Rice Shadowland • Musical „Der König der Löwen“ 1997 Solo: Petra OssEmer • Queen & Ben Elton Bohemian Rhapsody • Musical „We Will Rock You“ 2002 • Jim Jacobs & Warren Casey Summer Nights • Musical „Grease“ 1971 Solo: Petra OssEmer & Gerhard Pöhl • Jim Jacobs & Warren Casey Greased Lightnin’ • Musical „Grease“ 1971 Pause Alle Fragen Sind Gestellt • Musical „Elisabeth“ 1992 Sylvester Levay & Michael Kunze Milch • Musical „Elisabeth“ 1992 • Sylvester Levay & Michael Kunze Solo: Max Stürzer Mozart! Mozart! • Musical „Mozart” 1999 • Sylvester Levay & M.
    [Show full text]
  • Musica Nel 1897 (La Prima Presentazione Avvenne Il 19 Giugno 1898, Sotto Adolf Čech)
    JACOBSON LEOPOLD (librettista) Nato il 30 giugno 1878 a Chernivtsi (Chernovtsy, Ucraina ). Morto nell’agosto 1942. Fu deportato nel campo di concentramento di Theresienstadt. Lavorò a Vienna come drammaturgo e autore di numerosi libretti d’opera. Lasciò un valzer Dream, (1907); Con ordine dell'imperatrice (1914); Una palla , (1918). JAKOBIN (opera) Opera lirica in tre atti di Antonín Dvo řák composta su un libretto scritto da Marie Červinková-Riegrova che riprese alcuni dei personaggi della storia dal racconto Alla Corte Ducale di Alois Jirásek (vedi Narpoedra), ideato con una personale trama che ruota attorno a loro. La prima rappresentazione fu al Teatro Nazionale, Praga, 1889. Červinková-Riegrova rivisitò il libretto, con il permesso di Dvo řák, nel 1894, in particolare nell'ultimo atto. Dvorák stesso rivide la musica nel 1897 (la prima presentazione avvenne il 19 giugno 1898, sotto Adolf Čech). Il compositore avvertiva una particolare affinità col soggetto dell'opera, in quanto il personaggio centrale è un insegnante di musica, e Dvo řák aveva in mente il suo ex maestro Antonin Liehmann, che aveva una figlia di nome Terinka, il nome di uno dei personaggi dell'opera. Trama - La vicenda si svolge in un piccolo paese di campagna in Boemia. Atto I - Bohuš è tornato nella sua città natale, in incognito, con la moglie Julie. Sua madre è morta e suo padre, il Conte, lo ha rinnegato. Nel frattempo, il burgravio del Conte corteggia Terinka, la figlia di Benda, maestro di scuola, la quale è, invece, innamorata di Ji ří. Il burgravio sospetta di Bohuš e Julie, soprattutto perché sono venuti da Parigi, dove il figlio del Conte sembra di essersi alleato con i Giacobini.
    [Show full text]
  • Michiel De Ruyter in Der Ungarischen Erinnerung
    ERINNERUNGSORTE IM SPANNUNGSFELD UNTERSCHIEDLICHER GEDÄCHTNISSE: GALEERENSKLAVEREI UND 1848 Herausgegeben von Pál S. Varga – Karl Katschthaler – Miklós Takács LOCI MEMORIAE HUNGARICAE 4. HeRAUSGEGEBEN VON Gergely Tamás Fazakas, Orsolya Száraz, Miklós Takács és Pál S. Varga Erinnerungsorte im Spannungsfeld unterschiedlicher Gedächtnisse: Galeerensklaverei und 1848 Herausgegeben von Pál S. Varga – Karl Katschthaler – Miklós Takács Debreceni Egyetemi Kiadó Debrecen University Press 2016 Dieser Band wurde durch die Forschungsgruppe für ungarische Erinnerungsorte, die an der Universität Debrecen am Institut für ungarische Literatur- und Kulturwissenschaft tätig ist, im Rahmen der Ausschreibung K 112335 des Ungarischen Wissenschaftlichen Forschungsfonds (OTKA) gefördert. Der Druck wurde vom ungarischen Nationalen Kulturfonds (Nemzeti Kulturális Alap) und der Gedenkkommission Reformation gefördert. Lektoriert von István Bitskey, Eszter Pabis und Peter Stachel Das Namenregister wurde von Evelin Farkas zusammengestellt. Auf dem Umschlag sind Fotos von dem Denkmal der Galeerensklaven (1895, Gedenkgarten, Debrecen) und dem Denkmal von József Nagysándor abgebildet. ISSN 2064-549X ISBN 978-963-318-617-6 © Debreceni Egyetemi Kiadó Debrecen University Press, beleértve az egyetemi hálózaton belüli elektronikus terjesztés jogát is Kiadta a Debreceni Egyetemi Kiadó Debrecen University Press www. dupress.hu Felelős kiadó: Karácsony Gyöngyi Műszaki szerkesztő: M. Szabó Monika Készült a Debreceni Egyetem sokszorosítóüzemében, 2016-ban Inhalt Vorwort (Miklós
    [Show full text]
  • A Reflection on Austrian History Through Elisabeth Das Musical by Carolyn Nicole Richardson
    “If I Were Your Mirror” A Reflection on Austrian History Through Elisabeth das Musical by Carolyn Nicole Richardson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in German (Honors Scholar) Honors Baccalaureate of Science in Mechanical Engineering (Honors Scholar) Presented May 25, 2021 Commencement June 2022 AN ABSTRACT OF THE THESIS OF Carolyn Nicole Richardson for the degree of Honors Baccalaureate of Arts in German and Honors Baccalaureate of Science in Mechanical Engineering presented on May 25, 2021. Title: “If I Were Your Mirror” – A Reflection on Austrian History Through Elisabeth das Musical. Abstract approved:_____________________________________________________ Benita Blessing This project examines the portrayal of the life and times of Kaiserin Elisabeth von Österreich (Empress Elisabeth of Austria) in the popular Austrian musical Elisabeth das Musical (Elisabeth the Musical), written by Michael Kunze and Sylvester Levay. Elisabeth was first performed in Vienna in 1992 and has since become the most successful German-language musical of all time. The musical is used as a case study to investigate contemporary Austria’s relationship with – and denial of – its own history by examining the musical’s portrayal of historical figures and events. Elisabeth is further analyzed for its depiction of the titular character in her roles as a wife, mother, and Empress. The effects these roles have on her mental health is also explored. Despite Elisabeth’s popularity, the musical’s social commentary has seldom been examined in an academic context. This project seeks to address these lacunae in Austrian History and Women and Gender Studies through the translation and analysis of critical lyrics from the musical.
    [Show full text]
  • Ramona Wulf Natural Woman Mp3, Flac, Wma
    Ramona Wulf Natural Woman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Natural Woman Country: Canada Released: 1977 Style: Disco MP3 version RAR size: 1867 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1563 mb Rating: 4.7 Votes: 933 Other Formats: AAC FLAC APE MMF XM DTS MP1 Tracklist Hide Credits Natural Man (I'm A Natural Woman) A1 5:36 Written-By – M. Kunze*, S. Levay* I Can't Say No A2 4:52 Written-By – M. Kunze*, S. Levay* Teacher A3 3:17 Written-By – M. Kunze*, S. Levay* Step By Step A4 3:25 Written-By – M. Kunze*, S. Levay* Baby It's The Rain B1 3:56 Written-By – S. Prager*, S. Levay* When A Girl's In Love B2 3:18 Written-By – M. Kunze*, S. Levay* Please Call Me Now B3 3:34 Written-By – K. Wilson*, M. Chevalier* Save The Last Dance For Me B4 5:20 Written-By – D. Pomus*, M. Shuman* Credits Arranged By, Keyboards, Saxophone – Sylvester Levay Backing Vocals – Gitta*, Lucy*, Madeline Bell, Renate*, Su*, Sunny* Bass – Gary Unwin, Lothar Meid Congas – Joseph Spector Drums – Martin Harrison Engineer – Zeke Lund Flute – G. Solera* Guitar – Mats Björklund, Nick Woodland, Sigi Schwab* Producer – Michael Kunze Strings – Fritz Sonnleitner's Strings* Trombone – R. Fuessers* Trumpet – Gabor Kristof Notes ℗ 1977, except B1 & B4 ℗ 1976 Recorded at Union Studios, Munich All songs published by Black & White Music C8/Manufactured and distributed by — CBS Records Canada Ltd., Fabrique et distribue par — CBS Disques Ltee 1121 Leslie Street, Don Mills, Ontario M3C 2J9 Label and sleeve credits B3 to M.
    [Show full text]
  • Lungo Il Danubio
    Lungo il Danubio Trilogia d’Autunno 14-23 ottobre 2016 con il sostegno di Comune di Ravenna Trilogia d’Autunno Lungo il Danubio L’operetta come non l’avete mai vista con il contributo di Hormoz Vasfi partner Teatro Alighieri 14-23 ottobre 2016 sostenitori RAVENNA FESTIVAL Direzione artistica Sotto l’Alto Patronato del Presidente della Repubblica Italiana Cristina Mazzavillani Muti Franco Masotti con il patrocinio di Angelo Nicastro Senato della Repubblica Camera dei Deputati Presidenza del Consiglio dei Ministri Ministero per i Beni e le Attività Culturali Ministero degli Affari Esteri con il sostegno di Comune di Ravenna con il contributo di Divisione media partner Comune di Forlì Comune di Comacchio Comune di Russi Koichi Suzuki Hormoz Vasfi partner principale in collaborazione con si ringraziano Ambasciata del Sudafrica Si vive meglio Indice in un territorio che ama la Cultura. 7 Lungo il Danubio 9 Gräfin Mariza (La Contessa Maritza) Locandina e soggetto 13 Die Fledermaus (Il pipistrello) Locandina e soggetto 17 Die lustige Witwe (La vedova allegra) Locandina e soggetto 25 L’operetta e l’inestinguibile pluralità dei sentimenti di Oreste Bossini ©2015 33 L’acqua del Lete di Claudio Magris Le operette della Trilogia di Ernesto G. Oppicelli 37 Amore, dolore e gioia La Contessa Maritza 43 Champagne e qualcosa di più Il pipistrello 49 “Questa non è musica” La vedova allegra DAL 1992, UN RUOLO DI PRIMO PIANO NELLA PROMOZIONE DELLA CULTURA. 57 Gli artisti Per la Fondazione Cassa di Risparmio di Ravenna la promozione della Cultura, in tutte le sue espressioni, è un elemento primario per la crescita, anche economica, dell’intero territorio provinciale.
    [Show full text]
  • ECR TODAY 2013 DAILY NEWS from EUROPE’S LEADING IMAGING CONGRESS Sunday 10 March 2013
    ECR TODAY 2013 DAILY NEWS FROM EUROPE’S LEADING IMAGING CONGRESS Sunday 10 March 2013 CT cardiothoracic PACS developers put Accomplished imaging enters renewed emphasis professor to become an exciting phase on patient empowerment editor-in-chief of of evolution and safety European Radiology Page 9 Page 17 Page 25 MR-PET demonstrates ever greater potential for detecting multifocal cancers By Becky McCall “MR-PET is the only thing that picomolar range, the most sensitive can approach imaging the dimen- level available.” MR-PET allows superior early sions of tumour heterogeneity at this By way of example, he said there detection and evolution of cancers time,” he told ECR Today. “I think were some new developments in as they disseminate around the body. this is an enormously promising prostate cancer, such as the novel That was the key message of Prof. area and this evolving concept of [68Ga]Gallium-labelled PSMA Heinz-Peter Schlemmer in his talk cancer cells having their own ecol- tracer. This is a prostate specific at yesterday’s New Horizons Session. ogy that adapts to the surroundings membrane antigen tracer that tar- Taking the two sources of infor- can only be displayed by a multi- gets the tumour and provides a pre- mation together provides insight dimensional approach.” cise location of the tumour, thereby into both the biology and location “The same tumour in different improving diagnostic accuracy. “It of the tumour or metastases inside places at different points in time should also help with prognostic the body, according to Schlemmer, behaves differently and needs to stratification and biopsy planning professor of oncologic radiology at be treated differently.
    [Show full text]