Wiederauffuhrung

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Wiederauffuhrung www.flatcaps.it Zum diesjährigen Konzertprogramm »MUSICALISCH « gehören Songs aus bekannten Musicals wie »Hair«, MUSICALISCH »Grease«, »Elisabeth« und »Mozart«, aber auch weniger in Auer – Aula Magna bekannten wie der Oberschule für Landwirtschaft »How To Succeed In Business Without Really Trying«, Beginn um 20.30 Uhr »Pippin« und »Once On This Island«. Sopran Alt Tenor Bass Barbara Christian Edmund BAND Sabine Wolfi Gruber Leitung Sabrina Evi Werner Peter Piano Magdalena Gerhard Oscar Uli Seppi Gesamtleitung Christine Tutzer Evi Bass Inge Barbara Max Martin Markus Mayr Leitung Band Wolfi Gruber Monika Petra Roland Johannes Schlagzeug Gunda Dietmar Franz Andreas Rogger Technik Leukos OHG Chor Carmen Gitarre Martina Evi Heinrich Theo Schwarz Choreographie Reda Roshdy Manuela Christof Trompete Programm One Brick At A Time • Musical „Barnum“ 1980 • Cy Coleman & Michael Stewart With You • Musical „Pippin“ 1972 • Stephen Schwartz & Roger O. Hirson Brotherhood Of Man • Musical „How To Succeed In Business Without Really Trying“ Solo: Peter Kasal • 1961 F. Loesser & A. Burrows We Dance • Musical „Once On This Island“ 1990 • Stephen Flaherty & Lynn Ahrens Solo: Evi Gruber & Peter Kasal • Elton John & Tim Rice They Live In You • Musical „Der König der Löwen“ 1997 Solo: Gerhard Pöhl • Elton John & Tim Rice Shadowland • Musical „Der König der Löwen“ 1997 Solo: Petra OssEmer • Queen & Ben Elton Bohemian Rhapsody • Musical „We Will Rock You“ 2002 • Jim Jacobs & Warren Casey Summer Nights • Musical „Grease“ 1971 Solo: Petra OssEmer & Gerhard Pöhl • Jim Jacobs & Warren Casey Greased Lightnin’ • Musical „Grease“ 1971 Pause Alle Fragen Sind Gestellt • Musical „Elisabeth“ 1992 Sylvester Levay & Michael Kunze Milch • Musical „Elisabeth“ 1992 • Sylvester Levay & Michael Kunze Solo: Max Stürzer Mozart! Mozart! • Musical „Mozart” 1999 • Sylvester Levay & M. Kunze Solo: Barbara OssEmer All That Jazz • Musical „Chicago“ 1975 • John Kander & Fred Ebb Karten Super Trouper • Musical „Mamma Mia!“1999 Verkauf an der Benny Andersson & Bjorn Ulvaeus Abendkasse Good Morning Starshine • Musical „Hair“ 1967 • Galt MacDermot ab 19.30 Uhr Solo: Barbara OssEmer € 12,00 Erwachsene Let The Sunshine In • Musical „Hair“ 1967 • Galt MacDermot € 8,00 Ermäßigt.

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Billboard 1976-05-22
08120 NEWSPAPER SOUTH *J09 1331 JUL79 52 +.. 312 318270141214 SOUTHERN MUSIC PUB CO BB 6922 HOLLYWOOD BLVD LCS ANGELES CA 90028 The International Music -Record -Tape Newsweekly May 22, 1976 $1.50 A Billboard Publication v N.Y. Looms As Cut -Rate Mecca; BACK ON ANNUAL BASIS Shelf & Special Prices Plunge Amsterdam Picked By IS HOROWITZ, JIM MELANSON & STEPHEN TRAIMAN holding He characterizes them as IMIC-7 chain has been conditions. For 1977 NEW YORK -Records aren't yet Korvette ® By BOB KIRSCH being given away gratis here. but sales on huge segments of their stock "not too different" from what the thrusts and counter- thrusts by some at $3.64 for $6.98 product. chain has done in the past, but LOS ANGELES -Billboard's In- IMIC that saw a greater injection fig- of the largest area dealers continue Of perhaps even greater signifi- agrees that the extent of the $3.64 ternational Music Industry Confer- than ever before of non -industry to force prices down. cance is the drop by local Korvettes (Continued on page 16) ence (IMIC) returns to an annual ures into the panels and discussions, For two weeks running the giant stores of non -sale shelf prices to a basis next year following several figures from such industries as new standard of $4.99, a level being years of biannual conferences, with (Continued on page 12) matched by some of the Sam Goody Joyce Out With IMIC -7 set for Amsterdam, Hol- TV Time Tight stores and by the string of Alex- land. May 9 -12, 1977.
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Klappersangernes Repertoireliste Alle Sange
KlapperSangernes repertoireliste alle sange Nr Titel Komponist/forfatter 78 When my sugar walks down the street Simmons/Austin/McHugh/Mills 77 Ud ad landevej’n B. Christensen/H.D. Koppel 76 Svantes lykkelige dag B. Andersen 75 Nevertheless B. Kalmar/H. Ruby 74 Keltisk bortsendelsessalme 73 Java Jive M. Drake/B. Oakland 72 All of me S. Simons/G. Marks 71 Over the rainbow H. Arlen/E.Y. Harburg 70 Kvinde min Gasolin 68 In the mood G. Miller 67 Flicka från Backafall G. Turesson/G. Jönsson 66 Scarborough Fair Eng. Trad. 65 Vad har du i fickan, Jan? G. Svensson/H. Alfredson/T. Danielsson 64 Hist, hvor vejen slår en bugt J.C. Gebauer/ H.C. Andersen 63 Den allersidste dans K. Normann Andersen/ B. Müller 62 With a little help from my friends J. Lennon/P. McCartney 61 Save your kisses for me T. Hiller/ L. Sheridan/ M. Lee 60 Moskva-nætter V.Solovjoj-Sedoj/W. Jelsager 59 S.O.S. B. Andersson/S.Andersson/ B.Ulvaeus 58 Byens lys B. Christensen/ P. Henningsen 57 Itsy bitsy teenie weenie yellow Poul Vance/ Lee Pockriss 56 Bei mir bist du schön Cahn-Chaplin/ Scolum Secunda 55 The sound of music R. Rodgers/ O. Hammerstein 54 Joanna Kim Larsen 53 Begynd dagen med en sang B. Christensen/ P. Henningsen 52 That’s Amore H. Warren/ J. Brooks 51 Stemningsmelodien K. Normann Andersen/ A. Müller 50 Sakta vi gå genom sta’n F.E. Ahlert, R. Turk /B. Wolgers 49 Ole sad på en knold og sang A. Toft/ J. Aakjær 48 Gedehyrdens sang R.
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Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna Via Japan
ReVisions Musicals in Post- Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan Rina Tanaka Published on: Mar 14, 2017 Updated on: Jan 04, 2018 ReVisions Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan 1. Introduction The end of the globalization era meant the beginning of new methods, regardless of regional predominance. Today, a new style of performances is coming from non-English-speaking countries even in the genre of musical, which is originally from English-speaking countries. However, it has been overlooked due to the commercial or even mass productive nature of musicals (McMillin 2006, pp. 28- 29), which has been a dominant pattern in musicals for decades[1]. How have musicals been changing in the post-globalization era? This paper analyzes the interactions established between Vienna and Japan by musicals since the 1990s as a possible illustration of the post- global theater. It consists of the following four parts. Section 1 presents two key concepts of this paper, “post-global” and “interweaving cultures in performances” as well as the current situation regarding musicals. Section 2 deals with the short history of musicals in Vienna in the post-war era until the launch of the first successful “Wiener [Viennese]” musical Elisabeth. As Vienna started taking its musical productions to the world, Japan was the first importer of Elisabeth. Section 3 considers two adaptations of Elisabeth in Japan as examples, indicating the reactions of other countries as well as Vienna, including the “re-import” phenomenon. After the great popularity of the Wiener musicals in Japan and the successive adaptations in the world, a new type of co-production developed in Japan.
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The Drink Tank
Cover—A Tribute to Sweeney Todd by Maurine Starkey!!! Page 3—Editorial by Alissa McKersie Page 4—My Favorite Musicals by Chris Garcia Art from Sheryl Birkhead Page 6—How a Boy from Albuquerque Came to Love Musicals by Ron Oakes Art by Sheryl Birkhead Page 10—Theatrical Problems by Bernadette Durbin Art by Chris Page 12—Jubilee: Around the World with Cole Porter and Moss Hart by Laura Frankos Page 18—First Broadway: First Date by Steven H Silver and Melanie Silver Photo courtesy Steven H Silver Page 22—The Rocky Horror Picture Show by Juan Sanmiguel Page 24—Regina Love Victorious by Jay Hartlove Photos courtesy Jay Hartlove (And remember to nominate The Mirror’s Revenge for Best Dramatic Presentation Short Form in 2019!) Page 25—Two Shades of Musicals by Richard von Busack Art by Michele Wilson Page 34—Musicals on the Far East End of Broadway by Kurt Erichsen Page 45—Teaneck Tanzi by Chris Page 47—Some Quick Shots from Ron Oakes Page 49—Galavant by Espana Sheriff Page 51—Musicals by Graham CHarnock Page 53—Gilbert & Sullivan & Murder: 10 Mysteries Set around G&S Productions By Petrea Mitchell When I was four-years-old, my mum took me to audition for my first musical, The Sound of Music. I knew the song I was supposed to sing, and we practiced in the restroom be- forehand. When it came time to sing in front of people, I really did NOT want to sing “Do-Re -Mi”. I wanted to sing “Twinkle, Twinkle”, and they let me.
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2020 “Vienna's the City, the Place to Become the Top of the Line.”
2020 “Vienna’s the city, the place to become the top of the line.” – Billy Joel – er ernitz Wu fan te d/S Boar urist To enna Vi © o ienna.inf .v www 2 Monika and Sylvester Levay and Gayle Berry- Zöchbauer granted us an exclusive look at their private apartments. They live in famous tourist destinations: Schönbrunn Palace and the MuseumsQuartier. We went to see them and talked about what it was like to live in a monument! And we have another special feature story for you: have you ever looked at a bee hive at close quarters? We will treat you to a fascinating insight into the colorful world of Vienna’s honey bees. And we tell you why these insects are so important for the city. And if bees could talk, they would surely agree that Vienna is the world’s most livable city. Dear reader, If anyone still needs convincing, in this Vienna Journal we share ten good reasons why the city deserves the title. It’s not for nothing that in 2019 There’s music in the air. And there is no better air the international consultants at Mercer named the for it than in Vienna, the Capital of Music – this was Austrian capital the most livable city in the world also clear to Ludwig van Beethoven, who selected for the tenth year in a row! In another coup for the Austrian capital as his new home in 1792 before Vienna, respected UK magazine The Economist rising to stardom in the city. 2020 will mark the named us ‘The World’s Most Liveable City’ for the 250th anniversary of his birth.
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To See the Study Guide
A Study Guide Music & Lyrics by BENNY ANDERSSON & BJORN ULVAEUS And some songs with Stig Anderson Book by Catherine Johnson Production Personnel Cast George Absi Ensemble / Dance Captain Kevin Aichele Sam Carmichael Paul Almeida Pepper / Ensemble Michelle Bardach Ensemble Danielle Benton Lisa / Ensemble Janet Gigliotti Rosie Mulligan Annie Chen Ensemble Rachel Clark Ensemble Austin Eckert Eddie / Ensemble Nicko Giannakos Father Alexandrios / Ensemble Mark Harapiak Bill Austin / Ensemble Alana Hibbert Tanya Cresham-Leigh Katie Kerr Sophie Sheridan Ben Montgomery Ensemble Desmond Osborne Ensemble Chelsea Preston Ali / Ensemble Antonette Rudder Ensemble Colin Sheen Sky / Ensemble Cailin Stadnyk Donna Sheridan Leon Willey Harry Bright / Ensemble 1 Musicians Kris Ruston Guitar Alex Ward Bass Ed Hilliard Drums Production Team Ron Ulrich Director Steve Thomas Musical Director Jeff Dimitriou Choreographer Ivan Brozic Set and Costume Designer Ken Wells Scenic Painter Gail Ksionyk Lighting Designer Greg Klohn Sound Engineer Beth Bruck Stage Manager Skylar Nakazawa Assistant Stage Manager Madison Henry Apprentice Stage Manager Andrew G. Cooper Assistant Director Christine Leroux Head Dresser Roya Mole Technician Liam Befurt Technician Robin Arundel Technician Joel Feenstra Technician 2 Contributors Music & Lyrics by BENNY ANDERSSON & BJORN ULVAEUS And some songs with Stig Anderson Book by Catherine Johnson Mamma Mia! is a jukebox musical written by British playwright Catherine Johnson, based on the songs of ABBA, which were composed by Benny Andersson and Björn Ulvaeus, former members of the band. The title of the musical is taken from the group's 1975 chart-topper "Mamma Mia!". Ulvaeus and Andersson were involved in the development of the show from the beginning. Anni-Frid Lyngstad, who was also a member of ABBA, has been involved financially in the production and been present at many of the premieres around the world.
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Why Are Abba So Popular?
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Pre-Owned 1970S Sheet Music
Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny
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Heroji FINAL.Indd 1 23.9.2013 9:18:29 Heroji FINAL.Indd 2 23.9.2013 9:18:29 Heroji FINAL.Indd 3
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Abba's Benny Andersson
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Musica Nel 1897 (La Prima Presentazione Avvenne Il 19 Giugno 1898, Sotto Adolf Čech)
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Eva Dahlgren Årets Hederspris: Eva Dahlgren 3
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