2020 “Vienna's the City, the Place to Become the Top of the Line.”
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Step 2025 Urban Development Plan Vienna
STEP 2025 URBAN DEVELOPMENT PLAN VIENNA TRUE URBAN SPIRIT FOREWORD STEP 2025 Cities mean change, a constant willingness to face new develop- ments and to be open to innovative solutions. Yet urban planning also means to assume responsibility for coming generations, for the city of the future. At the moment, Vienna is one of the most rapidly growing metropolises in the German-speaking region, and we view this trend as an opportunity. More inhabitants in a city not only entail new challenges, but also greater creativity, more ideas, heightened development potentials. This enhances the importance of Vienna and its region in Central Europe and thus contributes to safeguarding the future of our city. In this context, the new Urban Development Plan STEP 2025 is an instrument that offers timely answers to the questions of our present. The document does not contain concrete indications of what projects will be built, and where, but offers up a vision of a future Vienna. Seen against the background of the city’s commit- ment to participatory urban development and urban planning, STEP 2025 has been formulated in a broad-based and intensive process of dialogue with politicians and administrators, scientists and business circles, citizens and interest groups. The objective is a city where people live because they enjoy it – not because they have to. In the spirit of Smart City Wien, the new Urban Development Plan STEP 2025 suggests foresighted, intelli- gent solutions for the future-oriented further development of our city. Michael Häupl Mayor Maria Vassilakou Deputy Mayor and Executive City Councillor for Urban Planning, Traffic &Transport, Climate Protection, Energy and Public Participation FOREWORD STEP 2025 In order to allow for high-quality urban development and to con- solidate Vienna’s position in the regional and international context, it is essential to formulate clearcut planning goals and to regu- larly evaluate the guidelines and strategies of the city. -
Building an Unwanted Nation: the Anglo-American Partnership and Austrian Proponents of a Separate Nationhood, 1918-1934
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository BUILDING AN UNWANTED NATION: THE ANGLO-AMERICAN PARTNERSHIP AND AUSTRIAN PROPONENTS OF A SEPARATE NATIONHOOD, 1918-1934 Kevin Mason A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of PhD in the Department of History. Chapel Hill 2007 Approved by: Advisor: Dr. Christopher Browning Reader: Dr. Konrad Jarausch Reader: Dr. Lloyd Kramer Reader: Dr. Michael Hunt Reader: Dr. Terence McIntosh ©2007 Kevin Mason ALL RIGHTS RESERVED ii ABSTRACT Kevin Mason: Building an Unwanted Nation: The Anglo-American Partnership and Austrian Proponents of a Separate Nationhood, 1918-1934 (Under the direction of Dr. Christopher Browning) This project focuses on American and British economic, diplomatic, and cultural ties with Austria, and particularly with internal proponents of Austrian independence. Primarily through loans to build up the economy and diplomatic pressure, the United States and Great Britain helped to maintain an independent Austrian state and prevent an Anschluss or union with Germany from 1918 to 1934. In addition, this study examines the minority of Austrians who opposed an Anschluss . The three main groups of Austrians that supported independence were the Christian Social Party, monarchists, and some industries and industrialists. These Austrian nationalists cooperated with the Americans and British in sustaining an unwilling Austrian nation. Ultimately, the global depression weakened American and British capacity to practice dollar and pound diplomacy, and the popular appeal of Hitler combined with Nazi Germany’s aggression led to the realization of the Anschluss . -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna Via Japan
ReVisions Musicals in Post- Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan Rina Tanaka Published on: Mar 14, 2017 Updated on: Jan 04, 2018 ReVisions Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan 1. Introduction The end of the globalization era meant the beginning of new methods, regardless of regional predominance. Today, a new style of performances is coming from non-English-speaking countries even in the genre of musical, which is originally from English-speaking countries. However, it has been overlooked due to the commercial or even mass productive nature of musicals (McMillin 2006, pp. 28- 29), which has been a dominant pattern in musicals for decades[1]. How have musicals been changing in the post-globalization era? This paper analyzes the interactions established between Vienna and Japan by musicals since the 1990s as a possible illustration of the post- global theater. It consists of the following four parts. Section 1 presents two key concepts of this paper, “post-global” and “interweaving cultures in performances” as well as the current situation regarding musicals. Section 2 deals with the short history of musicals in Vienna in the post-war era until the launch of the first successful “Wiener [Viennese]” musical Elisabeth. As Vienna started taking its musical productions to the world, Japan was the first importer of Elisabeth. Section 3 considers two adaptations of Elisabeth in Japan as examples, indicating the reactions of other countries as well as Vienna, including the “re-import” phenomenon. After the great popularity of the Wiener musicals in Japan and the successive adaptations in the world, a new type of co-production developed in Japan. -
Programmfolder Hofburg Innsbruck
The Imperial Palace Vienna at a Glance Imperial Palace Vienna Since its creation in the 13th century, the Imperial Palace Vienna has been subject to constant modification. As a consequence, it has be- come a reflection of the many cultural, political, social, and economic developments throughout Austria’s history. Today, the Swiss Yard (Schweizerhof) represents the oldest part of the building complex. It dates back to the time of Emperor Frederick II of the House of Hohenstaufen. Over the centuries, the rectangular palace of the Late Medieval Period was reconstructed, adapted, expanded, and connected to its adjacent buildings until it eventually became the building complex that, today, constitutes the Imperial Palace Vienna. Dreaming of an Imperial Forum, Emperor Franz Joseph I initiated the last large extension in the second half of the 19th century. Ho- wever, his dream never fully came true. Only Maria-Theresien-Squa- re (Maria- Theresien-Platz) with its two world-famous museums, the youngest wing of the Imperial Palace Vienna – New Castle (Neue Burg) – and St. Michael‘s Gate (Michaelertor) with its sumptuous cupola were to be completed. In its present form the Imperial Palace Vienna, which is situated in the heart of the city, covers an area of more than 300,000 m2 and fulfils a wide array of roles. Hofburg Info Center The recently created Hofburg Info Center nestles between the youngest wing of the Imperial Palace Vienna – New Castle (Neue Burg) – Weltmuseum Wien and the Austrian National Library. Its aim is to provide visitors with all the information they need about the institutions located in the area as well as its history. -
The Drink Tank
Cover—A Tribute to Sweeney Todd by Maurine Starkey!!! Page 3—Editorial by Alissa McKersie Page 4—My Favorite Musicals by Chris Garcia Art from Sheryl Birkhead Page 6—How a Boy from Albuquerque Came to Love Musicals by Ron Oakes Art by Sheryl Birkhead Page 10—Theatrical Problems by Bernadette Durbin Art by Chris Page 12—Jubilee: Around the World with Cole Porter and Moss Hart by Laura Frankos Page 18—First Broadway: First Date by Steven H Silver and Melanie Silver Photo courtesy Steven H Silver Page 22—The Rocky Horror Picture Show by Juan Sanmiguel Page 24—Regina Love Victorious by Jay Hartlove Photos courtesy Jay Hartlove (And remember to nominate The Mirror’s Revenge for Best Dramatic Presentation Short Form in 2019!) Page 25—Two Shades of Musicals by Richard von Busack Art by Michele Wilson Page 34—Musicals on the Far East End of Broadway by Kurt Erichsen Page 45—Teaneck Tanzi by Chris Page 47—Some Quick Shots from Ron Oakes Page 49—Galavant by Espana Sheriff Page 51—Musicals by Graham CHarnock Page 53—Gilbert & Sullivan & Murder: 10 Mysteries Set around G&S Productions By Petrea Mitchell When I was four-years-old, my mum took me to audition for my first musical, The Sound of Music. I knew the song I was supposed to sing, and we practiced in the restroom be- forehand. When it came time to sing in front of people, I really did NOT want to sing “Do-Re -Mi”. I wanted to sing “Twinkle, Twinkle”, and they let me. -
Prince Eugene's Winter Palace
Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Edited by Agnes Husslein-Arco belvedere belvedere Table of Contents Agnes Husslein-Arco 6 Prince Eugene’s Winter Palace on Himmelpfortgasse Richard Kurdiovsky 9 “its name is known all over Europe and is reckoned among the loveliest of buildings.” The Winter Palace: The History of its Construction, Decoration and its Use Andreas Gamerith 25 The Ornamental Paintings of the Winter Palace Sylvia Schönolt 39 The Recently Completed Restoration Leopold Auer 87 Prince Eugene and the Ideal of the honnête homme. Behavioral Norms of the Elites under the Ancien Régime Georg Lechner 99 Prince Eugene of Savoy The Hercules and Apollo of His Time 136 Biographical overview 138 List of Artists and Individuals 142 Cited Literature 148 Authors’ biographies 152 Colophon and Picture Credits 5 Prince Eugene’s Winter Palace on Himmelpfortgasse Agnes Husslein-Arco Today the Himmelpfortgasse is located in a highly buy a building on Himmelpfortgasse. Subsequently, he desirable part of Vienna’s inner city. In Prince Eugene’s was also able to buy the neighboring building; and in time, it was more of a bourgeois district, with the 1696 Johann Fischer von Erlach who at that time had aristocracy preferring the proximity to the Hofburg and already made himself a name as an architect and stood in constructing its palaces on Herrengasse, for instance. the favor of the imperial house began constructing a Old-established families had the best locations so that palace. With its seven south-facing windows this building people who later moved in needed a lot of luck and even was anything but imposing, yet its real splendor only more money to be able to settle in their vicinity. -
EHL First Vienna Residential Market Report
FIRST VIENNA RESIDENTIAL MARKET REPORT EDITION 2019 EDITORIAL DEAR READER We are pleased to present the First Vienna Residential Market Report for lations. If this trend continues, it will have a significant impact on housing the seventh time. costs, and especially the possibility of financing entire projects. Vienna was not only selected as the city with the highest quality of life for We at the BUWOG Group and EHL Immobilien are familiar with the chal- the ninth year in a row as part of the Mercer Study last year; Austria’s capital lenges that the Vienna housing market is facing. We are dealing intensively outranked Melbourne, Australia, after seven years at the top according to with housing needs and requirements that need to be met now and in the the British Economist. future, for people of every generation. Changing values, digitalisation and sustainability are not just buzzwords for us. These concepts play a major Even so, the huge popularity of Vienna has also given rise to a number of role in the planning and construction of housing projects that will also need challenges for the city: the population has been rising steadily, and is pro- to reflect the demands of society in years to come. We are doing our best jected to reach around two million inhabitants by 2026. This development to ensure that our customers and the residents of Vienna enjoy adequate has led to years of demand outstripping supply on the Vienna housing state-of-the-art housing with correspondingly high quality of living both today market as well as land scarcity that housing developers in particular have and in the future. -
The Future Fund of the Republic of Austria Subsidizes Scientific And
The Future Fund of the Republic of Austria subsidizes scientific and pedagogical projects which foster tolerance and mutual understanding on the basis of a close examination of the sufferings caused by the Nazi regime on the territory of present-day Austria. Keeping alive the memory of the victims as a reminder for future generations is one of our main targets, as well as human rights education and the strengthening of democratic values. Beyond, you will find a list containing the English titles or brief summaries of all projects approved by the Future Fund since its establishment in 2006. For further information in German about the content, duration and leading institutions or persons of each project, please refer to the database (menu: “Projektdatenbank”) on our homepage http://www.zukunftsfonds-austria.at If you have further questions, please do not hesitate to contact us at [email protected] Project-Code P06-0001 brief summary Soviet Forced Labour Workers and their Lives after Liberation Project-Code P06-0002 brief summary Life histories of forced labour workers under the Nazi regime Project-Code P06-0003 brief summary Unbroken Will - USA - Tour 2006 (book presentations and oral history debates with Holocaust survivor Leopold Engleitner) Project-Code P06-0004 brief summary Heinrich Steinitz - Lawyer, Poet and Resistance Activist Project-Code P06-0006 brief summary Robert Quintilla: A Gaul in Danubia. Memoirs of a former French forced labourer Project-Code P06-0007 brief summary Symposium of the Jewish Museum Vilnius on their educational campaign against anti-Semitism and Austria's contribution to those efforts Project-Code P06-0008 brief summary Effective Mechanisms of Totalitarian Developments. -
Pre-Owned 1970S Sheet Music
Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny -
Historic Centre of Vienna
WHC Nomination Documentation File Name: 1033.pdf UNESCO Region: EUROPE AND THE NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Historic Centre of Vienna DATE OF INSCRIPTION: 16th December 2001 STATE PARTY: AUSTRIA CRITERIA: C (ii)(iv)(vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 25th Session of the World Heritage Committee The Committee inscribed the Historic Centre of Vienna on the World Heritage List under criteria (ii), (iv), and (vi): Criterion (ii): The urban and architectural qualities of the Historic Centre of Vienna bear outstanding witness to a continuing interchange of values throughout the second millennium. Criterion (iv): Three key periods of European cultural and political development - the Middle Ages, the Baroque period, and the Gründerzeit - are exceptionally well illustrated by the urban and architectural heritage of the Historic Centre of Vienna. Criterion (vi): Since the 16th century Vienna has been universally acknowledged to be the musical capital of Europe. While taking note of the efforts already made for the protection of the historic town of Vienna, the Committee recommended that the State Party undertake the necessary measures to review the height and volume of the proposed new development near the Stadtpark, east of the Ringstrasse, so as not to impair the visual integrity of the historic town. Furthermore, the Committee recommended that special attention be given to continuous monitoring and control of any changes to the morphology of the historic building stock. BRIEF DESCRIPTIONS Vienna developed from early Celtic and Roman settlements into a Medieval and Baroque city, the capital of the Austro- Hungarian Empire. It played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. -
Heroji FINAL.Indd 1 23.9.2013 9:18:29 Heroji FINAL.Indd 2 23.9.2013 9:18:29 Heroji FINAL.Indd 3
Heroji_FINAL.indd 1 23.9.2013 9:18:29 Heroji_FINAL.indd 2 23.9.2013 9:18:29 Heroji in slavne osebnosti na Urednik: Božidar Jezernik Slovenskem Ljubljana 2013 Heroji_FINAL.indd 3 23.9.2013 9:18:29 Heroji in slavne osebnosti na Slovenskem Zbirka: Zupaničeva knjižnica, št. 38 (ISSN 1855-671X) Urednik: Božidar Jezernik Lektorica: Danijela Tamše Uredniški odbor zbirke: Mojca Bele, Jože Hudales, Božidar Jezernik, Boštjan Kravanja, Mirjam Mencej, Rajko Muršič, Jaka Repič Fotografija na naslovnici: Božidar Jezernik Recenzenta: Boštjan Kravanja, Jaka Repič Imensko in stvarno kazalo: Sara Špelec © Univerza v Ljubljani, Filozofska fakulteta, 2013. Vse pravice pridržane. Brez pisnega dovoljenja Filozofske fakultete Univerze v Ljubljani je prepovedano repro- duciranje, distribuiranje, dajanje v najem, javna priobčitev, dajanje na voljo javnosti (internet), predelava ali vsaka druga uporaba tega avtorskega dela ali njegovih delov v kakršnemkoli obsegu ali postopku, vključno s fotokopiranjem, tiskanjem ali shranitvijo v elektronski obliki. Odstranitev tega podatka je kazniva. Založila: Znanstvena založba Filozofske fakultete Univerze v Ljubljani Za založbo: Branka Kalenić Ramšak, dekanja Filozofske fakultete Izdal: Oddelek za etnologijo in kulturno antropologijo Ljubljana, 2013 Naklada: 400 izvodov Zasnova zbirke: Mojca Turk Oblikovanje in priprava za tisk: Jure Preglau Tisk: Birografika Bori, d. o. o. Cena: 24,90 EUR Publikacija Heroji in slavne osebnosti na Slovenskem je nastala v okviru projekta Junaki in slavne osebnosti v Sloveniji in Srednji Evropi (J6-5558, 2013–2016, vodja: Božidar Jezernik), ki ga omogoča Javna agencija za raziskovalno dejavnost RS. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 929(=163.6)(082) HEROJI in slavne osebnosti na Slovenskem / glavni ured- nik Božidar Jezernik ; [imensko in stvarno kazalo Sara Špelec].