Aztec Architecture Part II by Manuel Aguilar-Moreno
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Ancient Tollan: the Sacred Precinct
100 RES 38 AUTUMN 2000 Figure 12. Upper section of Pillar 3: Personage with attributes of Tezcatlipoca. Photograph: Humberto Hiera. Ancient Toi Ian The sacred precinct ALBAGUADALUPE MASTACHE and ROBERTH. COBEAN Tula, along with Teotihuacan and Tenochtitlan, was to level the area for the plaza and to construct platforms one most of the important cities inMexico's Central that functioned as bases for buildings. Highlands. During Tula's apogee between a.d. 900-1150, It is evident that at Tula the placement of the area the city covered nearly 16 square kilometers. Its of monumental center is strategic, not only because it over an influence extended much of Central Mexico along occupies easily defended place but also because of its with other regions of Mesoamerica, including areas of central setting at a dominant point that had great visual the Baj?o, the Huasteca, the Gulf Coast, the Yucatan impact, being visible to inhabitants in every part of the city peninsula, and such distant places as the Soconusco, on and within view of many rural sites. Lefebvre observes that the Pacific Coast of Chiapas and Guatemala, and El a city's habitational zone ismade on a human scale, a Salvador. From cultural and ethnic perspective, Tula whereas the monumental zone has a superhuman scale, a constituted synthesis of principally two different which goes beyond human beings?overwhelming them, traditions: the preceding urban culture from Teotihuacan dazzling them. The monumental buildings' scale is the in the Basin of Mexico, and another tradition from the scale of divinity, of a divine ruler, of abstract institutions northern Mesoamerican periphery, especially the Baj?o that dominate human society (Lefebvre 1982:84). -
Cobró Los Tributos Y Fungió Tan Sólo Como Un Intermediario En Los Proyectos Del Conquistador
El gobierno de Toluca en los inicios del siglo xvi cobró los tributos y fungió tan sólo como un intermediario en los proyectos del conquistador. Algunos testimonios confrman que Cortés confó “al descendiente de Chimaltecuhtli”, la administración de las tierras que Axayacatl y Moctezuma se habían adjudicado, es decir, aque- llas donde marcaron los contornos de la Villa de Toluca y de sus barrios.42 Ahora bien, Macacoyotzin reinó muy poco tiempo ya que Cortés pronto lo alejó acu- sándolo de idolatría. Al respecto, el testimonio de Francisco de Santiago destaca: “[…] por aver idolatrado y cometido delito con una hija suya lo llevaron a México y quedó en su lugar en la dicha población de Toluca don Pedro Cortés su hijo por manera que […] no fue señor ni cacique en la dicha villa y población y tierras a donde está agora fundada la dicha villa de Toluca el dicho Macacoyotzin cacique de ella sino principal como dicho tiene”. 43 En la época en que fray Juan de Zumárraga fue arzobispo de México, Macacoyotzin habría sido llevado al convento de San Francisco en la capital, donde cumplió años de con- dena. Nada indica que haya regresado a la región de Toluca. Su hijo, don Pedro Cortés indio, sucedió a su padre como gobernador. Lo cierto es que Cortés sacó provecho del alejamiento de Macacoyotzin de México para apresurar la creación de la villa de Toluca. Resumiendo, los testimonios anexados al expediente muestran cómo Cortés logró eli- minar la posible infuencia del señor matlatzinca, no sin haber utilizado sus funciones de gobernador lo mejor que pudo. -
Smith ME. Aztec Materials in Museum Collections
21 ******** Aztec Materials in Museum Collections: Some Frustrations of a Field Archaeologist by Michael E. Smith University at Albany, State University of New York In writing up the artifacts from my excavations in Morelos (Smith 2004a, b), I have run up against a roadblock in scholarship in Aztec archaeology and art history. Aztec objects are scattered in museums throughout the world, and there are few catalogs or comprehensive studies of particular classes of object (Smith 2003:6). This makes it difficult to find relevant comparative examples for my fragmentary artifacts, hindering efforts to interpret their forms, uses, and meanings. Most of the attention given to Aztec art focuses on a small number of fine objects, ignoring the range of variation in particular material categories. In this paper I provide a few examples of this problem with the hope that some colleagues will join me in finding a way to better publicize and study the many collections of Aztec artifacts and art. Stone sculpture, for example, is one of the most widely known and best published genres of Aztec art. Figure 1 shows a small human figure of basalt from the Aztec town of Cuexcomate in western Morelos (Smith 1992). One of several stone sculptures from the site, this piece was discovered on the surface of the ground, face down among rocks and debris, some distance from the nearest structure. It probably dates to the Aztec period (the only occupation at Cuexcomate), although it could be an Epiclassic sculpture from the nearby site of Xochicalco that was looted in Aztec times. -
Stear Dissertation COGA Submission 26 May 2015
BEYOND THE FIFTH SUN: NAHUA TELEOLOGIES IN THE SIXTEENTH AND SEVENTEENTH CENTURIES By ©Copyright 2015 Ezekiel G. Stear Submitted to the graduate degree program in the Department of Spanish and Portuguese and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Santa Arias ________________________________ Verónica Garibotto ________________________________ Patricia Manning ________________________________ Rocío Cortés ________________________________ Robert C. Schwaller Date Defended: May 6, 2015! ii The Dissertation Committee for Ezekiel G. Stear certifies that this is the approved version of the following dissertation: BEYOND THE FIFTH SUN: NAHUA TELEOLOGIES IN THE SIXTEENTH AND SEVENTEENTH CENTURIES ________________________________ Chairperson, Santa Arias Date approved: May 6, 2015 iii Abstract After the surrender of Mexico-Tenochtitlan to Hernán Cortés and his native allies in 1521, the lived experiences of the Mexicas and other Nahuatl-speaking peoples in the valley of Mexico shifted radically. Indigenous elites during this new colonial period faced the disappearance of their ancestral knowledge, along with the imposition of Christianity and Spanish rule. Through appropriations of linear writing and collaborative intellectual projects, the native population, in particular the noble elite sought to understand their past, interpret their present, and shape their future. Nahua traditions emphasized balanced living. Yet how one could live out that balance in unknown times ahead became a topic of ongoing discussion in Nahua intellectual communities, and a question that resounds in the texts they produced. Writing at the intersections of Nahua studies, literary and cultural history, and critical theory, in this dissertation I investigate how indigenous intellectuals in Mexico-Tenochtitlan envisioned their future as part of their re-evaluations of the past. -
God of the Month: Tlaloc
God of the Month: Tlaloc Tlaloc, lord of celestial waters, lightning flashes and hail, patron of land workers, was one of the oldest and most important deities in the Aztec pantheon. Archaeological evidence indicates that he was worshipped in Mesoamerica before the Aztecs even settled in Mexico's central highlands in the 13th century AD. Ceramics depicting a water deity accompanied by serpentine lightning bolts date back to the 1st Tlaloc shown with a jaguar helm. Codex Vaticanus B. century BC in Veracruz, Eastern Mexico. Tlaloc's antiquity as a god is only rivalled by Xiuhtecuhtli the fire lord (also Huehueteotl, old god) whose appearance in history is marked around the last few centuries BC. Tlaloc's main purpose was to send rain to nourish the growing corn and crops. He was able to delay rains or send forth harmful hail, therefore it was very important for the Aztecs to pray to him, and secure his favour for the following agricultural cycle. Read on and discover how crying children, lepers, drowned people, moun- taintops and caves were all important parts of the symbolism surrounding this powerful ancient god... Starting at the very beginning: Tlaloc in Watery Deaths Tamoanchan. Right at the beginning of the world, before the gods were sent down to live on Earth as mortal beings, they Aztecs who died from one of a list of the fol- lived in Tamoanchan, a paradise created by the divine lowing illnesses or incidents were thought to Tlaloc vase. being Ometeotl for his deity children. be sent to the 'earthly paradise' of Tlalocan. -
EL CONSEJO DISTRITAL No. XXXVII TLALNEPANTLA
1/22 EL CONSEJO DISTRITAL No. XXXVII TLALNEPANTLA De conformidad con el “Convenio General de Coordinación entre el Instituto Nacional Electoral y el Instituto Electoral del Estado de México, para el desarrollo de las elecciones federal y local en la entidad”, Cláusula Sexta, Apartado A, Fracción II, Numeral 2.5., así como al Anexo Técnico del Convenio General de Coordinación entre el Instituto Nacional Electoral y el Instituto Electoral del Estado de México para el desarrollo de las elecciones federal y local en Estado de México, Clausula Segunda, Apartado A, Numeral 2.7., Inciso I). Domicilio del Consejo Distrital Electoral: Calle Nogal N° 28, Col. San Rafael, Tlalnepantla de Baz, Edo. de México, C.P. 54120, entre Av. Los Pinos y Nogal. Domicilio del Consejo Municipal Electoral de Tlalnepantla: Av. Atlacomulco No.52, Mza. 5, Col. Tlalnemex, Tlalnepantla, Edo. de México. C.P. 54070, entre Ixtlahuaca y Acolman. Tel: (55) 55 65 23 27, 53 84 09 85. FUNCIONARIOS PROPIETARIOS FUNCIONARIOS SUPLENTES GENERALES FUNCIONARIOS PROPIETARIOS FUNCIONARIOS SUPLENTES GENERALES DISTRITO: XXXVII TLALNEPANTLA SECCIÓN: 4758 CASILLA: CONTIGUA 2 UBICACIÓN: CASA DEL SEÑOR JOSE GUADALUPE MARIN SOTO , CLUB ALPINO TOLLATZINGO MANZANA 314 LOTE 3009, COLONIA LAZARO CARDENAS, TLALNEPANTLA DE BAZ, CODIGO POSTAL 54189, ENTRE MUNICIPIO: 105 TLALNEPANTLA DE BAZ PRESIDENTE CISNEROS CADENA ISAAC DIAZ AVILA NOEMI SECRETARIO 1 CAMPOS LOPEZ ARNULFO AVILA BARRIOS GREGORIA GUADALUPE SECCIÓN: 4757 CASILLA: BASICA SECRETARIO 2 CAZAREZ ORTIZ JUANA ANGUIANO MARTINEZ MARTHA UBICACIÓN: -
Tenayohcan Oztopolco, Ciudad Con Esplendor
Tenayohcan Oztopolco, Ciudad con Esplendor 1 Tenayohcan Oztopolco, Ciudad con Esplendor 2 Tenayohcan Oztopolco, Ciudad con Esplendor TENAYOHCAN OZTOPOLCO Ciudad con Esplendor RAFAEL GARDUÑO GARDUÑO Cronista Municipal 3 Tenayohcan Oztopolco, Ciudad con Esplendor D.R. H. Ayuntamiento de Tlalnepantla de Baz, 2021. D.R. Instituto Municipal de la Cultura y las Artes. D.R. Rafael Garduño Garduño, cronista municipal. Foto de portada: Glifo del pueblo de Tenayuca, Códice Xólotl. Se prohíbe la reproducción para fines mercantiles por cualquier medio sin la autorización del autor y titulares de los derechos de la obra. 4 Tenayohcan Oztopolco, Ciudad con Esplendor H. Ayuntamiento de Tlalnepantla de Baz 2019-2021 Mtro. Raciel Pérez Cruz Presidente Municipal C. Lourdes Jezabel Delgado Flores C. Francisco Vicente Domínguez Ramírez Primera Síndico Octavo Regidor C. Eduardo Guerrero Villegas C. Arleth Stephanie Grimaldo Osorio Segundo Síndico Novena Regidora C. Martha Elba Soto Mojica C. Karen Aketzali Zamarripa Quiñones Tercera Síndico Décima Regidora C. María de la Luz Hernández Camacho C. Alonso Adrián Juárez Jiménez Primera Regidora Décimo Primer Regidor C. Víctor Manuel Pérez Ramírez Segundo Regidor C. Itze Lizbeth Nava López C. Krishna Karina Romero Velázquez Décima Segunda Regidora Tercera Regidora C. Alina Alejandra Luna Gómez C. Carlos Alberto Cruz Jiménez Décima Tercera Regidora Cuarto Regidor C. Juan Andrés López Camacho C. Victoria Hernández Arellano Décimo Cuarto Regidor Quinta Regidora C. Irma Lorena Roa López C. Jorge Morales Jiménez Décima Quinta Regidora Sexto Regidor C. Gabriela Bernardo Ávila C. María de Lourdes Curiel Rocha Décima Sexta Regidora Séptima Regidora C. Juan Carlos Villegas Manriquez Director de Bienestar Lic. Siddhartha García García Titular del Instituto Municipal de la Cultura y las Artes C. -
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline Jerónimo Reyes On my honor, Professors Andrea Lepage and Elliot King mark the only aid to this thesis. “… the ruler sits on the serpent mat, and the crown and the skull in front of him indicate… that if he maintained his place on the mat, the reward was rulership, and if he lost control, the result was death.” - Aztec rulership metaphor1 1 Emily Umberger, " The Metaphorical Underpinnings of Aztec History: The Case of the 1473 Civil War," Ancient Mesoamerica 18, 1 (2007): 18. I dedicate this thesis to my mom, my sister, and my brother for teaching me what family is, to Professor Andrea Lepage for helping me learn about my people, to Professors George Bent, and Melissa Kerin for giving me the words necessary to find my voice, and to everyone and anyone finding their identity within the self and the other. Table of Contents List of Illustrations ………………………………………………………………… page 5 Introduction: Threads Become Tapestry ………………………………………… page 6 Chapter I: The Sum of its Parts ………………………………………………… page 15 Chapter II: Commodification ………………………………………………… page 25 Commodification of History ………………………………………… page 28 Commodification of Religion ………………………………………… page 34 Commodification of the People ………………………………………… page 44 Conclusion ……………………………………………………………………... page 53 Illustrations ……………………………………………………………………... page 54 Appendices ……………………………………………………………………... page 58 Bibliography ……………………………………………………………………... page 60 …. List of Illustrations Figure 1: Statue of Coatlicue, Late Period, 1439 (disputed) Figure 2: Peasant Ritual Figurines, Date Unknown Figure 3: Tula Warrior Figure Figure 4: Mexica copy of Tula Warrior Figure, Late Aztec Period Figure 5: Coyolxauhqui Stone, Late Aztec Period, 1473 Figure 6: Male Coyolxauhqui, carving on greenstone pendant, found in cache beneath the Coyolxauhqui Stone, Date Unknown Figure 7: Vessel with Tezcatlipoca Relief, Late Aztec Period, ca. -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Changes and Continuities in Ritual Practice at Chechem Ha Cave, Belize
FAMSI © 2010: Esperanza Elizabeth Jiménez García Sculptural-Iconographic Catalogue of Tula, Hidalgo: The Stone Figures Research Year: 2007 Culture : Toltec Chronology : Post-Classic Location : México, Hidalgo Site : Tula Table of Contents Abstract Resumen Introduction The Tula Archaeological Zone The Settlement Tula's Sculpture 1 The Conformation of the Catalogue Recording the Materials The Formal-architectural Classification Architectural Elements The Catalogue Proposed Chronological Periods Period 1 Period 2 Period 3 Acknowledgments List of Figures Sources Cited Abstract The goal of this study was to make a catalogue of sculptures integrated by archaeological materials made of stone from the Prehispanic city of Tula, in the state of Hidalgo, Mexico. A total of 971 pieces or fragments were recorded, as well as 17 panels or sections pertaining to projecting panels and banquettes found in situ . Because of the great amount of pieces we found, as well as the variety of designs we detected both in whole pieces and in fragments, it was necessary to perform their recording and classification as well. As a result of this study we were able to define the sculptural and iconographic characteristics of this metropolis, which had a great political, religious, and ideological importance throughout Mesoamerica. The study of these materials allowed us to have a better knowledge of the figures represented, therefore in this study we offer a tentative periodic scheme which may reflect several historical stages through which the city's sculptural and architectural development went between AD 700-1200. Resumen El objetivo de este trabajo, fue la realización de un catálogo escultórico integrado por materiales arqueológicos de piedra que procedieran de la ciudad prehispánica de Tula, en el estado de Hidalgo, México. -
Malinalco, Toluca, Guerrero Y Morelos**
Michael E. Smith* Comercio durante el Posclásico de la cerámica decorada: Malinalco, Toluca, Guerrero y Morelos** La abundancia y diversidad de la cerámica policroma de la región centro de México durante el Posclásico fue notable: presentaba una mayor variación de estilos y tipos cerámicos decorados que en cualquier periodo anterior. Cada zona de esta área tenía su propio estilo con adornos distintivos, grandes canti- dades de esta cerámica fueron intercambiadas entre las diferentes regiones. ¿Cómo se explica la abundancia, diversidad y distribución de vasijas decoradas en el Posclásico? ¿Los estilos señalaron etnicidad? ¿Fueron mercancías utilita- rias o suntuarias? ¿Se intercambiaban como regalos entre elites, o a través de las redes comerciales de mercado? En este artículo se plantean varias cuestio- nes y se examina la distribución de las cerámicas decoradas y el intercambio en Malinalco y Toluca, en el Estado de México, Guerrero y Morelos. Comenzaré por describir los estilos y tipos cerámicos que pertenecieron a las regiones antes mencionadas y a otras, aunque suena como una tarea fácil, no lo es, porque los sitios y la cerámica del Posclásico están mal estudiados. A continuación describo el intercambio de estos materiales investigando los ti- pos regionales en los sitios fuera de su región de origen. Finalmente se discu- te sobre los patrones espaciales y cronológicos concluyendo con algunas interpretaciones. Probablemente las vasijas fueron intercambiadas a través de redes comerciales que no estaban bajo un control político estricto. La mayoría de las importaciones eran cajetes adornados que duplicaban la función de las vasijas locales. Por lo tanto, el volumen alto del intercambio no puede ser ex- plicado en términos funcionales o simplemente técnicos.