DOCSLIB.ORG

54Th ITF GOLDEN PRAGUE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
54Th ITF GOLDEN PRAGUE 54th ITF GOLDEN PRAGUE Wednesday 27 September 9:00 – 20:00 Registration and Information Entrance Hall, The New Stage 10:00 – 19:00 Videolibrary (Free entry) Foyer, The New Stage You are invited to the foyer of the National Theatre´s New Stage to view the festival´s competition programmes and enjoy the top television and film production. 10:00 – 12:00 EBU Bureau Meeting (Closed session) Meeting Room, The New Stage 14:00-18:00 Plenary Meeting of EBU Music and Dance Experts (Closed session) Meeting Room, The New Stage 18:00 Welcome drink Cafeteria, The New Stage (Closed session for VIP festival guests) 19:00 EBU Plenary Meeting Dinner (For EBU Plenary Meeting Participationts only) Restaurant Kolkovna 20:20 – 21:30 Golden Prague 2016 Opening Evening - Adam Plachetka... and his guests Great Hall, The New Stage Tickets available on National Theatre’s website (http://www.narodni-divadlo.cz) The New Stage Štefan Margita, Eva Pilarová, Dasha, Jan Smigmator, Epoque Orchestra conducted by Jan Kučera. Introduced by: Leoš Mareš Broadcast live on CT art at 20:20. Thursday 28 September 9:00 – 20:00 Registration and Information Entrance Hall, The New Stage 9:00-13:00 Plenary Meeting of EBU Music and Dance Experts (Closed session) Meeting Room, The New Stage 10:00 – 19:00 Videolibrary (Free entry) Foyer, The New Stage You are invited to the foyer of the National Theatre´s New Stage to view the festival´s competition programmes and enjoy the top television and film production. 13:00-14:30 Networking lunch (By invitation only) Cafeteria, The New Stage Informal meeting of foreign festival participants with Czech Television management. Ms. Katharina Jeschke, Ms. Ruth Pfletschinger, Mr. Peter Maniura, Mr. Lothar Mattner, Mr. Jon Ola Sand, Mr. Michael Čech, Mr. Tomáš Motl Introduced by: Mr. Jiří Vejvoda 13:00 – 17:00 A day with the Stars of Stardance (Free entry) Václav Havel’s Square Dancing Plays with Jan Onder Dance performances and workshops Autograph sessions Czech Television and partner stalls Introduced by: Jan Onder 14:30 – 18:00 IMZ Academy (Closed session) Meeting Room, The New Stage Topic: Re-Imagining Opera for the Digital Age 15:00-17:00 IMZ Directorate Meeting (Closed session) FAMU 17:00 – 19:00 Jan Onder’s Talk Show (Free entry) Great Hall, The New Stage Guests: Veronika Lálová Marek Dědík Olga Šípková Kateřina Baďurová Radek Banga Introduced by: Petr Čimpera 17:00-19:00 IMZ Board Meeting (Closed session) FAMU 20:00 – 22:00 Tribute to… Štefan Margita (Free entry) Great Hall, The New Stage Ticket reservation: [email protected]. Programme of the evening: Štefan Margita – Czech premiere Discussion with guests (Š. Margita and M. Kubala) Autograph session Introduced by: Jiří Vejvoda 22:00-00:00 After Party (By invitation only) Cafeteria, The New Stage Partnership event: 18:00 The Little Mermaid The Estates Theatre Further information available on the National Theatre website (www.narodni-divadlo.cz). Friday 29 September 9:00 – 20:00 Registration and Information Entrance Hall, The New Stage 9:30 – 18:30 IMZ Academy (Closed session) Meeting Room, The New Stage Topic: Re-Imagining Opera for the Digital Age 10:00 – 19:00 Videolibrary (Free entry) Foyer, The New Stage You are invited to the foyer of the National Theatre´s New Stage to view the festival´s competition programmes and enjoy the top television and film production. 10:00 – 13:00 Eurovision Young Dancers 2017 – National Selection (Free entry) Great Hall, The New Stage 13:00 – 20:00 Special Screenings (Free entry) Ground floor, Themos • 11:30 Barenboim / Smetana / My Homeland - documentary (directed by Martin Suchánek) • 12:30 Zuzana: Music is Life - documentary (directed by Peter and Harriet Getzels) • 13:55 Orchestra Rehearsal: In Claws of Two Conductors - Tribute to Jiří Bělohlávek (directed by Stanislav Vaněk) • 15:30 Pierre Boulez – A Life For Music – documentary (directed by Reiner E. Moritz) • 16:40 WANTED – Dagmar Pecková Sings Kurt Weill - performing arts (directed by Michal Caban) • 18:20 Červená - documentary (directed by Olga Sommerová) 16:00 – 17:30 Tribute to… Václav Kašlík (Free entry) Foyer, 1st balcony; The historical building of the National Theatre Screening and vernissage of the exhibition. 17:00 – 18:30 420PEOPLE - Closed (Free entry) Great Hall, The New Stage Ticket reservation: [email protected]. Programme of the evening: Small Hour – duet 420 PEOPLE, choreography V. Kuneš Closed – Czech premiere Discussion with guests (N. Novotná, V. Kuneš, Jo Strømgren, Stein-Roger Bull) Introduced by: Jiří Vejvoda 19:00 – 2:00 CT art Live – Soul of Swing Žižkov Freight Train Station Dance hall Performances and workshops Dance competition Jack & Jill Live band Swing party – DJ Introduced by: Jana Bílek Marečková 20:00 – 22:00 Tribute to… Petr Zuska (Free entry) Great Hall, The New Stage Ticket reservation: [email protected]. Programme of the evening: Dancer and Choreographer Petr Zuska – Czech premiere Discussion with guests (P. Zuska and M. Kubala) Autograph session Introduced by: Jiří Vejvoda 22:00-00:00 After Party (By invitation only) Carfeteria, The New Stage Partnership event: 20:00 Juliette (The Key to Dreams) The historical building of the National Theatre Further information available on the National Theatre website (www.narodni-divadlo.cz). Saturday 30 September 9:00 – 20:00 Registration and Information Entrance Hall, The New Stage 9:00 – 11:00 A look behind the scenes at the National Theatre (Free entry) The historical building of the National Theatre Ticket reservation: [email protected]. Tour of the historic building of the National Theatre. Come and see what’s happening behind the scenes today. 10:00 – 14:00 Videolibrary (Free entry) Foyer, The New Stage You are invited to the foyer of the National Theatre´s New Stage to view the festival´s competition programmes and enjoy the top television and film production. 11:00 – 19:00 Golden Day of Golden Prague (Free entry) Václav Havel’s Square Performances and concerts Dance halls Dance and music workshops Czech Television and partner stalls Introduced by: Barbora Černošková and Jiří Svoboda 19:00 – 2:00 ČT art Live – Soul of Latin (Free entry) Žižkov Freight Train Station Dance hall – Argentinian tango Performances and workshops Live band – La Descarga Sabor Latino party – DJ Introduced by: Jana Bílek Marečková 20:20 – 22:00 Golden Prague Festival Official Awards Ceremony (By invitation only) Great Hall, The New Stage A celebratory end to the festival that will not only include the awarding of the festival’s top prizes but also offer a programme of the best of the current Czech dance, music and theatre scene. Life Achievement Award – Gabriela Beňačková and Brian Large. TV director: Michael Čech Introduced by: Petra Křížková and Jiří Vejvoda Broadcast live on ČT art. 22:00 – 01:00 Farewell Reception (By invitation only) Cafeteria, Foyer, The New Stage .
Load more

Recommended publications
  • Academy of Theatre and Dance Theatre
    Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking.
    [Show full text]
  • Czech Television the European Broadcasting Union HOST
    HBA agreement EYD 2017 Final Copy Czech Television VAT No.: CZ00027383 and The European Broadcasting Union VAT No.: CHE-107.741.078 HOST BROADCASTER AGREEMENT No. 1083852/542 Object of Agreement: terms and conditions of the Eurovision Young Dancers Price or value: 325.000 EUR Date of signature: Ç . ¿ # 0 / ^ HBA agreement EYD 2017 Final Copy HOST BROADCASTER AGREEMENT SCHEDULE FOR THE 2017 EUROVISION YOUNG DANCERS Parties The European Broadcasting Union (EBU) EBU an association duly established under Swiss law, having its headquarters at L'Ancienne-Route 17A, Case postale 45, CH-1218 Grand-Saconnex - Switzerland Ceska Televize (CT) Host Broadcaster an organisation duly established under Czech law, having its headquarters at Kavci Hory, 140 70, PRAHA 4, Czech Republic Detai s 2 « HBA agreement EYD 2017 Final Copy 3 » HBA agreement EYD 2017 Final Copy TERMS AND CONDITIONS OF THE 2017 THE EUROVISION YOUNG DANCERS HOST BROADCASTER AGREEMENT Preamble The present Agreement defines, in addition to (or as appropriate, in implementation of) the Rules, the organisational and technical infrastructure necessary for a broadcasting organisation to assume the role of host broadcaster of the EYD. The present Agreement shall consist of the Schedule as well as of the present Terms and Conditions (included this Preamble which shall be contractually binding) and shall be read in conjunction with the Rules, which shall be binding and form an integral part thereof. The Agreement and the Rules shall be construed in accordance with the overall format of the EYD, as interpreted by the EBU Executive Supervisor. The EBU Executive Supervisor shall have final word in case of inconsistencies between any of the above-mentioned documents.
    [Show full text]
  • Eurovision Rules Brief
    EUROVISION RULES Participation: The participants of the Eurovision Song Contest are not people, they’re not even countries, they’re broadcasters. In order to participate, a broadcaster must be an “active” (i.e., due paying) member of the European Broadcasting Union. This is a confederation of broadcasters that lie within the European Broadcasting Area. The European Broadcasting Area as defined by the International Telecommunication Union: “The "European Broadcasting Area" is bounded on the west by the western boundary of Region 1, on the east by the meridian 40° East of Greenwich and on the south by the parallel 30° North so as to include the western part of the USSR, the northern part of Saudi Arabia and that part of those countries bordering the Mediterranean within these limits. In addition, Iraq, Jordan and that part of the territory of Turkey lying outside the above limits are included in the European Broadcasting Area.” Thus allowing Israel and Morocco to compete without actually being in Europe. Beyond the geographical limitations on participation, broadcasters must provide free, nation-wide service. Liechtensteiner broadcaster 1FLTV tried to get around this rule in 1964, creating a song to enter into the Contest. The EBU quickly rejected this entry, as the 1FLTV1 is not in the EBU. Broadcasters have until the December immediately preceding the Contest to file the appropriate paperwork for participation and pay the entry fee. There can only be one entry per country. However, broadcasters can work together within a country to supply a joint entry. Countries then have until mid-March, when the heads of the various delegations meet in the host city, to submit their official entry (lyrics, backing track, and performing artist).
    [Show full text]
  • Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
    Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS ....................................................................................
    [Show full text]
  • EBU Launches Eurovision Choir of the Year
    EMBARGOED UNTIL 1300 CET TUESDAY 28 FEBRUARY EBU launches Eurovision Choir of the Year The European Broadcasting Union (EBU) is excited to launch a new TV talent competition format for amateur choirs, Eurovision Choir of The Year, as an addition to the Eurovision Family of Events led by the well-known Eurovision Song Contest. The first edition of Eurovision Choir of the Year will be produced by host broadcaster Latvian Television (LTV) and Riga Tourism Development Bureau (LIVE RIGA) on 22 July at the Riga Arena in the Latvian capital. Choirs from 7 EBU Member countries (Austria, Belgium, Denmark, Estonia, Latvia, Germany and Slovenia) will compete for the title, with prizes including a recording deal for the winning choir. Each choir will perform a six minute unaccompanied set in any genre and will be judged by a high-profile jury including British composer John Rutter and Latvian mezzo-soprano Elīna Garanča. The show will be hosted by Grammy-winning composer and conductor Eric Whitacre and LTV culture presenter Eva Ikstena. “Singing in choirs is a healthy, social and artistic activity that anyone, young or old, musically experienced or not, can take part in - and one which is growing in popularity across the world,” said EBU Head of Live Events Jon Ola Sand. “Eurovision Choir of the Year will showcase the vast possibilities of the human voice and aims to inspire new singers to get involved.” “Latvia has an abundant heritage of ancient choir traditions, inspiring our Song and Dance Festivals and bringing our choirs international acclaim, said Ivars Belte, Chairman of the Management Board at LTV.
    [Show full text]
  • E Words Words to Tellto Tell the the World
    R R A A NN D D Y Y O O V V Rİ Rİ AZ AZ DY DY OY OY ON ON QUARTERLYQUARTERLY RADIO RADIO MAGAZINE MAGAZINE / APRIL / APRIL 2016 2016 / 6 / 6 V V HAVEHAVE YOU YOU EVER EVER READ READ RADIO RADIO? ? İ İ Z Z YE YE ON ON EE NG NG L L I I FILE:FILE: THE THE FUTURE FUTURE OF OF EXTERNAL EXTERNAL BROADCASTING BROADCASTING - - S S IIII WW H H NN SS WW E E S S “We“We have have some some words words to tellto tell the the world. world. This This country country has hasa lot a lotto to say,say, and and people people of this of this country country have have a lot a lotto say.to say. TRT TRT is a is powerful a powerful tooltool to tomake make this this voice voice and and these these words words heard heard all allaround around the the world.world. TRT TRT External External Services Services Department Department is bringingis bringing Turkey’s Turkey’s EXTERNALEXTERNAL BROADCASTING BROADCASTING THROUGH THROUGH Naci Naci KORU KORU voicevoice and and words words to theto the whole whole world world through through radio radio broadcasts broadcasts in in A FOREIGNA FOREIGN POLICY POLICY PERSPECTIVE PERSPECTIVE 37 37languages languages and and web web broadcasts broadcasts in 41in 41languages.” languages.” INTERVIEWINTERVIEW WITH WITH EBU EBU DIRECTOR DIRECTOR GENERAL GENERAL Ingrid Ingrid DELTENRE DELTENRE THE THE FUTURE FUTURE OF OFINTERNATIONAL INTERNATIONAL RADIO RADIO BROADCASTING BROADCASTING Steve Steve Ahern Ahern ŞenolŞenol GÖKA GÖKA DIGITALDIGITAL RADIO RADIO WAVE WAVE CROSSES CROSSES EUROPE EUROPE David David Fernández Fernández QUIJADA QUIJADA TRTTRT Director Director General General 6 6 AN ANEVALUATION EVALUATION OF OFEXTERNAL EXTERNAL BRODCASTING BRODCASTING WITHIN WITHIN Assoc.
    [Show full text]
  • Sprawozdanie Opisowe Z Działalności Statutowej Stowarzyszenia Miłośników Konkursu Piosenki Eurowizji OGAE Polska Oraz Zarządu Stowarzyszenia Za 2017 Rok
    Sprawozdanie opisowe z działalności statutowej Stowarzyszenia Miłośników Konkursu Piosenki Eurowizji OGAE Polska oraz Zarządu Stowarzyszenia za 2017 rok Zarząd Stowarzyszenia Miłośników Konkursu Piosenki Eurowizji OGAE Polska Bartąg, 30 czerwca 2018 roku Sprawozdanie opisowe z działalności statutowej Stowarzyszenia Miłośników Konkursu Piosenki Eurowizji OGAE Polska oraz Zarządu Stowarzyszenia za 2017 rok Spis treści Informacje ogólne ....................................................................................................................................................... 3 Dane stowarzyszenia ................................................................................................................................................... 3 Cele statutowe Stowarzyszenia ................................................................................................................................... 3 Skład organów wybieralnych Stowarzyszenia.............................................................................................................. 4 Zarząd ............................................................................................................................................................................ 4 Komisja Rewizyjna.......................................................................................................................................................... 4 Członkowie honorowi stowarzyszenia...........................................................................................................................
    [Show full text]
  • Ponec Divadlo Pro Tanec Otevírá 13. Sezónu 2013/2014
    Úvodní slovo / Opening words ................................................................................................................................................... 3–6 Festival TANEC PRAHA 2013 / Festival TANEC PRAHA 2013 .................................................................................................... 7–16 PONEC – divadlo pro tanec / PONEC – the dance venue ........................................................................................................ 17–26 TANEC DĚTEM / DANCE FOR CHILDREN ................................................................................................................................. 27–29 ČESKÁ TANEČNÍ PLATFORMA / CZECH DANCE PLATFORM ................................................................................................... 30–34 M4m – M for mobility ........................................................................................................................................................... 35–37 Struktura a stanovy občanského sdružení Tanec Praha / The association´s bodies and regulations .......................................... 38 Náklady občanského sdružení Tanec Praha o. s. / Expenses of Tanec Praha civic association ..................................................... 39 Výnosy občanského sdružení Tanec Praha o. s. v roce 2013 / Incomes of Tanec Praha civic association in 2013 ....................... 40 Přehled o nákladech a výnosech Tance Praha o. s. / Overview of Tanec Praha expenses and incomes ......................................
    [Show full text]
  • BA Ritgerð „Hátíð Fyrir Þá En Þetta Er Dálítið Kreisí Fyrir Hina“
    BA ritgerð Þjóðfræði „Hátíð fyrir þá en þetta er dálítið kreisí fyrir hina“ Upplifun fólks af Evrópsku söngvakeppninni Ragnhildur Sara Arnarsdóttir Elsa Ósk Alfreðsdóttir Júní 2019 „Hátíð fyrir þá en þetta er dálítið kreisí fyrir hina“ Upplifun fólks á Evrópsku söngvakeppninni Ragnhildur Sara Arnarsdóttir Lokaverkefni til BA-gráðu í þjóðfræði Leiðbeinandi: Elsa Ósk Alfreðsdóttir 12 einingar Félagsfræði-, mannfræði-, og þjóðfræðideild Félagsvísindasvið Háskóla Íslands Júní 2019 „Hátíð fyrir þá en þetta er dálítið kreisí fyrir hina“ Ritgerð þessi er lokaverkefni til BA-gráðu í þjóðfræði og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Ragnhildur Sara Arnarsdóttir, 2019 Prentun: Háskólaprentun Reykjavík, Ísland, 2019 Útdráttur Eftir seinni heimstyrjöldina þurfti Evrópa eitthvert sameiningartákn til að styrkja bönd fyrrum óvina. Komið var á laggirnar Sambandi evrópska Sjónvarpsstöðva sem sjónvarpaði fjölbreyttri dagskrá sem átti að höfða til allra landa innan SES. Evrópska söngvakeppnin var ein af þeim dagskrárliðum sem naut mestu hylli en sú keppni hefur verið í sjónvarpi Evrópubúa síðan 1956. Keppnin hefur stækkað og breyst mikið síðan hún var fyrst sett á svið og er keppnin orðin að rótgróinni hefð og partur af lífi margra Íslendinga. Íslenska þjóðin tók fyrst þátt árið 1986 og var þá ekki aftur snúið. Á þeim tíma sem Ísland hefur keppt hefur sigurinn aldrei fallið í hendur þess en vonin er alltaf til staðar. Keppninni fylgir mikill undirbúningur og eiga áhorfendur einnig þátt í því að upphefja keppnina með umtali og fréttum í fjölmiðlum. Í rannsókninni voru tekin viðtöl við sjö viðmælendur með mismunandi sýn á keppnina. Spurt var almennt um viðhorf þeirra til keppninnar en einnig var leitað svara við spurningunni: „Er Eurovision hátíð?“ Viðmælendur eiga það allir sameiginlegt að hafa horft á keppnina, þótt sumir horfi bara á í smá stund.
    [Show full text]
  • Eurovision Family of Events INVITATION to TENDER
    Eurovision Family of Events Online service portfolio management and communication strategy INVITATION TO TENDER October, 16th 2015 Invitation to Tender Contents 1. INTRODUCTION ...................................................................................................................................... 3 1.1 Scope of the Market ........................................................................................................................... 3 1.2 Ownership ........................................................................................................................................... 3 2. CONTEXT AND OBJECTIVES OF THE TENDER ............................................................................. 4 2.1 EBU, ESC and EFE Context ............................................................................................................ 4 2.2 ITT Context ......................................................................................................................................... 5 2.3 ITT Goals ............................................................................................................................................. 7 2.4 EBU Main Expectations .................................................................................................................... 7 3. SERVICES AND PAYMENT TERMS ................................................................................................. 10 3.1 Service Terms..................................................................................................................................
    [Show full text]
  • Eurovision 2015 Write-Ups
    EUROVISION: A BRIEF HISTORY In the mid-1950’s, Europe was still recovering from the Second World War, economically, politically, and culturally. In hopes of creating programming to help Europe heal, the European Broadcasting Union set to work. It was Marcel Bezaçon who came up with the idea of taking Italy’s San Remo Festival, a song contest that had started soon after the war that was already seeing much success throughout the country, and generalizing it to all of Europe. Since the programming branch of the EBU was already called Eurovision, why not simply name it the Eurovision Song Contest? In this new, pan-Europe Contest, EBU broadcasters from each country would submit songs to compete against each other. The very first Eurovision Song Contest was held in Lugano, Switzerland, the home of the European Broadcasting Union. At this Contest, seven countries, West Germany, 1956 Belgium, The Netherlands, France, Italy, Luxembourg, and Switzerland, each entered two songs in hopes of winning the title of best song in Europe. After all fourteen songs had been performed, a panel of 12 jurors (two from each country minus Luxembourg who gave the Swiss jurors permission to vote on their behalf) voted for the two songs they each thought was best. In the end, Switzerland’s song Refrain, performed by Lys Assia, was announced as the winner. “Europe’s favorite television show” (which was primarily on radio at the time) was born! Though, this would be the last year when broadcasters could submit multiple songs. The Eurovision Song Contest proved to be successful in its first two years, but with the addition of the United Kingdom, Denmark, Austria, and Sweden over the last two years, 1958 new rules were put into place.
    [Show full text]
  • Why? When? How?
    techMEDIA TECHNOLOGY & INNOVATION issue 17-i • september 2013 UHDTV Why? When? How? Plus • QC PROGRESS REPORT • IN-SOURCE, OPEN SOURCE • SEMANTIC WEB: GETTING STARTED • REGULATING MEDIA CONVERGENCE and more... tech.ebu.ch viewpoint news A future based on running code tech-i Lieven Vermaele, EBU Director of Technology & Innovation contents way that may lead to better and cheaper Issue 17 • September 2013 software. This is the open source software world. Here there is no permanent infrastructure for defining standards in the traditional sense; no standards 3 News & Events committees; no physical meetings. Instead, 4 News & Events progress is based on shared best practices, 5 News & Events on available code, definitions and tools. And, based on their success in the 6 Software community, these best practices become Development de facto standards – standards by practice. 7 Member profile: tDA t the helm of the EBU’s With this in mind, our job must be to 8 SP update: Quality technical activities I’ve foster a platform where the code that is Control witnessed much change in most relevant for our industry is Athe industry. For the majority maintained and developed. As in our 9 The uHDtV equation of our Members, to a greater or lesser physical groups, we should facilitate extent, we’re now firmly in a post- discussion about requirements and code, 10 EBU/DVb uHD analogue era of file-based production and but now such discussion should take place Workshop digital delivery, and in some cases, HDTV. almost entirely online. We have taken Progress with digital radio broadcasting already some steps towards instigating an 12 EYD Test Shoot has been slower, and I could not claim to online community of software 13 In my Opinion: have an easy answer.
    [Show full text]