ESC 2021 Notes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Academy of Theatre and Dance Theatre
Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking. -
Fonds Pierre Kaelin
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library Bibliothèque cantonale et universitaire – Fribourg Kantons- und Universitätsbibliothek – Freiburg FONDS PIERRE KAELIN (1913-1995) Partie non musicale Inventaire dressé par Laetitia Valiquer Fribourg Bibliothèque cantonale et universitaire 2016 2 TABLE DES MATIÈRES Aperçu du fonds ........................................................................................................... 4 A) Éléments biographiques .......................................................................................... 7 B) Œuvres ..................................................................................................................... 8 C) Éditions .................................................................................................................. 16 D) Concerts, festivals et manifestations ..................................................................... 17 E) Inventaires de l’œuvre de Pierre Kaelin ................................................................ 27 F) Publications ............................................................................................................ 28 G) Enseignements, sessions d’études et commissions ............................................... 29 H) Ensembles musicaux et sociétés chorales ............................................................. 33 I) Projets et activités diverses .................................................................................... -
Template EUROVISION 2021
Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom. -
Czech Television the European Broadcasting Union HOST
HBA agreement EYD 2017 Final Copy Czech Television VAT No.: CZ00027383 and The European Broadcasting Union VAT No.: CHE-107.741.078 HOST BROADCASTER AGREEMENT No. 1083852/542 Object of Agreement: terms and conditions of the Eurovision Young Dancers Price or value: 325.000 EUR Date of signature: Ç . ¿ # 0 / ^ HBA agreement EYD 2017 Final Copy HOST BROADCASTER AGREEMENT SCHEDULE FOR THE 2017 EUROVISION YOUNG DANCERS Parties The European Broadcasting Union (EBU) EBU an association duly established under Swiss law, having its headquarters at L'Ancienne-Route 17A, Case postale 45, CH-1218 Grand-Saconnex - Switzerland Ceska Televize (CT) Host Broadcaster an organisation duly established under Czech law, having its headquarters at Kavci Hory, 140 70, PRAHA 4, Czech Republic Detai s 2 « HBA agreement EYD 2017 Final Copy 3 » HBA agreement EYD 2017 Final Copy TERMS AND CONDITIONS OF THE 2017 THE EUROVISION YOUNG DANCERS HOST BROADCASTER AGREEMENT Preamble The present Agreement defines, in addition to (or as appropriate, in implementation of) the Rules, the organisational and technical infrastructure necessary for a broadcasting organisation to assume the role of host broadcaster of the EYD. The present Agreement shall consist of the Schedule as well as of the present Terms and Conditions (included this Preamble which shall be contractually binding) and shall be read in conjunction with the Rules, which shall be binding and form an integral part thereof. The Agreement and the Rules shall be construed in accordance with the overall format of the EYD, as interpreted by the EBU Executive Supervisor. The EBU Executive Supervisor shall have final word in case of inconsistencies between any of the above-mentioned documents. -
The Tragic Muse, by Henry James 1
The Tragic Muse, by Henry James 1 The Tragic Muse, by Henry James The Project Gutenberg eBook, The Tragic Muse, by Henry James This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tragic Muse Author: Henry James Release Date: December 10, 2006 [eBook #20085] Language: English Character set encoding: ISO-8859-1 The Tragic Muse, by Henry James 2 ***START OF THE PROJECT GUTENBERG EBOOK THE TRAGIC MUSE*** E-text prepared by Chuck Greif, R. Cedron, and the Project Gutenberg Online Distributed Proofreading Team Europe (http://dp.rastko.net/) THE TRAGIC MUSE by HENRY JAMES MacMillan and Co., Limited St. Martin's Street, London 1921 PREFACE I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Eastern Progress 1981-1982 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1981-1982 Eastern Progress 2-25-1982 Eastern Progress - 25 Feb 1982 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1981-82 Recommended Citation Eastern Kentucky University, "Eastern Progress - 25 Feb 1982" (1982). Eastern Progress 1981-1982. Paper 22. http://encompass.eku.edu/progress_1981-82/22 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1981-1982 by an authorized administrator of Encompass. For more information, please contact [email protected]. Vol. 60/No. 22 Laboratory Publication of the Department of Mass Communications 12 pages Thursday, February 25, 1982 Richmond, Ky. 40475 r Model bill proposed By Mark Campbell In other legislative news, the Staff writer House Committee on Education has Rep. Harry Moberly said he concluded their hearings on higher thinks that he has come up with a education possible solution for Model "I think the meetings went Laboratory School's uncertain fine, "said Moberly. a member of the future. committee. "We had some good Moberly introduced House Bill lengthy, informative discussion 439 on Feb. 6, and it has now pro- witn Ihe people Irom tne council gressed through the House to the (Council on Higher Educationl and point that a vote will come soon. also the people from the Kentucky "It doesn't assure that Model Lab Higher Education Assistance School will stay open." said Mober- Authority. ly. "It gives the local (school) I don't agree with the Mission districts the authority to negotiate Model. -
Cash Bo.X Office
—— GERMANY ITALY Allies Davis, trumpeteer and composer of modern jazz, started his tour After his tour of the USA, Domenico Modugno has started a long tour of throughout Germany in Hannover on March 29th. He goes to Cologne, Munich, Italy, at the end of which he is likely to record with Caterina Valente. On Karlsruhe and Nuernberg. March 26th and 27th, Modugno gave three concerts in a Milanese theatre. Renata Tebaldi, First Lady of the Opera, is expected to tour Germany in “Personalita” coupled with “Till” by Caterina Valente is recording high sales May. Marlene Dietrich will visit her home country in May, with her own ballet. in Italy. It is on the Decca label. Deutsche Grammophon Gesellchaft won the “Grand Prix du Disque in “Mustafa’,” a cheerful. Oriental-like tune, distributed by Durium on the 1906”, winning four prizes out of fifteen. Vogue label was released in Italy. A remake of the film, “Bomben auf Monte Carlo” with Eddie Constantine, “Morgen” is becoming popular in Italy and three versions are now available has made the tune, “A Night In Monte Carlo” by Billy Vaughn very popular in —Eddie Calvert’s on Columbia, Ivo Robic’s on Polydor and Miran De Martino’s Germany. Teldec has already sold 200,000 copies of this record. on RCA. The music is published in Italy by Leonardi. Carmen Cavallaro’s recording of “The Eddy Duchin Story”, for which he got Durium will present and distribute the Neopolitan record label. Royal, in Italy large Italian a gold record on American Decca, is now released in Germany on the Bruns- and abroad. -
Zug (8Th) and Basel (10Th) Rank Far Ahead of Lausanne (36Th), Bern (38Th), Zurich (41St), Lugano (53Rd), and Geneva (69Th) in the Expat City Ranking 2019
• Zug (8th) and Basel (10th) rank far ahead of Lausanne (36th), Bern (38th), Zurich (41st), Lugano (53rd), and Geneva (69th) in the Expat City Ranking 2019. • Based on the ranking, Taipei, Kuala Lumpur, Ho Chi Minh City, Singapore, Montréal, Lisbon, Barcelona, Zug, The Hague, and Basel are the best cities to move to in 2020. • Kuwait City (82nd), Rome, Milan, Lagos (Nigeria), Paris, San Francisco, Los Angeles, Lima, New York City, and Yangon (73rd) are the world’s worst cities. Munich, 3 December 2019 — Seven Swiss cities are featured in the Expat City Ranking 2019 by InterNations, the world’s largest expat community with more than 3.5 million members. They all rank among the top 20 in the world for the quality of life, receiving mostly high marks for safety, local transportation, and the environment. On the other hand, expats struggle to get settled, with Zurich and Bern even ranking among the world’s worst cities in this regard. While the local cost of living is rated negatively across the board, the performance of the Swiss cities varies more in the Finance & Housing and Urban Work Life Indices. The Expat City Ranking is based on the annual Expat Insider survey by InterNations, which is with more than 20,000 respondents in 2019 one of the most extensive surveys about living and working abroad. In 2019, 82 cities around the globe are analyzed in the survey, offering in-depth information about five areas of expat life: Quality of Urban Living, Getting Settled, Urban Work Life, Finance & Housing, and Local Cost of Living. -
Spel Met Grenzen
Spel met grenzen De gemeenschappelijke productie van Eurovisie-televisieprogramma's in de jaren vijftig en zestig Wolfgang Degenhardt Het samenwerkingsverband van Europese omroepen, de European Broadcasting Union (EBU), vatte in juni 1954 het plan op voor een grote, op geheel Europa ge- richte serie uitzendingen: Eurovisie. Dat was ambitieuzer dan de uitwisseling van programma's waaruit de activiteiten van de EBU tot dan toe hadden be- staan. Juridische en andere problemen stonden een Europese Gemeenschap voor Televisie' echter in de weg, vooral in het geval van programma-experimenten die niet met sport of nieuws te maken hadden. Wolfgang Degenhardt analyseert aan de hand van drie voorbeelden welke problemen dat nu precies waren, die ervoor zorgden dat we heden ten dage Eurovisie voornamelijk kennen als voorvoegsel bij Songfestival. In 1950 werd in Torquay in Zuid-Engeland de Europese Radio Unie (Euro- pean Broadcasting Union, EBU) opgericht.' Deze unie van West-Europese radio-omroepen moest de problemen gaan oplossen die zich door de groei- ende internationale verwikkelingen op het gebied van radio zouden kunnen gaan voordoen. De EBU sloot daarmee aan bij de werkzaamheden van haar voorganger de IBU (International Broadcasting Union), die in de jaren twintig als een dochterorganisatie van de Volkenbond was ontstaan en door samenwerking met de Duitsers in de Tweede Wereldoorlog in diskrediet was geraakt. Nadat pogingen om deze wereldorganisatie nieuw leven in te blazen door de blokvorming bij het begin van de Koude Oorlog waren ge- strand, werd de EBU opgericht. Aanvankelijk leek het afdoende om de juridische en technische proble- men op radiogebled regelen. De televisie stond nog in de kinderschoenen en de toekomst van dat medium viel nog nauwelijks te voorspellen. -
Brand Guidelines Version 5-2017/2018
BRAND GUIDELINES VERSION 5-2017/2018 OPERATED BY EBU THE EUROVISION SONG CONTEST - “ A SIMPLE IDEA THAT HAS SUCCEEDED. “MARCEL BEZENÇON DIRECTOR OF THE EBU (1950-1970) AND INITIATOR OF THE EUROVISION SONG CONTEST — 2 THE NAME The name of the event in public communication is always Eurovision Song Contest. For headlines and on social media, but only when practical limitations such as character limits apply, the event can be referred to as Eurovision. The abbreviation ESC may only be used for internal communications, as it is largely unknown to the public. In some countries, the Eurovision Song Contest has a translated name, such as Eurovisie Songfestival (Dutch) or Grand Prix Eurovision de la Chanson (French). These names may be used, but only in national communication. EUROVISION SONG CONTEST BRAND GUIDELINES — 3 THE LOGO Until the 2003 Eurovision Song Contest, each Host Broadcaster designed its own logo for the contest. In 2004, the EBU introduced a generic logo, to be accompanied by a theme and supporting artwork on a year-by-year basis. The logo was designed by London-based agency JM Enternational. In 2014, the EBU introduced a revamp, the current version of the logo. It was revamped by Storytegic and implemented in collaboration with Scrn. Eurovision is set in custom typograpy Song Contest is set in Gotham Bold with +25% letter spacing and +25% word spacing EUROVISION SONG CONTEST BRAND GUIDELINES — 4 THE ECO-SYSTEM The Eurovision Song Contest generic identity consists of an eco-system with four different applications, shown below. Some basic guidelines: Ÿ The generic logo can only be used by EBU and its partners; Ÿ The event logo can only be used for a particular event by the EBU, Host Broadcaster, Participating Broadcasters and Event Partners (sponsors); Ÿ A national logo can only be used by the EBU, its partners and each respective Participating Broadcaster; Ÿ The flag heart can only be used for illustrative purposes (e.g. -
Jaarverslag 2017
JAARVERSLAG 2017 POPPODIUM BAROEG SPINOZAWEG 300 3076 ET ROTTERDAM www.baroeg.nl Inhoudsopgave Hoofdstuk Pagina Inhoudsopgave 1 Inleiding en colofon 2 1. Toelichting op het prestatieraster en de kengetallen bezoek 3 1.1 Prestatieraster: aantal presentaties (en producties) 1.2 Kengetallen bezoek 2. Toelichting op de jaarrekening 4 2.1 Algemeen 2.2 Mogelijke financiële risico’s 3. Toelichting op de beleidsthema’s talentontwikkeling, samenwerking en vernieuwing 5 3.1 Talentontwikkeling 3.2 Samenwerking 3.3 Vernieuwing 4. Toelichting op het beleidsthema vergroting en verbreding van het publieksbereik 7 4.1 Jaarlijks instellingsbeleid publieksonderzoek 4.2 Jaarlijkse beleidsinformatie over het totale publieksbereik 5. Overig beleid 8 5.1 Baroeg XL 5.2 Vrienden van Baroeg 5.3 Kernpodium 5.4 Kernwaarden 5.5 Maatschappelijk Verantwoord Ondernemen 5.6 Erkend leerbedrijf 5.7 Veiligheid 6 Toelichting op bedrijfsvoering en marketing 10 6.1 Organisatie 6.2 Bestuur 6.3 Directie / Staf 6.4 Medewerkers Management Team (MMT) 6.5 Overlegstructuren 6.6 Marketing en Communicatie 7 Toelichting op governance 12 7.1 Besturingsmodel 7.2 Bezoldigingsbeleid en bezoldiging directie en leden bestuur 7.3 Rechtsgeldigheid Jaarrekening 7.4 Verslag 7.5 Accountant 7.6 Tegenstrijdige belangen 7.7 Nevenfuncties Bijlage 1: Prestatieraster 2017 14 Bijlage 2: Kengetallen bezoek 2017 JAARVERSLAG 2017 1 Inleiding Stichting Poppodium Baroeg speelt ruim 37 jaar een belangrijke rol in de culturele sector van Rotterdam. Poppodium Baroeg is met een capaciteit van 350 bezoekers een middelgroot podium met nationale en zelfs internationale uitstraling. Baroeg is uniek in Nederland met een structureel aanbod van harde en alternatieve muziek, de programmering richt zich op stijlen als rock, metal, hardcore, punk, psychobilly, electro en industrial.