DOCSLIB.ORG

Avant Première Catalogue Preview

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Avant Première Catalogue Preview AVANT PREMIÈRE 2018 CONTENT About Avant Première ................................................................ 2 Screening Schedule ................................................................... 3 Avant Première Screenings 2018 ............................................... 4 3B-Produktion ............................................................................ 11 Moscow Philharmonic Society ................................................... 137 ABC – Australian Broadcasting Corporation .............................. 12 Music Traveler Productions ........................................................ 139 Accentus Music .......................................................................... 18 Naxos Audiovisual Division ........................................................ 141 Anna&Paul Film&TV .................................................................... 24 New World Symphony ................................................................ 147 ARD ............................................................................................ 25 NHK – Japan Broadcasting Corporation .................................... 149 ARTE ........................................................................................... 31 NRK – Norwegian Broadcasting Corporation ............................ 153 Arthaus Musik ............................................................................. 46 Opéra National de Paris ............................................................. 156 Auditorium Films ........................................................................ 47 ORF – Austrian Broadcasting Corporation ................................. 159 BBC Music ................................................................................. 54 Pan Dream .................................................................................. 162 Bel Air Media .............................................................................. 58 Paramax Films ............................................................................ 164 Bergen Philharmonic Orchestra ................................................. 61 PARS Media ............................................................................... 166 Berlin Phil Media ........................................................................ 63 Peiling Film & TV ......................................................................... 167 Bernhard Fleischer Moving Images ............................................ 64 Poorhouse International ............................................................. 168 C Major Entertainment ............................................................... 67 RAI COM .................................................................................... 172 Clasart Classic............................................................................ 74 RGMC – Russian State Music TV & Radio Centre ..................... 175 CLC Productions ........................................................................ 77 Royal Conservatoire of The Hague ............................................ 176 Czech Television ......................................................................... 82 RSI – Radiotelevisione Svizzera ................................................. 178 Eagle Rock Entertainment .......................................................... 86 RTP – Radio e Televisao de Portugal ......................................... 182 EMA Films .................................................................................. 88 RTV / TV Slovenija ...................................................................... 183 ERR – Estonian Public Broadcasting ......................................... 89 Russia Kultura Television Channel ............................................. 187 EuroArts Music International ...................................................... 90 ServusTV .................................................................................... 189 France Télévisions ...................................................................... 98 Signed Media Produktion ........................................................... 191 François Roussillon et Associés ................................................. 102 sounding images ........................................................................ 192 Glyndebourne ............................................................................. 104 SRF – Schweizer Radio und Fernsehen ..................................... 194 Gothenburg Symphony Orchestra ............................................. 105 Stanza Media .............................................................................. 197 Heliox Films ................................................................................ 108 SVT – Swedish Television ........................................................... 198 HRT – Croatian Radio Television ................................................ 112 Telmondis Distribution ................................................................ 201 klangmalerei.tv ........................................................................... 114 The Royal Opera House / Opus Arte .......................................... 204 Kobalt Productions GmbH ......................................................... 116 THIRTEEN Productions LLC for WNET ...................................... 207 Latvian Television ....................................................................... 117 TVP – Polish Television / TVP Kultura......................................... 210 Les Films Figures Libres ............................................................. 119 Unitel .......................................................................................... 212 Les Films Jack Fébus ................................................................. 124 Visom Digital ............................................................................... 230 Lumikinos Production ................................................................. 134 YLE – The Finnish Broadcasting Company ................................ 232 Moment 22 Film & Video ............................................................ 136 ZDF – German Television............................................................ 235 Index of Titles ............................................................................. 240 Index of Directors ....................................................................... 243 Index of Choreographers............................................................ 245 IMZ Membership Benefits .......................................................... 246 www.avantpremiere.at This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. 1 AVANT PREMIÈRE 2018 ABOUT AVANT PREMIÈRE MUSIC + MEDIA MARKET BERLIN THE LARGEST TRADE FAIR FOR PERFORMING ARTS ▪ Market Screenings offer special attention to individual IN AUDIOVISUAL MEDIA productions in a full-hour presentation. ▪ Screenings at the EFM European Film Market are an Avant Première Music + Media Market Berlin is the largest additional benefit for Avant Première participants aimed trade fair, market place, conference and networking event at increasing exposure and boost business opportunities for music + dance in audiovisual media. While premières are for the performing arts films. shown on film festivals, Avant Première presents performing ▪ Avant Première Talks are 20-minute-speeches providing arts films even earlier to an international crowd of around 550 information on current developments and new and inno- industry professionals from major public and private broad- vative products, services, solutions or technologies. casting stations, distribution companies, streaming and VOD platforms, film production companies and performing arts in- ▪ Lightning Talks deliver succinct insights into various per- stitutions. spectives and hence deliver a comprehensive overview. ▪ Avant Première Panels unite international experts to dis- The renowned Avant Première Screenings present an exclu- cuss and explore crucial and current topics, challenges, sive preview of over 600 high-class cultural TV programmes changes and opportunities affecting the market. by 70 international companies to potential buyers, coproduc- ▪ Special Presentations shine a spotlight on companies, ers or partners and financiers. As annual B2B event, Avant innovative technologies, special events or productions. Première contributes to a majority of cultural TV programming ▪ The One-on-One Expert Sessions allow for direct advice in broadcasting and streaming around the globe. and pitching opportunities for emerging + established talents. THE COMPREHENSIVE B2B EVENT FOR A SPECIALISED INDUSTRY ▪ The Booth Area invites companies to present themselves as exhibitors and offers valuable information to partici- Programme formats around Avant Première are designed to pants. fit the specific needs of the industry, offering crucial insights ▪ The central Networking Lounge provides space for busi- and valuable opportunities: ness meetings + mingling. ▪ Special events, exclusive parties and renowned artists ▪ Avant Première Screenings offer an exclusive preview of add entertainment and foster connectivity + exchange 600 music + dance films. between participants. ▪ Special Screenings are held in a festive environment
Load more

Recommended publications
  • Parsifal and Canada: a Documentary Study
    Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article.
    [Show full text]
  • Academy of Theatre and Dance Theatre
    Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking.
    [Show full text]
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • First Weekend's Programme Available HERE!
    ENG 1 16.07.–18.07.2021. 4 www.riga-jurmala.com Dzintari Great Hall, Jurmala Latvian National Opera and Ballet, Riga Welcome to the 2021 Riga Jurmala Music Festival! It is a distinct pleasure, more than usual, After only one year, the Riga Jurmala Music to welcome you to the Riga Jurmala Music Festival has arguably marked its territory on Festival. We sincerely hope that the return to the map of summer festivals. One reason is the live performance experience will grant you that few festivals are able to invite so many some respite from what we have all endured distinguished international symphonic over the past 15+ months. orchestras each season. The other may be the We are very proud of the four weekends Festival team’s innovation, as evidenced by its we have put together for you this summer. Four creative responses to the pandemic: Musical orchestras, remarkable soloists (including Soirées, the online Riga Jurmala Academy, a some of the top singers in the world today) and documentary with a new perspective on the many young artists to discover – practically all life of conductor Mariss Jansons. of them making their debut at the Festival. Another such response is the unexpected The concept we introduced with the creation of the Mariss Jansons Festival Riga Jurmala Music Festival in 2019 remains Orchestra. In the face of a last-minute a singular one in the landscape of Europe’s cancellation that could have had seismic summer classical music festivals. It is a consequences on the programming of modular event, composed of weekends a weekend, the team managed with the anchored around a visiting international invaluable help of the orchestra musicians to orchestra and its music director.
    [Show full text]
  • Czech Television the European Broadcasting Union HOST
    HBA agreement EYD 2017 Final Copy Czech Television VAT No.: CZ00027383 and The European Broadcasting Union VAT No.: CHE-107.741.078 HOST BROADCASTER AGREEMENT No. 1083852/542 Object of Agreement: terms and conditions of the Eurovision Young Dancers Price or value: 325.000 EUR Date of signature: Ç . ¿ # 0 / ^ HBA agreement EYD 2017 Final Copy HOST BROADCASTER AGREEMENT SCHEDULE FOR THE 2017 EUROVISION YOUNG DANCERS Parties The European Broadcasting Union (EBU) EBU an association duly established under Swiss law, having its headquarters at L'Ancienne-Route 17A, Case postale 45, CH-1218 Grand-Saconnex - Switzerland Ceska Televize (CT) Host Broadcaster an organisation duly established under Czech law, having its headquarters at Kavci Hory, 140 70, PRAHA 4, Czech Republic Detai s 2 « HBA agreement EYD 2017 Final Copy 3 » HBA agreement EYD 2017 Final Copy TERMS AND CONDITIONS OF THE 2017 THE EUROVISION YOUNG DANCERS HOST BROADCASTER AGREEMENT Preamble The present Agreement defines, in addition to (or as appropriate, in implementation of) the Rules, the organisational and technical infrastructure necessary for a broadcasting organisation to assume the role of host broadcaster of the EYD. The present Agreement shall consist of the Schedule as well as of the present Terms and Conditions (included this Preamble which shall be contractually binding) and shall be read in conjunction with the Rules, which shall be binding and form an integral part thereof. The Agreement and the Rules shall be construed in accordance with the overall format of the EYD, as interpreted by the EBU Executive Supervisor. The EBU Executive Supervisor shall have final word in case of inconsistencies between any of the above-mentioned documents.
    [Show full text]
  • La Favorite Opéra De Gaetano Donizetti
    La Favorite opéra de Gaetano Donizetti NOUVELLE PRODUCTION 7, 9, 12, 14, 19 février 2013 19h30 17 février 2013 17h Paolo Arrivabeni direction Valérie Nègre mise en scène Andrea Blum scénographie Guillaume Poix dramaturgie Aurore Popineau costumes Alejandro Leroux lumières Sophie Tellier choréraphie Théâtre des Champs-Elysées Alice Coote, Celso Albelo, Ludovic Tézier, Service de presse Carlo Colombara, Loïc Félix, Judith Gauthier tél. 01 49 52 50 70 [email protected] Orchestre National de France Chœur de Radio France theatrechampselysees.fr Chœur du Théâtre des Champs-Elysées Coproduction Théâtre des Champs-Elysées / Radio France La Caisse des Dépôts soutient l’ensemble de la Réservations programmation du Théâtre des Champs-Elysées T. 01 49 52 50 50 theatrechampselysees.fr 5 Depuis quelques saisons, le bel canto La Favorite et tout particulièrement Donizetti ont naturellement trouvé leur place au Gaetano Donizetti Théâtre puisque pas moins de quatre des opéras du compositeur originaire Opéra en quatre actes (1840, version française) de Bergame ont été récemment Livret d’Alphonse Royer et Gustave Vaëz, d’après Les Amours malheureuses présentés : la trilogie qu’il a consacré ou Le Comte de Comminges de François-Thomas-Marie de Baculard d’Arnaud aux Reines de la cour Tudor (Maria Stuarda, Roberto Devereux et Anna Bolena) donnée en version de direction musicale Paolo Arrivabeni concert et, la saison dernière, Don Valérie Nègre mise en scène Pasquale dans une mise en scène de Andrea Blum scénographie Denis Podalydès. Guillaume Poix dramaturgie Aurore Popineau costumes Compositeur prolifique, héritier de Rossini et précurseur de Verdi, Alejandro Le Roux lumières Donizetti appartient à cette lignée de chorégraphie Sophie Tellier musiciens italiens qui triomphèrent dans leur pays avant de conquérir Paris.
    [Show full text]
  • Mother Goose
    2017 2018 SEASON Stéphane Denève, conductor Friday, February 2, 2018 at 10:30AM Christina and Michelle Naughton, pianos Saturday, February 3, 2018 at 8:00PM RAVEL Ma mère l’oye (Mother Goose) Suite (1911) (1875–1937) Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty) Petit Poucet (Tom Thumb) Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas) Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast) Le Jardin féerique (The Enchanted Garden) POULENC Concerto in D minor for Two Pianos and Orchestra (1932) (1899–1963) Allegro ma non troppo Larghetto Finale: Allegro molto Christina and Michelle Naughton, pianos INTERMISSION GUILLAUME CONNESSON Flammenschrift (2012) (b. 1970) RAVEL Valses nobles et sentimentales (1911) Modéré – Assez lent – Modéré – Assez animé – Presque len – Assez vif – Moins vif – Épilogue: lent NO PAUSE RAVEL La Valse (1920) 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are presented by FleishmanHillard. These concerts are sponsored by Steinway Piano Gallery. Stéphane Denève is the Felix and Eleanor Slatkin Guest Conductor. Christina and Michelle Naughton are the Bruce Anderson Memorial Fund Guest Artists. The concert of Friday, February 2 is underwritten in part by a generous gift from Cynthia and Bill Durham. The concert of Saturday, February 3 is underwritten in part by a generous gift from Dr. Cora E. Musial. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 GALLIC LIGHTNESS BY RENÉ SPENCER SALLER TIMELINKS “You will find sobriety and sadness in French music just as in German or Russian,” Francis Poulenc observed in 1950.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr
    BRUCKNER SYMPHONIE NR. 3 Mariss Jansons Symphonieorchester des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr. 3 d-Moll, WAB 103 (3. Fassung von 1889) 01 Mehr langsam, misterioso 22:06 02 Adagio, bewegt, quasi Andante 13:51 03 Ziemlich schnell – Trio 7:13 04 Allegro 13:09 Total time: 56:19 Symphonieorchester des Bayerischen Rundfunks Mariss Jansons Dirigent / conductor Live-Aufnahme / live recording: München, Philharmonie im Gasteig, 20./21.01.2005 Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Recording Engineer: Klemens Kamp Schnitt / Editing: Elisabeth Panzer, Susanne Wocker Remastering: Marie-Josefin Melchior Mastering Engineer: Christoph Stickel Verlag / Publisher: Musikwissenschaftlicher Verlag Wien, vertreten durch Alkor-Edition Kassel Photos: C Peter Meisel Design / Artwork: [ec:ko] communications Editorial: Thomas Becker · Lektorat: Dr. Vera Baur Eine CD-Produktion der BRmedia Service GmbH. P 2005 C 2019 BRmedia Service GmbH MARISS JANSONS SYMPHONIEORCHESTER _ DES BAYERISCHEN RUNDFUNKS Mariss Jansons wurde 1943 in Riga als Sohn des Dirigenten Arvıds Jansons geboren. Er studierte am Leningrader Konservatorium die Fächer Violine, Klavier Schon bald nach seiner Gründung 1949 entwickelte sich das Symphonieorchester und Dirigieren und vervollständigte seine Ausbildung bei Hans Swarowsky in Wien des Bayerischen Rundfunks zu einem international renommierten Orchester. und Herbert von Karajan in Salzburg. 1971 wurde er Preisträger beim Karajan- Besonders die Pflege der Neuen Musik hat eine lange Tradition, so gehören die Wettbewerb in Berlin und begann seine enge Zusammenarbeit mit den heutigen Auftritte im Rahmen der 1945 von Karl Amadeus Hartmann gegründeten musica St. Petersburger Philharmonikern, zunächst als Assistent von Jewgenij Mrawinskij, viva von Beginn an zu den zentralen Aufgaben des Orchesters.
    [Show full text]
  • CATALOGUE 2018 This Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 CATALOGUE 2018 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 CATALOGUE 2018 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany WORLD SALES CEO: Jan Mojto C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager All information is not contractual and subject to change without prior notice. [email protected] & Marketing [email protected] All trademarks used herein are the property of their respective owners. [email protected] Date of Print: February 2018 © UNITEL 2018 All rights reserved Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet [email protected] [email protected] ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES AVAILABLE FOR THE FIRST TIME FOR GLOBAL DISTRIBUTION LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • Brosura Raro on Tour 2.Cdr
    ENSEMBLE RARO & SoNoRo FESTIVAL ON TOUR 2009/2010 TABLE OF CONTENTS CD's / 2 Ensemble Raro / 3 Alexander Sitkovetsky & Bernhard Naoki Hedenborg / 4 Diana Ketler & Razvan Popovici / 5 SoNoRo Festival Bucharest/Romania / 6-7 SoNoRo 2008 Quickshots / 8 SoNoRo INTERFERENCES / 9 Children projects / 10 Tokio, Musashino Hall / 11 Kobe Music Festival & Japan Tour / 12 Vienna, Konzerthaus / 13 New York, Carnegie/Zankel Hall / 14 www.icr.ro London, Wigmore Hall / 15 Vienna, Musikverein / 16 Chiemgauer Musikfrühling Festival, Traunstein, Germany / 17 Photo album / 18 Ensemble Raro Quickshots / 20 1 Ensemble Raro is the ensemble en residence at the Chiemgauer Musikfruehling Festival in Traunstein, SoNoRo Festival in Bucharest, Kobe SONGS AND DANCES OF LIFE ENSEMBLE International Music Festival, Pèlèrinages in München and Le Faure/Bordeaux. By creating these festivals the ensemble has full artistic liberty: it improvised with DJ's, created multimedia shows with VJ's from Japan and Romania and developed literary soirées on love, Paul Wittgenstein and Bulgakow's Master CANTI DRAMMATICI RARO and Margarita with the actor Karl Markovics and the writer Lea Singer. Ensemble Raro is actively involved in performing contemporary chamber music repertoire. They gave a British and German premieres of Peteris Vasks's Piano Quartet. Their performances of Walter Braunfels' and George THE SEASONS Enescu's works in Pelerinages series in Munchen received a high critical acclaim. Ensemble Raro's partners in various chamber music formations included Daishin Kashimoto, Konstantin Lifschitz, Adrian Brendel, Claudio Bohorquez, Baiba Skride, Carolin Widmann, Alina Pogostkina, Marlis Petersen, Mark Padmore and other celebrated musicians. The Ensemble recently performed in the Boswil Summer Festival (Switzerland), St.Gallen Festival and Gmunden Festspiele (Austria), Riga Chamber Music Days (Latvia), Schloss Elmau and Schloss Filseck (Germany) and in Music at Plush Festival (UK).
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]