Late Fall 2020 Classics & Jazz
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Philharmonic Summit Emmanuel Pahud, Flute Andreas Ottensamer
TUESDAY, 1 NOVEMBER 2016 , 6.30 PM PHILHARMONIC SUMMIT Tertianum Residenz Bellerive Kreuzbuchstrasse 33b, CH-6006 Lucerne Emmanuel Pahud, flute CHF 95.– Concert ticket Andreas Ottensamer, clarinet Advance sales: Stephan Koncz, cello Phone +41 41 544 30 30 [email protected] José Gallardo, piano Three musicians from the Berlin Philharmonic await you in Lucerne and on the WEDNESDAY, 2 NOVEMBER 2016, 6.30 PM Bürgenstock for our “Philharmonic summit”: the celebrated flautist Emmanuel Pahud, Hotel Villa Honegg the versatile cellist Stephan Koncz and clarinettist Andreas Ottensamer. The ensemble Honegg, CH-6373 Ennetbürgen is rounded off by the Argentinian piano virtuoso José Gallardo. Champagne aperitif from 5.45 pm The programme moves between the virtuoso clarity of the Baroque and the impres- CHF 125.– Concert ticket including aperitif sionist expressiveness of French Romanticism, with the expressive possibilities of CHF 230.– Concert ticket including aperitif the flute, the clarinet and the cello really coming into their own. In addition to their and four-course dinner practically limitless virtuosity, all three instruments also offer warm tonal colours and an introverted singing-like quality. Advance sales: Phone +41 41 618 32 00 Johann Sebastian Bach composed numerous works for the flute that play a significant [email protected] role to this day. Two centuries later, French composers in particular – including Camille www.villa-honegg.ch Saint-Saëns, his student Gabriel Fauré and André Jolivet – devoted themselves to the flute and other woodwind instruments. Concert duration ca. 70 minutes The cello managed early on to move away from being part of the “basso continuo” to without interval becoming a solo instrument. -
Programme Information
Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur. -
MUSIK PODIUM STUTTGART 2018/19 Frieder Bernius
MUSIK PODIUM STUTTGART 2018/19 Frieder Bernius Kammerchor Stuttgart Barockorchester Stuttgart Hofkapelle Stuttgart Klassische Philharmonie Stuttgart OPEN AIR SCHLOSS SOLITUDE DIRIGENTENAKADEMIE FESTIVAL STUTTGART BAROCK 1 Sehr geehrte Damen und Herren, liebe Musikfreunde, vor Ihnen liegt unser Programm der Saison 2018/19. Es bildet das ab, was man „spezialisierte Vielfalt“ nennen kann und womit wir einen unverwechselbaren künstlerischen Beitrag für unsere Reg ion und darüber hinaus leisten wollen. Dafür brauchen wir Sie: ein Publikum, das sich für individuell interpretierte Meisterwerke eben- so interessiert wie für Unbekanntes, das als Meisterwerk erst noch entdeckt werden will. Überstrahlt wird unsere Saison vom 50-jährigen Jubiläum der Inhalt Gründung des Kammerchors Stuttgart, das wir in diesem Herbst mit zwei ganz unterschiedlichen Programmen feiern wollen: zum einen mit Aufführungen und einer Aufnahme der Missa solemnis von Beethoven, zum anderen einem A-cappella-Programm des 4 50 Jahre Kammerchor Stuttgart Kammerchors, das am 4. November in Zusammenarbeit mit der Jubiläumskonzerte „Akademie für Gesprochenes Wort/Uta Kutter Stiftung“ auch das Ende des ersten Weltkriegs 1918 vor 100 Jahren sowie die Pogrom- 8 Konzerte in Stuttgart und Region nacht 1938 künstlerisch reflektieren will. 18 Konzertkalender Immer wieder ist der Kammerchor Stuttgart zu einem Format für 12 und 16 Solostimmen zurückgekehrt, das auch in der kommenden 20 Musik Podium Stuttgart und seine Ensembles Saison sein Repertoire erweitert und besonders die klassische Mo- 22 Freundeskreis derne einschließt. Eine spezielle Gattung ist auch das Melodram, das die Hofkapelle Stuttgart in der Electra von Christian Cannabich 24 Informationen zum Konzertbesuch einer Schauspielerin gegenüberstellt. Cannabich ist ein Vertreter der sogenannten „Mannheimer Schule“. Mit seiner Electra von 1781 26 CD-Neuerscheinungen wollen wir wieder auf einen Schatz der baden-württembergischen Musikgeschichte aufmerksam machen und für den SWR festhalten. -
Frieder Bernius
Frieder Bernius SEINE AUFNAHMEN 1975 – 2018 Freunde des Musik Podium Stuttgart e.V. Vorwort Meine Tonaufzeichnungen – auf der Suche nach dem goldenen ist im Gegensatz zur Literatur und Malerei zu können. Denn für mich ist der Unterschied Schnitt zwischen Ausdruckscharakter und technischer Perfektion „flüchtig“, deshalb kann man ihre Ergebnisse zwischen Livekonzert und Studioaufnahme nicht erneut abrufen, überprüfen und festhalten. vergleichbar mit einem gefilmten Livekonzert und einer Filmproduktion. Da geht es nicht Jeder Interpret eines musikalischen Werks ist in dieser Situation der Überprüfung, dass seine Im Lauf der Zeit, vor allem mit dem Beginn nur um die größere Vollkommenheit des Er- damit befasst, gleichzeitig seinen Klang zu emotionale Empfindungswelt eine ganz andere der digitalen Aufzeichnung, hat die sogenannte reichbaren durch die Möglichkeit, in einzelnen entwickeln und diesen in die Architektur des ist als zum Zeitpunkt der Klangentstehung. „Postproduktion“, also die technische Nach- Abschnitten zu denken, sondern vor allem Werkes einzubringen. Er ist also mit dem Augen- Denn um Klänge unmittelbar und vor der bearbeitung von Aufnahmen, erheblich an darum, die verschiedenen Anläufe nachträg- blick der Klangerzeugung ebenso beschäftigt Öffentlichkeit zu erzeugen, erfordert es andere Gewicht gewonnen. Was wären a cappella- lich unter die Lupe zu nehmen und den goldenen wie er die Form des Werkes vom ersten Ton Voraussetzungen und eine andere Einstel- Aufnahmen ohne die Möglichkeit des „pitch- Schnitt zwischen Ausdruckscharakter und tech- an voraussehen muss. Zu einem kontrollieren- lung zu ihnen, als wenn sie mit der nötigen shifts“ (Tonhöhenveränderung), was wäre ein nischer Vollkommenheit aus der gewonnenen den Nachhören der gestalteten Klänge kann Distanz abgehört werden – zumal mit der optimales Gleichgewicht von Chor und Orches- Distanz zu finden. -
Ázz /Hi-Fi Notes
for You, and Dinah, along with the rela- trouble. Arranger Jack Marshall seems tively dismal Georgia on My Minci and happier when he is reflecting Wilbur De /HI-FI NOTES Bessie Couldn't Help lt. Paris than in trying to revive Crosby ÁZZ Four of these five discs are an invalu- items (Skater's Waltz, Surokey ,\fart). CONTEMPORARY RECORDS, INC. from able supplement to the Columbia set. Gene Bolen plays some pleasant low - For those who do not have the Colum- register clarinet in an orchestration of Producers of Wang Nang Blues based on the De CONTEMPORARV RECORDS bias, any one of the Odeons- starting COOD TIME JAZZ with the Hot Fives and Hot Sevens -be- Paris version of The Pearls. The main CR COMPOSERS SERIES grace of the group, however, is CALIFORNIA RECORDS longs in a balanced iazz collection. saving REM (Society for Forgotten Jackie Coons, who hulls and puffs an Mu.i4) STERRO RECORDS Louis Armstrong and Ella Fitzgerald: elegantly bumptious mellophone. "Porgy and Bess." Verve 4011/12, Barney Kessel has an exciting Wizard of the Rag- new album -music from "SOME $11.96 (two LI'). Eubie Blake: "The and Bess and Louis Armstrong and Piano." 20th- Century Fox 3003, LIKE IT HOT " Prohibition Era Porgy time - Ella Fitzgerald seem to have been made $3.98 (LP). tunes featured in. Billy Wilder's smash film starring Marilyn for each other. For both Armstrong and Blake was one of the great pianists of the Monroe, Tony Curtis and Jack Miss Fitzgerald, the Gershwin score pro- ragtime era; and later, in partnership Lemmon. -
The Founder of the Ljubljana Festival Is the City of Ljubljana the Patron
The Founder of the Ljubljana Festival is the City of Ljubljana The Patron of the 2019 Ljubljana Festival is the Mayor of the City of Ljubljana, Mr Zoran Janković. PRESS RELEASE Ljubljana, May 2019 LJUBLJANA FESTIVAL – CULTURAL HUB AT THE HEART OF YOUR SUMMER CULTURAL EXPERIENCE Every summer the Ljubljana Festival makes an important contribution to the cultural life of Ljubljana with a carefully selected programme covering a wide variety of genres. Today’s press conference in the Red Hall at Ljubljana Town Hall served to present this year’s 67th Ljubljana Festival, which will run from July until September. Once again the festival will feature ballet and opera performances, musicals, chamber and symphonic concerts, the International Fine Arts Colony, workshops for children and young people, the Ljubljana Festival on the Ljubljanica, and much more. Even before the official start of the festival, you will have the unique opportunity to hear Verdi’s Requiem conducted by the great Plácido Domingo, in his first appearance as a conductor in Slovenia. This pre-festival event will be followed at beginning of July by the most eagerly awaited cultural event of the year: the opening of the 67th Ljubljana Festival, which gets under way with Aida, one of the best known and most frequently performed operas not only of Verdi's oeuvre, but in the entire history of opera. Director Dražen Siriščević’s imaginative staging will make the most of the outdoor setting and the opera will include an appearance by thoroughbred Lipizzaner horses from the stud farm in Lipica. The events of the Ljubljana Festival take place throughout the summer and Slovenia’s capital will continue to welcome some of the biggest names in music – performers of worldwide renown – right up until September. -
Brosura Raro on Tour 2.Cdr
ENSEMBLE RARO & SoNoRo FESTIVAL ON TOUR 2009/2010 TABLE OF CONTENTS CD's / 2 Ensemble Raro / 3 Alexander Sitkovetsky & Bernhard Naoki Hedenborg / 4 Diana Ketler & Razvan Popovici / 5 SoNoRo Festival Bucharest/Romania / 6-7 SoNoRo 2008 Quickshots / 8 SoNoRo INTERFERENCES / 9 Children projects / 10 Tokio, Musashino Hall / 11 Kobe Music Festival & Japan Tour / 12 Vienna, Konzerthaus / 13 New York, Carnegie/Zankel Hall / 14 www.icr.ro London, Wigmore Hall / 15 Vienna, Musikverein / 16 Chiemgauer Musikfrühling Festival, Traunstein, Germany / 17 Photo album / 18 Ensemble Raro Quickshots / 20 1 Ensemble Raro is the ensemble en residence at the Chiemgauer Musikfruehling Festival in Traunstein, SoNoRo Festival in Bucharest, Kobe SONGS AND DANCES OF LIFE ENSEMBLE International Music Festival, Pèlèrinages in München and Le Faure/Bordeaux. By creating these festivals the ensemble has full artistic liberty: it improvised with DJ's, created multimedia shows with VJ's from Japan and Romania and developed literary soirées on love, Paul Wittgenstein and Bulgakow's Master CANTI DRAMMATICI RARO and Margarita with the actor Karl Markovics and the writer Lea Singer. Ensemble Raro is actively involved in performing contemporary chamber music repertoire. They gave a British and German premieres of Peteris Vasks's Piano Quartet. Their performances of Walter Braunfels' and George THE SEASONS Enescu's works in Pelerinages series in Munchen received a high critical acclaim. Ensemble Raro's partners in various chamber music formations included Daishin Kashimoto, Konstantin Lifschitz, Adrian Brendel, Claudio Bohorquez, Baiba Skride, Carolin Widmann, Alina Pogostkina, Marlis Petersen, Mark Padmore and other celebrated musicians. The Ensemble recently performed in the Boswil Summer Festival (Switzerland), St.Gallen Festival and Gmunden Festspiele (Austria), Riga Chamber Music Days (Latvia), Schloss Elmau and Schloss Filseck (Germany) and in Music at Plush Festival (UK). -
Record Group 6
Special Collections in Performing Arts MUSIC LIBRARY ASSOCIATION ARCHIVES Michelle Smith Performing Arts Library Record Group VI. Notes University of Maryland, College Park, MD Finding Aid by Melissa E. Wertheimer, MLA Archivist, 2018 MUSIC LIBRARY ASSOCIATION ARCHIVES: COLLECTION SUMMARY INFORMATION Finding Aid created with Describing Archives: A Content Standard, 2nd Edition Repository Special Collections in Performing Arts, Michelle Smith Performing Arts Library, Clarice Smith Performing Arts Center, University of Maryland, College Park, MD 20742 Creator Music Library Association Title Music Library Association Archives Date 1931 – 2017 [ongoing] Extent Approximately 300 linear feet of paper records; 5GB of digital materials; sound recordings Languages English with additional documents in French, German, Italian, Portuguese, Russian, and Spanish. Preferred Citation Music Library Association Archives, Special Collections in Performing Arts, University of Maryland, College Park, MD COLLECTION SCOPE & CONTENTS The Music Library Association Archives contains the official records of the Music Library Association (MLA) that document the history, activities, and publications of the organization since its founding in 1931. MLA is the professional association for music libraries and librarianship in the United States with the mission to provide a professional forum for librarians, archivists, and others who support and preserve musical heritage. Formats in the records include manuscripts, financial ledgers, printed publications, sound recordings, oral histories, photographs, scrapbooks, microfilm, realia, born-digital files, musical scores, and artwork. The collection also contains records of select current and former regional chapters, including the Atlantic, Greater New York, Mountain-Plains, and New England Chapters. Records of the California, Midwest, New York State-Ontario, Pacific Northwest, Southeast, and Texas Chapters are housed in repositories within their geographic areas. -
Musicweb International December 2020 NAXOS RELEASES: LATE
NAXOS RELEASES: LATE 2020 By Brian Wilson It may be that I’ve been particularly somnolent recently, but a particularly fruitful series of Naxos releases in late 2020 has made me take notice of what I’ve been missing earlier this year, so I’ve included some of them, too. Index [page numbers in brackets] ALYABIEV Piano Trios (+ GLINKA, RUBINSTEIN: Russian Piano Trios 1) [5] Corelli’s Band: Violin Sonatas by Corelli and followers [2] FREDERICK II (Frederick The Great): Flute Sonatas [4] GERSHWIN Concerto in F (+ PISTON Symphony No.5, etc.) [11] GLINKA Trio pathétique (see ALYABIEV) [5] GOMPPER Cello Concerto, Double Bass Concerto, Moonburst [15] Michael HAYDN Missa Sancti Nicolai Tolentini; Vesperæ [5] HUMPERDINCK Music for the Stage [7] KORNGOLD Suite, Op.23; Piano Quintet [10] Laudario di Cortona excerpts (see PÄRT) [13] NOVÁK V Tatrách (In the Tatra Mountains); Lady Godiva; O věčné touze (Eternal Longing) [8] - Jihočeská suita (‘South Bohemian Suite’); Toman a lesní panna (‘Toman and the Wood Nymph’) [9] PÄRT And I heard a voice…, etc. ( … and … with SHAW, WOLFE, Laudario di Cortona) [13] PISTON Symphony No.5 (see GERSHWIN) [11] RUBINSTEIN Piano Trio (see ALYABIEV) [5] RUTTER Anthems, Hymns and Gloria for Brass Band [12] SCHMITT La Tragédie de Salomé, etc. [8] SCHUMANN Robert and Clara Music for violin and piano [6] VILLA-LOBOS Complete Symphonies [9] WALTON Piano Quintet and other Chamber Works with Violin and Piano [11] WEINBERG Clarinet Concerto; Clarinet Sonata; Chamber Symphony No.4 [12] WIDOR Organ Symphonies 4 (Nos. 8 and 10) [7] * The Art of Classical Guitar Transcription Christophe Dejour [15] Carmina predulcia (C15 Songbook) [1] Christmas Concertos [2] Heaven Full of Stars (contemporary choral) [13] Stille Nacht: Christmas Carols for Guitar [14] *** Carmina predulcia (‘very sweet songs’) is a recording of music from the fifteenth-century Schedelschen Liederbuch (Schedel Songbook). -
Comparing the Basque Diaspora
COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel. -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
Cmb Bio Mus Xxxiv Stag 2018
GLI INTERPRETI DELLA XXXIV STAGIONE 2018 DEL CIRCOLO DELLA MUSICA IVAN DONCHEV è stato definito da Aldo Ciccolini “artista di eccezionali qualità tecniche e musicali” e dalla critica internazionale come “raffinato e concentrato” (“Qobuz Magazine”, Francia), “pieno di temperamento” (“Darmstadter Echo”, Germania), dotato di “tecnica impeccabile e incredibile capacità di emozionare” (“Il Cittadino”, Italia). Nasce nella città di Burgas (Bulgaria) nel 1981. Intraprende lo studio del pianoforte all’età di cinque anni, dopo tre anni tiene il suo primo recital solistico e vince il secondo premio al Concorso Internazionale “Città di Stresa”. A dodici anni debutta con l’Orchestra Filarmonica di Burgas eseguendo il Concerto in re maggiore di Haydn. Per meriti artistici nel 1997 gli viene assegnato il premio “Talento dell’anno” di Burgas. Vincitore di 19 premi in concorsi nazionali e internazionali fra cui “Svetoslav Obretenov” ; (Bulgaria,1994) ; “EMCY” (Dublino, 1996), Carl Filtsch (Romania, 1997), "Città di Monopoli –Gran Prize Ecomusic, 2000” , "S.Fiorentino", (Morcone, 2004) ; "G. Terracciano", 2005 , "Società Umanitaria" , (Milano, 2008) . A soli 16 anni vince il“Premio Chopin” della Società “Chopin” di Darmstadt e debutta alla nota sala “Gasteig” di Monaco di Baviera. Da allora è regolarmente invitato a suonare nelle maggiori città europee, negli Stati Uniti, Giappone e Corea del Sud. Essenziali i concerti tenuti a New York, Sofia, Berlino, Darmstadt, Kitzingen, Dublino, Londra, Seoul, Milano (alla Sala Verdi – per “La Società dei Concerti” e all'Università Bocconi), Firenze, Livorno, Napoli, Taranto, Palermo, Messina, Oradea, Daegu, Yamagata, Montpellier (per il Festival de Radio France), Festival dei Due Mondi di Spoleto, San Sepolcro Symphonia Festival, Apollonia Music Festival, “Franz Liszt” Festival di Albano e molti altri.