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Zgallerymanager MSPM
Andro Wekua Sprüth Magers, Berlin April 27 – September 8, 2018 At the center of Andro Wekua’s new exhibition at Sprüth Magers is a life-size sculpture made of nickel silver - a silver-like alloy of copper, nickel and zinc - and a group of paintings. The untitled sculpture recalls Wekua’s earlier mannequin figures and continues their subtle formal vocabulary. The androgynous figure appears situated between the sexes; its body has a prepubescent, almost childlike look. On the back of the sculpture sits a small, black bronze Pegasus with purple wings—a futuristic element, childish toy and mythical reference in one. The physical proportions of this figure are realistic only at first glance; they are unthinkable in real life. The figure is a composite of various, non-related body parts. Before casting, it was composed of miscellaneous models of real limbs. Even the sculpture’s body posture probes the limits of what is physically possible. It recalls the Christ figure in Michelangelo’s unfinished Rondanini Pietà. In the original, the Virgin Mary stands behind her dead son and tries to hold him upright. Wekua’s figure stands in a pool; water runs from parallel slits on its arms and shoulders. Its silvery surface is in constant motion and yet it appears preserved in a state of perpetual stagnation. For all its overt artificiality, this figure seems to lead a psychological life of its own. It seems strangely, if improbably, alive. The sculpture is surrounded by a series of paintings. Wekua uses an architectural redefinition of the space to create his own viewing plane for the paintings while simultaneously reflecting the centrally-positioned sculpture as an object in space. -
Interviu Saqartvelos Mecnierebata Erovnuli Akademiis Prezidenttan
zamTari WINTER interviu saqarTvelos mecnierebaTa erovnuli akademiis prezidentTan INTERVIEW WITH THE PRESIDENT OF GEORGIAN # NATIONAL ACADEMY OF SCIENCES 6 2 0 1 4 saqarTvelos inteleqtualuri sakuTrebis erovnuli centris saqpatentis perioduli gamocema saqarTvelo gamodis sam TveSiIerTxel © saqpatenti, 2014 PERIODICAL PUBLICATION OF NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA “SAKPATENTI” GEORGIA PUBLISHED QUARTERLY PRINTED AT SAKPATENTI PUBLISHING HOUSE ADDRESS: 0179 TBILISI, NINO RAMISHVILI STR. 31 © SAKPATENTI, 2014 TEL.: (+995 32) 291-71-82 [email protected] Tavmjdomaris sveti CHAIRMAN’S COLUMN Zvirfaso mkiTxvelo, ukve meore welia, wlis bolos, warmogidgenT Cveni Jurna lis saaxalwlo nomers. rogorc yovelTvis, am gamocemaSic Tavmoyrilia rubrikebi cnobili sasaqonlo niSnis, mniS vnelovani gamogonebis, dizainis, saavtoro uflebebisa da mkiTxvelisaTvis saintereso bevri sxva Temis Sesaxeb. es no meric gansakuTrebulia Tavisi sadResaswaulo ganwyobiTa da specialurad misTvis Seqmnili statiebiT Cveni qveynis inteleqtualur simdidreze. wlis bolos yovelTvis Tan axlavs gasuli wlis saqpa tentis saqmianobis Sefaseba. vfiqrob, rom inteleqtualuri sakuTrebis sferoSi 2013 wels erTerTi mniSvnelovani mov lena iyo JenevaSi inteleqtualuri sakuTrebis msoflio Dear reader, organizaciis (WIPO) rigiT 51e generalur asambleaze It is for the second time as we present the New Year’s edition of our magazine. As usual, this edition under different saqarTvelos kulturuli RonisZiebis gamarTva. RonisZie headings includes articles on well-known trademarks, signifi- -
General Interest
GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. -
Muslim Communities of Georgia
AMERICAN UNIVERSITY OF ARMENIA Muslim Communities of Georgia: External Influences and Domestic Challenges A MASTER’S ESSAY SUBMITTED TO THE FACULTY OF GRADUATE SCHOOL OF POLITICAL SCIENCE AND INTERNATIONAL AFFAIRS FOR PARTIAL FULFILLMENT OF THE DEGREE OF MASTERS OF ARTS BY AMALYA FLJYAN YEREVAN, ARMENIA MAY 2015 1 TABLE OF CONTENTS Introduction………………………………………………………………………………….....4 Islam in Georgia: Background .…………………………………………………..……..6 Chapter 1: Literature Review…………………………………………………………………..8 Research Methodology………………………………………………………………………..14 Chapter 2: External Influences and Muslim Communities of Georgia.……………………....15 2.1 Turkey…………………………………………………………………………......15 2.2 Azerbaijan…………………………………………………………………………28 2.3 Iran………………………………………………………………………………...40 Conclusion ……………………………………………………………………………...…….45 Bibliography……………………………………………....…………………………………...47 2 ACKNOWLEDGEMENTS I would like to express my gratitude to people who supported me throughout the whole process of work on my Master’s Essay. First and foremost I would like to thank my supervisor Dr. Vahram Ter-Matevosyan. This work would not be possible without his constant support, patience, energy and dedication. The guidance and encouragement provided throughout the whole period of work on my research contributed to the overall development of my work. I was very fortunate to work with you. Further, I would like to thank the American University of Armenia and the Department of Political Science and International Affairs for creating perfect environment for academic studies. I would like specially thank Dr. Yevgenya Paturyan for her help, support and guidance during the course on Research Design. Your advice was very valuable during the first period of work on our Master’s essays. I would like to thank the Program Chair of the Department of Political Science and International for his work as program chair and support in academic endeavors. -
2015 Tbilisi
NATIONAL INTELLECTUAL PROPERTY CENTER OF GEORGIA SAKPATENTI 3(415) 2015 TBILISI INID CODES FOR IDENTIFICATION OF BIBLIOGRAPHIC DATA LIST OF CODES, IN ALPHABETIC SEQUENCE, AND THE CORRESPONDING (SHORT) NAMES OF STATES, OTHER ENTITIES AND INTERGOVERNMENTAL ORGANIZATIONS (WIPO STANDARD ST.3) INVENTIONS, UTILITY MODELS (10) Number of publication for application, which has been examined (54) Title of the invention AD Andorra for the Arab States of the Gulf (GCC) NE Niger (11) Number of patent and kind of document (57) Abstract AE United Arab Emirates GD Grenada NG Nigeria (21) Serial number of application (60) Number of examined patent document granted by foreign patent office, date from which patent AF Afghanistan GG Guernsey NI Nicaragua (22) Date of filing of the application has effect and country code (62) Number of the earlier application and in case of divided application, date of filing an AG Antigua and Barbuda GH Ghana NL Netherlands (23) Date of exhibition or the date of the earlier filing and the number of application, if any application AI Anguilla GI Gibraltar NO Norway (24) Date from which patent may have effect (71) Name, surname and address of applicant (country code) AL Albania GT Guatemala NP Nepal (31) Number of priority application (72) Name, surname of inventor (country code) AM Armenia GW Guinea- Bissau NR Nauru (32) Date of filing of priority application (73) Name, surname and address of patent owner (country code) AN Netherlands Antilles GY Guyana NZ New Zealand (33) Code of the country or regional organization allotting -
Conciliation Resources Front Cover: People Displaced from Gali Region in Abkhazia
Out of the margins Securing a voice for internally displaced people: lessons from Georgia 2009 conciliation resources Front cover: People displaced from Gali region in Abkhazia. They have lived for the past 16 years in this unfinished building used as a collective centre in the neighbouring Zugdidi region. They can see the fields of Gali from there. All photographs were taken by Dato Meskhi, except where indicated. Contents Summary 4 1 Introduction 6 1.1 Internal displacement: pasts, futures and the present 6 2 Internal displacement in Georgia 10 2.1 Numbers and waves of displacement 10 2.2 Separateness and alienation 11 2.3 Return to the Gali district 13 2.4 Political context for the project 13 3 Displaced communities and political inclusion in Georgia 15 3.1 Inclusion as a separate community with dedicated institutions 15 3.2 Inclusion as individuals in the mainstream of Georgian politics 16 4 Aims and progress of the project 18 4.1 Brief description of the project 18 4.2 Working as a network 18 4.3 Working with displaced people 20 4.4 Working with government 20 4.5 The advocacy group 21 5 Specific issues 24 5.1 Integration 24 5.2 Interaction with mainstream party politics 26 5.3 Working on conflict 29 6 The August war 32 6.1 Emotional impact of the war and responses 33 7 Conclusions 36 Acknowledgements 38 Summary Over 200,000 ethnic Georgians remain displaced from • entrenched corruption within the government- their homes since the Georgian-Abkhaz conflict in the early in-exile 1990s. -
Constructions and Instrumentalization of the Past: a Comparative Study on Memory Management in the Region
CBEES State of the Region Report 2020 Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region Published with support from the Foundation for Baltic and East European Studies (Östersjstiftelsen) Constructions and Instrumentalization of the Past A Comparative Study on Memory Management in the Region December 2020 Publisher Centre for Baltic and East European Studies, CBEES, Sdertrn University © CBEES, Sdertrn University and the authors Editor Ninna Mrner Editorial Board Joakim Ekman, Florence Frhlig, David Gaunt, Tora Lane, Per Anders Rudling, Irina Sandomirskaja Layout Lena Fredriksson, Serpentin Media Proofreading Bridget Schaefer, Semantix Print Elanders Sverige AB ISBN 978-91-85139-12-5 4 Contents 7 Preface. A New Annual CBEES Publication, Ulla Manns and Joakim Ekman 9 Introduction. Constructions and Instrumentalization of the Past, David Gaunt and Tora Lane 15 Background. Eastern and Central Europe as a Region of Memory. Some Common Traits, Barbara Trnquist-Plewa ESSAYS 23 Victimhood and Building Identities on Past Suffering, Florence Frhlig 29 Image, Afterimage, Counter-Image: Communist Visuality without Communism, Irina Sandomirskaja 37 The Toxic Memory Politics in the Post-Soviet Caucasus, Thomas de Waal 45 The Flag Revolution. Understanding the Political Symbols of Belarus, Andrej Kotljarchuk 55 Institutes of Trauma Re-production in a Borderland: Poland, Ukraine, and Lithuania, Per Anders Rudling COUNTRY BY COUNTRY 69 Germany. The Multi-Level Governance of Memory as a Policy Field, Jenny Wstenberg 80 Lithuania. Fractured and Contested Memory Regimes, Violeta Davoliūtė 87 Belarus. The Politics of Memory in Belarus: Narratives and Institutions, Aliaksei Lastouski 94 Ukraine. Memory Nodes Loaded with Potential to Mobilize People, Yuliya Yurchuk 106 Czech Republic. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
Andro Wekua “Dreaming Dreaming” 515 West 24Th Street September 21 – November 3, 2012 Opening September 20, 6 – 8 Pm
Andro Wekua “Dreaming Dreaming” 515 West 24th Street September 21 – November 3, 2012 Opening September 20, 6 – 8 pm Gladstone Gallery is pleased to present an exhibition of new work by Andro Wekua. Working in a diverse array of media, Wekua has developed a visual language grounded in the exploration of human experience through the subtle intersections of individual and collective memory, personal identity, and history. Looking to genres such as fantasy, science fiction, and horror, Wekua creates fantastical and often macabre tableaux, revealing the complex processes of reconstruction and fragmentation that continually inform the personal, social, and fictive experience of remembrance. “Dreaming Dreaming” presents a series of new painting, sculpture, and collage, as well as Wekua’s most recent film, Never Sleep with a Strawberry in Your Mouth II. The paintings included in the exhibition mark a notable break from Wekua’s earlier work, revealing a more uniformly abstract approach to imagery. A number of these recent compositions comprise a nearly monochromatic palette, containing only glimpses of the figurative elements and collage techniques characteristic of his earlier work. Using fully saturated colors to achieve moody, immersive environments and richly layered landscapes, Wekua moves between the sincerity of self-reflection and the synthetic imagery of pop culture. The sculptures on view include models of buildings Wekua remembers from his childhood in Sukhumi, a seaside town in Georgia that was devastated by civil war in the early 1990s. Conjuring images from memory and supplementing them with online research, Wekua creates sculptural representations of buildings, which contain blank spaces that correspond to what he refers to as “memory gaps.” Creating pictorial representations of the past to better comprehend and grapple with the present, Wekua meditates on the tenuous boundary between historical reality and the artificial construct of remembering, pointing to the inescapable fact that the past is always distorted by the subjectivity of memory. -
Natural Resource Management and Factors Conducive to Elite Corruption
Association Green Alternative is a non-governmental, non-profit organization founded in 2000. The mission of Green Alternative is to protect the environment, biological and cultural heritage of Georgia through promoting economically sound and socially acceptable alternatives, establishing the principles of environmental and social justice and upholding public access to information and decision-making processes. We organize our work around six thematic and five cross- cutting areas. Thematic priority areas include: energy – extractive industry – climate change; transport sector and environment; privatization and environment; biodiversity conservation; waste management; water management. Cross-cutting priority areas include: environmental gover- nance; public access to information, decision-making and justice; instruments for environmental management and sustainable development; European Neighbourhood Policy, monitoring of the lending of the international finan- Natural Resource Management and cial institutions and international financial flow in Georgia. Factors Conducive to Elite Corruption Green Alternative cooperates with non-governmental organizations both inside and outside Georgia. In 2001 Green Alternative, along with other local and international non-governmental organizations, founded a network of observers devoted to monitoring of development of a poverty reduction strategy in Georgia. Since 2002 Green Alternative has been monitoring implementation of the Baku-Tbilisi-Ceyhan oil pipeline project, its compliance with the policies and guidelines of the international finan- cial institutions, the project’s impacts on the local popula- tion and the environment. Since 2005 the organization has been a member of the Monitoring Coalition of the ENP (European Neighbourhood Policy) Action Plan. In 2006 Green Alternative founded an independent forest monitor- ing network. Since establishment Green Alternative is a member of CEE Bankwatch Network – one of the stron- gest networks of environmental NGOs in Central and East- ern Europe. -
ANDRO WEKUA Education Awards & Grants Solo Exhibitions
ANDRO WEKUA Born 1977 Sokhumi, Georgia Lives and works in Berlin and New York Education 1991 National Art School, Sokhumi, Georgia 1994 Studied at Phil. Institute “Gogebashvili,” Tbilisi, Georgia 1999 Visual Art School, Basel, Switzerland Awards & Grants 2011 Nominated for National Gallery Prize for Young Art, Berlin, Germany 2006 Manor Art Award, Zürich, Switzerland 2005 Kiefer Hablitzel Foundation Prize 2004 Artist in Residence for city of Zürich, Zürich, Switzerland 2003 Swiss Federal Award for Fine Arts, Zürich, Switzerland 2002 Binz 39 Foundation Studio Grant, Zürich, Switzerland Solo Exhibitions 2019 “Andro Wekua,” Gladstone Gallery, New York 2018 “Andro Wekua: All is Fair in Dreams and War,” Kunsthalle Zürich, Zürich, Switzerland [traveled to: Sprüth Magers, Berlin, Germany (2019)] “Andro Wekua,” Sprüth Magers, Berlin, Germany “Andro Wekua. Dolphin in the Fountain,” Garage Museum of Contemporary Art, Moscow, Russia 2017 “A Dog’s Fidelity,” Gladstone 64, New York 2016 “Andro Wekua – Anruf,” Kölnischer Kunstverein, Cologne, Germany “Andro Wekua: Some Pheasants In Singularity,” Sprüth Magers, London, United Kingdom 2015 “Andro Wekua,” 032c Workshop, Berlin, Germany 2014 “Some Pheasants in Singularity” Sprüth Magers, London, United Kingdom “Andro Wekua: Pink Wave Hunter,” Benaki Museum, Athens, Greece 2012 “Dreaming Dreaming,” Gladstone Gallery, New York 2011 “Never Sleep With a Strawberry In Your Mouth,” Kunsthalle Wien, Vienna, Austria “Pink Wave Hunter,” Kunsthalle Fridericianum, Kassel, Germany “A Neon Shadow,” Castello di Rivoli, Torino, Italy 2010 “Gott ist tot aber das Mädchen nicht,” Schinkel Pavillon, Berlin, Germany “Books, Editions, and the Like,” Swiss Institute, New York “1995,” Gladstone Gallery, Brussels, Belgium 2009 “Workshop Report,” Wiels, Brussels, Belgium “28. August,” Galerie Peter Kilchmann, Zürich, Switzerland “Workshop Report,” Museion, Bolzano, Italy 2008 “My Bike and Your Swamp,” Camden Art Center, London, United Kingdom [traveled to: De Hallen, Haarlem, Netherlands] “Sunset. -
Armenia Condemns Turkey's Invasion of Syria
OCTOBER 19, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXX, NO. 14, Issue 4607 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Britain Reverses Armenia Appointment of New Envoy to Armenia Condemns LONDON (RFE/RL) — The British government has unexpectedly rescinded its recent decision to appoint an ethnic Armenian diplomat as the United Kingdom’s new ambassador to Armenia. Turkey’s The government announced two months ago that Alan Gogbashian will replace Judith Farnworth, a fellow diplomat who has served as Invasion British ambassador in Yerevan for the last four years. The announcement was welcomed by many in Armenia and its worldwide Diaspora. “This is the first time that a Diaspora Of Syria A scene from the documentary of “The Stateless Diplomat” Armenian will be ambassador to Armenia,” the office of Zareh Sinanyan, Armenia’s Armenian- American commissioner general of Diaspora YEREVAN (Combined Sources) — Armenia Diana Apcar Documentary Sheds affairs, said on August 12. condemned the Turkish invasion of Syria, “Mr. Alan Gogbashian will no longer be taking according to a message from the Ministry up the role of Her Majesty’s Ambassador to of Foreign Affairs of Armenia, released on Light on Tireless Heroine Yerevan for operational reasons,” read a state- October 10. Prime Minister Nikol WATERTOWN — Diana Agabeg Apcar, a ment released by the British Embassy in Yerevan Pashinyan also called on the international on Monday, October 14. “Mr. Gogbashian will be community to take every measure to stop By Alin K. Gregorian woman born far away from her homeland not only ended up representing her country transferring to another Diplomatic Service the Turkish invasion.