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General Interest GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice. An introductory essay by John Elderfield, MoMA’s Chief Curator Emeritus of Painting and Sculpture, provides an in-depth exploration of de Kooning’s development, context and sources, theory of art and working methods. Sections devoted to particular areas of the artist’s oeuvre provide an illustrated chronology of the period and a brief introduction, as well as detailed entries on groups of works. With lavish, full-color documentation, this landmark publication is the most complete account of de Kooning’s artistic career to date. Willem de Kooning was born in Rotterdam, The Netherlands in 1904, and moved to the United States in 1926. His early figurative painting slowly gained attention, and his black-and-white abstractions of the late 1940s made him a leader among the New York Abstract Expressionists; but the early 1950s Woman paintings made him famous for the violence of their depiction. De Kooning moved to Long Island in 1963, working in both abstract and figurative styles through the 1980s. He died in 1997. De Kooning: A Retrospective ISBN 978-0-87070-797-1 Hbk, 9.5 x 12 in. / 488 pgs / 675 color. U.S. $75.00 CDN $83.00 September/Art Accompanying a highly anticipated exhibition at The Exhibition Schedule Museum of Modern Art, this monumental publication is New York: The Museum of Modern Art, 09/18/11–01/09/12 the most comprehensive volume on Willem de Kooning yet published. Also Available: Willem de Kooning: Works, Writings, Interviews Willem de Kooning 9788434311381 9780870707889 Hbk, U.S. $45.00 CDN,$50.00 Pbk, U.S. $9.95 CDN $11.00 Poligrafa The Museum of Modern Art, New York 4 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST Gerhard Richter: Panorama surveys over a half-century of paintings, photo-paintings, drawings and sculpture, provid- ing the definitive monograph on one of the world’s most celebrated living artists. D.A.P./TATE Gerhard Richter: Panorama Edited by Nicholas Serota, Mark Godfrey. Text by Achim Borchardt-Hume, Dorothée Brill, Rachel Haidu, Christine Mehring, Camille Morineau. Gerhard Richter: Panorama is the first and most complete overview of one of the greatest artistic achievements of our times. Where previous monographs have focused on a single genre within Richter’s vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half-century of activity, includ- ing photo-paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs. It therefore stands as the definitive portrait of Richter’s colossal accomplishment to date. Alongside his celebrated abstractions, early black-and-white paintings and the photorealist depictions of candles, skulls and clouds that have become indisputable icons of modern painting, Panorama includes nearly 30 new paintings made over the past ten years, extensive comparative works, studio photographs, archival images and a substantial interview with the artist conducted by Nicholas Serota. Published on the occasion of Richter’s major touring exhibition in Europe, Also Available: this landmark publication is a fitting tribute to one of the world’s most celebrated living artists. Gerhard Richter: Writings Born in Dresden, East Germany, in 1932, Gerhard Richter migrated to West Germany in 1961, settling in Düsseldorf, 9781933045948 where he studied at the Düsseldorf Academy, and where he held his first solo exhibition in 1963. Over the course of Hbk, U.S. $55.00 CDN $61.00 that decade, Richter helped to liberate painting from the legacy of Socialist Realism (in Eastern Germany) and D.A.P. Abstract Expressionism (in Western Germany and throughout Europe). He has exhibited internationally for the last Gerhard Richter: five decades, with retrospectives in New York, Paris and Düsseldorf. He lives and works in Cologne. Forty Years of Painting Gerhard Richter: Panorama 9781891024375 ISBN 978-1-935202-71-4 Exhibition Schedule Hbk, U.S. $85.00 Hbk, 9.75 x 11.5 in. / 288 pgs / 250 color. London: Tate Modern, 10/06/11–01/08/12 CDN $94.00 U.S. $65.00 CDN $72.00 Berlin: Neue Nationalgalerie, 02/11–05/13/12 The Museum of Modern October/Art Paris: Centre Georges Pompidou, 06/06/12–09/24/12 Art, New York www.artbook.com | 5 6 | D.A.P. | T:800.338.2665 F:800.478.3128 GENERAL INTEREST APERTURE The New York Times Magazine Photographs Edited by Kathy Ryan. Preface by Gerald Marzorati. Text by David Campany. A behind-the-scenes For over 30 years, The New York Times Magazine has been synonymous with the myriad possibilities and applications look into one of the of photography. The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, preeminent venues longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume for photography presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, through the work the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine of more than 130 form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the documentary, portrait many photographers, writers, editors and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazine’s relationship to and fashion photog- photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues raphers, including of documentary photography in relation to more conceptual photography; the efficacy of storytelling; and what makes an image evidentiary, objective, subjective, truthful or a tool for advocacy; as well as thoughts on whether Rineke Dijkstra, these matters are currently moot, or more critical than ever. As such, The New York Times Magazine: Photographs Sebastiâo Selgado, serves as a springboard for a rigorous, necessary and revitalized examination of photography as presented within a modern journalistic context. Ryan McGinley, The New York Times Magazine Photographs Lynsey Addario, Lizzie ISBN 978-1-59711-146-1 Hbk, 9.5 x 11.5 in. / 456 pgs / illustrated throughout. Himmel, Jeff Riedel U.S. $75.00 CDN $83.00 Exhibition Schedule September/Photography Arles, France: Rencontres d’Arles, 07/04/11–09/18/11 and Jeff Mermelstein. www.artbook.com | 7 Drawing on works by Avedon, Arbus, Cunningham, Klein and Frank, as well as vernacular photography, this marvelous collection of anti-portraiture both rivets and unnerves. APERTURE The Unseen Eye Photographs from the Unconscious Edited and with text by W.M. Hunt. Introduction by William A. Ewing. The Unseen Eye presents a wonderfully idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of 30 years by New York collector W.M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe and Robert Frank, as well as works by lesser-known artists and vernacular images. Hunt’s instinctive pursuit of striking images has resulted in a collection that manages to evoke a picture of humanity from birth to death, with all the associated nuances of memory, wit, eroticism, fear, grief and horror. More than 350 intensely evocative and frequently surreal images are brilliantly sequenced in this volume; the cumulative effect is unnerving and riveting. Most critically, the images are drawn together by the narrative of the collector himself, in a highly personal monologue that weaves throughout the book, in which Hunt offers his own perceptive responses to the images he has gathered over many years.
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